1
| |
Recorded Interviews & Speeches - I am Harry Partch [Spoken] | |
:25
|
2
| |
By the Rivers of Babylon, for adapted viola & intoning voice, kithara & chromelodeon | |
3:28
|
3
| |
Recorded Interviews & Speeches - Text and music: A Wagnerian Wrestling Match (spoken) | |
1:23
|
4
| |
Lyrics (17) by Li Po, for intoning voice & adapted viola - A Dream (His Dream of the Skyland: a Farewell Poem) | |
4:34
|
5
| |
Lyrics (17) by Li Po, for intoning voice & adapted viola - An Encounter in the Field | |
:47
|
6
| |
Lyrics (17) by Li Po, for intoning voice & adapted viola - On Hearing the Flute at Lo-Cheng One Spring Night | |
1:00
|
7
| |
Lyrics (17) by Li Po, for intoning voice & adapted viola - The Intruder | |
1:10
|
8
| |
Lyrics (17) by Li Po, for intoning voice & adapted viola - I am a Peach Tree | |
1:26
|
9
| |
Lyrics (17) by Li Po, for intoning voice & adapted viola - With a Man of Leisure | |
:47
|
10
| |
Lyrics (17) by Li Po, for intoning voice & adapted viola - A Midnight Farewell | |
1:19
|
11
| |
Lyrics (17) by Li Po, for intoning voice & adapted viola - Before the Cask of Wine | |
2:10
|
12
| |
Lyrics (17) by Li Po, for intoning voice & adapted viola - On the Ship of Spicewood | |
2:31
|
13
| |
Lyrics (17) by Li Po, for intoning voice & adapted viola - By the Great Wall | |
2:00
|
14
| |
Harry Partch: Interview with Eugene Paul (Interview) - The Use of English in Serious Music (excerpt from an interview with Eugene Paul) [Spoken] | |
:57
|
15
| |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo | |
8:30
|
16
| |
San Francisco, for two baritones, adapted viola, kithara & chromelodeon (from "The Wayward") - A Setting of the Cries of Two Newsboys on a Street Corner on a Foggy Night in the Twenties. | |
2:33
|
17
| |
Recorded Interviews & Speeches - Life is too precious to spend it with important people [Spoken] | |
1:29
|
18
| |
U.S. Highball, for voices & Partch instruments (from "The Wayward") - A Musical Account of Slim's Transcontinental Hobo Trip. | |
26:48
|
19
| |
Recorded Interviews & Speeches - While my Heart Keeps Beating Time | |
1:38
|
20
| |
Recorded Interviews & Speeches - San Francisco II | |
2:50
|
21
| |
Recorded Interviews & Speeches - I'm going to start right off by giving you some sounds... | |
:31
|
22
| |
Settings (2) from Joyce's "Finnegan's Wake", for soprano, kithara & two flutes - Isobel | |
2:53
|
23
| |
Settings (2) from Joyce's "Finnegan's Wake", for soprano, kithara & two flutes - Annah the Allmaziful | |
2:23
|
24
| |
Dark Brother, for intoning voice, chromelodeon, adapted viola, kithara & bass marimba - Dark Brother - Final Two Paragraphs from Thomas Wolfe's "God's Lonely Man" | |
7:43
|
25
| |
Recorded Interviews & Speeches - A Quarter-Saw Section of Motivations and Intonation - Prelude to Talk | |
2:14
|
26
| |
Recorded Interviews & Speeches - Introduction to Examples of Intonation | |
6:05
|
27
| |
Recorded Interviews & Speeches - Scale of Olympos (pentatonic) | |
1:05
|
28
| |
Recorded Interviews & Speeches - Enharmonic Scale of Archytas; Separated by 3/2's; Triads | |
1:35
|
29
| |
Recorded Interviews & Speeches - Scale of Pythagoras; Separated by 3/2's; Triads | |
1:07
|
30
| |
Recorded Interviews & Speeches - Ptolemaic Intense Diatonic; Separated by 3/2's; Triads | |
:53
|
31
| |
Recorded Interviews & Speeches - Ptolemy's Equable Diatonic; Separated by 3/2's | |
1:24
|
32
| |
Recorded Interviews & Speeches - Terpander's Hexatonic [2 egs.] | |
1:52
|
33
| |
Recorded Interviews & Speeches - Close Degrees | |
1:08
|
34
| |
Recorded Interviews & Speeches - True and Tempered Triads | |
1:23
|
35
| |
Recorded Interviews & Speeches - Resolutions from p. 186 of Genesis of a Music [2nd Ed., pp. 186, 187]; Resolution p. 187 [2nd Ed., | |
2:24
|
36
| |
Recorded Interviews & Speeches - Fox-Strangways Resolutions [2nd Ed., p. 191] | |
2:27
|
37
| |
Recorded Interviews & Speeches - Tonal Flux from Genesis, p. 188 [2nd Ed., p. 189]; Tonal Flux from The Letter and Third Chorus of O | |
3:56
|
38
| |
Recorded Interviews & Speeches - Multiple Tonal Senses from Antiphony of Oedipus, "O crowding woods..." | |
2:39
|
39
| |
Recorded Interviews & Speeches - Multiple tonal Senses from Dark Brother, "and we who were lost are found again..."; "until our hear | |
4:04
|
40
| |
Recorded Interviews & Speeches - Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom. | |
1:45
|
41
| |
Recorded Interviews & Speeches - Melodic Subtleties from The Bewitched [7 egs.] | |
6:12
|
42
| |
