1
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Carmen, opera - Act II, Scene II. Toreador Aria. You're most kind, and in return I toast you | |
5:16
|
1
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Carmen, opera - Act II, Scene II. Toreador Aria. You're most kind, and in return I toast you | |
5:16
|
2
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Carmen, opera - Act I. Scene X. There's an old bar in the city (Seguedilla) | |
4:41
|
2
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Carmen, opera - Act I. Scene X. There's an old bar in the city (Seguedilla) | |
4:41
|
3
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Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384 - Act I. Aria. Oh what trembling, oh what passion | |
5:03
|
3
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Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384 - Act I. Aria. Oh what trembling, oh what passion | |
5:03
|
4
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Falstaff, opera - Act I. Scene I. Monologue. Hey, page boy! - Your honour? Vermin! | |
4:54
|
4
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Falstaff, opera - Act I. Scene I. Monologue. Hey, page boy! - Your honour? Vermin! | |
4:54
|
5
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Falstaff, opera - Act III. Scene II. Aria. From lover's lips a happy song is flying | |
2:40
|
5
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Falstaff, opera - Act III. Scene II. Aria. From lover's lips a happy song is flying | |
2:40
|
6
| |
Lucia di Lammermoor, opera - Part I, Scene IV. Duet. Imagine when the breezes sigh | |
4:56
|
6
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Lucia di Lammermoor, opera - Part I, Scene IV. Duet. Imagine when the breezes sigh | |
4:56
|
7
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Lucia di Lammermoor, opera - Part II, Scene IV. What retrains me at such a moment?...Sextet. What retrains my righteous anger? | |
3:31
|
7
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Lucia di Lammermoor, opera - Part II, Scene IV. What retrains me at such a moment?...Sextet. What retrains my righteous anger? | |
3:31
|
8
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Turandot, opera - Act II, Scene II. Aria. Within this Palace a story lives forever - Gentle Princess Lo-u-Ling, pure, | |
6:08
|
8
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Turandot, opera - Act II, Scene II. Aria. Within this Palace a story lives forever - Gentle Princess Lo-u-Ling, pure, | |
6:08
|
9
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Turandot, opera - Act I. Aria. I beg you, hear me, ah my lord, I beg you! | |
2:34
|
9
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Turandot, opera - Act I. Aria. I beg you, hear me, ah my lord, I beg you! | |
2:34
|
10
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Stabat mater for 2 sopranos, tenor, bass, chorus & orchestra - Through her soul in endless grieving (Cujus animam) | |
6:26
|
10
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Stabat mater for 2 sopranos, tenor, bass, chorus & orchestra - Through her soul in endless grieving (Cujus animam) | |
6:26
|
11
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Idomeneo, rè di Creta, opera, K. 366 - Act II, Scene II. Aria. My father was taken | |
5:34
|
11
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Idomeneo, rè di Creta, opera, K. 366 - Act II, Scene II. Aria. My father was taken | |
5:34
|
12
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The Cunning Little Vixen (Príhody Lisky Bystrousky), opera, JW 1/9 - Act III. Final Scene. When evening arrives, I welcome the rays of the setting sun! | |
4:51
|
12
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The Cunning Little Vixen (Príhody Lisky Bystrousky), opera, JW 1/9 - Act III. Final Scene. When evening arrives, I welcome the rays of the setting sun! | |
4:51
|
13
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Aida, opera - Act III. Duet. We'd leave this white oppressive heat | |
3:52
|
13
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Aida, opera - Act III. Duet. We'd leave this white oppressive heat | |
3:52
|
14
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Aida, opera - Act II. Scene II. Grand March from Triumphal Scene. Glory to Isis, goddess fair | |
7:34
|
14
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Aida, opera - Act II. Scene II. Grand March from Triumphal Scene. Glory to Isis, goddess fair | |
7:34
|
15
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Messiah, oratorio, HWV 56 - Aria. Rejoice greatly, O daughter of Zion | |
4:18
|
15
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Messiah, oratorio, HWV 56 - Aria. Rejoice greatly, O daughter of Zion | |
4:18
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