1
| |
Mass for the parishes (Messe des Paroisses), for organ - Kyrie | |
8:36
|
2
| |
Mass for the parishes (Messe des Paroisses), for organ - Gloria | |
17:40
|
3
| |
Mass for the parishes (Messe des Paroisses), for organ - Offertoire | |
7:18
|
4
| |
Mass for the parishes (Messe des Paroisses), for organ - Sanctus | |
1:59
|
5
| |
Mass for the parishes (Messe des Paroisses), for organ - Benedictus | |
3:10
|
6
| |
Mass for the parishes (Messe des Paroisses), for organ - Agnus Dei | |
3:57
|
7
| |
Mass for the parishes (Messe des Paroisses), for organ - Deo gratias | |
:51
|
8
| |
Medio Registro de Mano Derecha | |
2:59
|
9
| |
Pange Lingua a Tres Sobre Vajo for organ | |
1:36
|
10
| |
Salbe de Lleno for organ | |
1:18
|
11
| |
Tiento de Falsas de Quarto Tono for organ | |
3:13
|
12
| |
Tiento Lleno de Primer Tono for organ (attributed) | |
3:14
|
13
| |
Gaitilla de Mano Izquierda | |
3:07
|
14
| |
Tiento Sobre la Letania de la Virgen for organ | |
5:57
|
15
| |
Corrente Italiana | |
3:27
|
16
| |
Toccata for organ No. 10 in D major (from Apparatus musico-organisticus, Part 2) | |
5:11
|
17
| |
Toccata for organ No. 2 in G minor (from Apparatus musico-organisticus, Part 1) | |
5:43
|
18
| |
Toccata for organ No. 9 (from Apparatus musico-organisticus, Part 2) | |
6:46
|
19
| |
Toccata for organ No. 7 (from Apparatus musico-organisticus, Part 1) | |
8:51
|
20
| |
Toccata for organ No. 3 (from Apparatus musico-organisticus, Part 1) | |
5:32
|
21
| |
Toccata for organ No. 12 (from Apparatus musico-organisticus, Part 2) | |
6:41
|
22
| |
Toccata for organ No. 5 (from Apparatus musico-organisticus, Part 1) | |
5:12
|
23
| |
Toccata for organ No. 1 in D minor (from Apparatus musico-organisticus, Part 1) | |
5:11
|
24
| |
Toccata for organ No. 8 in G major (from Apparatus musico-organisticus, Part 1) | |
7:01
|
25
| |
Toccata for organ No. 11 (from Apparatus musico-organisticus, Part 2) | |
6:31
|
26
| |
Toccata for organ No. 4 (from Apparatus musico-organisticus, Part 1) | |
5:13
|
27
| |
Toccata for organ No. 6 (from Apparatus musico-organisticus, Part 1) | |
8:08
|
28
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Overture...Air...Overture | |
5:17
|
29
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 1. Scene 2. Woden first to thee...Brave Souls...I call ye all | |
10:26
|
30
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 1. Scene 2. Come if you dare | |
5:52
|
31
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 2. Hither this way bend...Let not a Moon-born Elf...Hither this way...Come follow me | |
6:52
|
32
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 2. How blest are Shepherds...Shepherd, leave Decoying...Hornpipe | |
9:57
|
33
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 3. Scene 2. Prelude...What ho | |
1:43
|
34
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 3. Scene 2. What Power art thou...Thou Doting Fool forbear...Prelude...See, see | |
9:36
|
35
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 3. Scene 2. Tis I, that have warm'd ye...Sound a Parley...Air | |
8:08
|
36
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 4. Scene 2. Two Daughters | |
1:50
|
37
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 4. Scene 2. How happy the Lover-Fourth Act Tune | |
7:45
|
38
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. Trumpet Tune: Ye Blust'ring Brethren | |
3:26
|
39
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. Symphony...Song Tune: Round thy Coasts...For Folded Flocks | |
7:07
|
40
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. Song Tune: Your Hay | |
2:41
|
41
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. Fairest Isle | |
3:37
|
42
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. You say...This is not my passion...But one soft Moment | |
4:57
|
43
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. Trumpet Tune: St. George | |
4:28
|
44
| |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. Chaconne | |
3:44
|
45
| |
The Three Ravens, folk song | |
2:51
|
46
| |
Black Is the Color of My True Love's Hair, folk song | |
1:53
|
47
| |
Sweet nimphe, come to thy lover, madrigal for 2 voices | |
1:41
|
48
| |
I goe before, my darling, madrigal for 2 voices | |
1:23
|
49
| |
The Oak and the Ash (North Country Maid), folk song | |
3:08
|
50
| |
Barbara Allen, folk song | |
2:30
|
51
| |
The Ballad of Lord Randall, folk song | |
4:03
|
52
| |
The Water Is Wide, folk song | |
2:32
|
53
| |
The Tailor and the Mouse, folk song | |
1:28
|
54
| |
Down by the Salley Gardens, folk song | |
2:18
|
55
| |
I Will Give My Love an Apple, folk song | |
1:45
|
56
| |
Miraculous love's wounding, madrigal for 2 voices | |
2:55
|
57
| |
Sweet Kate | |
1:34
|
58
| |
Bushes and briars, folk song | |
2:34
|
59
| |
The Foggy, Foggy Dew, folk song | |
2:08
|
60
| |
She Moved through the Fair, folk song | |
3:39
|
61
| |
Evening Prayer | |
1:01
|
62
| |
L'Apostikhon de l'Office de Mercredi Saint (Prière de Marie-Madeleine) | |
7:25
|
63
| |
Messe de Saint Marcel - Introitus: Statuit ei Dominus | |
7:18
|
64
| |
Messe de Saint Marcel - Graduale: Inveni David servum meum; Verset: Nichil proficiet | |
7:27
|
65
| |
Messe de Saint Marcel - Alleluia - Versets: Disposui Testamentum. Inveni David | |
5:17
|
66
| |
Messe de Saint Marcel - Offertorium: Veritas mea; Versets: Posui adiutorium - Misericordia mea | |
6:10
|
67
| |
Messe de Saint Marcel - Communio: Domine quinque talenta tradidisti michi | |
6:05
|
68
| |
Vida (A chantar), for vocal ensemble - Vida | |
:20
|
69
| |
Vida (A chantar), for vocal ensemble - A Chantar | |
14:35
|
70
| |
Studium divinitatis, Laudes antiphon for Saint Ursula & her Companions | |
1:12
|
71
| |
Psalm 92: Dominus regnavit | |
3:30
|
72
| |
Benedicamus domino (ii) | |
:57
|
73
| |
Domine deus meus (Berlin Mus. 40046, Quedlinberg) | |
:50
|
74
| |
Mirabilis deus, brief responsory | |
1:13
|
75
| |
Cum vox sanguinis, hymn for Saint Ursula & her Companions | |
8:10
|
76
| |
O rubor sanguinis, antiphon for Saint Ursula & her companions | |
1:38
|
77
| |
Magnificat anima mea / O rubor sanguinis, canticle | |
5:03
|
78
| |
Te lucis ante terminum, hymn | |
2:02
|
79
| |
Benedicamus domino, alleluia (Worchester Cathedral F. 160) | |
:47
|
80
| |
Vasilissa ergo gaude, isorhythmic motet for 4 voices | |
2:59
|
81
| |
O sancte Sebastiane, isorhythmic motet for 4 voices | |
4:46
|
82
| |
O gemma, lux et speculum, isorhythmic motet for 4 voices | |
5:08
|
83
| |
Apostolo glorioso, isorhythmic motet for 5 voices | |
3:02
|
84
| |
Rite maiorem Jacobum, isorhythmic motet for 3 and 4 voices | |
3:56
|
85
| |
Ecclesie militantis, isorhythmic motet for 5 voices | |
5:11
|
86
| |
Balsamus et munda cera, isorhythmic motet for 4 voices | |
4:21
|
87
| |
Supremum est mortalibus, isorhythmic motet for 3 voices | |
5:58
|
88
| |
Nuper rosarum flores, isorhythmic motet for 4 voices | |
5:45
|
89
| |
Salve flos Tusce, isorhythmic motet for 4 voices | |
6:12
|
90
| |
