1
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Overture | |
3:25
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1
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Overture | |
3:25
|
2
| |
The Golden Hills (The Golden Mountains; Happy Street), suite from the film score, Op. 30a - Waltz | |
5:23
|
2
| |
The Golden Hills (The Golden Mountains; Happy Street), suite from the film score, Op. 30a - Waltz | |
5:23
|
3
| |
The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Prolog | |
2:30
|
3
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The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Prolog | |
2:30
|
4
| |
The Fall of Berlin, film score, Op. 82 - In The Garden | |
2:28
|
4
| |
The Fall of Berlin, film score, Op. 82 - In The Garden | |
2:28
|
5
| |
Alone (All Alone), film score, Op. 26 (part lost) - Galop | |
3:52
|
5
| |
Alone (All Alone), film score, Op. 26 (part lost) - Galop | |
3:52
|
6
| |
The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Romance | |
5:55
|
6
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Romance | |
5:55
|
7
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Hamlet, film score, Op. 116 (unrelated to incidental music) - Ball at the Castle | |
3:18
|
7
| |
Hamlet, film score, Op. 116 (unrelated to incidental music) - Ball at the Castle | |
3:18
|
8
| |
King Lear, film score, Op. 137 - Song of Cordelia | |
2:51
|
8
| |
King Lear, film score, Op. 137 - Song of Cordelia | |
2:51
|
9
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The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Fight on the Barricades | |
5:29
|
9
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The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Fight on the Barricades | |
5:29
|
10
| |
The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Nocturne | |
4:12
|
10
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Nocturne | |
4:12
|
11
| |
The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Funeral March and Finale | |
4:37
|
11
| |
The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Funeral March and Finale | |
4:37
|
12
| |
The Fall of Berlin, film score, Op. 82 - Prelude | |
2:36
|
12
| |
The Fall of Berlin, film score, Op. 82 - Prelude | |
2:36
|
13
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Fair | |
2:41
|
13
| |
The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Fair | |
2:41
|
14
| |
Hamlet, film score, Op. 116 (unrelated to incidental music) - In the Garden | |
1:41
|
14
| |
Hamlet, film score, Op. 116 (unrelated to incidental music) - In the Garden | |
1:41
|
15
| |
The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Prelude | |
4:19
|
15
| |
The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Prelude | |
4:19
|
16
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Introduction | |
6:33
|
16
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Introduction | |
6:33
|
17
| |
Zoya (Who Is She?), film score, Op. 64 (part lost) - Tempo di Marcia | |
3:30
|
17
| |
Zoya (Who Is She?), film score, Op. 64 (part lost) - Tempo di Marcia | |
3:30
|
18
| |
King Lear, film score, Op. 137 - Lunch at Gonerilja | |
2:08
|
18
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King Lear, film score, Op. 137 - Lunch at Gonerilja | |
2:08
|
19
| |
New Babylon (The Assault on Heaven), film score for live performance with silent film, Op. 18 - Part 1 | |
9:08
|
19
| |
New Babylon (The Assault on Heaven), film score for live performance with silent film, Op. 18 - Part 1 | |
9:08
|
20
| |
Zoya (Who Is She?), film score, Op. 64 (part lost) - Adagio | |
7:18
|
20
| |
Zoya (Who Is She?), film score, Op. 64 (part lost) - Adagio | |
7:18
|
21
| |
Five Days - Five Nights, film score, Op. 111 - Liberated Dresden | |
6:31
|
21
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Five Days - Five Nights, film score, Op. 111 - Liberated Dresden | |
6:31
|