1
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Introduction, background and perspective |  |
5:03
|
1
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Introduction, background and perspective |  |
5:03
|
2
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A gentle, other-worldly start; no sign of the |  |
1:33
|
2
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A gentle, other-worldly start; no sign of the |  |
1:33
|
3
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Music as mosaic; the composer as constructor |  |
1:57
|
3
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Music as mosaic; the composer as constructor |  |
1:57
|
4
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Two functions of metrical change: going with t |  |
1:23
|
4
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Two functions of metrical change: going with t |  |
1:23
|
5
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Or disrupting it: a sample of metrical violenc |  |
1:02
|
5
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Or disrupting it: a sample of metrical violenc |  |
1:02
|
6
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A stealthy entry (clarinets) |  |
:34
|
6
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A stealthy entry (clarinets) |  |
:34
|
7
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Detour: the destabilising properties of chroma |  |
4:04
|
7
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Detour: the destabilising properties of chroma |  |
4:04
|
8
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. On melodies, themes and motifs |  |
1:03
|
8
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. On melodies, themes and motifs |  |
1:03
|
9
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. The new cor anglais motif dominates |  |
:27
|
9
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. The new cor anglais motif dominates |  |
:27
|
10
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. The oboe's rhythmic motif takes over |  |
:25
|
10
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. The oboe's rhythmic motif takes over |  |
:25
|
11
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A primeval awakening |  |
:37
|
11
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A primeval awakening |  |
:37
|
12
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A panoply of Stravinskyan birdsong |  |
:58
|
12
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A panoply of Stravinskyan birdsong |  |
:58
|
13
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A matter of mode |  |
1:15
|
13
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. A matter of mode |  |
1:15
|
14
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Cue to Introduction |  |
:08
|
14
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 1. Introduction. Cue to Introduction |  |
:08
|
15
|  |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 1. The Adoration of the Earth. 1. Introduction (complete) |  |
3:38
|
15
|  |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 1. The Adoration of the Earth. 1. Introduction (complete) |  |
3:38
|
16
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The 'Rite of |  |
:41
|
16
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The 'Rite of |  |
:41
|
17
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The great ar |  |
1:35
|
17
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The great ar |  |
1:35
|
18
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Putting the |  |
1:45
|
18
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Putting the |  |
1:45
|
19
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The prevalen |  |
1:51
|
19
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The prevalen |  |
1:51
|
20
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Metre restor |  |
:50
|
20
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Metre restor |  |
:50
|
21
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The musical |  |
1:19
|
21
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The musical |  |
1:19
|
22
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. An important |  |
1:04
|
22
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. An important |  |
1:04
|
23
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Another new |  |
:48
|
23
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Another new |  |
:48
|
24
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. A crowded co |  |
1:43
|
24
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. A crowded co |  |
1:43
|
25
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 3. Ritual of Abduction. A real study in contrasts |  |
1:31
|
25
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 3. Ritual of Abduction. A real study in contrasts |  |
1:31
|
26
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 3. Ritual of Abduction. Panic and pandemonium as timpani open f |  |
1:09
|
26
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 3. Ritual of Abduction. Panic and pandemonium as timpani open f |  |
1:09
|
27
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 3. Ritual of Abduction. Climactic mêlée haunted by 'fear motif' |  |
1:34
|
27
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 3. Ritual of Abduction. Climactic mêlée haunted by 'fear motif' |  |
1:34
|
28
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. Suddenly another world, as flutes hover over |  |
:59
|
28
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. Suddenly another world, as flutes hover over |  |
:59
|
29
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. But a transient one: new movement arises from |  |
:50
|
29
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. But a transient one: new movement arises from |  |
:50
|
30
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Dragging feet motif' over ostinato violins, |  |
:42
|
30
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Dragging feet motif' over ostinato violins, |  |