Magnanime gentis, isorhythmic motet for 3 voices | |
5:02
|
91
| |
Fulgens iubar ecclesie, isorhythmic motet for 4 voices | |
7:35
|
92
| |
Moribus et genere, isorhythmic motet for 4 voices | |
8:44
|
93
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 1. Kommt, ihr Toechter, helft mir klagen | |
7:06
|
94
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 2. Da Jesus diese Rede vollendet hatte | |
:43
|
95
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 3. Herzliebster Jesu, was hast du verbrochen | |
:52
|
96
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 4. Da versammleten sich die Hohenpriester / Ja nicht auf das fest / Da nun Jesus war zu | |
2:58
|
97
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 5. Du lieber Heiland du | |
1:01
|
98
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 6. Buß und Reu | |
4:50
|
99
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 7. Da ging hin der Zwölfen einer | |
:38
|
100
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 8. Blute nur, du liebes Herz | |
5:00
|
101
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 9. Aber am ersten Tage der süßen Brot / Wo willst du, dass wir dir bereiten / Er sprach | |
2:12
|
102
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 10. Ich bin's, ich sollte büßen | |
:55
|
103
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 11. Er antwortete und sprach | |
3:03
|
104
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 12. Wiewohl mein Herz in Tränen schwimmt | |
1:24
|
105
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 13. Ich will dir mein Herze schenken | |
3:48
|
106
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 14. Und da sie den Lobgesang gesprochen hatten | |
1:08
|
107
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 15. Erkenne mich, mein Hütter | |
1:10
|
108
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 16. Petrus aber antwortete | |
:58
|
109
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 17. Ich will hier bei dir stehen | |
1:10
|
110
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 18. Da kam Jesus mit ihnen zu einem Hofe | |
1:36
|
111
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 19. O Schmerz! hier zittert das gequälte Herz | |
1:51
|
112
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 20. Ich will bei meinem Jesu wachen | |
5:21
|
113
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 21. Und ging hin ein wenig | |
:44
|
114
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 22. Der Heiland fällt vor seinem Vater nieder | |
:59
|
115
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 23. Gerne will ich mich bequemen | |
4:45
|
116
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 24. Und er kam zu seinen Jüngern | |
1:22
|
117
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 25. Was mein Gott will, das g'scheh' allzeit | |
1:20
|
118
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 26. Und er kam und fand sie aber schlafend | |
2:20
|
119
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 27. So ist mein Jesus nun gefangen / Sind Blitze, sind Donner in Wolken verschwunden | |
4:59
|
120
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 28. Und siehe, einer aus denen | |
2:03
|
121
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 29. O Mensch, bewein' dein Sünde gross | |
5:18
|
122
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 30. Ach! nun ist mein Jesus hin | |
4:11
|
123
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 31. Die aber Jesum gegriffen hatten | |
:56
|
124
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 32. Mir hat die Welt trueglich gericht't | |
:55
|
125
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 33. Und wiewold viel falsche Zeugen herzutraten | |
1:12
|
126
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 34. Mein Jesus schweigt zu falschen Luegen stille | |
1:16
|
127
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 35. Geduld, Geduld! | |
3:55
|
128
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 36. Und der Hohepriester antwortete / Er ist des Todes schuldig / Da speieten sie aus i | |
2:03
|
129
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 37. Wer hat dich so geschlagen | |
:57
|
130
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 38. Petrus aber sass draussen im Palast / Wahrlich, du bist auch einer von denen | |
2:11
|
131
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 39. Erbarme dich | |
7:11
|
132
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 40. Bin ich gleich von dir gewichen | |
1:10
|
133
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 41. Das Morgens aber heilten alle Hohenpriester / Was gehet uns das an / Und er warf di | |
1:48
|
134
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 42. Gebt mir meinen Jesum wieder | |
3:11
|
135
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 43. Sie heilten aber einen Rat | |
2:11
|
136
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 44. Befiehl du deine Wege | |
1:12
|
137
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 45. Auf das Fest aber hatte der Landpfleger / Lass in kreuzigen! | |
2:28
|
138
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 46. Wie wunderbarlich ist doch diese Strafe | |
:51
|
139
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 47. Der Landpfleger sagte | |
:17
|
140
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 48. Er hat uns allen wohlgetan | |
1:12
|
141
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 49. Aus Liebe will mein Heiland sterben | |
5:23
|
142
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 50. Sie schrieen aber noch mehr / Lass in kreuzigen! / Da aber Pilatus sahe / Sein Blut | |
2:03
|
143
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 51. Erbarm es Gott | |
:54
|
144
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 52. Können Tränen meiner Wangen | |
7:13
|
145
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 53. Da nahmen Kriegsknechte / Gegruesset seist du, Judenkoenig / Und speieten ihn an | |
1:06
|
146
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 54. O Haupt voll Blut und Wunden | |
2:27
|
147
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 55. Und da sie ihn verspottet hatten | |
:50
|
148
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 56. Ja! freilich will in uns das Fleisch und Blut | |
:41
|
149
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 57. Komm, süßes Kreuz | |
5:50
|
150
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 58. Und da sie an die Staette kamen / Der du den Tempel Gottes zerbrichst / Desgleichen | |
3:45
|
151
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 59. Ach, Golgatha, unsel'ges Golgatha | |
1:37
|
152
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 60. Sehet Jesus hat die hand | |
3:27
|
153
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 61. Und von der sechsten Stunde / Der rufet dem Elias / Und bald lief einer unter ihnen | |
