1
|  |
Mass for the parishes (Messe des Paroisses), for organ - Kyrie |  |
8:36
|
2
|  |
Mass for the parishes (Messe des Paroisses), for organ - Gloria |  |
17:40
|
3
|  |
Mass for the parishes (Messe des Paroisses), for organ - Offertoire |  |
7:18
|
4
|  |
Mass for the parishes (Messe des Paroisses), for organ - Sanctus |  |
1:59
|
5
|  |
Mass for the parishes (Messe des Paroisses), for organ - Benedictus |  |
3:10
|
6
|  |
Mass for the parishes (Messe des Paroisses), for organ - Agnus Dei |  |
3:57
|
7
|  |
Mass for the parishes (Messe des Paroisses), for organ - Deo gratias |  |
:51
|
8
|  |
Medio Registro de Mano Derecha |  |
2:59
|
9
|  |
Pange Lingua a Tres Sobre Vajo for organ |  |
1:36
|
10
|  |
Salbe de Lleno for organ |  |
1:18
|
11
|  |
Tiento de Falsas de Quarto Tono for organ |  |
3:13
|
12
|  |
Tiento Lleno de Primer Tono for organ (attributed) |  |
3:14
|
13
|  |
Gaitilla de Mano Izquierda |  |
3:07
|
14
|  |
Tiento Sobre la Letania de la Virgen for organ |  |
5:57
|
15
|  |
Corrente Italiana |  |
3:27
|
16
|  |
Toccata for organ No. 10 in D major (from Apparatus musico-organisticus, Part 2) |  |
5:11
|
17
|  |
Toccata for organ No. 2 in G minor (from Apparatus musico-organisticus, Part 1) |  |
5:43
|
18
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Toccata for organ No. 9 (from Apparatus musico-organisticus, Part 2) |  |
6:46
|
19
|  |
Toccata for organ No. 7 (from Apparatus musico-organisticus, Part 1) |  |
8:51
|
20
|  |
Toccata for organ No. 3 (from Apparatus musico-organisticus, Part 1) |  |
5:32
|
21
|  |
Toccata for organ No. 12 (from Apparatus musico-organisticus, Part 2) |  |
6:41
|
22
|  |
Toccata for organ No. 5 (from Apparatus musico-organisticus, Part 1) |  |
5:12
|
23
|  |
Toccata for organ No. 1 in D minor (from Apparatus musico-organisticus, Part 1) |  |
5:11
|
24
|  |
Toccata for organ No. 8 in G major (from Apparatus musico-organisticus, Part 1) |  |
7:01
|
25
|  |
Toccata for organ No. 11 (from Apparatus musico-organisticus, Part 2) |  |
6:31
|
26
|  |
Toccata for organ No. 4 (from Apparatus musico-organisticus, Part 1) |  |
5:13
|
27
|  |
Toccata for organ No. 6 (from Apparatus musico-organisticus, Part 1) |  |
8:08
|
28
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Overture...Air...Overture |  |
5:17
|
29
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 1. Scene 2. Woden first to thee...Brave Souls...I call ye all |  |
10:26
|
30
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 1. Scene 2. Come if you dare |  |
5:52
|
31
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 2. Hither this way bend...Let not a Moon-born Elf...Hither this way...Come follow me |  |
6:52
|
32
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 2. How blest are Shepherds...Shepherd, leave Decoying...Hornpipe |  |
9:57
|
33
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 3. Scene 2. Prelude...What ho |  |
1:43
|
34
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 3. Scene 2. What Power art thou...Thou Doting Fool forbear...Prelude...See, see |  |
9:36
|
35
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 3. Scene 2. Tis I, that have warm'd ye...Sound a Parley...Air |  |
8:08
|
36
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 4. Scene 2. Two Daughters |  |
1:50
|
37
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 4. Scene 2. How happy the Lover-Fourth Act Tune |  |
7:45
|
38
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. Trumpet Tune: Ye Blust'ring Brethren |  |
3:26
|
39
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. Symphony...Song Tune: Round thy Coasts...For Folded Flocks |  |
7:07
|
40
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. Song Tune: Your Hay |  |
2:41
|
41
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. Fairest Isle |  |
3:37
|
42
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. You say...This is not my passion...But one soft Moment |  |
4:57
|
43
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. Trumpet Tune: St. George |  |
4:28
|
44
|  |
King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5. Scene 2. Chaconne |  |
3:44
|
45
|  |
The Three Ravens, folk song |  |
2:51
|
46
|  |
Black Is the Color of My True Love's Hair, folk song |  |
1:53
|
47
|  |
Sweet nimphe, come to thy lover, madrigal for 2 voices |  |
1:41
|
48
|  |
I goe before, my darling, madrigal for 2 voices |  |
1:23
|
49
|  |
The Oak and the Ash (North Country Maid), folk song |  |
3:08
|
50
|  |
Barbara Allen, folk song |  |
2:30
|
51
|  |
The Ballad of Lord Randall, folk song |  |
4:03
|
52
|  |
The Water Is Wide, folk song |  |
2:32
|
53
|  |
The Tailor and the Mouse, folk song |  |
1:28
|
54
|  |
Down by the Salley Gardens, folk song |  |
2:18
|
55
|  |
I Will Give My Love an Apple, folk song |  |
1:45
|
56
|  |
Miraculous love's wounding, madrigal for 2 voices |  |
2:55
|
57
|  |
Sweet Kate |  |
1:34
|
58
|  |
Bushes and briars, folk song |  |
2:34
|
59
|  |
The Foggy, Foggy Dew, folk song |  |
2:08
|
60
|  |
She Moved through the Fair, folk song |  |
3:39
|
61
|  |
Evening Prayer |  |
1:01
|
62
|  |
