1
| |
Hélas madame | |
:52
|
2
| |
En vray amoure, for 4 voices | |
:51
|
3
| |
Variationen über "Whereto should I express" | |
2:20
|
4
| |
Consort | |
9:47
|
5
| |
Amor vittorioso, balletto for 5 voices (from Balletti a cinque voci) | |
:57
|
6
| |
Forsi | |
1:23
|
7
| |
Le Forze d'Hercole | |
:47
|
8
| |
Gagliarda "La gamba" | |
2:13
|
9
| |
Pavana "L'agricola" | |
:51
|
10
| |
La Maonfrolina (Venetian Dance) | |
:46
|
11
| |
Pavana e Gagliarda "della Traditora", Venetian dance | |
1:12
|
12
| |
Elend bringt Pein | |
2:17
|
13
| |
Das Gläut zu Speyer (The Merry Bells of Speyer), for winds | |
3:14
|
14
| |
Alors Que Mon Coeur S'engage | |
:54
|
15
| |
Si lieta e grata morte, madrigal for 4 voices (also for voice & lute, arranged by Willaert) | |
1:20
|
16
| |
Réveillez vous, cueurs endormis, chanson for 4 voices ("Le chant des oiseaux"), M. 2/67 | |
6:59
|
17
| |
Cucú, cucú, cucúcu, cancionero (from Cancionero de Palacio) | |
1:29
|
18
| |
Diferencias (7) for guitar on "Guárdame las vacas" | |
1:55
|
19
| |
Es sollt ein Mann zur Mühle fahrn | |
:57
|
20
| |
Mir träumte inniglich süsse | |
1:24
|
21
| |
Mancher freut sich der lieben Zeit | |
1:07
|
22
| |
Drei Schlösser in Österreich | |
1:24
|
23
| |
Venusz | |
1:15
|
24
| |
Halaltanc | |
-
|
25
| |
Annelein, du singst fein, lied for 4 voices, S. xx/46 | |
1:08
|
26
| |
Innsbruck, ich muß dich lassen (ii), song for 4 voices | |
1:49
|
27
| |
Ain niderlendisch runden dantz | |
1:24
|
28
| |
Hymnenkreis des Prudentius: Ad Maecenatem | |
:55
|
29
| |
Hymnenkreis des Prudentius: Ad Naeram | |
:49
|
30
| |
Hymnenkreis des Prudentius: Epodos II | |
-
|
31
| |
Hymnenkreis des Prudentius: Quicumque Christum Quaerens | |
1:04
|
32
| |
Ein guter Gassenhauer auf die welisch Art | |
:59
|
33
| |
Der Hupff auff, den must man gar behend, for lute | |
1:00
|
34
| |
Ach herziges Herz | |
1:02
|
35
| |
Affentantz/Mastdantz | |
3:56
|
36
| |
Super l'homme arm | |
5:38
|