1
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Overture |  |
3:25
|
1
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Overture |  |
3:25
|
2
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The Golden Hills (The Golden Mountains; Happy Street), suite from the film score, Op. 30a - Waltz |  |
5:23
|
2
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The Golden Hills (The Golden Mountains; Happy Street), suite from the film score, Op. 30a - Waltz |  |
5:23
|
3
|  |
The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Prolog |  |
2:30
|
3
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The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Prolog |  |
2:30
|
4
|  |
The Fall of Berlin, film score, Op. 82 - In The Garden |  |
2:28
|
4
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The Fall of Berlin, film score, Op. 82 - In The Garden |  |
2:28
|
5
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Alone (All Alone), film score, Op. 26 (part lost) - Galop |  |
3:52
|
5
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Alone (All Alone), film score, Op. 26 (part lost) - Galop |  |
3:52
|
6
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Romance |  |
5:55
|
6
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Romance |  |
5:55
|
7
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Hamlet, film score, Op. 116 (unrelated to incidental music) - Ball at the Castle |  |
3:18
|
7
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Hamlet, film score, Op. 116 (unrelated to incidental music) - Ball at the Castle |  |
3:18
|
8
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King Lear, film score, Op. 137 - Song of Cordelia |  |
2:51
|
8
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King Lear, film score, Op. 137 - Song of Cordelia |  |
2:51
|
9
|  |
The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Fight on the Barricades |  |
5:29
|
9
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The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Fight on the Barricades |  |
5:29
|
10
|  |
The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Nocturne |  |
4:12
|
10
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Nocturne |  |
4:12
|
11
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The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Funeral March and Finale |  |
4:37
|
11
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The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Funeral March and Finale |  |
4:37
|
12
|  |
The Fall of Berlin, film score, Op. 82 - Prelude |  |
2:36
|
12
|  |
The Fall of Berlin, film score, Op. 82 - Prelude |  |
2:36
|
13
|  |
The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Fair |  |
2:41
|
13
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Fair |  |
2:41
|
14
|  |
Hamlet, film score, Op. 116 (unrelated to incidental music) - In the Garden |  |
1:41
|
14
|  |
Hamlet, film score, Op. 116 (unrelated to incidental music) - In the Garden |  |
1:41
|
15
|  |
The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Prelude |  |
4:19
|
15
|  |
The Return of Maxim (Maxim Trilogy II), film score, Op. 45 - Prelude |  |
4:19
|
16
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Introduction |  |
6:33
|
16
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The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan) - Introduction |  |
6:33
|
17
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Zoya (Who Is She?), film score, Op. 64 (part lost) - Tempo di Marcia |  |
3:30
|
17
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Zoya (Who Is She?), film score, Op. 64 (part lost) - Tempo di Marcia |  |
3:30
|
18
|  |
King Lear, film score, Op. 137 - Lunch at Gonerilja |  |
2:08
|
18
|  |
King Lear, film score, Op. 137 - Lunch at Gonerilja |  |
2:08
|
19
|  |
New Babylon (The Assault on Heaven), film score for live performance with silent film, Op. 18 - Part 1 |  |
9:08
|
19
|  |
New Babylon (The Assault on Heaven), film score for live performance with silent film, Op. 18 - Part 1 |  |
9:08
|
20
|  |
Zoya (Who Is She?), film score, Op. 64 (part lost) - Adagio |  |
7:18
|
20
|  |
Zoya (Who Is She?), film score, Op. 64 (part lost) - Adagio |  |
7:18
|
21
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Five Days - Five Nights, film score, Op. 111 - Liberated Dresden |  |
6:31
|
21
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Five Days - Five Nights, film score, Op. 111 - Liberated Dresden |  |
6:31
|