L'Apostikhon de l'Office de Mercredi Saint (Prière de Marie-Madeleine) |  |
7:25
|
63
|  |
Messe de Saint Marcel - Introitus: Statuit ei Dominus |  |
7:18
|
64
|  |
Messe de Saint Marcel - Graduale: Inveni David servum meum; Verset: Nichil proficiet |  |
7:27
|
65
|  |
Messe de Saint Marcel - Alleluia - Versets: Disposui Testamentum. Inveni David |  |
5:17
|
66
|  |
Messe de Saint Marcel - Offertorium: Veritas mea; Versets: Posui adiutorium - Misericordia mea |  |
6:10
|
67
|  |
Messe de Saint Marcel - Communio: Domine quinque talenta tradidisti michi |  |
6:05
|
68
|  |
Vida (A chantar), for vocal ensemble - Vida |  |
:20
|
69
|  |
Vida (A chantar), for vocal ensemble - A Chantar |  |
14:35
|
70
|  |
Studium divinitatis, Laudes antiphon for Saint Ursula & her Companions |  |
1:12
|
71
|  |
Psalm 92: Dominus regnavit |  |
3:30
|
72
|  |
Benedicamus domino (ii) |  |
:57
|
73
|  |
Domine deus meus (Berlin Mus. 40046, Quedlinberg) |  |
:50
|
74
|  |
Mirabilis deus, brief responsory |  |
1:13
|
75
|  |
Cum vox sanguinis, hymn for Saint Ursula & her Companions |  |
8:10
|
76
|  |
O rubor sanguinis, antiphon for Saint Ursula & her companions |  |
1:38
|
77
|  |
Magnificat anima mea / O rubor sanguinis, canticle |  |
5:03
|
78
|  |
Te lucis ante terminum, hymn |  |
2:02
|
79
|  |
Benedicamus domino, alleluia (Worchester Cathedral F. 160) |  |
:47
|
80
|  |
Vasilissa ergo gaude, isorhythmic motet for 4 voices |  |
2:59
|
81
|  |
O sancte Sebastiane, isorhythmic motet for 4 voices |  |
4:46
|
82
|  |
O gemma, lux et speculum, isorhythmic motet for 4 voices |  |
5:08
|
83
|  |
Apostolo glorioso, isorhythmic motet for 5 voices |  |
3:02
|
84
|  |
Rite maiorem Jacobum, isorhythmic motet for 3 and 4 voices |  |
3:56
|
85
|  |
Ecclesie militantis, isorhythmic motet for 5 voices |  |
5:11
|
86
|  |
Balsamus et munda cera, isorhythmic motet for 4 voices |  |
4:21
|
87
|  |
Supremum est mortalibus, isorhythmic motet for 3 voices |  |
5:58
|
88
|  |
Nuper rosarum flores, isorhythmic motet for 4 voices |  |
5:45
|
89
|  |
Salve flos Tusce, isorhythmic motet for 4 voices |  |
6:12
|
90
|  |
Magnanime gentis, isorhythmic motet for 3 voices |  |
5:02
|
91
|  |
Fulgens iubar ecclesie, isorhythmic motet for 4 voices |  |
7:35
|
92
|  |
Moribus et genere, isorhythmic motet for 4 voices |  |
8:44
|
93
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 1. Kommt, ihr Toechter, helft mir klagen |  |
7:06
|
94
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 2. Da Jesus diese Rede vollendet hatte |  |
:43
|
95
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 3. Herzliebster Jesu, was hast du verbrochen |  |
:52
|
96
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 4. Da versammleten sich die Hohenpriester / Ja nicht auf das fest / Da nun Jesus war zu |  |
2:58
|
97
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 5. Du lieber Heiland du |  |
1:01
|
98
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 6. Buß und Reu |  |
4:50
|
99
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 7. Da ging hin der Zwölfen einer |  |
:38
|
100
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 8. Blute nur, du liebes Herz |  |
5:00
|
101
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 9. Aber am ersten Tage der süßen Brot / Wo willst du, dass wir dir bereiten / Er sprach |  |
2:12
|
102
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 10. Ich bin's, ich sollte büßen |  |
:55
|
103
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 11. Er antwortete und sprach |  |
3:03
|
104
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 12. Wiewohl mein Herz in Tränen schwimmt |  |
1:24
|
105
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 13. Ich will dir mein Herze schenken |  |
3:48
|
106
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 14. Und da sie den Lobgesang gesprochen hatten |  |
1:08
|
107
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 15. Erkenne mich, mein Hütter |  |
1:10
|
108
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 16. Petrus aber antwortete |  |
:58
|
109
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 17. Ich will hier bei dir stehen |  |
1:10
|
110
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 18. Da kam Jesus mit ihnen zu einem Hofe |  |
1:36
|
111
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 19. O Schmerz! hier zittert das gequälte Herz |  |
1:51
|
112
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 20. Ich will bei meinem Jesu wachen |  |
5:21
|
113
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 21. Und ging hin ein wenig |  |
:44
|
114
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 22. Der Heiland fällt vor seinem Vater nieder |  |
:59
|
115
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 23. Gerne will ich mich bequemen |  |
4:45
|
116
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 24. Und er kam zu seinen Jüngern |  |
1:22
|
117
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 25. Was mein Gott will, das g'scheh' allzeit |  |
1:20
|
118
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 26. Und er kam und fand sie aber schlafend |  |
