Armada: Music from the Courts of England and Spain
Artist | Various Artists |
Bewertung | ![]() |
Epoche | Renaissance (1450-1599) |
Label | Angel Records |
Erschienen | 2000 |
Klassik-Werke auf diesem Album
# | ![]() | Werk/Besetzung | ![]() | Dauer |
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1 | ![]() | Rejoice unto the Lord, sacred song for voice & 4 viols | ![]() | 5:19 |
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2 | ![]() | Diferencia Sobre "El Canto la Dama le Demenda" for organ: La Dama le demanda | ![]() | 3:01 |
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3 | ![]() | Fantasia | ![]() | 1:27 |
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4 | ![]() | Morenica, dame un beso, for vihuela | ![]() | 2:17 |
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5 | ![]() | Browning a 3 | ![]() | 3:18 |
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6 | ![]() | The Carman's Whistle, air & variations for keyboard, MB 36 | ![]() | 4:23 |
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7 | ![]() | Come to me, grief, for ever, consort song for voice & 4 viols | ![]() | 6:05 |
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8 | ![]() | Recercada No. 2 | ![]() | 1:37 |
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9 | ![]() | Susana un Jur | ![]() | 3:40 |
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10 | ![]() | Fantasia de redobles, for vihuela | ![]() | 2:05 |
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11 | ![]() | In angel's weed (also: "Is Sydney dead?"), consort song for voice & 4 viols | ![]() | 3:32 |
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12 | ![]() | Dulce memoriae, for organ | ![]() | 4:48 |
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13 | ![]() | Diferencia Sobre "La Gallarda Milanesa" for organ | ![]() | 2:32 |
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14 | ![]() | Recercada No. 3 (in Trattato de Glosas) | ![]() | 1:50 |
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15 | ![]() | Pour Down, You Pow'rs Divine for voice & 4 viols | ![]() | 5:53 |
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16 | ![]() | Fantasia a 4 | ![]() | 2:57 |
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17 | ![]() | Quiente Hizo | ![]() | 4:01 |
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18 | ![]() | In Nomine | ![]() | 2:42 |
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19 | ![]() | The Honie-Suckle, almain | ![]() | 1:23 |
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20 | ![]() | Paradizo (pavan) | ![]() | 3:03 |
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21 | ![]() | The Fairie-Round, coranto | ![]() | 1:28 |
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22 | ![]() | Fantasia a 5, for instrumental consort in C major | ![]() | 6:04 |
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23 | ![]() | Mr Bucton his Galliard, for lute | ![]() | 1:30 |
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24 | ![]() | Captain Digorie Piper's Galliard, for lute, P 19 | ![]() | 1:39 |
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25 | ![]() | Fantasy for 4 voices | ![]() | 2:01 |
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26 | ![]() | Lachrimae antiquae, for 5 viols/violins & lute (from "Lachrimae") | ![]() | 4:13 |
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27 | ![]() | Mr Nicholas Gryffith his Galliard, for 5 viols/violins & lute (from "Lachrimae") | ![]() | 2:03 |
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28 | ![]() | In Nomine a 5 | ![]() | 2:23 |
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29 | ![]() | In Nomines a 5 (3), for consort (unidentified) | ![]() | 3:51 |
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30 | ![]() | Fantasias a 3 (7) (Music for the Double Bass), MB16-22: Fantasy a 4 for the 'Great Dooble Base' | ![]() | 4:40 |
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31 | ![]() | Aires for 2 division viols in C: Pavan of Alfonso | ![]() | 5:08 |
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32 | ![]() | Aires for 2 division viols in C: Almaine of Alfonso | ![]() | 3:49 |
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33 | ![]() | Work(s): A Fancie in C | ![]() | 5:27 |
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34 | ![]() | Consort Sett a 5 in C minor (No. 3) | ![]() | 10:23 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | Rejoice unto the Lord, sacred song for voice & 4 viols | ![]() | 5:19 |
1 | ![]() | Rejoice unto the Lord, sacred song for voice & 4 viols | ![]() | 5:19 |
2 | ![]() | Diferencia Sobre "El Canto la Dama le Demenda" for organ - La Dama le demanda | ![]() | 3:01 |