2:09
|
154
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 62. Wenn ich einmal soll scheiden | |
1:23
|
155
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 63. Und siehe da, der Vorhang im Tempel zerriss / Wahrlich, dieser ist Gottes Sohn gewe | |
2:23
|
156
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 64. Am Abend da es kuehle war | |
2:00
|
157
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 65. Mache dich, mein Herze, rein | |
6:21
|
158
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 66. Und Joseph nahm den Leib / Herr, wir haben gedacht / Pilatus sprach zu ihnen | |
2:31
|
159
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 67. Nun ist der Herr zu Ruh gebracht | |
2:14
|
160
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 68. Wir setzen uns mit Traenen nieder | |
5:33
|
161
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Ricercar à 3 (clavecin) | |
5:44
|
162
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Canon Perpetuus super Thems Regium (2 claveci | |
1:26
|
163
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Ricercar à 6 (clavecin) | |
7:54
|
164
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Canon; quaerendo invenientis (clavicin); [2 v | |
3:24
|
165
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Canon à 4 (2 clavecins) | |
2:26
|
166
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Sonata sopr'il Soggetto Reale. Largo | |
5:56
|
167
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Sonata sopr'il Soggetto Reale. Allegro | |
5:56
|
168
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Sonata sopr'il Soggetto Reale. Andante | |
3:04
|
169
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Sonata sopr'il Soggetto Reale. Allegro | |
2:59
|
170
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Canon perpetuus (flûte, violon et continuo) | |
2:41
|
171
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - 6 Canones Diversi Super Thema Regium. 1. [Canon cancrizans] (clavecin) | |
:50
|
172
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - 6 Canones Diversi Super Thema Regium. 2. Violino in unisono (clavecin et violon) | |
1:16
|
173
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - 6 Canones Diversi Super Thema Regium. 3. Per motum contrarium (2 clavecins) | |
:44
|
174
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - 6 Canones Diversi Super Thema Regium 4. Per augmentatinem, contrario motu (2 clavecins) "Notulis cr | |
1:07
|
175
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - 6 Canones Diversi Super Thema Regium. 5. "Ascendenteque Modulationis ascendat Gloria Regis" (2 clav | |
3:25
|
176
| |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - 6 Canones Diversi Super Thema Regium. 6. "Fuga canonica in Epidiapente" (2 clavecins) | |
2:06
|
177
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 1 | |
3:09
|
178
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 2 | |
2:49
|
179
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 3 | |
2:39
|
180
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 4 | |
3:43
|
181
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Canon alla Ottava | |
4:30
|
182
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 5 | |
3:31
|
183
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 6 | |
3:47
|
184
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 7 | |
3:27
|
185
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Canon all Duodecima in Contrapunto alla Quinta | |
4:51
|
186
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 9 | |
2:25
|
187
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 10 | |
4:01
|
188
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Canon all decima [in] Contrapunto all Terza | |
4:38
|
189
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 8 | |
5:30
|
190
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 11 | |
5:52
|
191
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 12 rectus | |
1:57
|
192
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 12 inversus | |
2:03
|
193
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus [13] rectus | |
2:23
|
194
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus [13] inversus | |
2:22
|
195
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Canon per Ayugmentationem in Contrario Motu | |
3:58
|
196
| |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Fuga a 3 Soggetti | |
8:28
|
197
| |
Atys, opera, LWV 53 - Prologue. Ouverture | |
1:49
|
198
| |
Atys, opera, LWV 53 - Prologue. En vain, j'ai respecté | |
1:48
|
199
| |
Atys, opera, LWV 53 - Prologue. Air pour les Nymphes de Flore | |
:49
|
200
| |
Atys, opera, LWV 53 - Prologue. La saison des frimats | |
3:22
|
201
| |
Atys, opera, LWV 53 - Prologue. Air pour la Suite de Flore (Gavotte) | |
2:12
|
202
| |
Atys, opera, LWV 53 - Prologue. Prélude pour Melpomène | |
1:27
|
203
| |
Atys, opera, LWV 53 - Prologue. Air pour la Suite de Melpomène | |
1:24
|
204
| |
Atys, opera, LWV 53 - Prologue. Ritournelle | |
2:48
|
205
| |
Atys, opera, LWV 53 - Prologue. Menuet | |
:56
|
206
| |
Atys, opera, LWV 53 - Prologue. Reprise de l'Ouverture | |
1:54
|
207
| |
Atys, opera, LWV 53 - Acte 1. Scène 1. Ritournelle. | |
4:01
|
208
| |
Atys, opera, LWV 53 - Acte 1. 2. Atys, ne feignez plus | |
2:50
|
209
| |
Atys, opera, LWV 53 - Acte 1. Scène 3. Allons, allons, accourez tous | |
5:36
|
210
| |
Atys, opera, LWV 53 - Acte 1. Scène 4. Atys, est trop heureux | |
5:21
|
211
| |
Atys, opera, LWV 53 - Acte 1. Scène 4. Un amour malheureux | |
1:01
|
212
| |
Atys, opera, LWV 53 - Acte 1. Scène 5. On voit dans ces campagnes | |
4:33
|
213
| |
Atys, opera, LWV 53 - Acte 1. Scène 6. Si l'hymen unissait | |
1:48
|
214
| |
Atys, opera, LWV 53 - Acte 1. Scène 7. Mais déjàs de ce mont sacré | |
5:14
|
215
| |
Atys, opera, LWV 53 - Acte 1. Scène 7. Entrée de Phrygiens | |
1:12
|
216
| |
Atys, opera, LWV 53 - Acte 1. Scène 8. Second Air des Phrygiens | |
:29
|
217
| |
Atys, opera, LWV 53 - Acte 1. Scène 8. Prélude | |
:43
|
218
| |
Atys, opera, LWV 53 - Acte 1. Scène 8. Venez tous dans mon temple | |
3:02
|
219
| |
Atys, opera, LWV 53 - Acte 2. Scène 1. Ritournelle...Qu'un indifférent est heureux | |
6:15
|
220
| |
Atys, opera, LWV 53 - Acte 2. Scène 2. Prélude | |
:40
|
221
| |
Atys, opera, LWV 53 - Acte 2. Scène 2. Je veux joindre | |
3:16
|
222
| |
Atys, opera, LWV 53 - Acte 2. Scène 3. Tu t'étonnes, Mélisse | |
4:53
|
223
| |
Atys, opera, LWV 53 - Acte 2. Scène 3. Que les plus doux Zéphyrs | |
2:19
|
224
| |
Atys, opera, LWV 53 - Acte 2. Scène 4. Entrée des Nations | |
:43
|
225
| |
Atys, opera, LWV 53 - Acte 2. Scène 4. Entrée des Zéphyrs | |
1:08
|
226
| |
Atys, opera, LWV 53 - Acte 2. Scène 4. Que devant vous | |
:27
|
227
| |
Atys, opera, LWV 53 - Acte 2. Scène 4. Indigne que je suis | |
1:05
|
228
| |
Atys, opera, LWV 53 - Acte 2. Scène 4. Que devant vous (reprise) | |
:27
|
229
| |
