1
| |
Brandenburg Concerto No. 1 in F major, BWV 1046
| |
-
|
2
| |
Brandenburg Concerto No. 2 in F major, BWV 1047
| |
-
|
3
| |
Brandenburg Concerto No. 3 in G major, BWV 1048
| |
-
|
4
| |
Sinfonia for 2 trumpets, 3 oboes, bassoon, strings & continuo in F major (early version of BWV 1046), BWV 1046a
| |
-
|
5
| |
Brandenburg Concerto No. 2 in F major, BWV 1047
| |
-
|
6
| |
Cantata No. 174, "Ich liebe den Höchsten von ganzem Gemüte," BWV 174 (BC A87)
| |
6:09
|
7
| |
Brandenburg Concerto No. 4 in G major, BWV 1049
| |
-
|
8
| |
Brandenburg Concerto No. 5 in D major, BWV 1050
| |
-
|
9
| |
Brandenburg Concerto No. 6 in B flat major, BWV 1051
| |
-
|
10
| |
Concerto for flute (or recorder), violin, strings & continuo in D major, BWV 1050a
| |
-
|
11
| |
Orchestral Suite No. 1 in C major, BWV 1066
| |
-
|
12
| |
Orchestral Suite No. 2 in B minor, BWV 1067
| |
-
|
13
| |
Capriccio sopra la lotananza del suo fratello dilettissimo, for keyboard in B flat major, BWV 992 (BC L181)
| |
11:16
|
14
| |
Orchestral Suite No. 3 in D major, BWV 1068
| |
-
|
15
| |
Orchestral Suite No. 4 in D major, BWV 1069
| |
-
|
16
| |
Aria variata, for keyboard in A minor ("In the Italian Style"), BWV 989 (BC L179)
| |
-
|
17
| |
Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146)
| |
-
|
18
| |
Cantata No. 82, "Ich habe genug," BWV 82 (BC A169)
| |
-
|
19
| |
Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 (BC A134)
| |
-
|
20
| |
Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1)
| |
13:33
|
21
| |
Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5)
| |
21:01
|
22
| |
Der Geist hilft unser Schwachheit auf, motet for double chorus, winds, strings & continuo, BWV 226 (BC C2)
| |
7:52
|
23
| |
Lobet den Herrn, alle Heiden, motet for chorus & organ, BWV 230 (BC C6)
| |
6:04
|
24
| |
Komm, Jesu, komm, motet for chorus & continuo, BWV 229 (BC C3)
| |
8:37
|
25
| |
Fürchte dich nicht, ich bin bei dir, motet for double chorus, BWV 228 (BC C4)
| |
10:06
|
26
| |
Dir, dir, Jehova, will ich singen, chorale setting for 4 voices, BWV 299 (BC F47)
| |
3:34
|
27
| |
Marches (2) and Polonoises (2) for keyboard (Clavierbüchlein für Anna Magdalena Bach II/16-19), H. 1
| |
1:56
|
28
| |
So oft ich meine Tobackspfeife (I), aria for voice & continuo (AMN II/20a), BWV 515a (BC H2)
| |
5:37
|
29
| |
Minuet, for keyboard No. 1 in G major (Anna Magdalena Notebook II/1), BWV Anh. 114
| |
-
|
30
| |
Minuet, for keyboard No. 5 in G minor (Anna Magdalena Notebook II/5), BWV Anh. 115
| |
-
|
31
| |
Willst du dein Herz mir schenken (Aria di Giovannini), aria for voice & continuo (AMN II/37), BWV 518
| |
3:06
|
32
| |
Prelude for lute in C minor, BWV 999 (BC L171)
| |
2:09
|
33
| |
Warum betrübst du dich, aria for voice & continuo (AMN II/33), BWV 516 (BC F215)
| |
1:39
|
34
| |
Sonata for solo violin No. 1 in G minor, BWV 1001
| |
2:36
|
35
| |
O Ewigkeit, du Donnerwort, sacred aria for voice & continuo (AMN II/42), BWV 513 (BC F216)
| |
4:30
|
36
| |
Gedenke doch, mein Geist, aria for voice & continuo (doubtful), BWV 509
| |
1:24
|
37
| |
Bist du bei mir, aria arranged for voice & continuo (after Gottfried Stölzel), BWV 508
| |
2:38
|
38
| |
March for keyboard in E flat major (Anna Magdalena Clavier-Büchlein No. 2/23; doubtful), BWV Anh. 127
| |
1:48
|
39
| |
Wie wohl ist mir, O Freund der Seelen, aria for voice & continuo (AMN II/40; doubtful), BWV 517
| |
1:39
|
40
| |
Marches (2) and Polonoises (2) for keyboard (Clavierbüchlein für Anna Magdalena Bach II/16-19), H. 1
| |
1:31
|
41
| |
Musette for keyboard in D major (AMN II/22; doubtful), BWV Anh. 126
| |
1:21
|
42
| |
Gib dich zufrieden und sei stille (I), sacred song for voice & continuo, BWV 511 (BC 214a)
