1
| |
Canterbury Pilgrims, for soloists, chorus & orchestra - The Prologue | |
4:53
|
2
| |
Violin Concerto No. 1, Op. 35, M37 - Conclusion | |
3:36
|
3
| |
Suite for keyboard (Suite de piece), Vol.1, No.3 in D minor, HWV 428 - Air and Variations | |
3:48
|
4
| |
Kennst du das Land?, song for voice & piano (Wilhelm Meister songs), Op. 98a/1 | |
4:07
|
5
| |
Suite for solo cello No. 1 in G major, BWV 1007 - Prelude and Gigue | |
3:37
|
6
| |
My Fair Lady, musical - Ascot gavotte | |
3:20
|
7
| |
Sonata for violin solo, Sz. 117, BB 124 (edited by Yehudi Menhuin) - Tempo di ciaccona | |
4:22
|
8
| |
Hippolyte et Aricie, tragédie lyrique - Act 2. Vous, qui de l'avenir percez la nuit profonde | |
4:24
|
9
| |
Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37 - Ave Maria | |
3:28
|
10
| |
Etudes, Book 2 No. 8 ("Fèm"), for piano - "Fém" | |
3:01
|
11
| |
La Rondine (The Swallow), opera - Act 3. Ma come puoi lasciarmi? | |
5:21
|
12
| |
Fantasia upon one note, for 5 viols in F major, Z. 745 | |
3:23
|
13
| |
Maddalena ai piedi di Cristo, oratorio - In lagrime stemprato il cor | |
4:25
|
14
| |
Cello Concerto - Largo, desolta, grigio Toccata | |
4:35
|
15
| |
Fors seulement | |
3:32
|
16
| |
Vertigo, film score - Scène d'amour (conclusion) | |
3:34
|
17
| |
Die Schöpfung (The Creation), oratorio, H. 21/2 - Die Himmel erzählen | |
3:46
|
18
| |
Symphony No. 1 in E minor, Op. 39 - Finale, quasi una fantasia (excerpt) | |
4:08
|
19
| |
Sonata for violin & cello - Tzigane (excerpt) | |
2:22
|