1
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The 'Real' Great Composers: The Real Richard Strauss (Discussion) |  |
35:59
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2
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Antevenis virides, motet for 6 voices ("In laudem Illustrissimi Principis Albertis Bavariae Ducis") |  |
2:22
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3
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Symphony No. 5 in B flat, WAB 105 - 3. Molto vivace [Excerpt] |  |
1:53
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4
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Tamerlano, opera, HWV 18 - Ciel e terra armi di sdegno |  |
3:18
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5
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Stücke im Volkston (5) for cello (or violin) & piano, Op. 102 - No. 5. Stark und markiert |  |
3:00
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6
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Cantata No. 127, "Herr Jesu Christ, wahr' Mensch und Gott," BWV 127 (BC A49) - Opening chorus |  |
5:15
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7
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Symphony in C minor, Op. 27 ("Asrael") - 5. Adagio e maestoso [Excerpt] |  |
4:08
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8
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Mass, theatre piece for singers, players & dancers - Sanctus [Excerpt] |  |
1:45
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9
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Caprice for solo violin in G minor (Presto), Op. 1/16, MS 25/16 |  |
1:34
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10
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Alcina, opera, HWV 34 - Act 2. Aria. Ombre pallide |  |
3:06
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11
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Pièces posthumes (5), for piano - Feuillet d'album |  |
1:36
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12
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Missa de la batalla escoutez - Sanctus |  |
2:53
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13
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Bellamy, for 2 voices & harp |  |
1:13
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14
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Der Freischütz, opera, J. 277 (Op. 77) - Act 2. Aria. Leise, leise, fromme Weise! |  |
3:09
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15
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Piano Sonata No. 25 in G major ("Cuckoo"), Op. 79 - 3. Vivace |  |
1:48
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16
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Gramophone Magazine Contest Samples - Identify these excerpts. What links the works from which they are taken and which is the odd one ou |  |
6:21
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