1
| |
Sinfonia da Requiem, for orchestra, Op. 20 - 1. Lacrymosa | |
9:19
|
2
| |
Sinfonia da Requiem, for orchestra, Op. 20 - 2. Dies irae | |
4:50
|
3
| |
Sinfonia da Requiem, for orchestra, Op. 20 - 3. Requiem aeternam | |
7:26
|
4
| |
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a - Dawn | |
3:44
|
5
| |
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a - Sunday Morning | |
3:44
|
6
| |
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a - Moonlight | |
4:35
|
7
| |
Passacaglia, for orchestra, Op. 33b (from "Peter Grimes") | |
7:57
|
8
| |
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a - Storm | |
4:24
|
9
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Theme (Allegro maestoso e largamente) | |
1:56
|
10
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation A: Flutes and piccolo | |
:35
|
11
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation B: Oboes (Lento) | |
1:07
|
12
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation C: Clarinets (Moderato) | |
:39
|
13
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation D: Bassoons (Allegro alla marcia) | |
:57
|
14
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation E: Violins (Brillante: alla polacca) | |
:36
|
15
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation F: Violas (Meno mosso) | |
1:16
|
16
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation G: Cellos | |
:59
|
17
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation H: Double basses (Comminciando lento ma poco accel. al Allegro) | |
1:02
|
18
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation I: Harp (Maestoso) | |
:49
|
19
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation J: Horns (L'istesso tempo) | |
:52
|
20
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation K: Trumpets (Vivace) | |
:30
|
21
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation L: Trombones and bass tuba (Allegro pomposo) | |
1:06
|
22
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Variation M: Percussion (Moderato) | |
1:58
|
23
| |
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 - Fugue (Allegro molto) | |
2:45
|
24
| |
Canadian Carnival, for orchestra, Op. 19 | |
14:08
|
25
| |
Diversions, for piano, left hand & orchestra, Op. 21 - Theme - | |
1:18
|
26
| |
Diversions, for piano, left hand & orchestra, Op. 21 - Variation 1: Recitative - | |
1:38
|
27
| |
Diversions, for piano, left hand & orchestra, Op. 21 - Variation 2: Romance - | |
1:20
|
28
| |
Diversions, for piano, left hand & orchestra, Op. 21 - Variation 3: March - | |
1:14
|
29
| |
Diversions, for piano, left hand & orchestra, Op. 21 - Variation 4: Arabesque - | |
1:50
|
30
| |
Diversions, for piano, left hand & orchestra, Op. 21 - Variation 5: Chant - | |
1:47
|
31
| |
Diversions, for piano, left hand & orchestra, Op. 21 - Variation 6: Nocturne - | |
2:00
|
32
| |
Diversions, for piano, left hand & orchestra, Op. 21 - Variation 7: Badinerie - | |
1:20
|
33
| |
Diversions, for piano, left hand & orchestra, Op. 21 - Variation 8: Burlesque - | |
1:36
|
34
| |
Diversions, for piano, left hand & orchestra, Op. 21 - Variation 9: Toccata 1 - Toccata 2 - Cadenza - | |
2:48
|
35
| |
Diversions, for piano, left hand & orchestra, Op. 21 - Variation 10: Adagio - | |
4:00
|
36
| |
Diversions, for piano, left hand & orchestra, Op. 21 - Variation 11: Finale (Tarantella) | |
2:33
|
37
| |
Scottish Ballad, for 2 pianos & orchestra, Op. 26 | |
15:23
|
38
| |
Hymn to St. Cecilia, for chorus, Op. 27 | |
10:35
|
39
| |
Occasional Overture, for orchestra in C major, Op. 38 (withdrawn) | |
7:18
|
40
| |
The Building of the House, overture for chorus & orchestra, Op. 79 | |
5:02
|
41
| |
Piano Concerto in D major, Op. 13 - 1. Toccata | |
12:31
|
42
| |
Piano Concerto in D major, Op. 13 - 2. Waltz | |
5:10
|
43
| |
Piano Concerto in D major, Op. 13 - 3. Impromptu | |
8:47
|
44
| |
Piano Concerto in D major, Op. 13 - 4. March | |
9:09
|
45
| |
Violin Concerto in D minor, Op. 15 - 1. Moderato con moto | |
8:33
|
46
| |
Violin Concerto in D minor, Op. 15 - 2. Vivace - | |
8:26
|
47
| |
Violin Concerto in D minor, Op. 15 - 3. Passacaglia (Andante lento - Un poco meno mosso) | |
14:12
|
48
| |
Young Apollo, for piano, string quartet & strings, Op. 16 (withdrawn by composer) | |
7:37
|
49
| |
Simple Symphony, for string orchestra, Op. 4 - 1. Boisterous Bourrée | |
2:55
|
50
| |
Simple Symphony, for string orchestra, Op. 4 - 2. Playful Pizzicato | |
3:22
|
51
| |
Simple Symphony, for string orchestra, Op. 4 - 3. Sentimental Sarabande | |
8:30
|
52
| |
Simple Symphony, for string orchestra, Op. 4 - 4. Frolicsome Finale | |
3:03
|
53
| |
Variations on a Theme by Frank Bridge, for strings, Op. 10 - Introduction and Theme | |
2:08
|
54
| |
Variations on a Theme by Frank Bridge, for strings, Op. 10 - Variation 1: Adagio | |
2:24
|
55
| |
Variations on a Theme by Frank Bridge, for strings, Op. 10 - Variation 2: March | |
1:09
|
56
| |
Variations on a Theme by Frank Bridge, for strings, Op. 10 - Variation 3: Romance | |
1:41
|
57
| |
Variations on a Theme by Frank Bridge, for strings, Op. 10 - Variation 4: Aria italiana | |
1:21
|
58
| |
Variations on a Theme by Frank Bridge, for strings, Op. 10 - Variation 5: Bourrée classique | |
1:18
|
59
| |
Variations on a Theme by Frank Bridge, for strings, Op. 10 - Variation 6: Wiener Walzer | |
3:00
|
60
| |
Variations on a Theme by Frank Bridge, for strings, Op. 10 - Variation 7: Moto perpetuo | |
1:09
|
61
| |
Variations on a Theme by Frank Bridge, for strings, Op. 10 - Variation 8: Funeral March | |
3:42
|
62
| |
Variations on a Theme by Frank Bridge, for strings, Op. 10 - Variation 9: Chant | |
1:44
|
63
| |
Variations on a Theme by Frank Bridge, for strings, Op. 10 - Variation 10: Fugue and Finale | |
7:24
|
64
| |
Prelude & Fugue, for 18 strings, Op. 29 | |
8:55
|
65
| |
Lachrymae, reflections on a song of Dowland, for viola & string orchestra, Op. 48a | |
16:20
|
66
| |
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a - 1. The Tournament | |
4:13
|
67
| |
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a - 2. The Lute Song | |
4:43
|
68
| |
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a - 3. The Courtly Dances. March | |
:48
|
69
| |
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a - 3. The Courtly Dances. Coranto | |
1:07
|
70
| |
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a - 3. The Courtly Dances. Pavane | |
2:16
|
71
| |
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a - 3. The Courtly Dances. Morris Dance | |
1:02
|
72
| |
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a - 3. The Courtly Dances. Galliard | |
1:54
|
73
| |
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a - 3. The Courtly Dances. Lavolta | |
2:07
|
74
| |
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a - 4. Gloriana moritura | |
7:46
|
75
| |
Cello Symphony, for cello & orchestra, Op. 68 - 1. Allegro maestoso | |
13:25
|
76
| |
Cello Symphony, for cello & orchestra, Op. 68 - 2. Presto inquieto | |
4:00
|
77
| |
Cello Symphony, for cello & orchestra, Op. 68 - 3. Adagio - | |
8:45
|
78
| |
Cello Symphony, for cello & orchestra, Op. 68 - Cadenza - | |
3:21
|
79
| |
Cello Symphony, for cello & orchestra, Op. 68 - 4. Passacaglia (Andante allegro) | |
8:12
|
80
| |
Men of Goodwill, variations on a carol for orchestra | |
8:30
|
81
| |
Sinfonietta, for chamber orchestra, Op. 1 - 1. Poco presto ed agitato | |
4:13
|
82
| |
Sinfonietta, for chamber orchestra, Op. 1 - 2. Andante lento | |
6:38
|
83
| |
Sinfonietta, for chamber orchestra, Op. 1 - 3. Tarantella: Presto vivace | |
3:55
|
84
| |
Russian Funeral, for brass & percussion | |
5:41
|
85
| |
Suite on English folk tunes (A time there was), for orchestra, Op. 90 - 1. Cakes and Ale | |
2:32
|
86
| |
Suite on English folk tunes (A time there was), for orchestra, Op. 90 - 2. The Bitter Withy | |
2:56
|
87
| |
Suite on English folk tunes (A time there was), for orchestra, Op. 90 - 3. Hankin Booby | |
2:30
|
88
| |
Suite on English folk tunes (A time there was), for orchestra, Op. 90 - 4. Hunt the Squirrel | |
1:18
|
89
| |
Suite on English folk tunes (A time there was), for orchestra, Op. 90 - 5. Lord Melbourne | |
5:29
|
90
| |
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24 - March | |
2:48
|
91
| |
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24 - Nocturne | |
4:31
|
92
| |
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24 - Waltz | |
1:58
|
93
| |
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24 - Pantomime | |
3:37
|
94
| |
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24 - Moto perpetuo | |
2:54
|
95
| |
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9 - March | |
1:31
|
96
| |
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9 - Canzonetta | |
3:04
|
97
| |
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9 - Tirolese | |