2:20
|
119
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 27. So ist mein Jesus nun gefangen / Sind Blitze, sind Donner in Wolken verschwunden |  |
4:59
|
120
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 28. Und siehe, einer aus denen |  |
2:03
|
121
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 1. No. 29. O Mensch, bewein' dein Sünde gross |  |
5:18
|
122
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 30. Ach! nun ist mein Jesus hin |  |
4:11
|
123
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 31. Die aber Jesum gegriffen hatten |  |
:56
|
124
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 32. Mir hat die Welt trueglich gericht't |  |
:55
|
125
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 33. Und wiewold viel falsche Zeugen herzutraten |  |
1:12
|
126
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 34. Mein Jesus schweigt zu falschen Luegen stille |  |
1:16
|
127
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 35. Geduld, Geduld! |  |
3:55
|
128
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 36. Und der Hohepriester antwortete / Er ist des Todes schuldig / Da speieten sie aus i |  |
2:03
|
129
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 37. Wer hat dich so geschlagen |  |
:57
|
130
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 38. Petrus aber sass draussen im Palast / Wahrlich, du bist auch einer von denen |  |
2:11
|
131
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 39. Erbarme dich |  |
7:11
|
132
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 40. Bin ich gleich von dir gewichen |  |
1:10
|
133
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 41. Das Morgens aber heilten alle Hohenpriester / Was gehet uns das an / Und er warf di |  |
1:48
|
134
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 42. Gebt mir meinen Jesum wieder |  |
3:11
|
135
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 43. Sie heilten aber einen Rat |  |
2:11
|
136
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 44. Befiehl du deine Wege |  |
1:12
|
137
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 45. Auf das Fest aber hatte der Landpfleger / Lass in kreuzigen! |  |
2:28
|
138
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 46. Wie wunderbarlich ist doch diese Strafe |  |
:51
|
139
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 47. Der Landpfleger sagte |  |
:17
|
140
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 48. Er hat uns allen wohlgetan |  |
1:12
|
141
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 49. Aus Liebe will mein Heiland sterben |  |
5:23
|
142
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 50. Sie schrieen aber noch mehr / Lass in kreuzigen! / Da aber Pilatus sahe / Sein Blut |  |
2:03
|
143
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 51. Erbarm es Gott |  |
:54
|
144
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 52. Können Tränen meiner Wangen |  |
7:13
|
145
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 53. Da nahmen Kriegsknechte / Gegruesset seist du, Judenkoenig / Und speieten ihn an |  |
1:06
|
146
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 54. O Haupt voll Blut und Wunden |  |
2:27
|
147
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 55. Und da sie ihn verspottet hatten |  |
:50
|
148
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 56. Ja! freilich will in uns das Fleisch und Blut |  |
:41
|
149
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 57. Komm, süßes Kreuz |  |
5:50
|
150
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 58. Und da sie an die Staette kamen / Der du den Tempel Gottes zerbrichst / Desgleichen |  |
3:45
|
151
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 59. Ach, Golgatha, unsel'ges Golgatha |  |
1:37
|
152
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 60. Sehet Jesus hat die hand |  |
3:27
|
153
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 61. Und von der sechsten Stunde / Der rufet dem Elias / Und bald lief einer unter ihnen |  |
2:09
|
154
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 62. Wenn ich einmal soll scheiden |  |
1:23
|
155
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 63. Und siehe da, der Vorhang im Tempel zerriss / Wahrlich, dieser ist Gottes Sohn gewe |  |
2:23
|
156
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 64. Am Abend da es kuehle war |  |
2:00
|
157
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 65. Mache dich, mein Herze, rein |  |
6:21
|
158
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 66. Und Joseph nahm den Leib / Herr, wir haben gedacht / Pilatus sprach zu ihnen |  |
2:31
|
159
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 67. Nun ist der Herr zu Ruh gebracht |  |
2:14
|
160
|  |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Part 2. No. 68. Wir setzen uns mit Traenen nieder |  |
5:33
|
161
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Ricercar à 3 (clavecin) |  |
5:44
|
162
