1
| |
Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7) - O Haupt voll Blut und Wunden | |
2:33
|
1
| |
Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7) - O Haupt voll Blut und Wunden | |
2:33
|
2
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 1 | |
3:08
|
2
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 1 | |
3:08
|
3
| |
Jesu, meine Freude, chorale setting for 4 voices, BWV 358 (BC F116) | |
1:40
|
3
| |
Jesu, meine Freude, chorale setting for 4 voices, BWV 358 (BC F116) | |
1:40
|
4
| |
Work(s) - [Unspecified] Prelude and fugue in E minor | |
2:30
|
4
| |
Work(s) - [Unspecified] Prelude and fugue in E minor | |
2:30
|
5
| |
Cantata No. 61, "Nun komm, der Heiden Heiland," BWV 61 (BC A1) | |
2:32
|
5
| |
Cantata No. 61, "Nun komm, der Heiden Heiland," BWV 61 (BC A1) | |
2:32
|
6
| |
In dulci jubilo, chorale setting for 4 voices, BWV 368 (BC F110) | |
:53
|
6
| |
In dulci jubilo, chorale setting for 4 voices, BWV 368 (BC F110) | |
:53
|
7
| |
Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54) | |
4:51
|
7
| |
Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54) | |
4:51
|
8
| |
Nun danket alle Gott, wedding chorale for chorus & orchestra, BWV 252 (BC F148.2) | |
2:51
|
8
| |
Nun danket alle Gott, wedding chorale for chorus & orchestra, BWV 252 (BC F148.2) | |
2:51
|
9
| |
Komm, süsser Tod, for voice & continuo (Schemelli Gesangbuch No. 868), BWV 478 (BC F227) | |
2:54
|
9
| |
Komm, süsser Tod, for voice & continuo (Schemelli Gesangbuch No. 868), BWV 478 (BC F227) | |
2:54
|
10
| |
Work(s) - [Unspecified] Fugue in C major | |
1:14
|
10
| |
Work(s) - [Unspecified] Fugue in C major | |
1:14
|
11
| |
Work(s) - Hilf, Herr Jesu, lass gelingen | |
:53
|
11
| |
Work(s) - Hilf, Herr Jesu, lass gelingen | |
:53
|
12
| |
Prelude and Fugue, for keyboard No. 22 in B flat minor (WTC I/22), BWV 867 (BC L101) - Prelude and Fugue I/22 | |
4:24
|
12
| |
Prelude and Fugue, for keyboard No. 22 in B flat minor (WTC I/22), BWV 867 (BC L101) - Prelude and Fugue I/22 | |
4:24
|
13
| |
Bist du bei mir, aria arranged for voice & continuo (after Gottfried Stölzel), BWV 508 | |
2:20
|
13
| |
Bist du bei mir, aria arranged for voice & continuo (after Gottfried Stölzel), BWV 508 | |
2:20
|
14
| |
Ein feste Burg ist unser Gott (I), chorale setting for 4 voices, BWV 302 (BC F53.1) | |
2:51
|
14
| |
Ein feste Burg ist unser Gott (I), chorale setting for 4 voices, BWV 302 (BC F53.1) | |
2:51
|
15
| |
Cantata No. 207a, "Auf, schmetternde Töne," BWV 207a (BC G37) | |
2:01
|
15
| |
Cantata No. 207a, "Auf, schmetternde Töne," BWV 207a (BC G37) | |
2:01
|
16
| |
Work(s) - [Unspecified] Fantasy on a Bach Prelude | |
4:51
|
16
| |
Work(s) - [Unspecified] Fantasy on a Bach Prelude | |
4:51
|
17
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus IX | |
2:14
|
17
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus IX | |
2:14
|
18
| |
Ich sag ade | |
1:30
|
18
| |
Ich sag ade | |
1:30
|
19
| |
Als ich anschau das frölich Gsicht (16th c. fanfare) | |
7:35
|
19
| |
Als ich anschau das frölich Gsicht (16th c. fanfare) | |
7:35
|
20
| |
Work(s) | |
1:20
|
20
| |
Work(s) | |
1:20
|
21
| |
English Dances (6) | |
2:32
|
21
| |
English Dances (6) | |
2:32
|
22
| |
The silver swanne, madrigal for 5 voices | |
1:40
|
22
| |
The silver swanne, madrigal for 5 voices | |
1:40
|
23
| |
The Prince of Denmark's March (Trumpet Voluntary) for brass, winds & percussion (or keyboard or trumpet & organ) in D major
| |
2:32
|
24
| |
Rondeau, for brass, strings & timpani (from Suite of Symphonies No. 1; "Masterpiece Theater" Theme)
| |
1:40
|