| 1 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Introduction, background and perspective |  | 5:03 | 
  | 1 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Introduction, background and perspective |  | 5:03 | 
  | 2 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A gentle, other-worldly start; no sign of the |  | 1:33 | 
  | 2 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A gentle, other-worldly start; no sign of the |  | 1:33 | 
  | 3 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Music as mosaic; the composer as constructor |  | 1:57 | 
  | 3 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Music as mosaic; the composer as constructor |  | 1:57 | 
  | 4 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Two functions of metrical change: going with t |  | 1:23 | 
  | 4 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Two functions of metrical change: going with t |  | 1:23 | 
  | 5 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Or disrupting it: a sample of metrical violenc |  | 1:02 | 
  | 5 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Or disrupting it: a sample of metrical violenc |  | 1:02 | 
  | 6 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A stealthy entry (clarinets) |  | :34 | 
  | 6 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A stealthy entry (clarinets) |  | :34 | 
  | 7 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Detour: the destabilising properties of chroma |  | 4:04 | 
  | 7 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Detour: the destabilising properties of chroma |  | 4:04 | 
  | 8 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. On melodies, themes and motifs |  | 1:03 | 
  | 8 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. On melodies, themes and motifs |  | 1:03 | 
  | 9 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. The new cor anglais motif dominates |  | :27 | 
  | 9 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. The new cor anglais motif dominates |  | :27 | 
  | 10 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. The oboe's rhythmic motif takes over |  | :25 | 
  | 10 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. The oboe's rhythmic motif takes over |  | :25 | 
  | 11 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A primeval awakening |  | :37 | 
  | 11 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A primeval awakening |  | :37 | 
  | 12 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A panoply of Stravinskyan birdsong |  | :58 | 
  | 12 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A panoply of Stravinskyan birdsong |  | :58 | 
  | 13 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A matter of mode |  | 1:15 | 
  | 13 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A matter of mode |  | 1:15 | 
  | 14 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Cue to Introduction |  | :08 | 
  | 14 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Cue to Introduction |  | :08 | 
  | 15 |  | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 1. The Adoration of the Earth. 1. Introduction (complete) |  | 3:38 | 
  | 15 |  | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 1. The Adoration of the Earth. 1. Introduction (complete) |  | 3:38 | 
  | 16 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The 'Rite of |  | :41 | 
  | 16 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The 'Rite of |  | :41 | 
  | 17 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The great ar |  | 1:35 | 
  | 17 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The great ar |  | 1:35 | 
  | 18 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Putting the |  | 1:45 | 
  | 18 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Putting the |  | 1:45 | 
  | 19 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The prevalen |  | 1:51 | 
  | 19 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The prevalen |  | 1:51 | 
  | 20 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Metre restor |  | :50 | 
  | 20 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Metre restor |  | :50 | 
  | 21 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The musical |  | 1:19 | 
  | 21 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The musical |  | 1:19 | 
  | 22 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. An important |  | 1:04 | 
  | 22 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. An important |  | 1:04 | 
  | 23 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Another new |  | :48 | 
  | 23 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Another new |  | :48 | 
  | 24 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. A crowded co |  | 1:43 | 
  | 24 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. A crowded co |  | 1:43 | 
  | 25 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 3. Ritual of Abduction. A real study in contrasts |  | 1:31 | 
  | 25 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 3. Ritual of Abduction. A real study in contrasts |  | 1:31 | 
  | 26 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 3. Ritual of Abduction. Panic and pandemonium as timpani open f |  | 1:09 | 
  | 26 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 3. Ritual of Abduction. Panic and pandemonium as timpani open f |  | 1:09 | 
  | 27 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 3. Ritual of Abduction. Climactic mêlée haunted by 'fear motif' |  | 1:34 | 
  | 27 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 3. Ritual of Abduction. Climactic mêlée haunted by 'fear motif' |  | 1:34 | 
  | 28 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. Suddenly another world, as flutes hover over |  | :59 | 
  | 28 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. Suddenly another world, as flutes hover over |  | :59 | 
  | 29 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. But a transient one: new movement arises from |  | :50 | 
  | 29 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. But a transient one: new movement arises from |  | :50 | 
  | 30 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Dragging feet motif' over ostinato violins, |  | :42 | 