Atys, opera, LWV 53 - Acte 2. Scène 4. Air des Zéphyrs (reprise) | |
1:15
|
230
| |
Atys, opera, LWV 53 - Acte 3. Scène 1. Ritournelle. Que servent les faveurs | |
2:14
|
231
| |
Atys, opera, LWV 53 - Acte 3. Scène 2. Peut-on ici parler | |
2:33
|
232
| |
Atys, opera, LWV 53 - Acte 3. Scène 3. Le plus juste parti. Scène 3 | |
2:25
|
233
| |
Atys, opera, LWV 53 - Acte 3. Scène 4. Prélude...Dormons, dormons tous | |
7:31
|
234
| |
Atys, opera, LWV 53 - Acte 3. Scène 4. Prélude | |
2:24
|
235
| |
Atys, opera, LWV 53 - Acte 3. Scène 4. Ecoute, écoute, Atys | |
1:01
|
236
| |
Atys, opera, LWV 53 - Acte 3. Scène 4. Que l'Amour a d'attraits | |
1:32
|
237
| |
Atys, opera, LWV 53 - Acte 3. Scène 4. Goûte en paix | |
1:08
|
238
| |
Atys, opera, LWV 53 - Acte 3. Scène 4. Trop hereux un amant | |
1:33
|
239
| |
Atys, opera, LWV 53 - Acte 3. Scène 4. Garde-toi d'offenser | |
1:55
|
240
| |
Atys, opera, LWV 53 - Acte 3. Scène 4. L'amour qu'on outrage | |
1:39
|
241
| |
Atys, opera, LWV 53 - Acte 3. Scène 5. Venez à mon secours. Scène 6 | |
4:52
|
242
| |
Atys, opera, LWV 53 - Acte 3. Scène 7. Qu'Atys dans ses respects | |
2:58
|
243
| |
Atys, opera, LWV 53 - Acte 3. Scène 8. Ritournelle...Espoir si cher et si doux | |
3:58
|
244
| |
Atys, opera, LWV 53 - Acte 4. Scène 1. Vous pleurez! | |
6:27
|
245
| |
Atys, opera, LWV 53 - Acte 4. Scène 2. Prélude | |
:38
|
246
| |
Atys, opera, LWV 53 - Acte 4. Scène 2. Belle nymphe. Scène 3. | |
2:46
|
247
| |
Atys, opera, LWV 53 - Acte 4. Scène 4. Ritournelle. Qu'il sait peu son malheur | |
3:41
|
248
| |
Atys, opera, LWV 53 - Acte 4. Scène 4. Je jure / Je promets | |
1:57
|
249
| |
Atys, opera, LWV 53 - Acte 4. Scène 5. Prélude. O vous qui prenez part | |
1:35
|
250
| |
Atys, opera, LWV 53 - Acte 4. Scène 5. Que l'on chante | |
1:36
|
251
| |
Atys, opera, LWV 53 - Acte 4. Scène 5. Gavotte. La beauté la plus sévère | |
1:32
|
252
| |
Atys, opera, LWV 53 - Acte 4. Scène 5. Menuet. L'hymen seul ne saurait plaire | |
1:17
|
253
| |
Atys, opera, LWV 53 - Acte 4. Scène 5. Menuet. Une constance extrême | |
1:01
|
254
| |
Atys, opera, LWV 53 - Acte 4. Scène 5. Gavotte. Un grand calme | |
:50
|
255
| |
Atys, opera, LWV 53 - Acte 4. Scène 6. Venez former | |
1:48
|
256
| |
Atys, opera, LWV 53 - Acte 5. Scène 1. Ritournelle | |
:37
|
257
| |
Atys, opera, LWV 53 - Acte 5. Scène 1. Vous m'ôtez Sangaride | |
2:53
|
258
| |
Atys, opera, LWV 53 - Acte 5. Scène 2. Venez vous livrer | |
1:45
|
259
| |
Atys, opera, LWV 53 - Acte 5. Scène 2. Toi qui portes partout | |
:43
|
260
| |
Atys, opera, LWV 53 - Acte 5. Scène 3. Ciel | |
1:40
|
261
| |
Atys, opera, LWV 53 - Acte 5. Scène 3. Atys lui-même | |
3:16
|
262
| |
Atys, opera, LWV 53 - Acte 5. Scène 4. Quoi! Sangaride est morte! | |
2:45
|
263
| |
Atys, opera, LWV 53 - Acte 5. Scène 5. Je commence à trouver | |
1:31
|
264
| |
Atys, opera, LWV 53 - Acte 5. Scène 6. Il s'est percé le sein | |
3:00
|
265
| |
Atys, opera, LWV 53 - Acte 5. Scène 6. Ritournelle | |
1:04
|
266
| |
Atys, opera, LWV 53 - Acte 5. Scène 6. Venez, furieux Corybantes. Scène dernière | |
5:44
|
267
| |
Atys, opera, LWV 53 - Acte 5. Scène dernière. Entrée des Nymphes | |
1:10
|
268
| |
Atys, opera, LWV 53 - Acte 5. Scène dernière. Première Entrée des Corybantes | |
:33
|
269
| |
Atys, opera, LWV 53 - Acte 5. Scène dernière. Seconde Entrée | |
1:05
|
270
| |
Atys, opera, LWV 53 - Acte 5. Scène dernière. Que le malheur d'Atys | |
2:27
|
271
| |
La Gamme en forme de petit opéra, for violin, viola da gamba & continuo in C major | |
34:29
|
272
| |
Pianto della Madonna, sacred song for voice & continuo (from Selva morale e spirituale), SV 288 | |
8:23
|
273
| |
Mystery Sonata, for violin & continuo No. 1 in D minor ("The Annunciation"), C. 90 - Præludium | |
2:17
|
274
| |
Mystery Sonata, for violin & continuo No. 1 in D minor ("The Annunciation"), C. 90 - Aria, Variatio | |
2:24
|
275
| |
Mystery Sonata, for violin & continuo No. 1 in D minor ("The Annunciation"), C. 90 - [Finale] | |
1:20
|
276
| |
Mystery Sonata, for violin & continuo No. 2 in A major ("The Visitation"), C. 91 - Sonata | |
2:07
|
277
| |
Mystery Sonata, for violin & continuo No. 2 in A major ("The Visitation"), C. 91 - Allamanda | |
3:42
|
278
| |
Mystery Sonata, for violin & continuo No. 2 in A major ("The Visitation"), C. 91 - [Finale] | |
1:00
|
279
| |
Mystery Sonata, for violin & continuo No. 3 in B minor ("The Nativity"), C. 92 - Sonata | |
1:41
|
280
| |
Mystery Sonata, for violin & continuo No. 3 in B minor ("The Nativity"), C. 92 - Courente, Double | |
3:25
|
281
| |
Mystery Sonata, for violin & continuo No. 3 in B minor ("The Nativity"), C. 92 - [Finale] | |
2:17
|
282
| |
Mystery Sonata, for violin & continuo No. 4 in D minor ("The Presentation"), C. 93 | |
9:01
|
283
| |
Mystery Sonata, for violin & continuo No. 5 in A major ("Jesus in the Temple"), C. 94 - Præludium | |
1:09
|
284
| |
Mystery Sonata, for violin & continuo No. 5 in A major ("Jesus in the Temple"), C. 94 - Allamanda | |
1:22
|
285
| |
Mystery Sonata, for violin & continuo No. 5 in A major ("Jesus in the Temple"), C. 94 - Gigue | |
1:15
|
286
| |
Mystery Sonata, for violin & continuo No. 5 in A major ("Jesus in the Temple"), C. 94 - Sarabanda, Double | |
3:34
|
287
| |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Stabat mater dolorosa. Largo | |
2:54
|
288
| |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Cujus animam gementem. Adagio | |
1:47
|
289
| |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - O quam tristis. Andante | |
1:53
|
290
| |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Quis est homo. Largo | |
2:50
|
291
| |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Quis non posset. Adagio | |
2:04
|
292
| |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Pro peccatis suae gentis. Andante | |
1:50
|
293
| |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Eja mater, fons amoris. Largo | |
2:43
|
294
| |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Fac ut ardeat. Lento | |
1:38
|
295
| |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Amen. Allegro | |
1:07
|
296
| |
Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17 - Sonata & Coro. Du aber, Daniel, gehe hin | |
4:36
|
297
| |
Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17 - Rezitativo & Aria. Mit Freunden folgt die Seele - Du Aufenthalt der blassen Sorgen | |
6:13
|
298
| |
Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17 - Rezitativo & Aria. Mit sehnendem Verlangen - Brecht, ihr müden Augenlieder | |
5:42
|
299
| |
Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17 - Rezitativo. Dir ist, hochsel’ger Mann, dies Glück geschehen | |
1:52
|
300
| |
Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17 - Adagio. Schlaft wohl, ihr seligen Gebeine | |
7:35
|
301
| |
Suite for harpsichord No. 3 in D minor (Pièces de Claveçin) - Prélude non mesuré | |
3:56
|
302
| |
Suite for harpsichord No. 3 in D minor (Pièces de Claveçin) - Allemande | |
3:23
|
303
| |