:42
|
31
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Matching motif' developed further by flutes |  |
:45
|
31
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Matching motif' developed further by flutes |  |
:45
|
32
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. A trilling commentary from piccolo and high c |  |
:25
|
32
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. A trilling commentary from piccolo and high c |  |
:25
|
33
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Marching motif' theme goes polymetric in hug |  |
1:16
|
33
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Marching motif' theme goes polymetric in hug |  |
1:16
|
34
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. An unexpected change of pace as tempo doubles |  |
:53
|
34
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. An unexpected change of pace as tempo doubles |  |
:53
|
35
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. And an unexpected reversion, to a quiet close |  |
:41
|
35
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 4. Spring Rounds. And an unexpected reversion, to a quiet close |  |
:41
|
36
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Violent onslaught from brass and |  |
:25
|
36
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Violent onslaught from brass and |  |
:25
|
37
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Rival Tribes, rival motifs |  |
:22
|
37
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Rival Tribes, rival motifs |  |
:22
|
38
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Sensational violence comes close |  |
:38
|
38
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Sensational violence comes close |  |
:38
|
39
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Effects, impressions and alterat |  |
1:39
|
39
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Effects, impressions and alterat |  |
1:39
|
40
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. A surprise re-entry and a change |  |
:54
|
40
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. A surprise re-entry and a change |  |
:54
|
41
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. A thinning of texture, a new ide |  |
:34
|
41
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. A thinning of texture, a new ide |  |
:34
|
42
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. The new idea developed: a minor |  |
:41
|
42
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. The new idea developed: a minor |  |
:41
|
43
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. The use of tone colour as an age |  |
1:32
|
43
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. The use of tone colour as an age |  |
1:32
|
44
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. An unusual climax... |  |
1:30
|
44
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. An unusual climax... |  |
1:30
|
45
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. And a sinister transition |  |
:51
|
45
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. And a sinister transition |  |
:51
|
46
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 6. Procession of the Sage. Across the threshold into an instrum |  |
1:29
|
46
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 6. Procession of the Sage. Across the threshold into an instrum |  |
1:29
|
47
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 6. Procession of the Sage. A sudden silence and then another wo |  |
1:00
|
47
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 6. Procession of the Sage. A sudden silence and then another wo |  |
1:00
|
48
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 6. Procession of the Sage. Catapulted into the 'Dance of the Ea |  |
:38
|
48
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 6. Procession of the Sage. Catapulted into the 'Dance of the Ea |  |
:38
|
49
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 7. Dance of the Earth. Tiny changes, unyielding ostinatos, masi |  |
3:19
|
49
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 7. Dance of the Earth. Tiny changes, unyielding ostinatos, masi |  |
3:19
|
50
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 7. Dance of the Earth. Cue to Part One complete |  |
:07
|
50
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 1. The Adoration of the Earth. 7. Dance of the Earth. Cue to Part One complete |  |
:07
|
51
|  |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 1. The Adoration of the Earth (complete) |  |
16:08
|
51
|  |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 1. The Adoration of the Earth (complete) |  |
16:08
|
52
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. Again a muted, subtly coloured start |  |
1:09
|
52
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. Again a muted, subtly coloured start |  |
1:09
|
53
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. Tone colour as atmosphere - the strings' motif |  |
1:07
|
53
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. Tone colour as atmosphere - the strings' motif |  |
1:07
|
54
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. Four solo violas, above gently rocking strings |  |
:23
|
54
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. Four solo violas, above gently rocking strings |  |
:23
|
55
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. A pregnant pause, and a new motif in muted trumpets |  |
1:14
|
55
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 1. Introduction. A pregnant pause, and a new motif in muted trumpets |  |
1:14
|
56
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Motif from the Introduction varied and |  |
1:27
|
56
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Motif from the Introduction varied and |  |
1:27
|
57
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. New motif, heralded by clarinets and v |  |
:34
|
57
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. New motif, heralded by clarinets and v |  |