  | 30 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Dragging feet motif' over ostinato violins, |  | :42 | 
  | 31 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Matching motif' developed further by flutes |  | :45 | 
  | 31 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Matching motif' developed further by flutes |  | :45 | 
  | 32 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. A trilling commentary from piccolo and high c |  | :25 | 
  | 32 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. A trilling commentary from piccolo and high c |  | :25 | 
  | 33 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Marching motif' theme goes polymetric in hug |  | 1:16 | 
  | 33 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Marching motif' theme goes polymetric in hug |  | 1:16 | 
  | 34 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. An unexpected change of pace as tempo doubles |  | :53 | 
  | 34 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. An unexpected change of pace as tempo doubles |  | :53 | 
  | 35 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. And an unexpected reversion, to a quiet close |  | :41 | 
  | 35 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. And an unexpected reversion, to a quiet close |  | :41 | 
  | 36 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Violent onslaught from brass and |  | :25 | 
  | 36 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Violent onslaught from brass and |  | :25 | 
  | 37 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Rival Tribes, rival motifs |  | :22 | 
  | 37 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Rival Tribes, rival motifs |  | :22 | 
  | 38 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Sensational violence comes close |  | :38 | 
  | 38 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Sensational violence comes close |  | :38 | 
  | 39 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Effects, impressions and alterat |  | 1:39 | 
  | 39 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Effects, impressions and alterat |  | 1:39 | 
  | 40 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. A surprise re-entry and a change |  | :54 | 
  | 40 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. A surprise re-entry and a change |  | :54 | 
  | 41 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. A thinning of texture, a new ide |  | :34 | 
  | 41 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. A thinning of texture, a new ide |  | :34 | 
  | 42 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. The new idea developed: a minor |  | :41 | 
  | 42 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. The new idea developed: a minor |  | :41 | 
  | 43 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. The use of tone colour as an age |  | 1:32 | 
  | 43 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. The use of tone colour as an age |  | 1:32 | 
  | 44 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. An unusual climax... |  | 1:30 | 
  | 44 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. An unusual climax... |  | 1:30 | 
  | 45 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. And a sinister transition |  | :51 | 
  | 45 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. And a sinister transition |  | :51 | 
  | 46 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 6. Procession of the Sage. Across the threshold into an instrum |  | 1:29 | 
  | 46 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 6. Procession of the Sage. Across the threshold into an instrum |  | 1:29 | 
  | 47 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 6. Procession of the Sage. A sudden silence and then another wo |  | 1:00 | 
  | 47 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 6. Procession of the Sage. A sudden silence and then another wo |  | 1:00 | 
  | 48 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 6. Procession of the Sage. Catapulted into the 'Dance of the Ea |  | :38 | 
  | 48 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 6. Procession of the Sage. Catapulted into the 'Dance of the Ea |  | :38 | 
  | 49 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 7. Dance of the Earth. Tiny changes, unyielding ostinatos, masi |  | 3:19 | 
  | 49 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 7. Dance of the Earth. Tiny changes, unyielding ostinatos, masi |  | 3:19 | 
  | 50 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 7. Dance of the Earth. Cue to Part One complete |  | :07 | 
  | 50 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 7. Dance of the Earth. Cue to Part One complete |  | :07 | 
  | 51 |  | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 1. The Adoration of the Earth (complete) |  | 16:08 | 
  | 51 |  | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 1. The Adoration of the Earth (complete) |  | 16:08 | 
  | 52 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. Again a muted, subtly coloured start |  | 1:09 | 
  | 52 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. Again a muted, subtly coloured start |  | 1:09 | 
  | 53 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. Tone colour as atmosphere - the strings' motif |  | 1:07 | 
  | 53 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. Tone colour as atmosphere - the strings' motif |  | 1:07 | 
  | 54 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. Four solo violas, above gently rocking strings |  | :23 | 
  | 54 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. Four solo violas, above gently rocking strings |  | :23 | 
  | 55 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. A pregnant pause, and a new motif in muted trumpets |  | 1:14 | 
  | 55 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. A pregnant pause, and a new motif in muted trumpets |  | 1:14 | 
  | 56 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Motif from the Introduction varied and |  | 1:27 | 
  | 56 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Motif from the Introduction varied and |  | 1:27 | 
  | 57 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. New motif, heralded by clarinets and v |  | :34 | 