2 | ![]() | Diferencia Sobre "El Canto la Dama le Demenda" for organ - La Dama le demanda | ![]() | 3:01 |
3 | ![]() | Fantasia | ![]() | 1:27 |
3 | ![]() | Fantasia | ![]() | 1:27 |
4 | ![]() | Morenica, dame un beso, for vihuela | ![]() | 2:17 |
4 | ![]() | Morenica, dame un beso, for vihuela | ![]() | 2:17 |
5 | ![]() | Browning a 3 | ![]() | 3:18 |
5 | ![]() | Browning a 3 | ![]() | 3:18 |
6 | ![]() | The Carman's Whistle, air & variations for keyboard, MB 36 | ![]() | 4:23 |
6 | ![]() | The Carman's Whistle, air & variations for keyboard, MB 36 | ![]() | 4:23 |
7 | ![]() | Come to me, grief, for ever, consort song for voice & 4 viols | ![]() | 6:05 |
7 | ![]() | Come to me, grief, for ever, consort song for voice & 4 viols | ![]() | 6:05 |
8 | ![]() | Recercada No. 2 | ![]() | 1:37 |
8 | ![]() | Recercada No. 2 | ![]() | 1:37 |
9 | ![]() | Susana un Jur | ![]() | 3:40 |
9 | ![]() | Susana un Jur | ![]() | 3:40 |
10 | ![]() | Fantasia de redobles, for vihuela | ![]() | 2:05 |
10 | ![]() | Fantasia de redobles, for vihuela | ![]() | 2:05 |
11 | ![]() | In angel's weed (also: "Is Sydney dead?"), consort song for voice & 4 viols | ![]() | 3:32 |
11 | ![]() | In angel's weed (also: "Is Sydney dead?"), consort song for voice & 4 viols | ![]() | 3:32 |
12 | ![]() | Dulce memoriae, for organ | ![]() | 4:48 |
12 | ![]() | Dulce memoriae, for organ | ![]() | 4:48 |
13 | ![]() | Diferencia Sobre "La Gallarda Milanesa" for organ | ![]() | 2:32 |
13 | ![]() | Diferencia Sobre "La Gallarda Milanesa" for organ | ![]() | 2:32 |
14 | ![]() | Recercada No. 3 (in Trattato de Glosas) | ![]() | 1:50 |
14 | ![]() | Recercada No. 3 (in Trattato de Glosas) | ![]() | 1:50 |
15 | ![]() | Pour Down, You Pow'rs Divine for voice & 4 viols | ![]() | 5:53 |
15 | ![]() | Pour Down, You Pow'rs Divine for voice & 4 viols | ![]() | 5:53 |
16 | ![]() | Fantasia a 4 | ![]() | 2:57 |
16 | ![]() | Fantasia a 4 | ![]() | 2:57 |
17 | ![]() | Quiente Hizo | ![]() | 4:01 |
17 | ![]() | Quiente Hizo | ![]() | 4:01 |
18 | ![]() | In Nomine | ![]() | 2:42 |
18 | ![]() | In Nomine | ![]() | 2:42 |
19 | ![]() | The Honie-Suckle, almain | ![]() | 1:23 |
19 | ![]() | The Honie-Suckle, almain | ![]() | 1:23 |
20 | ![]() | Paradizo (pavan) | ![]() | 3:03 |
20 | ![]() | Paradizo (pavan) | ![]() | 3:03 |
21 | ![]() | The Fairie-Round, coranto | ![]() | 1:28 |
21 | ![]() | The Fairie-Round, coranto | ![]() | 1:28 |
22 | ![]() | Fantasia a 5, for instrumental consort in C major | ![]() | 6:04 |
22 | ![]() | Fantasia a 5, for instrumental consort in C major | ![]() | 6:04 |
23 | ![]() | Mr Bucton his Galliard, for lute | ![]() | 1:30 |
23 | ![]() | Mr Bucton his Galliard, for lute | ![]() | 1:30 |
24 | ![]() | Captain Digorie Piper's Galliard, for lute, P 19 | ![]() | 1:39 |
24 | ![]() | Captain Digorie Piper's Galliard, for lute, P 19 | ![]() | 1:39 |
25 | ![]() | Fantasy for 4 voices | ![]() | 2:01 |
25 | ![]() | Fantasy for 4 voices | ![]() | 2:01 |
26 | ![]() | Lachrimae antiquae, for 5 viols/violins & lute (from "Lachrimae") | ![]() | 4:13 |
26 | ![]() | Lachrimae antiquae, for 5 viols/violins & lute (from "Lachrimae") | ![]() | 4:13 |
27 | ![]() | Mr Nicholas Gryffith his Galliard, for 5 viols/violins & lute (from "Lachrimae") | ![]() | 2:03 |
27 | ![]() | Mr Nicholas Gryffith his Galliard, for 5 viols/violins & lute (from "Lachrimae") | ![]() | 2:03 |
28 | ![]() | In Nomine a 5 | ![]() | 2:23 |
28 | ![]() | In Nomine a 5 | ![]() | 2:23 |
29 | ![]() | In Nomines a 5 (3), for consort (unidentified) | ![]() | 3:51 |
29 | ![]() | In Nomines a 5 (3), for consort (unidentified) | ![]() | 3:51 |
30 | ![]() | Fantasias a 3 (7) (Music for the Double Bass), MB16-22 - Fantasy a 4 for the 'Great Dooble Base' | ![]() | 4:40 |
30 | ![]() | Fantasias a 3 (7) (Music for the Double Bass), MB16-22 - Fantasy a 4 for the 'Great Dooble Base' | ![]() | 4:40 |
31 | ![]() | Aires for 2 division viols in C - Pavan of Alfonso | ![]() | 5:08 |
31 | ![]() | Aires for 2 division viols in C - Pavan of Alfonso | ![]() | 5:08 |
32 | ![]() | Aires for 2 division viols in C - Almaine of Alfonso | ![]() | 3:49 |
32 | ![]() | Aires for 2 division viols in C - Almaine of Alfonso | ![]() | 3:49 |
33 | ![]() | Work(s) - A Fancie in C | ![]() | 5:27 |
33 | ![]() | Work(s) - A Fancie in C | ![]() | 5:27 |
34 | ![]() | Consort Sett a 5 in C minor (No. 3) - Fantazy | ![]() | 2:31 |
34 | ![]() | Consort Sett a 5 in C minor (No. 3) - Fantazy | ![]() | 2:31 |
35 | ![]() | Consort Sett a 5 in C minor (No. 3) - Paven | ![]() | 5:13 |
35 | ![]() | Consort Sett a 5 in C minor (No. 3) - Paven | ![]() | 5:13 |
36 | ![]() | Consort Sett a 5 in C minor (No. 3) - Almaine | ![]() | 2:39 |
36 | ![]() | Consort Sett a 5 in C minor (No. 3) - Almaine | ![]() | 2:39 |
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