2:07
|
98
| |
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9 - Bolero | |
2:06
|
99
| |
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9 - Tarantella | |
2:20
|
100
| |
Rossini Suite, for boys' voices & chamber ensemble - 1. Allegro brillante - | |
2:00
|
101
| |
Rossini Suite, for boys' voices & chamber ensemble - 2. Allegretto | |
2:10
|
102
| |
Rossini Suite, for boys' voices & chamber ensemble - 3. Allegretto - | |
2:06
|
103
| |
Rossini Suite, for boys' voices & chamber ensemble - 4. Bolero (Allegro moderato) | |
2:02
|
104
| |
Rossini Suite, for boys' voices & chamber ensemble - 5. Allegro con brio | |
1:17
|
105
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. Prelude | |
2:16
|
106
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. The Fool and the Dwarf | |
1:50
|
107
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. March and Courtiers' Dance | |
3:34
|
108
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. Entry of the Pages and the Four Kings | |
2:21
|
109
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. Variation of the King of the North | |
1:28
|
110
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. Variation of the King of the East | |
2:41
|
111
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. Variation of the King of the West | |
1:05
|
112
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. Variation of the King of the South | |
1:37
|
113
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. The Kings bow before the Emperor | |
:58
|
114
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. Variation of Princess Belle Epine | |
3:15
|
115
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. Variation of Princess Belle Rose and Pas de Deux | |
5:53
|
116
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. The Kings and Belle Rose | |
1:56
|
117
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. Belle Epine and the Four Kings | |
2:30
|
118
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. The Rage of the Kings | |
1:45
|
119
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 1. Entry of the Four Winged Frogs | |
3:27
|
120
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Introduction: Belle Rose borne in by the Frogs | |
1:29
|
121
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Waltz: Clouds, Stars and Moon | |
5:08
|
122
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Belle Rose borne in by the Frogs | |
:42
|
123
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Entrée: Sea Horses, Fish Creatures and Waves | |
1:52
|
124
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Variation: Sea Horses | |
1:27
|
125
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Variation: Fish Creatures | |
3:21
|
126
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Coda | |
2:01
|
127
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Belle Rose borne in by the Frogs | |
:41
|
128
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Pas de deux: Male and Female Flames | |
1:21
|
129
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Variation: Male Flame | |
1:08
|
130
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Variation: Female Flame | |
1:19
|
131
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Coda | |
1:47
|
132
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 1. Belle Rose, exhausted, borne in by the Frogs | |
1:03
|
133
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 2. Belle Rose in darkness | |
2:03
|
134
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 2. The Pagodas | |
4:51
|
135
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 2. The Salamander | |
3:15
|
136
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 2. Pas de deux: The Prince and Belle Rose | |
4:52
|
137
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 2. Scene 2. Belle Rose hunts for the Prince | |
2:47
|
138
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 1. Empress Belle Epine | |
4:43
|
139
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 1. The Old Emperor | |
3:05
|
140
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 1. Appearance of Belle Rose and the Salamander | |
1:56
|
141
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Transformation | |
4:25
|
142
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Pas de six: Entrée | |
2:00
|
143
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Variation 1: Pas de deux | |
3:46
|
144
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Variation 2: Girl's Solo | |
1:05
|
145
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Variation 3: Boy's Solo | |
1:04
|
146
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Pas de trois | |
1:53
|
147
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Coda | |
1:21
|
148
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Pas de caractère: The Emperor and the Fool | |
1:47
|
149
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Pas de deux: Belle Rose and the Prince of the Pagodas | |
4:03
|
150
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Variation 4: The Prince | |
1:07
|
151
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Variation 5: Belle Rose | |
2:25
|
152
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Finale | |
4:31
|
153
| |
The Prince of the Pagodas, ballet, Op. 57 - Act 3. Scene 2. Apotheosis | |
1:37
|
154
| |
Rhapsody, for string quartet | |
7:06
|
155
| |
Quartettino, for string quartet - 1. Andante - Allegro molto e con fuoco | |
5:58
|
156
| |
Quartettino, for string quartet - 2. Poco adagio ma con moto | |
6:26
|
157
| |
Quartettino, for string quartet - 3. Allegro molto vivace | |
3:05
|
158
| |
Elegy, for solo viola | |
7:25
|
159
| |
String Quartet in D major - 1. Allegro maestoso | |
8:17
|
160
| |
String Quartet in D major - 2. Lento ed espressivo | |
6:51
|
161
| |
String Quartet in D major - 3. Allegro giocoso | |
4:39
|
162
| |
Phantasy, for string quintet in F minor | |
10:59
|
163
| |
Phantasy Quartet, for oboe & string trio in F minor, Op. 2 | |
13:17
|
164
| |
Divertimenti (3), for string quartet - 1. March | |
3:45
|
165
| |
Divertimenti (3), for string quartet - 2. Waltz | |
2:45
|
166
| |
Divertimenti (3), for string quartet - 3. Burlesque | |
3:21
|
167
| |
Alla Marcia, for string quartet | |
3:23
|
168
| |
String Quartet No. 1 in D major, Op. 25 - 1. Andante sostenuto - Allegro vivo | |
8:39
|
169
| |
String Quartet No. 1 in D major, Op. 25 - 2. Allegretto con slancio | |
3:00
|
170
| |
String Quartet No. 1 in D major, Op. 25 - 3. Andante calmo | |
11:28
|
171
| |
String Quartet No. 1 in D major, Op. 25 - 4. Molto vivace | |
3:50
|
172
| |
String Quartet No. 2 in C major, Op. 36 - 1. Allegro calmo senza rigore | |
7:51
|
173
| |
String Quartet No. 2 in C major, Op. 36 - 2. Vivace | |
3:40
|
174
| |
String Quartet No. 2 in C major, Op. 36 - 3. Chacony (Sostenuto) | |
17:45
|
175
| |
String Quartet No. 3, Op. 94 - 1. Duets (With moderate movement) | |
5:24
|
176
| |
String Quartet No. 3, Op. 94 - 2. Ostinato (Very fast) | |
3:01
|
177
| |
String Quartet No. 3, Op. 94 - 3. Solo (Very calm) | |
5:30
|
178
| |
String Quartet No. 3, Op. 94 - 4. Burlesque (Fast, con fuoco) | |
2:16
|
179
| |
String Quartet No. 3, Op. 94 - 5. Recitative and Passacaglia (La Serenissima) (Slow) | |
9:49
|
180
| |
Suite for solo cello No. 1, Op. 72 - Canto primo: Sostenuto e largamente | |
2:21
|
181
| |
Suite for solo cello No. 1, Op. 72 - 2. Fuga: Andante moderato | |
3:59
|
182
| |
Suite for solo cello No. 1, Op. 72 - 2. Lamento: Lento rubato | |
3:08
|
183
| |
Suite for solo cello No. 1, Op. 72 - Canto secondo: Sostenuto | |
1:11
|
184
| |
Suite for solo cello No. 1, Op. 72 - 3. Serenanta: Allegretto (pizzicato) | |
2:13
|
185
| |
Suite for solo cello No. 1, Op. 72 - 4. Marcia: Alla marcia moderato | |
3:31
|
186
| |
Suite for solo cello No. 1, Op. 72 - Canto terzo: Sostenuto | |
2:28
|
187
| |
Suite for solo cello No. 1, Op. 72 - 5. Bordone: Moderato quasi recitative | |
3:04
|
188
| |
Suite for solo cello No. 1, Op. 72 - 6. Moto perpetuo e Canto quarto: Presto | |
3:32
|
189
| |
Suite for solo cello No. 2, Op. 80 - 1. Declamato: Largo | |
4:30
|
190
| |
Suite for solo cello No. 2, Op. 80 - 2. Fuga: Andante | |
4:43
|
191
| |
Suite for solo cello No. 2, Op. 80 - 3. Scherzo: Allegro molto | |
2:00
|
192
| |
Suite for solo cello No. 2, Op. 80 - 4. Andante lento | |
5:36
|
193
| |
Suite for solo cello No. 2, Op. 80 - 5. Ciaccona: Allegro | |
7:14
|
194
| |
Suite for solo cello No. 3, Op. 87 - 1. Introduzione: Lento | |
2:35
|
195
| |
Suite for solo cello No. 3, Op. 87 - 2. Marcia: Allegro | |
1:46
|
196
| |
Suite for solo cello No. 3, Op. 87 - 3. Canto: Con moto | |
1:21
|
197
| |
Suite for solo cello No. 3, Op. 87 - 4. Barcarola: Lento | |
1:23
|
198
| |
Suite for solo cello No. 3, Op. 87 - 5. Dialogo: Allegretto | |
