1
| | Ingressus | |
1:42
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2
| | Sy vos pretendeys | |
2:09
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3
| | Corrente | |
1:46
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4
| | Perché duo baci | |
1:29
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5
| | Serenada à 5, for 2 violins, 2 violas & continuo (with optional bass voice) in C major ("Nightwatchman's Call"), C. 75: Gavotte | |
1:45
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6
| | Kommet ach! kommet | |
1:59
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7
| | Balletti per il Carnavale | |
2:20
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8
| | Touzebná pobozne umírající melankolie I | |
1:27
|
|
9
| | Slavné Syna Boziho Vzkrisení (The Glorious Resurrection of Our Lord) | |
2:36
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10
| | Sonata cum Tubis in Pleno a9 | |
3:37
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11
| | Occhi, stelle amorose | |
1:29
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12
| | Balletti per il Carnavale | |
1:21
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|
13
| | Work(s): Sonata à 3 | |
5:18
|
|
14
| | Alma Redemptoris Mater | |
2:09
|
|
15
| | Sonata ad tabulam a4: Adagio | |
1:54
|
|
16
| | Lytaniae Lauretanae | |
3:16
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|
17
| | Balletti per il Carnavale | |
2:03
|
|
18
| | Work(s): In sole posuisti | |
6:43
|
|
19
| | Sonata ad tabulam a4: Adagio | |
2:23
|
|
20
| | Magnificat | |
4:47
|
|
21
| | Balletti per il Carnavale | |
1:47
|
|
22
| | Partita 3 in C minor: Menuet (Partita in C) | |
3:56
|
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23
| | Von dir o! Gott | |
5:20
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24
| | Sonata tam Aris à 6, for 2 violins, 3 violas & continuo No. 3 in G minor (Sonatae No. 3), C. 116 | |
5:42
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25
| | Ingressus | |
1:39
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