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Canon Perpetuus super Thems Regium (2 claveci |  |
1:26
|
163
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Ricercar à 6 (clavecin) |  |
7:54
|
164
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Canon; quaerendo invenientis (clavicin); [2 v |  |
3:24
|
165
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta. Canon à 4 (2 clavecins) |  |
2:26
|
166
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Sonata sopr'il Soggetto Reale. Largo |  |
5:56
|
167
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Sonata sopr'il Soggetto Reale. Allegro |  |
5:56
|
168
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Sonata sopr'il Soggetto Reale. Andante |  |
3:04
|
169
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Sonata sopr'il Soggetto Reale. Allegro |  |
2:59
|
170
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Canon perpetuus (flûte, violon et continuo) |  |
2:41
|
171
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - 6 Canones Diversi Super Thema Regium. 1. [Canon cancrizans] (clavecin) |  |
:50
|
172
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - 6 Canones Diversi Super Thema Regium. 2. Violino in unisono (clavecin et violon) |  |
1:16
|
173
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - 6 Canones Diversi Super Thema Regium. 3. Per motum contrarium (2 clavecins) |  |
:44
|
174
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - 6 Canones Diversi Super Thema Regium 4. Per augmentatinem, contrario motu (2 clavecins) "Notulis cr |  |
1:07
|
175
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - 6 Canones Diversi Super Thema Regium. 5. "Ascendenteque Modulationis ascendat Gloria Regis" (2 clav |  |
3:25
|
176
|  |
The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - 6 Canones Diversi Super Thema Regium. 6. "Fuga canonica in Epidiapente" (2 clavecins) |  |
2:06
|
177
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 1 |  |
3:09
|
178
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 2 |  |
2:49
|
179
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 3 |  |
2:39
|
180
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 4 |  |
3:43
|
181
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Canon alla Ottava |  |
4:30
|
182
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 5 |  |
3:31
|
183
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 6 |  |
3:47
|
184
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 7 |  |
3:27
|
185
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Canon all Duodecima in Contrapunto alla Quinta |  |
4:51
|
186
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 9 |  |
2:25
|
187
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 10 |  |
4:01
|
188
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Canon all decima [in] Contrapunto all Terza |  |
4:38
|
189
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 8 |  |
5:30
|
190
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 11 |  |
5:52
|
191
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 12 rectus |  |
1:57
|
192
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus 12 inversus |  |
2:03
|
193
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus [13] rectus |  |
2:23
|
194
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Contrapunctus [13] inversus |  |
2:22
|
195
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Canon per Ayugmentationem in Contrario Motu |  |
3:58
|
196
|  |
Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080 - Fuga a 3 Soggetti |  |
8:28
|
197
|  |
Atys, opera, LWV 53 - Prologue. Ouverture |  |
1:49
|
198
|  |
Atys, opera, LWV 53 - Prologue. En vain, j'ai respecté |  |
1:48
|
199
|  |
Atys, opera, LWV 53 - Prologue. Air pour les Nymphes de Flore |  |
:49
|
200
|  |
Atys, opera, LWV 53 - Prologue. La saison des frimats |  |
3:22
|
201
|  |
Atys, opera, LWV 53 - Prologue. Air pour la Suite de Flore (Gavotte) |  |
2:12
|
202
|  |
Atys, opera, LWV 53 - Prologue. Prélude pour Melpomène |  |
1:27
|
203
|  |
Atys, opera, LWV 53 - Prologue. Air pour la Suite de Melpomène |  |
1:24
|
204
|  |
Atys, opera, LWV 53 - Prologue. Ritournelle |  |
2:48
|
205
|  |
Atys, opera, LWV 53 - Prologue. Menuet |  |
:56
|
206
|  |
Atys, opera, LWV 53 - Prologue. Reprise de l'Ouverture |  |
1:54
|
207
|  |
Atys, opera, LWV 53 - Acte 1. Scène 1. Ritournelle. |  |
4:01
|
208
|  |
Atys, opera, LWV 53 - Acte 1. 2. Atys, ne feignez plus |  |
2:50
|
209
|  |
Atys, opera, LWV 53 - Acte 1. Scène 3. Allons, allons, accourez tous |  |
5:36
|
210
|  |
Atys, opera, LWV 53 - Acte 1. Scène 4. Atys, est trop heureux |  |
5:21
|
211
|  |
Atys, opera, LWV 53 - Acte 1. Scène 4. Un amour malheureux |  |
1:01
|
212
|  |
Atys, opera, LWV 53 - Acte 1. Scène 5. On voit dans ces campagnes |  |
4:33
|
213
|  |
Atys, opera, LWV 53 - Acte 1. Scène 6. Si l'hymen unissait |  |
1:48
|
214
|  |
Atys, opera, LWV 53 - Acte 1. Scène 7. Mais déjàs de ce mont sacré |  |
5:14
|
215
|  |
Atys, opera, LWV 53 - Acte 1. Scène 7. Entrée de Phrygiens |  |
1:12
|
216
|  |
Atys, opera, LWV 53 - Acte 1. Scène 8. Second Air des Phrygiens |  |