1:43
|
199
| |
Suite for solo cello No. 3, Op. 87 - 6. Fuga: Andante espressivo | |
2:36
|
200
| |
Suite for solo cello No. 3, Op. 87 - 7. Recitativo: Fantastico | |
1:17
|
201
| |
Suite for solo cello No. 3, Op. 87 - 8. Moto perpetuo: Presto | |
:58
|
202
| |
Suite for solo cello No. 3, Op. 87 - 9. Passacaglia: Lento solenne | |
9:45
|
203
| |
Holiday Diary, suite for piano, Op. 5 - 1. Early morning bathe | |
2:07
|
204
| |
Holiday Diary, suite for piano, Op. 5 - 2. Sailing | |
5:14
|
205
| |
Holiday Diary, suite for piano, Op. 5 - 3. Funfair | |
2:39
|
206
| |
Holiday Diary, suite for piano, Op. 5 - 4. Night | |
6:58
|
207
| |
Character Pieces (3), for piano - 1. Poco allegro vivace | |
1:57
|
208
| |
Character Pieces (3), for piano - 2. Poco andante grazioso | |
2:07
|
209
| |
Character Pieces (3), for piano - 3. Poco presto e molto capriccioso | |
3:00
|
210
| |
Night Piece (Notturno), for piano | |
5:23
|
211
| |
Sonatina Romantica, for piano - Moderato | |
4:39
|
212
| |
Sonatina Romantica, for piano - Nocturne | |
2:53
|
213
| |
Variations (12), for piano | |
8:41
|
214
| |
Waltzes (5), for piano - 1. Rather fast and nervous | |
1:07
|
215
| |
Waltzes (5), for piano - 2. Quick, with wit | |
1:39
|
216
| |
Waltzes (5), for piano - 3. Dramatic | |
1:41
|
217
| |
Waltzes (5), for piano - 4. Rhythmic; not fast | |
3:30
|
218
| |
Waltzes (5), for piano - 5. Variations: Quiet and simple | |
2:58
|
219
| |
Two Lullabies, for 2 pianos - Lullaby | |
3:19
|
220
| |
Two Lullabies, for 2 pianos - Lullaby for a retired Colonel | |
2:22
|
221
| |
Pieces (2), for 2 pianos, Op. 23 - No. 2 | |
8:24
|
222
| |
Pieces (2), for 2 pianos, Op. 23 - Introduction | |
3:21
|
223
| |
Pieces (2), for 2 pianos, Op. 23 - Rondo alla burlesca | |
5:43
|
224
| |
Suite, for violin & piano, Op. 6 - Introduction: Andante maestoso | |
:43
|
225
| |
Suite, for violin & piano, Op. 6 - 1. March: Allegro alla marcia | |
2:54
|
226
| |
Suite, for violin & piano, Op. 6 - 2. Moto perpetuo: Allegro molto e con fuoco | |
3:12
|
227
| |
Suite, for violin & piano, Op. 6 - 3. Lullaby: Lento tranquillo | |
4:39
|
228
| |
Suite, for violin & piano, Op. 6 - 4. Waltz: Alla valse: vivace e rubato | |
4:30
|
229
| |
Sonata for cello & piano in C major, Op. 65 - 1. Dialogo: Allegro | |
7:53
|
230
| |
Sonata for cello & piano in C major, Op. 65 - 2. Scherzo - Pizzicato: Allegretto | |
2:29
|
231
| |
Sonata for cello & piano in C major, Op. 65 - 3. Elegia: Lento | |
6:46
|
232
| |
Sonata for cello & piano in C major, Op. 65 - 4. Marcia: Energico | |
2:18
|
233
| |
Sonata for cello & piano in C major, Op. 65 - 5. Moto perpetuo: Presto | |
2:50
|
234
| |
Metamorphoses (6) after Ovid, for oboe solo, Op. 49 - 1. Pan (Senza misura) | |
2:27
|
235
| |
Metamorphoses (6) after Ovid, for oboe solo, Op. 49 - 2. Phaeton (Vivace ritmico) | |
1:22
|
236
| |
Metamorphoses (6) after Ovid, for oboe solo, Op. 49 - 3. Niobe (Andante) | |
2:50
|
237
| |
Metamorphoses (6) after Ovid, for oboe solo, Op. 49 - 4. Bacchus (Allegro pesante) | |
1:52
|
238
| |
Metamorphoses (6) after Ovid, for oboe solo, Op. 49 - 5. Narcissus (Lento piacevole) | |
3:14
|
239
| |
Metamorphoses (6) after Ovid, for oboe solo, Op. 49 - 6. Arethusa (Largamente) | |
2:33
|
240
| |
Nocturnal after John Dowland, for guitar, Op. 70 - 1. Musingly (Meditativo) | |
2:16
|
241
| |
Nocturnal after John Dowland, for guitar, Op. 70 - 2. Agitated (Molto agitativo) | |
:55
|
242
| |
Nocturnal after John Dowland, for guitar, Op. 70 - 3. Restless (Inquieto) | |
2:00
|
243
| |
Nocturnal after John Dowland, for guitar, Op. 70 - 4. Uneasy (Ansioso) | |
1:32
|
244
| |
Nocturnal after John Dowland, for guitar, Op. 70 - 5. March-like (Quasi una marcia) | |
1:36
|
245
| |
Nocturnal after John Dowland, for guitar, Op. 70 - 6. Dreaming (Sognanti) | |
1:54
|
246
| |
Nocturnal after John Dowland, for guitar, Op. 70 - 7. Gently rocking (Cullante) | |
:56
|
247
| |
Nocturnal after John Dowland, for guitar, Op. 70 - 8. Passacaglia (Misurato) | |
4:50
|
248
| |
Nocturnal after John Dowland, for guitar, Op. 70 - 9. Slow and quiet (Tranquillo) | |
2:29
|
249
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Requiem aeternam. Requiem aeternam dona eis Domine | |
6:10
|
250
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Requiem aeternam. What passing bells for these who die as cattle? | |
2:20
|
251
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Requiem aeternam. Kyrie eleison | |
1:28
|
252
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Dies irae. dies irae, dies illa | |
3:56
|
253
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Dies irae. Bugles sang, saddening the evening air | |
2:46
|
254
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Dies irae. Liber scriptus proferetur | |
2:46
|
255
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Dies irae. Out there, we've walked quite friendly up to Death | |
1:45
|
256
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Dies irae. Recordare Jesu pie | |
4:44
|
257
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Dies irae. Be slowly lifted up, thou long black arm | |
1:52
|
258
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Dies irae. Dies irae, dies illa | |
1:17
|
259
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Dies irae. Lacrimosa dies illa | |
2:04
|
260
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Dies irae. Move him into the sun . . . Pie Jesu | |
5:55
|
261
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Offertorium. Domine Jesu Christe | |
3:33
|
262
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Offertorium. So Abram rose, and clave the wood, and went | |
6:16
|
263
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Sanctus. Sanctus, sanctus, sanctus | |
3:18
|
264
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Sanctus. Benedictus qui venit in nomine Domini | |
2:52
|
265
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Sanctus. After the blast of lightning from the East | |
3:43
|
266
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Agnus Dei | |
3:45
|
267
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Libera me. Libera me, Domine, de morte aeterna | |
7:35
|
268
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Libera me. It seemed that out of battle I escaped | |
9:47
|
269
| |
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 - Libera me. Let us sleep now... In paradisum | |
5:42
|
270
| |
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Part 1. Introduction | |
9:43
|
271
| |
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Part 1. The Merry Cuckoo | |
1:59
|
272
| |
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Part 1. Spring, the sweet Spring | |
1:57
|
273
| |
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Part 1. The Driving Boy | |
2:09
|
274
| |
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Part 1. The Morning Star | |
3:17
|
275
| |
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Part 2. Welcome Maids of Honour | |
2:38
|
276
| |
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Part 2. Waters above | |
2:32
|
277
| |
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Part 2. Out on the lawn I lie abed | |
6:30
|
278
| |
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Part 3. When will my May come? | |
2:24
|
279
| |
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Part 3. Fair and fair | |
2:20
|
280
| |
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Part 3. Sound the flute | |
1:21
|
281
| |
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 - Part 4. Finale: London, to thee I do present | |
7:44
|
282
| |
Hymn to St. Cecilia, for chorus, Op. 27 - 1. In a garden shady this holy lady | |
2:57
|
283
| |
Hymn to St. Cecilia, for chorus, Op. 27 - 2. I cannot grow | |
2:10
|
284
| |
Hymn to St. Cecilia, for chorus, Op. 27 - 3. O ear whose creatures cannot wish to fail | |
6:21
|
285
| |
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 - 1. Procession | |
1:16
|
286
| |
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 - 2. Wolcum Yole! | |
1:23
|
287
| |
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 - 3. There is no rose | |
2:21
|
288
| |
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 - 4. a. That yongë child | |
1:53
|
289
| |
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 - 4. b. Balulalow | |
1:38
|
290
| |
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 - 5. As dew in Aprille | |
:58
|
291
| |
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 - 6. This little babe | |
1:25
|
292
| |
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 - 7. Interlude (Andante pastorale) | |
3:34
|
293
| |
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 - 8. In freezing winter night | |
4:11
|
294
| |
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 - 9. Spring Carol | |