Suite for harpsichord No. 3 in D minor (Pièces de Claveçin) - Courante | |
2:07
|
304
| |
Suite for harpsichord No. 3 in D minor (Pièces de Claveçin) - Sarabande grave | |
3:04
|
305
| |
Suite for harpsichord No. 3 in D minor (Pièces de Claveçin) - Gigue | |
2:11
|
306
| |
Suite for harpsichord No. 1 in G major (Pièces de Claveçin) - Prélude non mesuré | |
2:08
|
307
| |
Suite for harpsichord No. 1 in G major (Pièces de Claveçin) - Allemande | |
3:21
|
308
| |
Suite for harpsichord No. 1 in G major (Pièces de Claveçin) - Courante | |
2:11
|
309
| |
Suite for harpsichord No. 1 in G major (Pièces de Claveçin) - Sarabande | |
2:45
|
310
| |
Suite for harpsichord No. 1 in G major (Pièces de Claveçin) - Gigue | |
2:24
|
311
| |
Suite for harpsichord No. 1 in G major (Pièces de Claveçin) - Chaconne en rondeau | |
4:02
|
312
| |
Suite for harpsichord No. 2 in G minor (Pièces de Claveçin) - Prélude non mesuré | |
1:36
|
313
| |
Suite for harpsichord No. 2 in G minor (Pièces de Claveçin) - Allemande | |
3:17
|
314
| |
Suite for harpsichord No. 2 in G minor (Pièces de Claveçin) - Courante | |
1:44
|
315
| |
Suite for harpsichord No. 2 in G minor (Pièces de Claveçin) - Sarabande | |
2:44
|
316
| |
Suite for harpsichord No. 2 in G minor (Pièces de Claveçin) - Gigue | |
2:30
|
317
| |
Suite for harpsichord No. 4 in D major (Pièces de Claveçin) - Tombeau de M. de Chambonnières | |
5:10
|
318
| |
Suite for harpsichord No. 4 in D major (Pièces de Claveçin) - Chaconne en rondeau | |
5:02
|
319
| |
En me revenant, for lute (from Lord Herbert of Cherbury's Lute Book) | |
1:35
|
320
| |
Courante (from Lord Herbert of Cherbury's Lute Book) | |
1:24
|
321
| |
Courante Son Adieu (from Lord Herbert of Cherbury's Lute Book) | |
1:33
|
322
| |
Courante sur J'avois brisé mes fers Daniel (from Lord Herbert of Cherbury's Lute Book) | |
1:26
|
323
| |
Chacogne | |
1:25
|
324
| |
Filou | |
4:15
|
325
| |
Prelude for lute | |
1:29
|
326
| |
Fantasie for lute | |
3:29
|
327
| |
A Galliard upon a Galliard by John Dowland, for lute (App. 2 from Selected Works for Lute) | |
1:56
|
328
| |
Pavin for lute | |
5:33
|
329
| |
Almaine for lute (from Lord Herbert of Cherbury's Lute Book) | |
2:16
|
330
| |
Fantasia | |
3:24
|
331
| |
Fantasia sopra La canzon degli uccelli | |
3:51
|
332
| |
Work(s) - Fantasia | |
2:39
|
333
| |
Work(s) - Fantasia | |
3:05
|
334
| |
Fantasia for lute (from Lord Herbert of Cherbury's Lute Book) | |
3:59
|
335
| |
Ballet | |
1:57
|
336
| |
Courante | |
1:28
|
337
| |
Courante sur le courante de Perrichon | |
1:26
|
338
| |
Sarabande | |
3:16
|
339
| |
Work(s) - Fantasia | |
4:07
|
340
| |
Sarabande for lute | |
:53
|
341
| |
Pavin, for lute | |
4:27
|
342
| |
Work(s) - Courante | |
1:05
|
343
| |
Work(s) - Courante | |
1:16
|
344
| |
Work(s) - Courante | |
1:09
|
345
| |
La jeune fillette, for lute (No. 41 from Selected Works for Lute) | |
6:59
|
346
| |
Pavan of the composition of mee for lute | |
4:56
|
347
| |
Barca di Venetia per padova, for 5 voices - L'umor svegliato | |
1:07
|
348
| |
Barca di Venetia per padova, for 5 voices - Strepito di Pescatori | |
1:11
|
349
| |
Barca di Venetia per padova, for 5 voices - Parone di barca e Ninetta | |
1:27
|
350
| |
Barca di Venetia per padova, for 5 voices - Barcaruolo à passaggieri | |
1:03
|
351
| |
Barca di Venetia per padova, for 5 voices - Libraio Fiorentino | |
:41
|
352
| |
Barca di Venetia per padova, for 5 voices - Maestro di musica Luchese | |
:56
|
353
| |
Barca di Venetia per padova, for 5 voices - Cinque cantori in diverse lenguaggi | |
1:38
|
354
| |
Barca di Venetia per padova, for 5 voices - Venetiano e Thedesco | |
:58
|
355
| |
Barca di Venetia per padova, for 5 voices - Madrigale affettuoso | |
2:12
|
356
| |
Barca di Venetia per padova, for 5 voices - Madrigale capriccioso | |
2:36
|
357
| |
Barca di Venetia per padova, for 5 voices - Mattinata in dialogo | |
:50
|
358
| |
Barca di Venetia per padova, for 5 voices - Dialogo | |
1:12
|
359
| |
Barca di Venetia per padova, for 5 voices - Mercante Bresciano et Hebrei | |
1:21
|
360
| |
Barca di Venetia per padova, for 5 voices - Madrigale alla Romana. (Stile del Marenzio Romano) | |
1:56
|
361
| |
Barca di Venetia per padova, for 5 voices - Madrigale alla Napolitana. (À imitatione del Spano Napolitano) | |
1:52
|
362
| |
Barca di Venetia per padova, for 5 voices - Prima Ottava all'improvviso nel liuto | |
1:09
|
363
| |
Barca di Venetia per padova, for 5 voices - Seconda Ottava all'improvviso nel liuto | |
1:10
|
364
| |
Barca di Venetia per padova, for 5 voices - Aria à imitatione del Radesca alla Piamontese | |
1:12
|
365
| |
Barca di Venetia per padova, for 5 voices - Barcaruoli procaccio e tutti al fine | |
1:20
|
366
| |
Barca di Venetia per padova, for 5 voices - Soldato svaligiato | |
1:40
|
367
| |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Ouverture | |
4:45
|
368
| |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Courante | |
1:34
|
369
| |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Gavotte en rondeau | |
:47
|
370
| |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Branle | |
1:46
|
371
| |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Sarabande | |
2:15
|
372
| |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Fantasie | |
1:10
|
373
| |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Menuet 1 - Menuet 2 | |
3:31
|
374
| |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Rossignol | |
1:37
|
375
| |
Simphonie de Clavecins, for 2 harpsichords - Allegro moderato et marqué | |
6:14
|
376
| |
Simphonie de Clavecins, for 2 harpsichords - Andante | |
4:52
|
377
| |
Simphonie de Clavecins, for 2 harpsichords - Presto | |
4:56
|
378
| |
Sonata en quatuor for harpsichord, 2 violins & cello in F minor, Op. 7/2 - Andante | |
5:10
|
379
| |
Sonata en quatuor for harpsichord, 2 violins & cello in F minor, Op. 7/2 - Menuetto | |
4:26
|
380
| |
Sonata en quatuor for harpsichord, 2 violins & cello in F minor, Op. 7/2 - Allegro | |
3:31
|
381
| |
Croesus, opera in 3 acts - Sinfonia avanti l'opera Croesus | |
4:52
|
382
| |
Croesus, opera in 3 acts - Act 1. Scene 1. Coro. Croesus herrsche, Croesus lebe | |
1:46
|
383
| |
Croesus, opera in 3 acts - Act 1. Scene 1. Recitativo. Ihr edlen Lydier | |
3:13
|
384
| |
Croesus, opera in 3 acts - Act 1. Scene 1. Aria. Prangt die allerschönste Blume | |
2:19
|
385
| |
Croesus, opera in 3 acts - Act 1. Scene 2. Aria. Hoffe noch, gekränktes Herz! | |
5:11
|
386
| |
Croesus, opera in 3 acts - Act 1. Scene 2. Recitativo. Du weißt, wie Cyrus' Macht | |
1:11
|
387
| |
Croesus, opera in 3 acts - Act 1. Scene 2. Arietta. Empfinden gleiche Schmerzen | |
1:48
|
388
| |
Croesus, opera in 3 acts - Act 1. Scene 3. Aria. Lieben, Leiden, Bitten, Flehen | |
1:59
|
389
| |
Croesus, opera in 3 acts - Act 1. Scene 3. Recitativo. Prinz Atis, wie dir ist bewußt | |
2:20
|
390
| |
Croesus, opera in 3 acts - Act 1. Scene 4. Aria. Wahre Treu kann nicht auf Erden | |
1:18
|
391
| |