:29
|
217
|  |
Atys, opera, LWV 53 - Acte 1. Scène 8. Prélude |  |
:43
|
218
|  |
Atys, opera, LWV 53 - Acte 1. Scène 8. Venez tous dans mon temple |  |
3:02
|
219
|  |
Atys, opera, LWV 53 - Acte 2. Scène 1. Ritournelle...Qu'un indifférent est heureux |  |
6:15
|
220
|  |
Atys, opera, LWV 53 - Acte 2. Scène 2. Prélude |  |
:40
|
221
|  |
Atys, opera, LWV 53 - Acte 2. Scène 2. Je veux joindre |  |
3:16
|
222
|  |
Atys, opera, LWV 53 - Acte 2. Scène 3. Tu t'étonnes, Mélisse |  |
4:53
|
223
|  |
Atys, opera, LWV 53 - Acte 2. Scène 3. Que les plus doux Zéphyrs |  |
2:19
|
224
|  |
Atys, opera, LWV 53 - Acte 2. Scène 4. Entrée des Nations |  |
:43
|
225
|  |
Atys, opera, LWV 53 - Acte 2. Scène 4. Entrée des Zéphyrs |  |
1:08
|
226
|  |
Atys, opera, LWV 53 - Acte 2. Scène 4. Que devant vous |  |
:27
|
227
|  |
Atys, opera, LWV 53 - Acte 2. Scène 4. Indigne que je suis |  |
1:05
|
228
|  |
Atys, opera, LWV 53 - Acte 2. Scène 4. Que devant vous (reprise) |  |
:27
|
229
|  |
Atys, opera, LWV 53 - Acte 2. Scène 4. Air des Zéphyrs (reprise) |  |
1:15
|
230
|  |
Atys, opera, LWV 53 - Acte 3. Scène 1. Ritournelle. Que servent les faveurs |  |
2:14
|
231
|  |
Atys, opera, LWV 53 - Acte 3. Scène 2. Peut-on ici parler |  |
2:33
|
232
|  |
Atys, opera, LWV 53 - Acte 3. Scène 3. Le plus juste parti. Scène 3 |  |
2:25
|
233
|  |
Atys, opera, LWV 53 - Acte 3. Scène 4. Prélude...Dormons, dormons tous |  |
7:31
|
234
|  |
Atys, opera, LWV 53 - Acte 3. Scène 4. Prélude |  |
2:24
|
235
|  |
Atys, opera, LWV 53 - Acte 3. Scène 4. Ecoute, écoute, Atys |  |
1:01
|
236
|  |
Atys, opera, LWV 53 - Acte 3. Scène 4. Que l'Amour a d'attraits |  |
1:32
|
237
|  |
Atys, opera, LWV 53 - Acte 3. Scène 4. Goûte en paix |  |
1:08
|
238
|  |
Atys, opera, LWV 53 - Acte 3. Scène 4. Trop hereux un amant |  |
1:33
|
239
|  |
Atys, opera, LWV 53 - Acte 3. Scène 4. Garde-toi d'offenser |  |
1:55
|
240
|  |
Atys, opera, LWV 53 - Acte 3. Scène 4. L'amour qu'on outrage |  |
1:39
|
241
|  |
Atys, opera, LWV 53 - Acte 3. Scène 5. Venez à mon secours. Scène 6 |  |
4:52
|
242
|  |
Atys, opera, LWV 53 - Acte 3. Scène 7. Qu'Atys dans ses respects |  |
2:58
|
243
|  |
Atys, opera, LWV 53 - Acte 3. Scène 8. Ritournelle...Espoir si cher et si doux |  |
3:58
|
244
|  |
Atys, opera, LWV 53 - Acte 4. Scène 1. Vous pleurez! |  |
6:27
|
245
|  |
Atys, opera, LWV 53 - Acte 4. Scène 2. Prélude |  |
:38
|
246
|  |
Atys, opera, LWV 53 - Acte 4. Scène 2. Belle nymphe. Scène 3. |  |
2:46
|
247
|  |
Atys, opera, LWV 53 - Acte 4. Scène 4. Ritournelle. Qu'il sait peu son malheur |  |
3:41
|
248
|  |
Atys, opera, LWV 53 - Acte 4. Scène 4. Je jure / Je promets |  |
1:57
|
249
|  |
Atys, opera, LWV 53 - Acte 4. Scène 5. Prélude. O vous qui prenez part |  |
1:35
|
250
|  |
Atys, opera, LWV 53 - Acte 4. Scène 5. Que l'on chante |  |
1:36
|
251
|  |
Atys, opera, LWV 53 - Acte 4. Scène 5. Gavotte. La beauté la plus sévère |  |
1:32
|
252
|  |
Atys, opera, LWV 53 - Acte 4. Scène 5. Menuet. L'hymen seul ne saurait plaire |  |
1:17
|
253
|  |
Atys, opera, LWV 53 - Acte 4. Scène 5. Menuet. Une constance extrême |  |
1:01
|
254
|  |
Atys, opera, LWV 53 - Acte 4. Scène 5. Gavotte. Un grand calme |  |
:50
|
255
|  |
Atys, opera, LWV 53 - Acte 4. Scène 6. Venez former |  |
1:48
|
256
|  |
Atys, opera, LWV 53 - Acte 5. Scène 1. Ritournelle |  |
:37
|
257
|  |
Atys, opera, LWV 53 - Acte 5. Scène 1. Vous m'ôtez Sangaride |  |
2:53
|
258
|  |
Atys, opera, LWV 53 - Acte 5. Scène 2. Venez vous livrer |  |
1:45
|
259
|  |
Atys, opera, LWV 53 - Acte 5. Scène 2. Toi qui portes partout |  |
:43
|
260
|  |
Atys, opera, LWV 53 - Acte 5. Scène 3. Ciel |  |
1:40
|
261
|  |
Atys, opera, LWV 53 - Acte 5. Scène 3. Atys lui-même |  |
3:16
|
262
|  |
Atys, opera, LWV 53 - Acte 5. Scène 4. Quoi! Sangaride est morte! |  |
2:45
|
263
|  |
Atys, opera, LWV 53 - Acte 5. Scène 5. Je commence à trouver |  |
1:31
|
264
|  |
Atys, opera, LWV 53 - Acte 5. Scène 6. Il s'est percé le sein |  |
3:00
|
265
|  |
Atys, opera, LWV 53 - Acte 5. Scène 6. Ritournelle |  |
1:04
|
266
|  |
Atys, opera, LWV 53 - Acte 5. Scène 6. Venez, furieux Corybantes. Scène dernière |  |
5:44
|
267
|  |
Atys, opera, LWV 53 - Acte 5. Scène dernière. Entrée des Nymphes |  |
1:10
|
268
|  |
Atys, opera, LWV 53 - Acte 5. Scène dernière. Première Entrée des Corybantes |  |
:33
|
269
|  |
Atys, opera, LWV 53 - Acte 5. Scène dernière. Seconde Entrée |  |
1:05
|
270
|  |
Atys, opera, LWV 53 - Acte 5. Scène dernière. Que le malheur d'Atys |  |
2:27
|
271
|  |
La Gamme en forme de petit opéra, for violin, viola da gamba & continuo in C major |  |
34:29
|
272
|  |
Pianto della Madonna, sacred song for voice & continuo (from Selva morale e spirituale), SV 288 |  |
8:23
|
273
|  |
Mystery Sonata, for violin & continuo No. 1 in D minor ("The Annunciation"), C. 90 - Præludium |  |
2:17
|
274
|  |
Mystery Sonata, for violin & continuo No. 1 in D minor ("The Annunciation"), C. 90 - Aria, Variatio |  |
2:24
|
275
|  |
Mystery Sonata, for violin & continuo No. 1 in D minor ("The Annunciation"), C. 90 - [Finale] |  |
1:20
|
276
|  |