  | 57 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. New motif, heralded by clarinets and v |  | :34 | 
  | 58 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Variant of Motif No. 2 given out by tw |  | :44 | 
  | 58 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Variant of Motif No. 2 given out by tw |  | :44 | 
  | 59 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Continued by oboes and bassoons; new m |  | :33 | 
  | 59 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Continued by oboes and bassoons; new m |  | :33 | 
  | 60 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Main motifs yield to new idea from flu |  | :38 | 
  | 60 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Main motifs yield to new idea from flu |  | :38 | 
  | 61 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. All change - direction, tone colour, m |  | :40 | 
  | 61 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. All change - direction, tone colour, m |  | :40 | 
  | 62 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Motif No. 1 returns in horn, then pass |  | :46 | 
  | 62 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Motif No. 1 returns in horn, then pass |  | :46 | 
  | 63 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Texture, balance and tone colour keep |  | :26 | 
  | 63 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Texture, balance and tone colour keep |  | :26 | 
  | 64 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Instrumental enrichment, new counterpo |  | :40 | 
  | 64 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Instrumental enrichment, new counterpo |  | :40 | 
  | 65 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. New derivative of Motif No. 2, a host |  | :48 | 
  | 65 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. New derivative of Motif No. 2, a host |  | :48 | 
  | 66 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Into the finishing stretch, and we kno |  | :44 | 
  | 66 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Into the finishing stretch, and we kno |  | :44 | 
  | 67 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Putting the movement back together aga |  | :07 | 
  | 67 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Putting the movement back together aga |  | :07 | 
  | 68 |  | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls (complete) |  | 8:16 | 
  | 68 |  | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls (complete) |  | 8:16 | 
  | 69 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. On into one of the most sensational move |  | 1:36 | 
  | 69 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. On into one of the most sensational move |  | 1:36 | 
  | 70 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. The violence is almost graphic. An examp |  | :35 | 
  | 70 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. The violence is almost graphic. An examp |  | :35 | 
  | 71 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. Motif No. 2: a terrible, off-beat oom-pa |  | :13 | 
  | 71 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. Motif No. 2: a terrible, off-beat oom-pa |  | :13 | 
  | 72 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. The air is filled with the fearsome bayi |  | :20 | 
  | 72 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. The air is filled with the fearsome bayi |  | :20 | 
  | 73 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. A variant of Motif No. 2, but now descen |  | :14 | 
  | 73 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. A variant of Motif No. 2, but now descen |  | :14 | 
  | 74 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. A study in the brutality of suspense - a |  | 4:12 | 
  | 74 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. A study in the brutality of suspense - a |  | 4:12 | 
  | 75 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. The middle section begins with a massive |  | :27 | 
  | 75 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. The middle section begins with a massive |  | :27 | 
  | 76 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. Against the odds, the 'descending motif' |  | :23 | 
  | 76 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. Against the odds, the 'descending motif' |  | :23 | 
  | 77 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. In the midst of the fray, a new 'rising |  | 1:02 | 
  | 77 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. In the midst of the fray, a new 'rising |  | 1:02 | 
  | 78 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. And undergoes a typically Stravinskyan e |  | 1:03 | 
  | 78 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. And undergoes a typically Stravinskyan e |  | 1:03 | 
  | 79 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. A much-needed breath before the movement |  | :17 | 
  | 79 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. A much-needed breath before the movement |  | :17 | 
  | 80 |  | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice. 3. Glorification of the Chosen One (complete) |  | 1:45 | 
  | 80 |  | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice. 3. Glorification of the Chosen One (complete) |  | 1:45 | 
  | 81 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 4. Evocation of the Ancestors. The next movement consists of a single, chord |  | :58 | 
  | 81 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 4. Evocation of the Ancestors. The next movement consists of a single, chord |  | :58 | 
  | 82 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 4. Evocation of the Ancestors. The second statement: breaking the metrical f |  | 2:13 | 
  | 82 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 4. Evocation of the Ancestors. The second statement: breaking the metrical f |  | 2:13 | 
  | 83 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. At last the establishment of a clear and |  | 1:21 | 
  | 83 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. At last the establishment of a clear and |  | 1:21 | 
  | 84 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. A counterpoint of ostinatos lends continu |  | :42 | 