1:12
|
295
| |
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 - 10. Deo gracias! | |
1:12
|
296
| |
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 - 11. Recession | |
1:20
|
297
| |
Missa Brevis, for boys' chorus & organ in D major, Op. 63 - 1. Kyrie | |
1:34
|
298
| |
Missa Brevis, for boys' chorus & organ in D major, Op. 63 - 2. Gloria | |
2:50
|
299
| |
Missa Brevis, for boys' chorus & organ in D major, Op. 63 - 3. Sanctus | |
1:23
|
300
| |
Missa Brevis, for boys' chorus & organ in D major, Op. 63 - 4. Benedictus | |
1:44
|
301
| |
Missa Brevis, for boys' chorus & organ in D major, Op. 63 - 5. Agnus Dei | |
2:33
|
302
| |
Festival Te Deum, for trumpet, chorus & organ, Op. 32 | |
6:27
|
303
| |
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30 - Rejoice in God, o ye Tongues - | |
3:55
|
304
| |
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30 - For I will consider my Cat Jeoffry - | |
2:11
|
305
| |
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30 - For the Mouse is a creature of great personal valour - | |
:54
|
306
| |
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30 - For the flowers are great blessings - | |
2:01
|
307
| |
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30 - For I am under the same accusation with My Saviour - | |
2:25
|
308
| |
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30 - For H is a spirit and therefore he is God - | |
3:49
|
309
| |
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30 - Hallelujah from the heart of God | |
1:12
|
310
| |
Te Deum, for trumpet, chorus & organ in C major | |
7:59
|
311
| |
Jubilate Deo, for chorus & organ in C major | |
2:28
|
312
| |
A Hymn to the Virgin, for double chorus | |
3:31
|
313
| |
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42 - 1. Introduction | |
5:51
|
314
| |
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42 - 2. The Birth of Nicolas | |
2:37
|
315
| |
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42 - 3. Nicolas devotes himself to God | |
4:50
|
316
| |
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42 - 4. He journeys to Palestine | |
7:49
|
317
| |
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42 - 5. Nicolas comes to Myra and is chosen Bishop | |
7:15
|
318
| |
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42 - 6. Nicolas from Prison | |
3:01
|
319
| |
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42 - 7. Nicolas and the Pickled Boys | |
6:41
|
320
| |
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42 - 8. His Piety and Marvellous Works | |
5:24
|
321
| |
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42 - 9. The death of Nicolas | |
7:03
|
322
| |
Hymn to St. Peter, for trumpet, chorus & organ, Op. 56a | |
5:39
|
323
| |
Hymn of St. Columba (Regis regum rectissimi), for chorus & organ | |
2:45
|
324
| |
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 - 1. St Godric's Hymn | |
1:55
|
325
| |
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 - 2. I mon waxe sod | |
:49
|
326
| |
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 - 3. Lenten is come | |
2:29
|
327
| |
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 - 4. The long night | |
1:33
|
328
| |
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 - 5. Yif ic of luve can | |
2:31
|
329
| |
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 - 6. Carol | |
1:26
|
330
| |
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 - 7. Ye that pasen by | |
1:38
|
331
| |
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 - 8. A death | |
3:01
|
332
| |
The Little Sweep, children's opera, Op. 45 - Scene 1. 1. The Sweep's Song: Sweep! Sweep! (Audience Song 1) | |
1:51
|
333
| |
The Little Sweep, children's opera, Op. 45 - Scene 1. 2. Quartet: Sweep this chimney | |
1:54
|
334
| |
The Little Sweep, children's opera, Op. 45 - Scene 1. 3. Duet: Now, little white boy! | |
2:38
|
335
| |
The Little Sweep, children's opera, Op. 45 - Scene 1. 3a. Hide and Seek: Juliet! Juliet! | |
1:20
|
336
| |
The Little Sweep, children's opera, Op. 45 - Scene 1. 4. Shanty: Pull the rope gently | |
1:35
|
337
| |
The Little Sweep, children's opera, Op. 45 - Scene 1. 5. Ensemble: Is he wounded? | |
1:25
|
338
| |
The Little Sweep, children's opera, Op. 45 - Scene 1. 6. Marching Song: Sooty tracks upon the sheet | |
1:36
|
339
| |
The Little Sweep, children's opera, Op. 45 - Scene 1. 7. Trio: Sam! Sam! | |
1:02
|
340
| |
The Little Sweep, children's opera, Op. 45 - Scene 1. 8. Aria: Run, poor sweepboy | |
4:35
|
341
| |
The Little Sweep, children's opera, Op. 45 - Scene 1. 9. Sammy's Bath: The kettles are singing (Audience Song 2) | |
2:44
|
342
| |
The Little Sweep, children's opera, Op. 45 - Scene 2. 10. Ensemble: O why do you weep... | |
2:51
|
343
| |
The Little Sweep, children's opera, Op. 45 - Scene 2. 11. Pantomime and | |
1:13
|
344
| |
The Little Sweep, children's opera, Op. 45 - Scene 2. 12. Scene: Ah!... Blackguards | |
3:03
|
345
| |
The Little Sweep, children's opera, Op. 45 - Scene 2. 13. Finale: Help! Help! She's collapsed! | |
1:54
|
346
| |
The Little Sweep, children's opera, Op. 45 - Scene 2. 14. The Night Song: The owl, wide-winging (Audience Song 3) | |
3:49
|
347
| |
The Little Sweep, children's opera, Op. 45 - Scene 3. 15. Aria: Soon the coach will carry you away | |
2:55
|
348
| |
The Little Sweep, children's opera, Op. 45 - Scene 3. 16. Ensemble: Morning, Sammy | |
1:59
|
349
| |
The Little Sweep, children's opera, Op. 45 - Scene 3. 17. Trio and Ensemble: Ready, Alfred? | |
3:06
|
350
| |
The Little Sweep, children's opera, Op. 45 - Scene 3. 18. Finale: Coaching Song: The Horses and champing (Audience Song 4) | |
2:37
|
351
| |
A Boy Was Born, choral variations for mixed voices, Op. 3 - Theme. A Boy was Born | |
2:15
|
352
| |
A Boy Was Born, choral variations for mixed voices, Op. 3 - Variation 1. Lullay, Jesu | |
4:23
|
353
| |
A Boy Was Born, choral variations for mixed voices, Op. 3 - Variation 2. Herod | |
2:28
|
354
| |
A Boy Was Born, choral variations for mixed voices, Op. 3 - Variation 3. Jesu, as Thou art our Saviour | |
2:49
|
355
| |
A Boy Was Born, choral variations for mixed voices, Op. 3 - Variation 4. The Three Kings | |
3:36
|
356
| |
A Boy Was Born, choral variations for mixed voices, Op. 3 - Variation 5. In the Bleak Mid-Winter | |
4:41
|
357
| |
A Boy Was Born, choral variations for mixed voices, Op. 3 - Variation 6. Noël! | |
9:09
|
358
| |
A Shepherd's Carol, for chorus | |
4:07
|
359
| |
Noye's Fludde, children's opera, Op. 59 - Lord Jesus, think on me | |
3:02
|
360
| |
Noye's Fludde, children's opera, Op. 59 - I, God, that all this worlde hath wroughte | |
1:46
|
361
| |
Noye's Fludde, children's opera, Op. 59 - O, Lorde, I thanke thee lowde and still | |
2:44
|
362
| |
Noye's Fludde, children's opera, Op. 59 - Now in the name of God I will begyne | |
3:24
|
363
| |
Noye's Fludde, children's opera, Op. 59 - Wyffe, in this vessel we shall be kepte | |
:51
|
364
| |
Noye's Fludde, children's opera, Op. 59 - Noye, Noye, take thou thy company | |
1:22
|
365
| |
Noye's Fludde, children's opera, Op. 59 - Sir! Here are lions, lepardes, in | |
4:56
|
366
| |
Noye's Fludde, children's opera, Op. 59 - Wiffe, come in! | |
4:57
|
367
| |
Noye's Fludde, children's opera, Op. 59 - It is good for to be still | |
3:36
|
368
| |
Noye's Fludde, children's opera, Op. 59 - Eternal Father, strong to save | |
4:29
|
369
| |
Noye's Fludde, children's opera, Op. 59 - Now forty dayes are fullie gone | |
5:13
|
370
| |
Noye's Fludde, children's opera, Op. 59 - Noye, take they wife anone | |
2:53
|
371
| |
Noye's Fludde, children's opera, Op. 59 - Noye, heare I behette thee a heste | |
1:37
|
372
| |
Noye's Fludde, children's opera, Op. 59 - The spacious firmament on high | |
6:32
|
373
| |
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17 - Heaven-Haven | |
1:54
|
374
| |
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17 - O deus, ego amo te | |
2:05
|
375
| |
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17 - Rosa Mystica | |
4:06
|
376
| |
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17 - The Soldier | |
2:17
|
377
| |
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17 - Prayer 2 | |
4:36
|
378
| |
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17 - God's Grandeur | |
2:52
|
379
| |
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17 - Prayer 1 | |
2:10
|
380
| |
Ballad of Little Musgrave and Lady Barnard, for male chorus & piano | |
9:57
|
381
| |
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings - Part 1. 1. Chaos | |
6:58
|
382
| |
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings - Part 1. 2. The Morning Stars | |
2:41
|
383
| |
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings - Part 2. 3. Angels appear to Jacob, Elisha and Mary | |
5:24
|
384
| |