Mystery Sonata, for violin & continuo No. 2 in A major ("The Visitation"), C. 91 - Sonata |  |
2:07
|
277
|  |
Mystery Sonata, for violin & continuo No. 2 in A major ("The Visitation"), C. 91 - Allamanda |  |
3:42
|
278
|  |
Mystery Sonata, for violin & continuo No. 2 in A major ("The Visitation"), C. 91 - [Finale] |  |
1:00
|
279
|  |
Mystery Sonata, for violin & continuo No. 3 in B minor ("The Nativity"), C. 92 - Sonata |  |
1:41
|
280
|  |
Mystery Sonata, for violin & continuo No. 3 in B minor ("The Nativity"), C. 92 - Courente, Double |  |
3:25
|
281
|  |
Mystery Sonata, for violin & continuo No. 3 in B minor ("The Nativity"), C. 92 - [Finale] |  |
2:17
|
282
|  |
Mystery Sonata, for violin & continuo No. 4 in D minor ("The Presentation"), C. 93 |  |
9:01
|
283
|  |
Mystery Sonata, for violin & continuo No. 5 in A major ("Jesus in the Temple"), C. 94 - Præludium |  |
1:09
|
284
|  |
Mystery Sonata, for violin & continuo No. 5 in A major ("Jesus in the Temple"), C. 94 - Allamanda |  |
1:22
|
285
|  |
Mystery Sonata, for violin & continuo No. 5 in A major ("Jesus in the Temple"), C. 94 - Gigue |  |
1:15
|
286
|  |
Mystery Sonata, for violin & continuo No. 5 in A major ("Jesus in the Temple"), C. 94 - Sarabanda, Double |  |
3:34
|
287
|  |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Stabat mater dolorosa. Largo |  |
2:54
|
288
|  |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Cujus animam gementem. Adagio |  |
1:47
|
289
|  |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - O quam tristis. Andante |  |
1:53
|
290
|  |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Quis est homo. Largo |  |
2:50
|
291
|  |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Quis non posset. Adagio |  |
2:04
|
292
|  |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Pro peccatis suae gentis. Andante |  |
1:50
|
293
|  |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Eja mater, fons amoris. Largo |  |
2:43
|
294
|  |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Fac ut ardeat. Lento |  |
1:38
|
295
|  |
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Amen. Allegro |  |
1:07
|
296
|  |
Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17 - Sonata & Coro. Du aber, Daniel, gehe hin |  |
4:36
|
297
|  |
Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17 - Rezitativo & Aria. Mit Freunden folgt die Seele - Du Aufenthalt der blassen Sorgen |  |
6:13
|
298
|  |
Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17 - Rezitativo & Aria. Mit sehnendem Verlangen - Brecht, ihr müden Augenlieder |  |
5:42
|
299
|  |
Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17 - Rezitativo. Dir ist, hochsel’ger Mann, dies Glück geschehen |  |
1:52
|
300
|  |
Du aber Daniel, gehe hin, funeral cantata for chorus, recorder, oboe, 2 violas da gamba, strings & continuo, TWV 4:17 - Adagio. Schlaft wohl, ihr seligen Gebeine |  |
7:35
|
301
|  |
Suite for harpsichord No. 3 in D minor (Pièces de Claveçin) - Prélude non mesuré |  |
3:56
|
302
|  |
Suite for harpsichord No. 3 in D minor (Pièces de Claveçin) - Allemande |  |
3:23
|
303
|  |
Suite for harpsichord No. 3 in D minor (Pièces de Claveçin) - Courante |  |
2:07
|
304
|  |
Suite for harpsichord No. 3 in D minor (Pièces de Claveçin) - Sarabande grave |  |
3:04
|
305
|  |
Suite for harpsichord No. 3 in D minor (Pièces de Claveçin) - Gigue |  |
2:11
|
306
|  |
Suite for harpsichord No. 1 in G major (Pièces de Claveçin) - Prélude non mesuré |  |
2:08
|
307
|  |
Suite for harpsichord No. 1 in G major (Pièces de Claveçin) - Allemande |  |
3:21
|
308
|  |
Suite for harpsichord No. 1 in G major (Pièces de Claveçin) - Courante |  |
2:11
|
309
|  |
Suite for harpsichord No. 1 in G major (Pièces de Claveçin) - Sarabande |  |
2:45
|
310
|  |
Suite for harpsichord No. 1 in G major (Pièces de Claveçin) - Gigue |  |
2:24
|
311
|  |
Suite for harpsichord No. 1 in G major (Pièces de Claveçin) - Chaconne en rondeau |  |
4:02
|
312
|  |
Suite for harpsichord No. 2 in G minor (Pièces de Claveçin) - Prélude non mesuré |  |
1:36
|
313
|  |
Suite for harpsichord No. 2 in G minor (Pièces de Claveçin) - Allemande |  |
3:17
|
314
|  |
Suite for harpsichord No. 2 in G minor (Pièces de Claveçin) - Courante |  |
1:44
|
315
|  |
Suite for harpsichord No. 2 in G minor (Pièces de Claveçin) - Sarabande |  |
2:44
|
316
|  |
Suite for harpsichord No. 2 in G minor (Pièces de Claveçin) - Gigue |  |
2:30
|
317
|  |
Suite for harpsichord No. 4 in D major (Pièces de Claveçin) - Tombeau de M. de Chambonnières |  |
5:10
|
318
|  |
Suite for harpsichord No. 4 in D major (Pièces de Claveçin) - Chaconne en rondeau |  |
5:02
|
319
|  |
En me revenant, for lute (from Lord Herbert of Cherbury's Lute Book) |  |
1:35
|
320
|  |
Courante (from Lord Herbert of Cherbury's Lute Book) |  |
1:24
|
321
|  |
Courante Son Adieu (from Lord Herbert of Cherbury's Lute Book) |  |
1:33
|
322
|  |
Courante sur J'avois brisé mes fers Daniel (from Lord Herbert of Cherbury's Lute Book) |  |
1:26
|
323
|  |
Chacogne |  |
1:25
|
324
|  |
Filou |  |
4:15
|
325
|  |
Prelude for lute |  |
1:29
|
326
|  |
Fantasie for lute |  |
3:29
|
327