  | 84 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. A counterpoint of ostinatos lends continu |  | :42 | 
  | 85 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. Horns introduce the first real motif, des |  | :32 | 
  | 85 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. Horns introduce the first real motif, des |  | :32 | 
  | 86 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The motif disappears, though the backgrou |  | :32 | 
  | 86 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The motif disappears, though the backgrou |  | :32 | 
  | 87 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. A change of mood, then the whole orchestr |  | :49 | 
  | 87 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. A change of mood, then the whole orchestr |  | :49 | 
  | 88 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The steady pulse gives way to a tossed sa |  | :43 | 
  | 88 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The steady pulse gives way to a tossed sa |  | :43 | 
  | 89 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. Lately abandoned, the steady pulse return |  | 1:06 | 
  | 89 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. Lately abandoned, the steady pulse return |  | 1:06 | 
  | 90 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The movement ends with a varied reprise o |  | :15 | 
  | 90 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The movement ends with a varied reprise o |  | :15 | 
  | 91 |  | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice. 4. Evocation of the Ancestors (complete). 5. Ritual Action of the Ancestors |  | 4:23 | 
  | 91 |  | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice. 4. Evocation of the Ancestors (complete). 5. Ritual Action of the Ancestors |  | 4:23 | 
  | 92 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. The last movement is based on two motifs, the first mo |  | :20 | 
  | 92 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. The last movement is based on two motifs, the first mo |  | :20 | 
  | 93 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. The second motif is likewise predominantly rhythmical |  | :16 | 
  | 93 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. The second motif is likewise predominantly rhythmical |  | :16 | 
  | 94 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Two variants: one a rhythmic simplification, the other |  | :20 | 
  | 94 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Two variants: one a rhythmic simplification, the other |  | :20 | 
  | 95 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. A new section, again with two main motifs, the first f |  | :27 | 
  | 95 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. A new section, again with two main motifs, the first f |  | :27 | 
  | 96 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. This is joined by another brief but very striking moti |  | :20 | 
  | 96 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. This is joined by another brief but very striking moti |  | :20 | 
  | 97 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Tension dramatically increased by a violent interrupti |  | :35 | 
  | 97 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Tension dramatically increased by a violent interrupti |  | :35 | 
  | 98 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Motif No. 2 is passed from bassoons to high wind and t |  | :34 | 
  | 98 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Motif No. 2 is passed from bassoons to high wind and t |  | :34 | 
  | 99 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. And is twice interrupted by horns |  | :41 | 
  | 99 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. And is twice interrupted by horns |  | :41 | 
  | 100 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Motif No. 1 erupts in full orchestra, then all hell br |  | :48 | 
  | 100 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Motif No. 1 erupts in full orchestra, then all hell br |  | :48 | 
  | 101 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. New ostinato, over implacable repetitions of Motif No. |  | :26 | 
  | 101 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. New ostinato, over implacable repetitions of Motif No. |  | :26 | 
  | 102 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. A new section, kick-started by percussion: timpani, ba |  | 1:11 | 
  | 102 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. A new section, kick-started by percussion: timpani, ba |  | 1:11 | 
  | 103 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Horns, doubled by strings, introduce the main idea of |  | :18 | 
  | 103 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Horns, doubled by strings, introduce the main idea of |  | :18 | 
  | 104 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. The return of the movement's opening section - or so w |  | :54 | 
  | 104 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. The return of the movement's opening section - or so w |  | :54 | 
  | 105 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Dramatic compression of now-familiar material |  | :40 | 
  | 105 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Dramatic compression of now-familiar material |  | :40 | 
  | 106 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. A terrifying cocktail of motifs old and new confounds |  | 1:00 | 
  | 106 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. A terrifying cocktail of motifs old and new confounds |  | 1:00 | 
  | 107 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. And leads to the coda, the final flourish of the whole |  | 1:45 | 
  | 107 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. And leads to the coda, the final flourish of the whole |  | 1:45 | 
  | 108 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Cue to all of Part Two and end of CD |  | :10 | 
  | 108 |  | Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Cue to all of Part Two and end of CD |  | :10 | 
  | 109 |  | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice (complete) |  | 18:58 | 
  | 109 |  | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice (complete) |  | 18:58 |