1
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Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5) - 2nd Movement | |
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2
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Symphony No. 5 in C minor ("Fate"), Op. 67 - 1st Movement | |
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3
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Tritsch-Tratsch-Polka (Chit-Chat Polka), for orchestra, Op. 214 (RV 214) | |
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4
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Radetzky-Marsch, for orchestra, Op. 228 | |
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5
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Wiener Blut (Vienna Blood), waltz for orchestra, Op. 354 (RV 354) - [Excerpt] | |
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6
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An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314) | |
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7
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Symphony No. 5 in B flat major, D. 485 - 2nd Movement | |
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8
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Symphony No. 9 in D minor ("Choral"), Op. 125 - 4th Movement | |
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9
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Symphony No. 4 in F minor, Op. 36 - 4th Movement | |
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10
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Violin Concerto, for violin, strings & continuo in F major ("L'autunno," The Four Seasons; "Il cimento" No. 3), Op.8/3, RV 293 - 3rd Movement | |
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11
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1812 -- Festival Overture, for orchestra in E flat major, Op. 49 - Excerpt | |
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12
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The Sleeping Beauty, ballet, Op. 66 - Waltz | |
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13
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Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 2, Op. 55 - Solveig's Song | |
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14
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Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46 - Anitra's Dance | |
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15
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Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46 - Morning | |
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16
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Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46 - In The Hall of the Mountain King | |
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17
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Meditation on Prelude No. 1 of Bach, for violin or cello & piano with organ or cello ad lib. (or other instrumental arrangement) | |
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18
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Funiculì Funiculà, for voice & orchestra (& chorus ad lib) | |
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19
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Etude for piano No. 12 in C minor ("Revolutionary"), Op. 10/12, CT. 25 | |
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20
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Etude for piano No. 5 in G flat major, Op. 10/5, CT. 18 | |
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21
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Waltz for piano in A flat major, Op. 39/15 | |
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22
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Hungarian Dances (21) for piano, 4 hands (or piano solo), WoO 1 - No. 5 | |
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23
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Symphony No. 3 in F major, Op. 90 - 3rd Movement | |
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24
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Symphony No. 1 in C minor, Op. 68 - 2nd Movement | |
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25
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Symphony No. 9, arranged for piano, 4 hands ("From the New World"), B. 521 - 2nd Movement (Excerpt) | |
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