|  |
A Galliard upon a Galliard by John Dowland, for lute (App. 2 from Selected Works for Lute) |  |
1:56
|
328
|  |
Pavin for lute |  |
5:33
|
329
|  |
Almaine for lute (from Lord Herbert of Cherbury's Lute Book) |  |
2:16
|
330
|  |
Fantasia |  |
3:24
|
331
|  |
Fantasia sopra La canzon degli uccelli |  |
3:51
|
332
|  |
Work(s) - Fantasia |  |
2:39
|
333
|  |
Work(s) - Fantasia |  |
3:05
|
334
|  |
Fantasia for lute (from Lord Herbert of Cherbury's Lute Book) |  |
3:59
|
335
|  |
Ballet |  |
1:57
|
336
|  |
Courante |  |
1:28
|
337
|  |
Courante sur le courante de Perrichon |  |
1:26
|
338
|  |
Sarabande |  |
3:16
|
339
|  |
Work(s) - Fantasia |  |
4:07
|
340
|  |
Sarabande for lute |  |
:53
|
341
|  |
Pavin, for lute |  |
4:27
|
342
|  |
Work(s) - Courante |  |
1:05
|
343
|  |
Work(s) - Courante |  |
1:16
|
344
|  |
Work(s) - Courante |  |
1:09
|
345
|  |
La jeune fillette, for lute (No. 41 from Selected Works for Lute) |  |
6:59
|
346
|  |
Pavan of the composition of mee for lute |  |
4:56
|
347
|  |
Barca di Venetia per padova, for 5 voices - L'umor svegliato |  |
1:07
|
348
|  |
Barca di Venetia per padova, for 5 voices - Strepito di Pescatori |  |
1:11
|
349
|  |
Barca di Venetia per padova, for 5 voices - Parone di barca e Ninetta |  |
1:27
|
350
|  |
Barca di Venetia per padova, for 5 voices - Barcaruolo à passaggieri |  |
1:03
|
351
|  |
Barca di Venetia per padova, for 5 voices - Libraio Fiorentino |  |
:41
|
352
|  |
Barca di Venetia per padova, for 5 voices - Maestro di musica Luchese |  |
:56
|
353
|  |
Barca di Venetia per padova, for 5 voices - Cinque cantori in diverse lenguaggi |  |
1:38
|
354
|  |
Barca di Venetia per padova, for 5 voices - Venetiano e Thedesco |  |
:58
|
355
|  |
Barca di Venetia per padova, for 5 voices - Madrigale affettuoso |  |
2:12
|
356
|  |
Barca di Venetia per padova, for 5 voices - Madrigale capriccioso |  |
2:36
|
357
|  |
Barca di Venetia per padova, for 5 voices - Mattinata in dialogo |  |
:50
|
358
|  |
Barca di Venetia per padova, for 5 voices - Dialogo |  |
1:12
|
359
|  |
Barca di Venetia per padova, for 5 voices - Mercante Bresciano et Hebrei |  |
1:21
|
360
|  |
Barca di Venetia per padova, for 5 voices - Madrigale alla Romana. (Stile del Marenzio Romano) |  |
1:56
|
361
|  |
Barca di Venetia per padova, for 5 voices - Madrigale alla Napolitana. (À imitatione del Spano Napolitano) |  |
1:52
|
362
|  |
Barca di Venetia per padova, for 5 voices - Prima Ottava all'improvviso nel liuto |  |
1:09
|
363
|  |
Barca di Venetia per padova, for 5 voices - Seconda Ottava all'improvviso nel liuto |  |
1:10
|
364
|  |
Barca di Venetia per padova, for 5 voices - Aria à imitatione del Radesca alla Piamontese |  |
1:12
|
365
|  |
Barca di Venetia per padova, for 5 voices - Barcaruoli procaccio e tutti al fine |  |
1:20
|
366
|  |
Barca di Venetia per padova, for 5 voices - Soldato svaligiato |  |
1:40
|
367
|  |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Ouverture |  |
4:45
|
368
|  |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Courante |  |
1:34
|
369
|  |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Gavotte en rondeau |  |
:47
|
370
|  |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Branle |  |
1:46
|
371
|  |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Sarabande |  |
2:15
|
372
|  |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Fantasie |  |
1:10
|
373
|  |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Menuet 1 - Menuet 2 |  |
3:31
|
374
|  |
Overture: La Bizarre, suite for string & continuo in G major, TWV 55:G2 - Rossignol |  |
1:37
|
375
|  |
Simphonie de Clavecins, for 2 harpsichords - Allegro moderato et marqué |  |
6:14
|
376
|  |
Simphonie de Clavecins, for 2 harpsichords - Andante |  |
4:52
|
377
|  |
Simphonie de Clavecins, for 2 harpsichords - Presto |  |
4:56
|
378
|  |
Sonata en quatuor for harpsichord, 2 violins & cello in F minor, Op. 7/2 - Andante |  |
5:10
|
379
|  |
Sonata en quatuor for harpsichord, 2 violins & cello in F minor, Op. 7/2 - Menuetto |  |
4:26
|
380
|  |
Sonata en quatuor for harpsichord, 2 violins & cello in F minor, Op. 7/2 - Allegro |  |
3:31
|
381
|  |
Croesus, opera in 3 acts - Sinfonia avanti l'opera Croesus |  |
4:52
|
382
|  |
Croesus, opera in 3 acts - Act 1. Scene 1. Coro. Croesus herrsche, Croesus lebe |  |
1:46
|
383
|  |
Croesus, opera in 3 acts - Act 1. Scene 1. Recitativo. Ihr edlen Lydier |  |
3:13
|
384
|  |
Croesus, opera in 3 acts - Act 1. Scene 1. Aria. Prangt die allerschönste Blume |  |
2:19
|
385
|  |
Croesus, opera in 3 acts - Act 1. Scene 2. Aria. Hoffe noch, gekränktes Herz! |  |
5:11
|
386
|  |
Croesus, opera in 3 acts - Act 1. Scene 2. Recitativo. Du weißt, wie Cyrus' Macht |  |
1:11
|
387
|  |
Croesus, opera in 3 acts - Act 1. Scene 2. Arietta. Empfinden gleiche Schmerzen |  |
1:48
|
388
|  |
Croesus, opera in 3 acts - Act 1. Scene 3. Aria. Lieben, Leiden, Bitten, Flehen |  |
1:59
|
389
|  |
Croesus, opera in 3 acts - Act 1. Scene 3. Recitativo. Prinz Atis, wie dir ist bewußt |  |
2:20
|
390
|  |
Croesus, opera in 3 acts - Act 1. Scene 4. Aria. Wahre Treu kann nicht auf Erden |  |