Croesus, opera in 3 acts - Act 1. Scene 5. Aria. Er erweckt in meinem Herzen | |
2:22
|
392
| |
Croesus, opera in 3 acts - Act 1. Scene 6. Recitativo con aria. Verliebter Prinz - Sobald dich nur mein Auge sah | |
2:28
|
393
| |
Croesus, opera in 3 acts - Act 1. Scene 6. Recitativo. Was zeigt der Prinz, geliebter Knabe? | |
:59
|
394
| |
Croesus, opera in 3 acts - Act 1. Scene 6. Aria con recitativo. Durch der Haare güldne Stricke | |
1:45
|
395
| |
Croesus, opera in 3 acts - Act 1. Scene 7. Recitativo. Der König will euch gerne sprechen...Terzetto. Du mußt scheiden | |
2:06
|
396
| |
Croesus, opera in 3 acts - Act 1. Scene 8. Duetto. Ich sä' auf wilde Wellen | |
:53
|
397
| |
Croesus, opera in 3 acts - Act 1. Scene 9. Duetto. Blindes Feu'r, das mich verzehret...Quartetto. Clerida, du hällst gefangen | |
3:52
|
398
| |
Croesus, opera in 3 acts - Act 1. Scene 10. Aria. Traure nicht...Recitativo. Wo ich bei diesen Fackeln | |
2:53
|
399
| |
Croesus, opera in 3 acts - Act 1. Scene 10. Recitativo. Orsanes, mußt du denn dem stummen Atis weichen | |
:29
|
400
| |
Croesus, opera in 3 acts - Act 1. Scene 11. Recitativo con aria. Hört, wie die Eulen - Liebes-Schmerzen geschlossener Herzen | |
2:15
|
401
| |
Croesus, opera in 3 acts - Act 1. Scene 12. Recitativo. Darf Cyrus dann den Frieden brechen?...Scene 13. Recitativo. Es ist de | |
2:05
|
402
| |
Croesus, opera in 3 acts - Act 1. Scene 14. Recitativo. Muß ich in meinem Herzen | |
1:17
|
403
| |
Croesus, opera in 3 acts - Act 1. Scene 14. Aria. Liebe, treibst du denn nur Spiel | |
5:12
|
404
| |
Croesus, opera in 3 acts - Act 1. Scene 15. Recitativo con aria. Seht, wie die elementschen Affen - Das Blinkern und Flinkern | |
1:36
|
405
| |
Croesus, opera in 3 acts - Act 1. Scene 15. Chaconne. Ballett von Harlekinen | |
1:43
|
406
| |
Croesus, opera in 3 acts - Act 1. Scene 16. Aria. Laß ich meine siegenden Waffen nur sehen | |
1:35
|
407
| |
Croesus, opera in 3 acts - Act 1. Scene 16. Recitativo. Ihr Helden, folget dann | |
1:09
|
408
| |
Croesus, opera in 3 acts - Act 1. Scene 16. Ballet von persischen Soldaten | |
1:18
|
409
| |
Croesus, opera in 3 acts - Act 1. Scene 17. Recitativo. Der Perser Schwert und Pfeile | |
1:38
|
410
| |
Croesus, opera in 3 acts - Act 1. Scnee 18. Ritornello con aria. So jauchzet mein fröhlicher Mut! | |
2:00
|
411
| |
Croesus, opera in 3 acts - Act 1. Scene 18. Recitativo. Hier ist die reichste Beute | |
1:24
|
412
| |
Croesus, opera in 3 acts - Act 2. Scene 1. Ritornello | |
1:38
|
413
| |
Croesus, opera in 3 acts - Act 2. Scene 1. Duetto. Kleine Vöglein, die ihr springet | |
2:09
|
414
| |
Croesus, opera in 3 acts - Act 2. Scene 2. Recitativo. Orsanes treulos? | |
2:21
|
415
| |
Croesus, opera in 3 acts - Act 2. Scene 3. Recitativo. Seht, wie Herr Elcius ist ein Politicus...Aria. Mein Kätchen ist ein Mä | |
4:17
|
416
| |
Croesus, opera in 3 acts - Act 2. Scene 3. Ballett von Bauren und Bauren-Kindern | |
:56
|
417
| |
Croesus, opera in 3 acts - Act 2. Scene 4. Duetto. Freundliche Liebe, wie freust du mein Herz! | |
2:37
|
418
| |
Croesus, opera in 3 acts - Act 2. Scene 5. Recitativo. Kann meine Treu Orsanen nicht bewegen?...Aria. Mein Elmir, meine Wonne. | |
3:17
|
419
| |
Croesus, opera in 3 acts - Act 2. Scene 5. Aria. Ihr stummen Fische seid dem gleich | |
2:51
|
420
| |
Croesus, opera in 3 acts - Act 2. Scene 5. Recitativo. Du stellest dich, als hörest du nicht | |
:29
|
421
| |
Croesus, opera in 3 acts - Act 2. Scene 5. Aria. Soll dann so großer Hohn | |
1:18
|
422
| |
Croesus, opera in 3 acts - Act 2. Scene 6. Recitativo. Sobald ich werd' erhöht zu dieser Würde | |
:41
|
423
| |
Croesus, opera in 3 acts - Act 2. Scene 6. Duetto (Eliates, Orsanes) Die Regierungslast zu tragen...Chorus. Waffen, Hilfe, Hil | |
1:13
|
424
| |
Croesus, opera in 3 acts - Act 2. Scene 7. Recitativo. Wir sind verlor'n! | |
1:32
|
425
| |
Croesus, opera in 3 acts - Act 2. Scene 8. Recitativo. Holdseligste Elmir | |
:42
|
426
| |
Croesus, opera in 3 acts - Act 2. Scene 8. Aria. Liebe, sag', was fängst du an? | |
4:54
|
427
| |
Croesus, opera in 3 acts - Act 2. Scene 9. Recitativo. Hier bring ich Atis' Ebenbild | |
3:00
|
428
| |
Croesus, opera in 3 acts - Act 2. Scene 9. Aria. Alle Freude leicht verstiebet | |
2:52
|
429
| |
Croesus, opera in 3 acts - Act 2. Scene 10. Recitativo. Was seh ich! | |
2:42
|
430
| |
Croesus, opera in 3 acts - Act 2. Scene 11. Aria. Ich lieb' und bin geliebet | |
3:19
|
431
| |
Croesus, opera in 3 acts - Act 2. Scene 11. Recitativo. Prinzessin, darf ein Sklav' | |
1:04
|
432
| |
Croesus, opera in 3 acts - Act 2. Scene 11. Aria. Ist niemand bewußt | |
1:48
|
433
| |
Croesus, opera in 3 acts - Act 2. Scene 11. Recitativo. Wie! Darfst du nochmals solche Reden wagen? | |
:35
|
434
| |
Croesus, opera in 3 acts - Act 2. Scene 11. Aria. Mir gefällt in seinem Munde | |
3:29
|
435
| |
Croesus, opera in 3 acts - Act 2. Scene 12. Recitativo. Hör' dann, dies ist der Dienst | |
2:20
|
436
| |
Croesus, opera in 3 acts - Act 2. Scene. 13. Recitativo con aria. Brill, Brill, Feder und Tinte - Kommt ihr Herren, kommt zu k | |
1:30
|
437
| |
Croesus, opera in 3 acts - Act 2. Scene 14. Aria. Niemand kann aus dieser Ketten | |
2:14
|
438
| |
Croesus, opera in 3 acts - Act 2. Scene 14. Recitativo. Knie nieder, und wirf dich zur Erden | |
1:05
|
439
| |
Croesus, opera in 3 acts - Act 2. Scene 14. Aria. Ihr tapfern Soldaten, frohlocket nun wieder | |
1:46
|
440
| |
Croesus, opera in 3 acts - Act 2. Scene 14. Entrée, Passepied der Feuerwerker | |
:42
|
441
| |
Croesus, opera in 3 acts - Act 3. Scene 1. Aria. Die Flamme steigt | |
1:20
|
442
| |
Croesus, opera in 3 acts - Act 3. Scene 1. Recitativo. Find' ich Orsan so früh...Scene 2. Aria. Weil's dem Himmel so gefällt | |
1:46
|
443
| |
Croesus, opera in 3 acts - Act 3. Scene 2. Recitativo. Ermin, wie ist es abgegangen? | |
:46
|
444
| |
Croesus, opera in 3 acts - Act 3. Scene 3. Recitativo. Der Himmel sei gepriest...Aria. Fühlst du noch der Liebe Kerzen | |
3:48
|
445
| |
Croesus, opera in 3 acts - Act 3. Scene 3. Recitativo. Schönstes Kind, du irrest dich | |
1:50
|
446
| |
Croesus, opera in 3 acts - Act 3. Scene 4. Recitativo. Der Abgesandte bringt vom Feinde | |
:42
|
447
| |
Croesus, opera in 3 acts - Act 3. Scene 4. Aria. Waffnet, was kann Waffen tragen | |
1:19
|
448
| |
Croesus, opera in 3 acts - Act 3. Scene 5. Aria. Elmir! wo bleibest du? | |
4:06
|
449
| |
Croesus, opera in 3 acts - Act 3. Scene 5. Recitativo. Prinzessin! | |
1:01
|
450
| |
Croesus, opera in 3 acts - Act 3. Scene 5. Aria. Mich vergnüget dieses Höhnen | |
2:51
|
451
| |
Croesus, opera in 3 acts - Act 3. Scene 6. Recitativo. Unsinniger, find ich dich hier? | |
1:10
|
452
| |
Croesus, opera in 3 acts - Act 3. Scene 6. Recitativo. Mich Unglückseligen...Aria. Wertes Glück, verlaß mich nicht! | |
3:28
|
453
| |
Croesus, opera in 3 acts - Act 3. Scene 7. Ritornello con aria. Soll des Goldes Glanz recht glimmen | |
2:18
|
454
| |
Croesus, opera in 3 acts - Act 3. Scene 7. Recitativo. Prinzessin! | |
1:32
|
455
| |