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings - Part 2. 4. Christ, the fair glory | |
3:52
|
385
| |
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings - Part 2. 5. War in Heaven | |
3:14
|
386
| |
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings - Part 3. 6. Heaven is here | |
6:17
|
387
| |
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings - Part 3. 7. A thousand, thousand gleaming fires | |
4:14
|
388
| |
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings - Part 3. 8. Funeral March for a Boy | |
4:22
|
389
| |
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings - Part 3. 9. Whoso dwelleth under the defence of the most High | |
4:05
|
390
| |
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings - Part 3. 10. There came out also at this time | |
3:16
|
391
| |
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings - Part 3. 11. Ye watchers and ye holy ones | |
5:15
|
392
| |
Ballad of Heroes, for high voice, chorus & orchestra, Op. 14 - 1. Funeral March - | |
5:39
|
393
| |
Ballad of Heroes, for high voice, chorus & orchestra, Op. 14 - 2. Scherzo - | |
4:23
|
394
| |
Ballad of Heroes, for high voice, chorus & orchestra, Op. 14 - 3. Recitative and Choral | |
6:16
|
395
| |
Praise We Great Men, for voices, chorus & orchestra - Praise we great men - | |
3:26
|
396
| |
Praise We Great Men, for voices, chorus & orchestra - Praise we the just - | |
2:22
|
397
| |
Praise We Great Men, for voices, chorus & orchestra - (Coda) | |
1:20
|
398
| |
Les illuminations, song cycle for high voice & strings, Op. 18 - 1. Fanfare | |
2:05
|
399
| |
Les illuminations, song cycle for high voice & strings, Op. 18 - 2. Villes | |
2:30
|
400
| |
Les illuminations, song cycle for high voice & strings, Op. 18 - 3a. Phrase | |
1:07
|
401
| |
Les illuminations, song cycle for high voice & strings, Op. 18 - 3b. Antique | |
2:04
|
402
| |
Les illuminations, song cycle for high voice & strings, Op. 18 - 4. Royauté | |
1:40
|
403
| |
Les illuminations, song cycle for high voice & strings, Op. 18 - 5. Marine | |
:59
|
404
| |
Les illuminations, song cycle for high voice & strings, Op. 18 - 6. Interlude | |
2:14
|
405
| |
Les illuminations, song cycle for high voice & strings, Op. 18 - 7. Being Beauteous | |
3:56
|
406
| |
Les illuminations, song cycle for high voice & strings, Op. 18 - 8. Parade | |
2:39
|
407
| |
Les illuminations, song cycle for high voice & strings, Op. 18 - 9. Départ | |
2:37
|
408
| |
Serenade, for tenor, horn & strings, Op. 31 - Prologue | |
1:20
|
409
| |
Serenade, for tenor, horn & strings, Op. 31 - 1. Pastoral | |
3:26
|
410
| |
Serenade, for tenor, horn & strings, Op. 31 - 2. Nocturne | |
3:29
|
411
| |
Serenade, for tenor, horn & strings, Op. 31 - 3. Elegy | |
4:10
|
412
| |
Serenade, for tenor, horn & strings, Op. 31 - 4. Dirge | |
3:37
|
413
| |
Serenade, for tenor, horn & strings, Op. 31 - 5. Hymn | |
2:03
|
414
| |
Serenade, for tenor, horn & strings, Op. 31 - 6. Sonnet | |
3:43
|
415
| |
Serenade, for tenor, horn & strings, Op. 31 - Epilogue | |
1:30
|
416
| |
Now sleeps the crimson petal, song for tenor, horn & strings | |
3:04
|
417
| |
Nocturne, for tenor, 7 instruments & strings, Op. 60 - On a poet's lips I slept | |
3:30
|
418
| |
Nocturne, for tenor, 7 instruments & strings, Op. 60 - Below the thunders of the upper deep | |
3:29
|
419
| |
Nocturne, for tenor, 7 instruments & strings, Op. 60 - Encinctured with a twine of leaves | |
2:13
|
420
| |
Nocturne, for tenor, 7 instruments & strings, Op. 60 - Midnight's bell goes ting, ting, ting, ting, ting | |
2:24
|
421
| |
Nocturne, for tenor, 7 instruments & strings, Op. 60 - But that night when on my bed I lay | |
3:03
|
422
| |
Nocturne, for tenor, 7 instruments & strings, Op. 60 - She sleeps on soft, last breaths | |
4:38
|
423
| |
Nocturne, for tenor, 7 instruments & strings, Op. 60 - What is more gentle whan a wind in summer? | |
3:01
|
424
| |
Nocturne, for tenor, 7 instruments & strings, Op. 60 - When most I wink, then do my eyes best see | |
5:08
|
425
| |
Chansons Françaises (4), for voice & orchestra - 1. Les Nuits de juin | |
2:50
|
426
| |
Chansons Françaises (4), for voice & orchestra - 2. Sagesse | |
2:49
|
427
| |
Chansons Françaises (4), for voice & orchestra - 3. L'Enfance | |
4:30
|
428
| |
Chansons Françaises (4), for voice & orchestra - 4. Chanson d'automne | |
2:33
|
429
| |
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8 - Prologue | |
2:00
|
430
| |
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8 - A. Rats Away! | |
4:40
|
431
| |
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8 - B. Messalina | |
6:55
|
432
| |
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8 - C. Dance of Death | |
6:29
|
433
| |
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8 - Epilogue and Funeral March | |
6:18
|
434
| |
Little Sir William, for voice & piano (Folk Songs, Vol. 1) | |
2:32
|
435
| |
Come you not from Newcastle?, for voice & piano (Folk Songs, Vol. 3) | |
1:25
|
436
| |
The Bonny Earl o' Moray, for voice & piano (Folk Songs, Vol. 1) | |
2:37
|
437
| |
Oliver Cromwell, for voice & piano (Folk Songs, Vol. 1) | |
:48
|
438
| |
Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93 - In May, in brilliant Athens | |
6:32
|
439
| |
Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93 - O Gods of wrath | |
3:14
|
440
| |
Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93 - My time's too short, your highness | |
6:18
|
441
| |
La belle est au jardin d'amour, for voice & piano (Folk Songs, Vol. 2) | |
2:52
|
442
| |
Folksong Arrangements, Vol. II "France", for voice & piano - Eho! Eho! | |
2:00
|
443
| |
Fileuse, folksong for voice & piano (Folk Songs, Vol. 2) | |
1:56
|
444
| |
Quand j'étais chez mon père, for voice & piano (Folk Songs, Vol. 2) | |
2:00
|
445
| |
Le roi s'en va-t'en chasse, for voice & piano (Folk Songs, Vol. 2) - Le roi s'en va-t'en chasse | |
2:51
|
446
| |
Sonnets (7) of Michelangelo, for voice & piano, Op. 22 - 1. Sì come nella penna (16) | |
2:03
|
447
| |
Sonnets (7) of Michelangelo, for voice & piano, Op. 22 - 2. A che più debb'io mai (31) | |
1:20
|
448
| |
Sonnets (7) of Michelangelo, for voice & piano, Op. 22 - 3. Veggio co' bei vostri occhi (30) | |
3:10
|
449
| |
Sonnets (7) of Michelangelo, for voice & piano, Op. 22 - 4. Tu sa' ch'io so (55) | |
1:46
|
450
| |
Sonnets (7) of Michelangelo, for voice & piano, Op. 22 - 5. Rendete a gli occhi miei (38) | |
1:50
|
451
| |
Sonnets (7) of Michelangelo, for voice & piano, Op. 22 - 6. S'un casto amor (32) | |
1:15
|
452
| |
Sonnets (7) of Michelangelo, for voice & piano, Op. 22 - 7. Spirito ben nato (24) | |
4:51
|
453
| |
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35 - 1. Oh my blacke soule | |
3:19
|
454
| |
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35 - 2. Batter my heart | |
1:13
|
455
| |
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35 - 3. O might those sighes and teares | |
3:04
|
456
| |
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35 - 4. Oh, to vex me | |
1:04
|
457
| |
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35 - 5. What if this present | |
2:57
|
458
| |
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35 - 6. Since she whom I loved | |
3:48
|
459
| |
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35 - 7. At the round earth's imagined corners | |
2:47
|
460
| |
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35 - 8. Thou hast made me | |
1:24
|
461
| |
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35 - 9. Death, be not proud | |
4:15
|
462
| |
On this Island, song cycle for voice & piano, Op. 11 - 1. Let the florid music praise! | |
3:08
|
463
| |
On this Island, song cycle for voice & piano, Op. 11 - 2. Now the leaves are falling fast | |
1:58
|
464
| |
On this Island, song cycle for voice & piano, Op. 11 - 3. Seascape | |
1:58
|
465
| |
On this Island, song cycle for voice & piano, Op. 11 - 4. Nocturne | |
3:59
|
466
| |
On this Island, song cycle for voice & piano, Op. 11 - 5. As it is; plenty | |
1:29
|
467
| |
Winter Words, song cycle for tenor & piano, Op. 52 - 1. At day-close in November | |
1:34
|
468
| |
Winter Words, song cycle for tenor & piano, Op. 52 - 2. Midnight on the Great Western (or the Journeying Boy) | |
4:45
|
469
| |
Winter Words, song cycle for tenor & piano, Op. 52 - 3. Wagtail and Baby (A Satire) | |
1:53
|
470
| |
Winter Words, song cycle for tenor & piano, Op. 52 - 4. The Little Old Table | |
1:21
|
471
| |
Winter Words, song cycle for tenor & piano, Op. 52 - 5. The Choirmaster's Burial (or The Tenor Man's Story) | |
3:57
|
472
| |
Winter Words, song cycle for tenor & piano, Op. 52 - 6. The Proud Songsters (Thrushes, Finches and Nightingales) | |
1:07
|
473
| |
Winter Words, song cycle for tenor & piano, Op. 52 - 7. At the Railway Station, Upway (or The Convict and Boy with the Violin) | |