| |
1:11
|
43
| |
Minuet for keyboard No. 36 in D minor (AMN II/36; doubtful), BWV Anh. 132
| |
1:17
|
44
| |
Cantata No. 82, "Ich habe genug," BWV 82 (BC A169)
| |
7:25
|
45
| |
Minuet for keyboard No. 7 in G major (AMN II/7; doubtful), BWV Anh. 116
| |
2:10
|
46
| |
Wer nur den lieben Gott lässt walten (IV), chorale prelude for organ (WFN 3, AMN II/11), BWV 691 (BC K99)
| |
5:04
|
47
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079
| |
-
|
48
| |
Pièce d'orgue (Fantasia), for organ in G major, BWV 572 (BC J83)
| |
8:30
|
49
| |
Wachet auf, ruft uns die Stimme, chorale prelude for organ (Schübler Chorale No. 1), BWV 645 (BC K22)
| |
4:57
|
50
| |
Fantasia and Fugue, for organ in G minor ("Great"), BWV 542 (BC J42, 57, 67)
| |
12:40
|
51
| |
Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
| |
9:19
|
52
| |
Ich ruf zu dir, Herr Jesu Christ (I), chorale prelude for organ (Orgel-Büchlein No. 41), BWV 639 (BC K68)
| |
3:21
|
53
| |
Prelude and Fugue, for organ in C major, BWV 547 (BC J11)
| |
9:52
|
54
| |
Schmücke dich, o liebe Seele (I), chorale prelude for organ (Achtzehn Choräle No. 4), BWV 654 (BC K77)
| |
7:11
|
55
| |
Passacaglia and Fugue, for organ in C minor, BWV 582 (BC J79)
| |
12:31
|
56
| |
Cantata No. 148, "Bringet dem Herrn Ehre seines Namens," BWV 148 (BC A140)
| |
3:38
|
57
| |
Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7)
| |
4:44
|
58
| |
Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8)
| |
3:54
|
59
| |
Cantata No. 19, "Es erhub sich ein Streit," BWV 19 (BC A180)
| |
5:23
|
60
| |
Cantata No. 31, "Der Himmel lacht! die Erde jubilieret," BWV 31 (BC A55)
| |
1:02
|
61
| |
Cantata No. 119, "Preise, Jerusalem, den Herrn," BWV 119 (BC B3)
| |
5:59
|
62
| |
Cantata No. 214, "Tönet, ihr Pauken! Erchallet, Trompeten!" BWV 214 (BC G19)
| |
7:26
|
63
| |
Cantata No. 103, "Ihr werdet weinen und heulen," BWV 103 (BC A69)
| |
2:33
|
64
| |
Himmelfahrts-Oratorium, "Lobet Gott in seinen Reichen," (Ascension Oratorio), BWV 11 (BC D9)
| |
4:29
|
65
| |
Cantata No. 77, "Du sollt Gott, deinen Herren, lieben," BWV 77 (BC A126)
| |
3:11
|
66
| |
Cantata No. 12 "Weinen, Klagen, Sorgen, Zagen", BWV 12 (BC A68)
| |
0:59
|
67
| |
Cantata No. 130, "Herr Gott, dich loben alle wir," BWV 130 (BC A179)
| |
3:40
|
68
| |
Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7)
| |
3:02
|
69
| |
Discussion: The Choir of St. Thomas and the Bach image in Leipzig
| |
6:29
|
70
| |
Himmelfahrts-Oratorium, "Lobet Gott in seinen Reichen," (Ascension Oratorio), BWV 11 (BC D9)
| |
4:27
|
71
| |
Discussion: Domestic music in the Bach household
| |
0:53
|
72
| |
Wer nur den lieben Gott lässt walten (IV), chorale prelude for organ (WFN 3, AMN II/11), BWV 691 (BC K99)
| |
1:46
|
73
| |
Minuet, for keyboard No. 1 in G major (Anna Magdalena Notebook II/1), BWV Anh. 114
| |
1:55
|
74
| |
Discussion: The trumpet in Bach
| |
4:01
|
75
| |
Discussion: 40 years' involvement with the work of J.S.Bach
| |
10:45
|
76
| |
Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
| |
2:41
|
77
| |
Discussion: The organ tradition in St. Thomas' Church
| |
1:22
|
78
| |
Discussion: The Musical Offering
| |
5:20
|
79
| |
Discussion: Impressions from rehearsals
| |
2:48
|
80
| |
Discussion: The "old" and the "new" Bach Collegium Musicum
| |
4:39
|
81
| |
Discussion: Bach-Archiv Leipzig--Cooperation between scholarship and practice
| |
2:58
|
82
| |
Discussion: Our recording of the Brandenberg Concertos
| |
2:44
|
83
| |
Discussion: Comparison of the Adagios from BWV1046 and 1046a
| |
6:19
|
84
| |
Sinfonia for 2 trumpets, 3 oboes, bassoon, strings & continuo in F major (early version of BWV 1046), BWV 1046a
| |
2:25
|