1
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1812 -- Festival Overture, for orchestra in E flat major, Op. 49 - [Excerpt] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:30
|
2
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Daphnis et Chloé, ballet for orchestra - Daybreak [Excerpt] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:20
|
3
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barcarolle for piano | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:07
|
4
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Capriol Suite, for full orchestra - Bransles | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:42
|
5
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Capriol Suite, for full orchestra - Pieds-en-l'air | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:50
|
6
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Carmen, ballet for strings & percussion (after Bizet) - 1. Introduction (Prelude). 2. Dance | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:25
|
7
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Brandenburg Concerto No. 4 in G major, BWV 1049 - 1st Movement, Allegro [Excerpt] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:22
|
8
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Symphony No. 8 in C minor, Op. 65 (Stalingrad) - 3rd Movement, Allegro [Excerpt] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:55
|
9
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
String Quartet No. 22 in B flat major ("Prussian 2"), K. 589 - 4th Movement, Allegro assai | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:32
|
10
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sorochintsï Fair: Dream of the Peasant Gritsko (Night on Bald Mountain), for chorus & orchestra - [Excerpt] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:52
|
11
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Messe de la Pentecôte, for organ, I/36 - [Excerpt] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:10
|
12
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Billy the Kid, ballet - [Excerpt] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:23
|
13
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
The Red Poppy, ballet, Op. 70 - Chinese Dance | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:01
|
14
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Part 1 [Excerpt] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:59
|
15
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Symphony No. 10 in E minor, Op. 93 - 3rd Movement, Allegretto [Excerpt] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:09
|
16
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Peter Pan, for orchestra - The Mermaid's Lagoon [Excerpt] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:46
|
17
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Syrinx, for solo flute, L. 129 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:57
|
18
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Camelot, musical - Before I Gaze at You Again | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:22
|
19
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Alma Redemptoris mater, motet for 4 voices | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:57
|
20
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Walking the Dog, promenade for piano or orchestra (arrangement from film "Shall We Dance") | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:46
|
21
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Mohrentanz (La Mourisque), for 4-part instrumental ensemble | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:30
|
22
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Te Deum, for tenor, 3 choruses, brass bands, organ & orchestra, H. 118 (Op. 22) - Te Deum / Judex crederis [Excerpts] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:04
|