3:06
|
474
| |
Winter Words, song cycle for tenor & piano, Op. 52 - 8. Before Life and After | |
3:03
|
475
| |
Canticle I: My Beloved Is Mine, for high voice & piano, Op. 40 | |
7:53
|
476
| |
Canticle II: Abraham and Isaac, for alto, tenor & piano, Op. 51 | |
17:04
|
477
| |
Canticle III:Still Falls the Rain, for tenor, horn & piano, Op. 55 | |
11:42
|
478
| |
Canticle IV: The Journey of the Magi, for countertenor, tenor, baritone & piano, Op. 86 | |
12:16
|
479
| |
Canticle V: The Death of St Narcissus, for tenor & harp, Op. 89 | |
7:49
|
480
| |
The Plough Boy, folksong for voice & piano (Folk Songs, Vol. 3) | |
1:50
|
481
| |
The Salley Gardens, for voice & piano (Folk Songs, Vol. 1) | |
2:41
|
482
| |
The Foggy, Foggy Dew, for voice & piano (Folk Songs, Vol. 3) | |
2:40
|
483
| |
There's None to Soothe, for voice & piano (Folk Songs, Vol. 3) | |
1:48
|
484
| |
O Waly, Waly, for voice & piano (Folk Songs, Vol. 3) | |
3:54
|
485
| |
The Ash Grove, for voice & piano (Folk Songs, Vol. 1) | |
3:00
|
486
| |
Greensleeves, folk song | |
2:17
|
487
| |
Songs (2) by Thomas Hardy, for voice & piano - The Children and Sir Nameless | |
2:51
|
488
| |
Songs (2) by Thomas Hardy, for voice & piano - If it's ever spring again | |
3:06
|
489
| |
Beware!, early songs (3) for medium voice & piano - 1. Beware! | |
1:02
|
490
| |
Beware!, early songs (3) for medium voice & piano - 2. O that I had ne'er been married | |
1:23
|
491
| |
Beware!, early songs (3) for medium voice & piano - 3. Epitaph: The Clerk | |
:52
|
492
| |
Not even summer yet, song for high voice & piano | |
2:05
|
493
| |
Songs (2) by W. H. Auden, for voice & piano - To lie flat on the back | |
2:32
|
494
| |
Songs (2) by W. H. Auden, for voice & piano - Night covers up the rigid land | |
2:44
|
495
| |
The Oxen, carol for female chorus & piano | |
3:10
|
496
| |
Dawtie's Devotion, song for voice & piano (discarded from "Who are these Children," Op. 84) | |
:48
|
497
| |
Tradition, song for voice & piano (discarded from "Who are these Children," Op. 84) | |
:56
|
498
| |
The Gully, song for voice & piano (discarded from "Who are these Children," Op. 84) | |
:56
|
499
| |
Tit for Tat, song cycle for voice & piano - 1. A Song of Enchantment | |
2:29
|
500
| |
Tit for Tat, song cycle for voice & piano - 3. Silver | |
1:53
|
501
| |
Tit for Tat, song cycle for voice & piano - 5. Tit for Tat | |
2:18
|
502
| |
Ballads (2), for 2 voices & piano - 1. Mother Comfort | |
3:41
|
503
| |
Ballads (2), for 2 voices & piano - 2. Underneath the Abject Willow | |
2:10
|
504
| |
Folksong Arrangements, Vol. III "British Isles", for voice & piano - Sweet Polly Oliver | |
1:55
|
505
| |
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano - The Minstrel Boy | |
2:28
|
506
| |
Folksong Arrangements, Vol. V "British Isles", for voice & piano - The Brisk Young Widow | |
2:14
|
507
| |
Folksong Arrangements, Vol. V "British Isles", for voice & piano - Ca' the Yowes | |
3:53
|
508
| |
Folksong Arrangements, Vol. V "British Isles", for voice & piano - The Lincolnshire Poacher | |
1:58
|
509
| |
Folksong Arrangements, Vol. I "British Isles", for voice & piano - O can ye sew cushions? | |
2:23
|
510
| |
Folksong Arrangements, Vol. I "British Isles", for voice & piano - The trees they grow so high | |
3:17
|
511
| |
Folksong Arrangements, Vol. V "British Isles", for voice & piano - Early one morning | |
3:31
|
512
| |
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano - How sweet the answer | |
2:12
|
513
| |
Folksong Arrangements, Vol. II "France", for voice & piano - Voici le printemps | |
2:00
|
514
| |
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano - The last rose of Summer | |
4:31
|
515
| |
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano - Dear Harp of my Country! | |
2:32
|
516
| |
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano - Oft in the stilly night | |
2:48
|
517
| |
The Queen's Epicedium, for soprano or tenor & piano (Purcell Realization) | |
7:54
|
518
| |
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano - Sound the Trumpet | |
2:27
|
519
| |
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano - I attempt from love's sickness to fly | |
2:46
|
520
| |
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano - Lost is my quiet for ever | |
3:20
|
521
| |
Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano - Fairest Isle | |
2:10
|
522
| |
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano - What can we poor females do? | |
1:18
|
523
| |
Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano - I'll sail upon the Dog-star | |
1:15
|
524
| |
Hears not my Phyllis (The Knotting Song), song, Z. 371 | |
3:02
|
525
| |
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano - Man is for the woman made | |
1:07
|
526
| |
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano - 1. Let sullen discord smile | |
2:06
|
527
| |
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano - 2. Why should men quarrel | |
1:31
|
528
| |
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano - 3. So when the glittering Queen of Night | |
4:07
|
529
| |
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano - 4. Thou tun'st this world | |
2:10
|
530
| |
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano - 5a. 'tis holiday / 5b. Sound Fame thy brazen trumpet | |
2:47
|
531
| |
Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32) | |
2:00
|
532
| |
Frühlingsnacht ("Uberm Garten durch die Lüfte"), song for voice & piano (Liederkreis), Op. 39/12 | |
1:13
|
533
| |
Paul Bunyan, operetta, Op. 17 - 1. Introduction | |
1:12
|
534
| |
Paul Bunyan, operetta, Op. 17 - 2. Prologue. Since the birth of the earth | |
3:34
|
535
| |
Paul Bunyan, operetta, Op. 17 - 2. Prologue. No. No. We do not want life to be slow | |
:44
|
536
| |
Paul Bunyan, operetta, Op. 17 - 2. Prologue. Ooh! Ooh! O how terrible to be as old fashined as a tree | |
1:45
|
537
| |
Paul Bunyan, operetta, Op. 17 - 2. Prologue. You are all to leave here | |
2:34
|
538
| |
Paul Bunyan, operetta, Op. 17 - 2. Prologue. It isn't very often the conservatives are wrong... / But once in a while the odd thing | |
3:10
|
539
| |
Paul Bunyan, operetta, Op. 17 - 2a. First Ballad Interlude: The cold wind blew through the crooked thorn | |
2:56
|
540
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 3. Bunyan's Greeting | |
2:49
|
541
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 3a. Call of Lumberjacks | |
:32
|
542
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 4. Lumberjack's Chorus: My birthplace was in Sweden | |
1:57
|
543
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 4a. Bunyan's Welcome | |
:21
|
544
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 5. Quartet of Swedes: Swedish born and Swedish bred | |
1:17
|
545
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 6. Western Union Boy's Song: A telegram from oversea | |
1:37
|
546
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 7. Cooks' Duet: Sam for soups. Ben for beans | |
3:35
|
547
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 8. Animal Trio: Ah! Miaou! The single creature lives a partial life | |
1:43
|
548
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 8a. Bunyan's Goodnight (1) | |
:33
|
549
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 8b. Exit of Lumberjacks: Down the line... Timberr | |
:46
|
550
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 9. The Blues: Gold in the North came the blizzard to say | |
4:24
|
551
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 10. Bunyan's Goodnight (2) | |
:53
|
552
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 1. 10a. Second Ballad Interlude: The Spring came and the Summer and Fall | |
3:30
|
553
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 2. 11. Food Chorus: Do I look the sort of fellow | |
4:02
|
554
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 2. 12. Chorus Accusation: There now look what you have done | |
:40
|
555
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 2. 12a. Slim's Song: In fair days and foul... I come from open spaces | |
3:08
|
556
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 2. 13. Bunyan's Return: Look, the Chief is back | |
1:03
|
557
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 2. 14. Inkslinger's Song: It was out in the sticks | |
4:50
|
558
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 2. 14a. Entrance of Chorus | |
:47
|
559
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 2. 15. Tiny's Entrance | |
1:28
|
560
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 2. 15a. Tiny's Song: Ah!... Whether the sun shine upon children playing | |
4:05
|
561
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 2. 16. Inkslinger's Regret: All the little brooks of love | |
1:59
|
562
| |
