1
|  |
Hélas madame |  |
:52
|
2
|  |
En vray amoure, for 4 voices |  |
:51
|
3
|  |
Variationen über "Whereto should I express" |  |
2:20
|
4
|  |
Consort |  |
9:47
|
5
|  |
Amor vittorioso, balletto for 5 voices (from Balletti a cinque voci) |  |
:57
|
6
|  |
Forsi |  |
1:23
|
7
|  |
Le Forze d'Hercole |  |
:47
|
8
|  |
Gagliarda "La gamba" |  |
2:13
|
9
|  |
Pavana "L'agricola" |  |
:51
|
10
|  |
La Maonfrolina (Venetian Dance) |  |
:46
|
11
|  |
Pavana e Gagliarda "della Traditora", Venetian dance |  |
1:12
|
12
|  |
Elend bringt Pein |  |
2:17
|
13
|  |
Das Gläut zu Speyer (The Merry Bells of Speyer), for winds |  |
3:14
|
14
|  |
Alors Que Mon Coeur S'engage |  |
:54
|
15
|  |
Si lieta e grata morte, madrigal for 4 voices (also for voice & lute, arranged by Willaert) |  |
1:20
|
16
|  |
Réveillez vous, cueurs endormis, chanson for 4 voices ("Le chant des oiseaux"), M. 2/67 |  |
6:59
|
17
|  |
Cucú, cucú, cucúcu, cancionero (from Cancionero de Palacio) |  |
1:29
|
18
|  |
Diferencias (7) for guitar on "Guárdame las vacas" |  |
1:55
|
19
|  |
Es sollt ein Mann zur Mühle fahrn |  |
:57
|
20
|  |
Mir träumte inniglich süsse |  |
1:24
|
21
|  |
Mancher freut sich der lieben Zeit |  |
1:07
|
22
|  |
Drei Schlösser in Österreich |  |
1:24
|
23
|  |
Venusz |  |
1:15
|
24
|  |
Halaltanc |  |
-
|
25
|  |
Annelein, du singst fein, lied for 4 voices, S. xx/46 |  |
1:08
|
26
|  |
Innsbruck, ich muß dich lassen (ii), song for 4 voices |  |
1:49
|
27
|  |
Ain niderlendisch runden dantz |  |
1:24
|
28
|  |
Hymnenkreis des Prudentius: Ad Maecenatem |  |
:55
|
29
|  |
Hymnenkreis des Prudentius: Ad Naeram |  |
:49
|
30
|  |
Hymnenkreis des Prudentius: Epodos II |  |
-
|
31
|  |
Hymnenkreis des Prudentius: Quicumque Christum Quaerens |  |
1:04
|
32
|  |
Ein guter Gassenhauer auf die welisch Art |  |
:59
|
33
|  |
Der Hupff auff, den must man gar behend, for lute |  |
1:00
|
34
|  |
Ach herziges Herz |  |
1:02
|
35
|  |
Affentantz/Mastdantz |  |
3:56
|
36
|  |
Super l'homme arm |  |
5:38
|