:34
|
58
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Variant of Motif No. 2 given out by tw |  |
:44
|
58
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Variant of Motif No. 2 given out by tw |  |
:44
|
59
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Continued by oboes and bassoons; new m |  |
:33
|
59
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Continued by oboes and bassoons; new m |  |
:33
|
60
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Main motifs yield to new idea from flu |  |
:38
|
60
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Main motifs yield to new idea from flu |  |
:38
|
61
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. All change - direction, tone colour, m |  |
:40
|
61
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. All change - direction, tone colour, m |  |
:40
|
62
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Motif No. 1 returns in horn, then pass |  |
:46
|
62
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Motif No. 1 returns in horn, then pass |  |
:46
|
63
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Texture, balance and tone colour keep |  |
:26
|
63
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Texture, balance and tone colour keep |  |
:26
|
64
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Instrumental enrichment, new counterpo |  |
:40
|
64
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Instrumental enrichment, new counterpo |  |
:40
|
65
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. New derivative of Motif No. 2, a host |  |
:48
|
65
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. New derivative of Motif No. 2, a host |  |
:48
|
66
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Into the finishing stretch, and we kno |  |
:44
|
66
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Into the finishing stretch, and we kno |  |
:44
|
67
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Putting the movement back together aga |  |
:07
|
67
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Putting the movement back together aga |  |
:07
|
68
|  |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls (complete) |  |
8:16
|
68
|  |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls (complete) |  |
8:16
|
69
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. On into one of the most sensational move |  |
1:36
|
69
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. On into one of the most sensational move |  |
1:36
|
70
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. The violence is almost graphic. An examp |  |
:35
|
70
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. The violence is almost graphic. An examp |  |
:35
|
71
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. Motif No. 2: a terrible, off-beat oom-pa |  |
:13
|
71
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. Motif No. 2: a terrible, off-beat oom-pa |  |
:13
|
72
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. The air is filled with the fearsome bayi |  |
:20
|
72
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. The air is filled with the fearsome bayi |  |
:20
|
73
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. A variant of Motif No. 2, but now descen |  |
:14
|
73
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. A variant of Motif No. 2, but now descen |  |
:14
|
74
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. A study in the brutality of suspense - a |  |
4:12
|
74
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. A study in the brutality of suspense - a |  |
4:12
|
75
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. The middle section begins with a massive |  |
:27
|
75
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. The middle section begins with a massive |  |
:27
|
76
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. Against the odds, the 'descending motif' |  |
:23
|
76
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. Against the odds, the 'descending motif' |  |
:23
|
77
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. In the midst of the fray, a new 'rising |  |
1:02
|
77
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. In the midst of the fray, a new 'rising |  |
1:02
|
78
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. And undergoes a typically Stravinskyan e |  |
1:03
|
78
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. And undergoes a typically Stravinskyan e |  |
1:03
|
79
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. A much-needed breath before the movement |  |
:17
|
79
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 3. Glorification of the Chosen One. A much-needed breath before the movement |  |
:17
|
80
|  |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice. 3. Glorification of the Chosen One (complete) |  |
1:45
|
80
|  |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice. 3. Glorification of the Chosen One (complete) |  |
1:45
|
81
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 4. Evocation of the Ancestors. The next movement consists of a single, chord |  |
:58
|
81
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 4. Evocation of the Ancestors. The next movement consists of a single, chord |  |
:58
|
82
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 4. Evocation of the Ancestors. The second statement: breaking the metrical f |  |
2:13
|
82
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 4. Evocation of the Ancestors. The second statement: breaking the metrical f |  |
2:13
|
83
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. At last the establishment of a clear and |  |
1:21
|
83
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. At last the establishment of a clear and |  |
1:21
|
84
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. A counterpoint of ostinatos lends continu |  |
:42
|
84
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. A counterpoint of ostinatos lends continu |  |