Paul Bunyan, operetta, Op. 17 - Act 1. Scene 2. 17. Bunyan's Goodnight (3) | |
2:04
|
563
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 18. Bunyan's Good Morning | |
3:14
|
564
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 18a. Shears' Song: It has always been my dream | |
:46
|
565
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 18b. Bunyan's Warning | |
:26
|
566
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 19. Farmer's Song: The shanty-boy invades the wood | |
2:10
|
567
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 19a. Farmers' Exit | |
1:14
|
568
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 20. The Mocking of Hel Helson: Heron, heron winging by | |
6:13
|
569
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 21. Fido's Sympathy: Why won't you tell me what's the matter? | |
:43
|
570
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 22. Cat's Creed: Let Man the romantic in vision espy | |
1:48
|
571
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 23. The Fight: What is it? What's happening? | |
1:27
|
572
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 23a. Love Duet: Move, move from the trysting stone | |
2:28
|
573
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 23b. Mock Funeral March: Take away the body and lay it on ice | |
4:45
|
574
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 23c. Hymn: O great day of discovery! | |
3:05
|
575
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 1. 24. Third Ballad Interlude: So Helson smiled and Bunyan smiled | |
2:06
|
576
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 2. 25. The Christmas Party. Rah! Another slice of turkey | |
1:55
|
577
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 2. 25. The Christmas Party. Dear friends, with your leave | |
1:02
|
578
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 2. 25. The Christmas Party. Carry her over the water | |
1:21
|
579
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 2. 25. The Christmas Party. Where we are is not very far | |
2:14
|
580
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 2. 25. The Christmas Party. A telegram from Hollywood | |
1:28
|
581
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 2. 25. The Christmas Party. We always knew that one day you | |
1:36
|
582
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 2. 26. Bunyan's Farewell | |
2:13
|
583
| |
Paul Bunyan, operetta, Op. 17 - Act 2. Scene 2. 27. Litany: The campfire embers are black and cold | |
6:11
|
584
| |
Paul Bunyan, operetta, Op. 17 - Appendix. Overture | |
5:08
|
585
| |
Paul Bunyan, operetta, Op. 17 - Appendix. Inkslinger's Love Song | |
3:44
|
586
| |
Paul Bunyan, operetta, Op. 17 - Appendix. Lullaby of Dream Shadows | |
8:59
|
587
| |
Peter Grimes, opera, Op. 33 - Prologue. Peter Grimes! | |
1:36
|
588
| |
Peter Grimes, opera, Op. 33 - Prologue. You sailed your boat round the coast | |
3:26
|
589
| |
Peter Grimes, opera, Op. 33 - Prologue. Peter Grimes, I here advise you! | |
2:13
|
590
| |
Peter Grimes, opera, Op. 33 - Prologue. The truth - the pity | |
1:57
|
591
| |
Peter Grimes, opera, Op. 33 - Prologue. Interlude 1: Dawn | |
3:19
|
592
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 1. Oh hang at open doors the net | |
5:01
|
593
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 1. Hi! Give us a hand! | |
3:33
|
594
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 1. I have to go from pub to pub | |
1:57
|
595
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 1. Let her among you without a fault cast the first stone | |
2:56
|
596
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 1. Look! The storm cone! | |
2:42
|
597
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 1. And do you prefer the storm | |
3:52
|
598
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 1. They listen to money | |
1:29
|
599
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 1. What harbour shelters peace | |
1:06
|
600
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 1. Interlude 2: Storm | |
4:20
|
601
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 2. Past time to close! | |
4:39
|
602
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 2. Come on, boy! | |
2:12
|
603
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 2. Have you heard the cliff is down | |
1:37
|
604
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 2. Now the Great Bear and the Pleiades | |
3:42
|
605
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 2. Old Joe has gone fishing | |
2:18
|
606
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 2. The bridge is down | |
1:45
|
607
| |
Peter Grimes, opera, Op. 33 - Act 2. Interlude 3: Sunday morning | |
2:28
|
608
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. Glitter of waves and glitter of sunlight | |
5:34
|
609
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. Child you're not too young to know | |
3:28
|
610
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. This unrelenting work | |
4:42
|
611
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. Fool to let it come to this! | |
3:20
|
612
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. People...! No! I will speak! | |
2:01
|
613
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. We planned that their lives should have a new start | |
3:04
|
614
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. Now is gossip put on trial | |
2:21
|
615
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. From the gutter | |
5:03
|
616
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. Interlude 4: Passacaglia | |
5:20
|
617
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 2. Go there! | |
3:14
|
618
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 2. In dreams I've built myself some kindlier home | |
3:57
|
619
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 2. Now!... Now! | |
2:09
|
620
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 2. Peter Grimes! Nobody here? | |
3:17
|
621
| |
Peter Grimes, opera, Op. 33 - Act 3. Interlude 5: Moonlight | |
4:21
|
622
| |
Peter Grimes, opera, Op. 33 - Act 3. Scene 1. Assign your prettiness to me | |
2:57
|
623
| |
Peter Grimes, opera, Op. 33 - Act 3. Scene 1. Mr Keene! | |
2:45
|
624
| |
Peter Grimes, opera, Op. 33 - Act 3. Scene 1. Come along, Doctor | |
2:50
|
625
| |
Peter Grimes, opera, Op. 33 - Act 3. Scene 1. Embroidery in childhood was a luxury of idleness | |
5:07
|
626
| |
Peter Grimes, opera, Op. 33 - Act 3. Scene 1. Mr Swallow, Mr Swallow | |
1:59
|
627
| |
Peter Grimes, opera, Op. 33 - Act 3. Scene 1. Who holds himself apart lets his pride rise | |
3:44
|
628
| |
Peter Grimes, opera, Op. 33 - Act 3. Scene 1. Interlude 6 | |
2:34
|
629
| |
Peter Grimes, opera, Op. 33 - Act 3. Scene 2. Grimes! | |
5:10
|
630
| |
Peter Grimes, opera, Op. 33 - Act 3. Scene 2. Peter, we've come to take you home | |
2:47
|
631
| |
Peter Grimes, opera, Op. 33 - Act 3. Scene 2. To those who pass the Borough | |
4:28
|
632
| |
Turn of the Screw, chamber opera, Op. 54 - Prologue | |
3:27
|
633
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Theme | |
1:04
|
634
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Scene 1. The Journey | |
2:12
|
635
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Variation 1 | |
:36
|
636
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Scene 2. The Welcome | |
3:42
|
637
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Variation 2 | |
:38
|
638
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Scene 3. The Letter | |
2:58
|
639
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Variation 3 | |
1:45
|
640
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Scene 4. The Tower | |
3:41
|
641
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Variation 4 | |
:24
|
642
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Scene 5. The Window | |
9:07
|
643
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Variation 5 | |
1:00
|
644
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Scene 6. The Lesson | |
4:02
|
645
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Variation 6 | |
1:20
|
646
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Scene 7. The Lake | |
5:11
|
647
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Variation 7 | |
1:25
|
648
| |
Turn of the Screw, chamber opera, Op. 54 - Act 1. Scene 8. At Night | |
9:44
|
649
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Variation 8 | |
4:44
|
650
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Scene 1. Colliquy and Soliloquy | |
4:21
|
651
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Variation 9 | |
:55
|
652
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Scene 2. The Bells | |
7:31
|
653
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Variation 10 | |
:31
|
654
