1
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concerto for strings & continuo in D major, RV 121 - Allegro molto... Andante... Presto | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:46
|
2
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Ne timeas, Maria (In Annuntiatione Benissimae Mariae), motet for 4 voices | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:38
|
3
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Lobet den Herrn, sacred concerto for 5-part chorus, 2 flutes, bassoon, 5 trumpets, trombone, harp, strings & continuo, T. 378 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:18
|
4
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Valse-scherzo, for piano in A major, Op. 7 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:26
|
5
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Violin Concerto in G minor, Op. 80 - (opening) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:53
|
6
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Mass, for SATB chorus & organ with optional 2nd organ, J. 333 - Credo | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:16
|
7
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Symphonic Dances - Prelude | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:19
|
8
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
My song of love rings through the dusk (Mein Lied ertönt...), song for voice & piano (Gypsy Melodies), B. 104/1 (O | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:38
|
9
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Daphnis et Chloé, suite No. 2 for orchestra - Daybreak | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:50
|
10
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Requiem for soloists, chorus, and orchestra, K. 626 - Kyrie | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:04
|
11
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Music for Strings, Percussion & Celesta, Sz. 106, BB 114 - (excerpt) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:48
|
12
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Orchestral Set No. 2, for orchestra (& optional chorus), S. 8 (K. 1A6) - Last movement | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:04
|
13
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Symphony No. 7 in C major, Op. 105 - (excerpt) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:05
|
14
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Gramophone Magazine Contest Samples - Identify the violent ends that these six operatic characters meet in these musical excerpts [July 2 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:44
|