:42
|
85
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. Horns introduce the first real motif, des |  |
:32
|
85
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. Horns introduce the first real motif, des |  |
:32
|
86
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The motif disappears, though the backgrou |  |
:32
|
86
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The motif disappears, though the backgrou |  |
:32
|
87
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. A change of mood, then the whole orchestr |  |
:49
|
87
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. A change of mood, then the whole orchestr |  |
:49
|
88
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The steady pulse gives way to a tossed sa |  |
:43
|
88
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The steady pulse gives way to a tossed sa |  |
:43
|
89
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. Lately abandoned, the steady pulse return |  |
1:06
|
89
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. Lately abandoned, the steady pulse return |  |
1:06
|
90
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The movement ends with a varied reprise o |  |
:15
|
90
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The movement ends with a varied reprise o |  |
:15
|
91
|  |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice. 4. Evocation of the Ancestors (complete). 5. Ritual Action of the Ancestors |  |
4:23
|
91
|  |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice. 4. Evocation of the Ancestors (complete). 5. Ritual Action of the Ancestors |  |
4:23
|
92
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. The last movement is based on two motifs, the first mo |  |
:20
|
92
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. The last movement is based on two motifs, the first mo |  |
:20
|
93
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. The second motif is likewise predominantly rhythmical |  |
:16
|
93
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. The second motif is likewise predominantly rhythmical |  |
:16
|
94
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Two variants: one a rhythmic simplification, the other |  |
:20
|
94
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Two variants: one a rhythmic simplification, the other |  |
:20
|
95
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. A new section, again with two main motifs, the first f |  |
:27
|
95
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. A new section, again with two main motifs, the first f |  |
:27
|
96
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. This is joined by another brief but very striking moti |  |
:20
|
96
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. This is joined by another brief but very striking moti |  |
:20
|
97
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Tension dramatically increased by a violent interrupti |  |
:35
|
97
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Tension dramatically increased by a violent interrupti |  |
:35
|
98
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Motif No. 2 is passed from bassoons to high wind and t |  |
:34
|
98
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Motif No. 2 is passed from bassoons to high wind and t |  |
:34
|
99
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. And is twice interrupted by horns |  |
:41
|
99
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. And is twice interrupted by horns |  |
:41
|
100
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Motif No. 1 erupts in full orchestra, then all hell br |  |
:48
|
100
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Motif No. 1 erupts in full orchestra, then all hell br |  |
:48
|
101
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. New ostinato, over implacable repetitions of Motif No. |  |
:26
|
101
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. New ostinato, over implacable repetitions of Motif No. |  |
:26
|
102
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. A new section, kick-started by percussion: timpani, ba |  |
1:11
|
102
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. A new section, kick-started by percussion: timpani, ba |  |
1:11
|
103
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Horns, doubled by strings, introduce the main idea of |  |
:18
|
103
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Horns, doubled by strings, introduce the main idea of |  |
:18
|
104
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. The return of the movement's opening section - or so w |  |
:54
|
104
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. The return of the movement's opening section - or so w |  |
:54
|
105
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Dramatic compression of now-familiar material |  |
:40
|
105
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Dramatic compression of now-familiar material |  |
:40
|
106
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. A terrifying cocktail of motifs old and new confounds |  |
1:00
|
106
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. A terrifying cocktail of motifs old and new confounds |  |
1:00
|
107
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. And leads to the coda, the final flourish of the whole |  |
1:45
|
107
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. And leads to the coda, the final flourish of the whole |  |
1:45
|
108
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Cue to all of Part Two and end of CD |  |
:10
|
108
|  |
Stravinsky's "The Rite of Spring," Narration with Musical Excerpts - Part 2. The Sacrifice. 6. Sacrificial Dance. Cue to all of Part Two and end of CD |  |
:10
|
109
|  |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice (complete) |  |
18:58
|
109
|  |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 2. The Sacrifice (complete) |  |
18:58
|