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Scene 3. Miss Jessel | |
6:00
|
655
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Variation 11 | |
1:25
|
656
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Scene 4. The Bedroom | |
5:02
|
657
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Variation 12 | |
1:22
|
658
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Scene 5. Quint | |
:54
|
659
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Variation 13 | |
1:07
|
660
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Scene 6. The Piano | |
3:14
|
661
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Variation 14 | |
:36
|
662
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Scene 7. Flora | |
3:48
|
663
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Variation 15 | |
1:34
|
664
| |
Turn of the Screw, chamber opera, Op. 54 - Act 2. Scene 8. Miles | |
11:10
|
665
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. Introduction: The wood, deepening twilight. Over hill, over dale | |
4:12
|
666
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. Oberon is passing fell and wrath | |
3:04
|
667
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. Well, go thy way | |
3:44
|
668
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. How now my love? | |
4:29
|
669
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. Be it on lion, bear, or wolf, or bull | |
3:41
|
670
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. Welcome wanderer... I know a bank | |
5:04
|
671
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. Is all our company here? | |
7:37
|
672
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. Fair love, you faint with wand'ring in the wood | |
2:43
|
673
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. Through the forest have I gone | |
1:39
|
674
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. Stay, though thou kill me, sweet Demetrius | |
5:08
|
675
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. Come, now a roundel and a fairy song | |
2:04
|
676
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. You spotted snakes with double tongue | |
2:19
|
677
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 1. What thou seest when thou dost wake | |
2:11
|
678
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 2. Introduction: The Wood | |
3:27
|
679
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 2. Are we all met? | |
7:23
|
680
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 2. I see their knavery | |
3:14
|
681
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 2. Be kind and courteous to this gentleman | |
1:16
|
682
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 2. Hail, mortal, hail! | |
5:36
|
683
| |
A Midsummer Night's Dream, opera, Op. 64 - I have a reas'nable good ear in music | |
5:21
|
684
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 2. How now, mad spirit? | |
2:50
|
685
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 2. Flower of this purple dye | |
6:47
|
686
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 2. Puppet? Why, so? | |
3:41
|
687
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 2. This is thy negligence | |
1:48
|
688
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 2. Up and down, up and down | |
6:51
|
689
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 2. On the ground, sleep sound | |
3:29
|
690
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. Introduction: The wood, early next morning. My gentle Robin, seest thou this sweet sight? | |
8:07
|
691
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. Helena! Hermia! Demetrius! Lysander! | |
7:10
|
692
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. When my cue comes, call me | |
4:26
|
693
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. Have you sent to Bottom's house? | |
5:13
|
694
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. Theseus' palace. Now, fair Hippolyta | |
5:20
|
695
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. If we offend, it is with our good will | |
1:23
|
696
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. Gentles, perchance you wonder at this show | |
1:28
|
697
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. In this same interlude it doth befall | |
1:11
|
698
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. O grim-look'd night, O night with hue so black | |
1:57
|
699
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. O Wall, full often hast thou heard my moans | |
2:47
|
700
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. You ladies, you whose gentle hearts do fear | |
:50
|
701
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. This lanthorn doth the hornèd moon present | |
1:56
|
702
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. Sweet Moon, I thank thee for thy sunny beams | |
1:59
|
703
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. Asleep, my love? | |
2:48
|
704
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. Come, your Bergomask | |
2:58
|
705
| |
A Midsummer Night's Dream, opera, Op. 64 - Act 3. Now the hungry lion roars | |
4:52
|
706
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 1. Scene 1. Rome is now ruled by the Etruscan upstart | |
2:22
|
707
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 1. Scene 1. It is an axiom among kings | |
2:25
|
708
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 1. Scene 1. Here the thirsty evening | |
4:25
|
709
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 1. Scene 1. Lucretia! Lucretia! | |
3:54
|
710
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 1. Scene 1. With you two arm in arm again | |
4:33
|
711
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 1. Scene 1. Interlude: Tarquinius does not wait | |
2:46
|
712
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 1. Scene 2. Their spinning wheel unwinds | |
5:27
|
713
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 1. Scene 2. It is better to desire | |
4:47
|
714
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 1. Scene 2. The oatmeal slippers of sleep | |
1:43
|
715
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 1. Scene 2. None of the women move | |
5:33
|
716
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 2. Scene 1. She sleeps as a rose | |
4:25
|
717
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 2. Scene 1. Lucretia!... What do you want? | |
3:08
|
718
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 2. Scene 1. Go, Tarquinius! | |
2:16
|
719
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 2. Scene 1. Interlude: Here in this scene you see | |
3:52
|
720
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 2. Scene 2. Oh! What a lovely day! | |
4:28
|
721
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 2. Scene 2. How hideous! Take them away! | |
1:23
|
722
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 2. Scene 2. Flowers bring to every year | |
3:17
|
723
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 2. Scene 2. Too late, Junius | |
3:59
|
724
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 2. Scene 2. This dead hand lets fall | |
4:21
|
725
| |
The Rape of Lucretia, chamber opera, Op. 37 - Act 2. Scene 2. Is all this suffering and pain | |
4:40
|
726
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. Whatever you say... Let her among you without fault | |
3:01
|
727
| |
Peter Grimes, opera, Op. 33 - Act 1. Scene 2. Now the Great Bear and the Pleiades | |
3:22
|
728
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. Interlude 3: Sunday Morning | |
2:20
|
729
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. Glitter of waves | |
3:49
|
730
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. Wherefore, I pray and beseech you | |
3:30
|
731
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 1. O all ye works of the Lord | |
5:50
|
732
| |
Peter Grimes, opera, Op. 33 - Act 2. Scene 2. In dreams I've built myself some kindlier home | |
4:31
|
733
| |
Peter Grimes, opera, Op. 33 - Act 3. Scene 1. Embroidery in childhood | |
4:15
|
734
| |
Peter Grimes, opera, Op. 33 - Interlude 6 - | |
2:29
|
735
| |
Peter Grimes, opera, Op. 33 - Act 3. Scene 2. Grimes!... Steady. There you are | |
6:10
|
736
| |
Folksong Arrangements, Vol. III "British Isles", for voice & piano - The Plough Boy | |
2:05
|
737
| |
Folksong Arrangements, Vol. III "British Isles", for voice & piano - Come you not from Newcastle? | |
1:16
|
738
| |
Folksong Arrangements, Vol. III "British Isles", for voice & piano - The Foggy, Foggy Dew | |
2:42
|
739
| |
Folksong Arrangements, Vol. III "British Isles", for voice & piano - The King is gone a-hunting | |
2:18
|
740
| |
Folksong Arrangements, Vol. III "British Isles", for voice & piano - O Waly, Waly | |
3:36
|