Croesus, opera in 3 acts - Act 3. Scene 7. Aria. Sollte der mich herzlich lieben | |
1:57
|
456
| |
Croesus, opera in 3 acts - Act 3. Scene 8. Arietta. Zarte Jungfern | |
1:48
|
457
| |
Croesus, opera in 3 acts - Act 3. Scene 8. Recitativo. Hier, wey je nich dat neye Lied | |
2:08
|
458
| |
Croesus, opera in 3 acts - Act 3. Scene 8. Aria. Schmink', ein Kleinod dieser Zeit...Recitativo. Hier hab ich Schnupftobak | |
1:49
|
459
| |
Croesus, opera in 3 acts - Act 3. Scene 9. Duetto. Nein, nein, nun will ich nicht mehr lieben | |
1:55
|
460
| |
Croesus, opera in 3 acts - Act 3. Scene 10. Recitativo. Prinz, weißt du, daß Ermin mit mir von Liebe spricht? | |
2:09
|
461
| |
Croesus, opera in 3 acts - Act 3. Scene 10. Aria. Dieses Schmähen, das ich leide | |
1:16
|
462
| |
Croesus, opera in 3 acts - Act 3. Scene 12. Aria. Götter, übt Barmherzigkeit! | |
4:16
|
463
| |
Croesus, opera in 3 acts - Act 3. Scene 13. Recitativo. Fort, führt ihn auf den Scheiterhaufen! | |
1:16
|
464
| |
Croesus, opera in 3 acts - Act 3. Scene 13. Recitativo. Umsonst, macht neues Feuer | |
3:21
|
465
| |
Croesus, opera in 3 acts - Act 3. Scene 13. Aria. Solon, weiser Solon | |
3:09
|
466
| |
Croesus, opera in 3 acts - Act 3. Scene 13. Recitativo. Welch eine Gottheit ruft er an? | |
6:35
|
467
| |
Croesus, opera in 3 acts - Act 3. Scene 13. Coro. Glückliche Stunden, erfreulicher Tag | |
1:04
|
468
| |
Keyboard Trio in G major ("Gypsy Trio") H. 15/25 - Andante | |
6:44
|
469
| |
Keyboard Trio in G major ("Gypsy Trio") H. 15/25 - Poco adagio | |
6:01
|
470
| |
Keyboard Trio in G major ("Gypsy Trio") H. 15/25 - Presto | |
3:12
|
471
| |
German dances (6) for orchestra, K. 509 | |
7:23
|
472
| |
Cello Concerto No. 1 in C major, H. 7b/1 - Moderato | |
10:23
|
473
| |
Cello Concerto No. 1 in C major, H. 7b/1 - Adagio | |
8:12
|
474
| |
Cello Concerto No. 1 in C major, H. 7b/1 - Finale Allegro molto | |
6:13
|
475
| |
Symphony No. 38 in D major ("Prague"), K. 504 - 1. Adagio - Allegro | |
15:59
|
476
| |
Symphony No. 38 in D major ("Prague"), K. 504 - 2. Andante | |
9:53
|
477
| |
Symphony No. 38 in D major ("Prague"), K. 504 - 3. Finale. Presto | |
6:44
|
478
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Kyrie. Kyrie | |
2:27
|
479
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Kyrie. Christe | |
1:49
|
480
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Kyrie. Kyrie | |
2:22
|
481
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Gloria in excelsis Deo | |
:37
|
482
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Laudamus te | |
1:46
|
483
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Gratias | |
4:45
|
484
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Domine Deus | |
5:37
|
485
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Qui tollis | |
6:21
|
486
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Quoniam | |
7:32
|
487
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Cum sancto Spiritu | |
5:33
|
488
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Credo. Credo in unum Deum | |
4:14
|
489
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Credo. Crucifixus | |
3:18
|
490
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Credo. Et resurrexit | |
4:51
|
491
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Credo. Et vitam venturi | |
4:05
|
492
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Prélude religieux (pendant l'Offertoire) | |
7:38
|
493
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Ritournelle | |
:33
|
494
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Sanctus | |
3:53
|
495
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - O salutaris | |
5:27
|
496
| |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Agnus Dei | |
7:25
|
497
| |
Sonata a quattro (String Symphony) No. 4 in B flat major - Allegro vivace | |
7:26
|
498
| |
Sonata a quattro (String Symphony) No. 4 in B flat major - Andante | |
4:22
|
499
| |
Sonata a quattro (String Symphony) No. 4 in B flat major - Allegreto | |
3:09
|
500
| |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Seit ich ihn geschen | |
2:13
|
501
| |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Er, der Herrlichste von allen | |
3:05
|
502
| |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Ich kann's nicht fassen | |
1:47
|
503
| |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Du Ring an meinem Finger | |
2:36
|
504
| |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Helft mir, ihr Schwestern | |
1:57
|
505
| |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Süßer Freund | |
3:56
|
506
| |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - An meinem Herzen | |
1:17
|
507
| |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Nun hast du mir den ersten Schemrz getan | |
3:31
|
508
| |
Sonata for clarinet (or viola) & piano No. 1 in F minor, Op. 120/1 - Allegro appasionato | |
8:26
|
509
| |
Sonata for clarinet (or viola) & piano No. 1 in F minor, Op. 120/1 - Andante un poco adagio | |
6:00
|
510
| |
Sonata for clarinet (or viola) & piano No. 1 in F minor, Op. 120/1 - Allegretto grazioso | |
4:36
|
511
| |
Sonata for clarinet (or viola) & piano No. 1 in F minor, Op. 120/1 - Vivace | |
5:44
|
512
| |
Mignon ("Kennst du das Land"), song for voice & piano (Goethe Lieder) | |
6:20
|
513
| |
Der Rattenfänger ("Ich bin der wohlbekannte Sänger"), song for voice & piano (Goethe Lieder) | |
2:52
|
514
| |
Harfenspieler I ("Wer sich der Einsamkeit ergibt"), song for voice & piano (Goethe Lieder) | |
3:10
|
515
| |
Harfenspieler II ("An die Türen will ich schleichen"), song for voice & piano (Goethe Lieder) | |
2:20
|
516
| |
Harfenspieler III ("Wer nie sein Brot mit Tränen ass"), song for voice & piano (Goethe Lieder) | |
2:36
|
517
| |
Anakreons Grab ("Wo die Rose hier blüht"), song for voice & piano (Goethe Lieder) | |
2:01
|
518
| |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. Les Tricotets. Rondeau | |
1:41
|
519
| |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. L'Indifférente | |
1:42
|
520
| |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. Menuet - Deuxième menuet | |
2:56
|
521
| |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. La Poule | |
5:48
|
522
| |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. Les Triolets | |
3:29
|
523
| |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. Les Sauvages | |
1:46
|
524
| |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. L'Enharmonique | |
6:33
|
525
| |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. L'Égyptienne | |
2:51
|
526
| |
Symphonies de Beethoven No. 3, transcription for piano in E flat major, S. 464/3 (LW A37a,c) - Allegro con brio | |
15:18
|
527
| |
Symphonies de Beethoven No. 3, transcription for piano in E flat major, S. 464/3 (LW A37a,c) - Marcia funebre (Adagio assai) | |
16:36
|
528
| |
Symphonies de Beethoven No. 3, transcription for piano in E flat major, S. 464/3 (LW A37a,c) - Scherzo (Allegro vivace). Trio | |
6:15