Recorded Interviews & Speeches - Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Re | |
10:42
|
43
| |
Recorded Interviews & Speeches - Dissonance and Consonance: Coda to Oedipus; Coda to Revelation | |
6:52
|
44
| |
Bitter Music, musical excerpts from Partch's diary - June 11, 1935 - Santa Rosa, California | |
:27
|
45
| |
Bitter Music, musical excerpts from Partch's diary - June 12 - Federal Shelter, Stockton | |
3:36
|
46
| |
Bitter Music, musical excerpts from Partch's diary - June 13 | |
1:28
|
47
| |
Bitter Music, musical excerpts from Partch's diary - June 14 | |
2:22
|
48
| |
Bitter Music, musical excerpts from Partch's diary - June 16 - Harrington Ranch, San Joaquin Delta | |
3:27
|
49
| |
Bitter Music, musical excerpts from Partch's diary - June 17 | |
:26
|
50
| |
Bitter Music, musical excerpts from Partch's diary - July 04 | |
3:50
|
51
| |
Bitter Music, musical excerpts from Partch's diary - July 14 | |
:49
|
52
| |
Bitter Music, musical excerpts from Partch's diary - July 16 | |
1:16
|
53
| |
Bitter Music, musical excerpts from Partch's diary - July 19 | |
1:11
|
54
| |
Bitter Music, musical excerpts from Partch's diary - July 20 - Heading north, between Sacramento and Redding (later incorporated into "The Wind", 1950) | |
2:23
|
55
| |
Bitter Music, musical excerpts from Partch's diary - July 24 - Federal Shelter, Portland | |
2:25
|
56
| |
Bitter Music, musical excerpts from Partch's diary - July 25 - Blue Ox Lodge, Seattle, Washington | |
6:15
|
57
| |
Bitter Music, musical excerpts from Partch's diary - July 27 | |
:33
|
58
| |
Bitter Music, musical excerpts from Partch's diary - July 29 | |
:24
|
59
| |
Bitter Music, musical excerpts from Partch's diary - July 30 | |
:28
|
60
| |
Bitter Music, musical excerpts from Partch's diary - August 7 - Between Grants Pass and Klamath Falls, Oregon | |
1:56
|
61
| |
Bitter Music, musical excerpts from Partch's diary - August 15 | |
1:30
|
62
| |
Bitter Music, musical excerpts from Partch's diary - October 22 - Nearing Monterey [reworked in 1943 as The Letter] | |
5:01
|
63
| |
Bitter Music, musical excerpts from Partch's diary - October 24 - Leaving Big Sur | |
2:32
|
64
| |
Bitter Music, musical excerpts from Partch's diary - October 25 - Near Slate's Hot Springs (now the Esalen Institute) | |
2:56
|
65
| |
Bitter Music, musical excerpts from Partch's diary - October 26 | |
1:20
|
66
| |
Bitter Music, musical excerpts from Partch's diary - October 27 | |
:35
|
67
| |
Bitter Music, musical excerpts from Partch's diary - October 28 | |
:17
|
68
| |
Bitter Music, musical excerpts from Partch's diary - October 29 | |
1:27
|
69
| |
Bitter Music, musical excerpts from Partch's diary - October 30 - Big Creek | |
:53
|
70
| |
Bitter Music, musical excerpts from Partch's diary - November 12 - Santa Barbara | |
2:23
|
71
| |
Bitter Music, musical excerpts from Partch's diary - November 14 | |
:30
|
72
| |
Bitter Music, musical excerpts from Partch's diary - November 15 - Leaving Santa Barbara | |
4:17
|
73
| |
Bitter Music, musical excerpts from Partch's diary - November 16 - Ojai | |
:56
|
74
| |
Bitter Music, musical excerpts from Partch's diary - November 17 | |
1:02
|
75
| |
Bitter Music, musical excerpts from Partch's diary - November 23 - Los Angeles | |
:28
|
76
| |
Bitter Music, musical excerpts from Partch's diary - November 28 | |
:18
|
77
| |
Bitter Music, musical excerpts from Partch's diary - December 04 | |
:42
|
78
| |
Bitter Music, musical excerpts from Partch's diary - December, 1935 | |
8:44
|
79
| |
Bitter Music, musical excerpts from Partch's diary - February 1, 1936 - San Bernardino | |
4:00
|
80
| |
Harry Partch: Interview with Eugene Paul (Interview) - Yankee Doodle Birds (excerpt from an interview with Eugene Paul) | |
:39
|
81
| |
Yankee Doodle Fantasy, for soprano, tin flutes, tin oboe, flex-a-tones & chromelodeon - Y.D. Fantasy - On the Words of an Early American Tune | |
3:58
|
82
| |
O frabjous day!, for intoning voice, harmonic canon & bass marimba - (The Second of Two Settings from Lewis Carroll: The Jabberwocky, from Through the Looking Glass) | |
3:14
|
83
| |
Recorded Interviews & Speeches - You are charged with being guilty. Are you drunk or not drunk?. . . (spoken introduction, 11/19/53) | |
1:04
|
84
| |
Ring Around the Moon, for baritone & Partch instruments - A Dance Fantasm for Here and Now | |
9:05
|
85
| |
Bless this home, for intoning voice, oboe, adapted viola, kithara, harmonic canon & mazda marimba | |
3:27
|
86
| |
Recorded Interviews & Speeches - Harry's Wake [Spoken] | |
46:25
|