|
529
| |
Symphonies de Beethoven No. 3, transcription for piano in E flat major, S. 464/3 (LW A37a,c) - Finale (Allegro molto. Poco andante. Presto) | |
13:10
|
530
| |
Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7) - Villanelle. Quand viendra la saison nouvelle | |
2:17
|
531
| |
Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7) - Le spectre de la rose. Soulève la paupière close | |
6:32
|
532
| |
Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7) - Sur les lagunes (lamento). Ma belle amie est morte | |
6:26
|
533
| |
Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7) - Absence. Reviens, reviens, ma bien-aimée! | |
5:06
|
534
| |
Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7) - Au cimetière (clair de lune). Connaissez-vous la blanche tombe | |
5:52
|
535
| |
Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7) - L’île inconnue. Dites, la jeune belle! | |
4:02
|
536
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Introduccion y escena | |
3:16
|
537
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Cancíon del amor dolido | |
1:25
|
538
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Sortilegio | |
:48
|
539
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Danza del fin del dia | |
4:05
|
540
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Escena | |
1:13
|
541
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Romance del pescador | |
2:14
|
542
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Intermezzo | |
:58
|
543
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Introduccion | |
4:05
|
544
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Escena | |
2:28
|
545
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Danza del fuego fatuo | |
1:55
|
546
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Interludio | |
1:50
|
547
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Cancíon del fuego fatuo | |
2:27
|
548
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Conjuro para reconquistar el amor perdido | |
3:16
|
549
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Escena | |
1:22
|
550
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Danza y cancíon de la bruja fingida | |
4:01
|
551
| |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Final | |
1:27
|
552
| |
Fantasia for violin & piano in C major ("Sei mir gegrüsst!"), D. 934 (Op. posth. 159) - Andante molto | |
3:18
|
553
| |
Fantasia for violin & piano in C major ("Sei mir gegrüsst!"), D. 934 (Op. posth. 159) - Allegretto | |
5:11
|
554
| |
Fantasia for violin & piano in C major ("Sei mir gegrüsst!"), D. 934 (Op. posth. 159) - Andantino | |
10:17
|
555
| |
Fantasia for violin & piano in C major ("Sei mir gegrüsst!"), D. 934 (Op. posth. 159) - Allegro vivace | |
4:05
|
556
| |
Piano Sonata No. 21 in B flat major, D. 960 - Molto moderato | |
15:24
|
557
| |
Piano Sonata No. 21 in B flat major, D. 960 - Andante sostneuto | |
9:14
|
558
| |
Piano Sonata No. 21 in B flat major, D. 960 - Scherzo. Allegro vivace con delicatezza - Trio | |
3:44
|
559
| |
Piano Sonata No. 21 in B flat major, D. 960 - Allegro, ma non troppo | |
8:09
|
560
| |
Ballade for piano No. 1 in G minor, Op. 23, CT. 2 | |
9:38
|
561
| |
Ballade for piano No. 2 in F major, Op. 38, CT. 3 | |
7:02
|
562
| |
Ballade for piano No. 3 in A flat major, Op. 47, CT. 4 | |
7:09
|
563
| |
Ballade for piano No. 4 in F minor, Op. 52, CT. 5 | |
11:44
|
564
| |
La Lugubre gondola (Die Trauer-Gondel), for cello & piano, S. 134 (LW D19/2) | |
9:36
|
565
| |
String Quartet No. 8 in C minor, Op. 110 - 1. Largo | |
5:14
|
566
| |
String Quartet No. 8 in C minor, Op. 110 - 2. Allegro | |
2:41
|
567
| |
String Quartet No. 8 in C minor, Op. 110 - 3. Allegretto | |
4:48
|
568
| |
String Quartet No. 8 in C minor, Op. 110 - 4. Largo | |
5:25
|
569
| |
String Quartet No. 8 in C minor, Op. 110 - 5. Largo | |
3:56
|
570
| |
Quartet for piano & strings in A major, Op. 30 - 1er mouvement | |
11:49
|
571
| |
Quartet for piano & strings in A major, Op. 30 - 2e mouvement "très calme" | |
9:59
|
572
| |
Quartet for piano & strings in A major, Op. 30 - 3e mouvement "simple et sans hâte" | |
3:42
|
573
| |
Quartet for piano & strings in A major, Op. 30 - 4e mouvement "animé" | |
12:03
|
574
| |
Vitebsk, study on a Jewish Theme, for piano trio | |
13:18
|
575
| |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 1. Nos soirées (Our evenings) Moderato | |
3:54
|
576
| |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 2. Une feuille emportée (A blown away leaf) Andante | |
3:25
|
577
| |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 3. Venez avec nous! (Come with us!) Andante | |
1:26
|
578
| |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 4. La Vierge de Frýdek (The Madonna of Frýdek) Grave | |
3:30
|
579
| |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 5. Elles bavardaient en hirondelles (They chattered like swallows) Con moto | |
2:13
|
580
| |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 6. La parole manque! (Words fail!) Andante | |
2:15
|
581
| |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 7. Bonne nuit! (Good night!) Andante | |
3:11
|
582
| |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 8. Anxiété indicible (Unutterable anguish) Andante | |
3:58
|
583
| |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 9. En pleurs (In tears) Larghetto | |
2:46
|
584
| |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 10. La chevêche ne s'est pas envolée! (The little owl has not flown away!) Andante | |
3:53
|
585
| |
String Quartet No. 2 ("Listy duverné," "Intimate Letters"), JW 7/13 - Andante. Con moto. Allegro | |
6:22
|
586
| |
String Quartet No. 2 ("Listy duverné," "Intimate Letters"), JW 7/13 - Adagio. Vivace | |
6:08
|
587
| |
String Quartet No. 2 ("Listy duverné," "Intimate Letters"), JW 7/13 - Moderato. Andante. Adagio | |
5:36
|
588
| |
String Quartet No. 2 ("Listy duverné," "Intimate Letters"), JW 7/13 - Allegro. Andante. Adagio | |
7:40
|
589
| |
Contrasts, pieces (3) for clarinet, violin & piano, Sz. 111, BB 116 - No. 1 Verbunkos | |
5:28
|
590
| |
Contrasts, pieces (3) for clarinet, violin & piano, Sz. 111, BB 116 - No. 2 Pihenö | |
4:49
|
591
| |
Contrasts, pieces (3) for clarinet, violin & piano, Sz. 111, BB 116 - No. 3 Sebes | |
7:00
|
592
| |
Berliner Messe, for SATB chorus or soloists & organ - Kyrie | |
3:07
|
593
| |
Berliner Messe, for SATB chorus or soloists & organ - Gloria | |
3:26
|
594
| |
Berliner Messe, for SATB chorus or soloists & organ - First Alleluia Verse | |
1:02
|
595
| |
Berliner Messe, for SATB chorus or soloists & organ - Second Alleluia Verse | |
1:23
|
596
| |
Berliner Messe, for SATB chorus or soloists & organ - Veni Sancte Spiritus | |
4:04
|
597
| |
Berliner Messe, for SATB chorus or soloists & organ - Credo | |
4:01
|
598
| |
Berliner Messe, for SATB chorus or soloists & organ - Sanctus | |
3:55
|
599
| |
Berliner Messe, for SATB chorus or soloists & organ - Agnus Dei | |
2:23
|