1:18
|
391
|  |
Croesus, opera in 3 acts - Act 1. Scene 5. Aria. Er erweckt in meinem Herzen |  |
2:22
|
392
|  |
Croesus, opera in 3 acts - Act 1. Scene 6. Recitativo con aria. Verliebter Prinz - Sobald dich nur mein Auge sah |  |
2:28
|
393
|  |
Croesus, opera in 3 acts - Act 1. Scene 6. Recitativo. Was zeigt der Prinz, geliebter Knabe? |  |
:59
|
394
|  |
Croesus, opera in 3 acts - Act 1. Scene 6. Aria con recitativo. Durch der Haare güldne Stricke |  |
1:45
|
395
|  |
Croesus, opera in 3 acts - Act 1. Scene 7. Recitativo. Der König will euch gerne sprechen...Terzetto. Du mußt scheiden |  |
2:06
|
396
|  |
Croesus, opera in 3 acts - Act 1. Scene 8. Duetto. Ich sä' auf wilde Wellen |  |
:53
|
397
|  |
Croesus, opera in 3 acts - Act 1. Scene 9. Duetto. Blindes Feu'r, das mich verzehret...Quartetto. Clerida, du hällst gefangen |  |
3:52
|
398
|  |
Croesus, opera in 3 acts - Act 1. Scene 10. Aria. Traure nicht...Recitativo. Wo ich bei diesen Fackeln |  |
2:53
|
399
|  |
Croesus, opera in 3 acts - Act 1. Scene 10. Recitativo. Orsanes, mußt du denn dem stummen Atis weichen |  |
:29
|
400
|  |
Croesus, opera in 3 acts - Act 1. Scene 11. Recitativo con aria. Hört, wie die Eulen - Liebes-Schmerzen geschlossener Herzen |  |
2:15
|
401
|  |
Croesus, opera in 3 acts - Act 1. Scene 12. Recitativo. Darf Cyrus dann den Frieden brechen?...Scene 13. Recitativo. Es ist de |  |
2:05
|
402
|  |
Croesus, opera in 3 acts - Act 1. Scene 14. Recitativo. Muß ich in meinem Herzen |  |
1:17
|
403
|  |
Croesus, opera in 3 acts - Act 1. Scene 14. Aria. Liebe, treibst du denn nur Spiel |  |
5:12
|
404
|  |
Croesus, opera in 3 acts - Act 1. Scene 15. Recitativo con aria. Seht, wie die elementschen Affen - Das Blinkern und Flinkern |  |
1:36
|
405
|  |
Croesus, opera in 3 acts - Act 1. Scene 15. Chaconne. Ballett von Harlekinen |  |
1:43
|
406
|  |
Croesus, opera in 3 acts - Act 1. Scene 16. Aria. Laß ich meine siegenden Waffen nur sehen |  |
1:35
|
407
|  |
Croesus, opera in 3 acts - Act 1. Scene 16. Recitativo. Ihr Helden, folget dann |  |
1:09
|
408
|  |
Croesus, opera in 3 acts - Act 1. Scene 16. Ballet von persischen Soldaten |  |
1:18
|
409
|  |
Croesus, opera in 3 acts - Act 1. Scene 17. Recitativo. Der Perser Schwert und Pfeile |  |
1:38
|
410
|  |
Croesus, opera in 3 acts - Act 1. Scnee 18. Ritornello con aria. So jauchzet mein fröhlicher Mut! |  |
2:00
|
411
|  |
Croesus, opera in 3 acts - Act 1. Scene 18. Recitativo. Hier ist die reichste Beute |  |
1:24
|
412
|  |
Croesus, opera in 3 acts - Act 2. Scene 1. Ritornello |  |
1:38
|
413
|  |
Croesus, opera in 3 acts - Act 2. Scene 1. Duetto. Kleine Vöglein, die ihr springet |  |
2:09
|
414
|  |
Croesus, opera in 3 acts - Act 2. Scene 2. Recitativo. Orsanes treulos? |  |
2:21
|
415
|  |
Croesus, opera in 3 acts - Act 2. Scene 3. Recitativo. Seht, wie Herr Elcius ist ein Politicus...Aria. Mein Kätchen ist ein Mä |  |
4:17
|
416
|  |
Croesus, opera in 3 acts - Act 2. Scene 3. Ballett von Bauren und Bauren-Kindern |  |
:56
|
417
|  |
Croesus, opera in 3 acts - Act 2. Scene 4. Duetto. Freundliche Liebe, wie freust du mein Herz! |  |
2:37
|
418
|  |
Croesus, opera in 3 acts - Act 2. Scene 5. Recitativo. Kann meine Treu Orsanen nicht bewegen?...Aria. Mein Elmir, meine Wonne. |  |
3:17
|
419
|  |
Croesus, opera in 3 acts - Act 2. Scene 5. Aria. Ihr stummen Fische seid dem gleich |  |
2:51
|
420
|  |
Croesus, opera in 3 acts - Act 2. Scene 5. Recitativo. Du stellest dich, als hörest du nicht |  |
:29
|
421
|  |
Croesus, opera in 3 acts - Act 2. Scene 5. Aria. Soll dann so großer Hohn |  |
1:18
|
422
|  |
Croesus, opera in 3 acts - Act 2. Scene 6. Recitativo. Sobald ich werd' erhöht zu dieser Würde |  |
:41
|
423
|  |
Croesus, opera in 3 acts - Act 2. Scene 6. Duetto (Eliates, Orsanes) Die Regierungslast zu tragen...Chorus. Waffen, Hilfe, Hil |  |
1:13
|
424
|  |
Croesus, opera in 3 acts - Act 2. Scene 7. Recitativo. Wir sind verlor'n! |  |
1:32
|
425
|  |
Croesus, opera in 3 acts - Act 2. Scene 8. Recitativo. Holdseligste Elmir |  |
:42
|
426
|  |
Croesus, opera in 3 acts - Act 2. Scene 8. Aria. Liebe, sag', was fängst du an? |  |
4:54
|
427
|  |
Croesus, opera in 3 acts - Act 2. Scene 9. Recitativo. Hier bring ich Atis' Ebenbild |  |
3:00
|
428
|  |
Croesus, opera in 3 acts - Act 2. Scene 9. Aria. Alle Freude leicht verstiebet |  |
2:52
|
429
|  |
Croesus, opera in 3 acts - Act 2. Scene 10. Recitativo. Was seh ich! |  |
2:42
|
430
|  |
Croesus, opera in 3 acts - Act 2. Scene 11. Aria. Ich lieb' und bin geliebet |  |
3:19
|
431
|  |
Croesus, opera in 3 acts - Act 2. Scene 11. Recitativo. Prinzessin, darf ein Sklav' |  |
1:04
|
432
|  |
Croesus, opera in 3 acts - Act 2. Scene 11. Aria. Ist niemand bewußt |  |
1:48
|
433
|  |
Croesus, opera in 3 acts - Act 2. Scene 11. Recitativo. Wie! Darfst du nochmals solche Reden wagen? |  |
:35
|
434
|  |
Croesus, opera in 3 acts - Act 2. Scene 11. Aria. Mir gefällt in seinem Munde |  |
3:29
|
435
|  |
Croesus, opera in 3 acts - Act 2. Scene 12. Recitativo. Hör' dann, dies ist der Dienst |  |
2:20
|
436
|  |
Croesus, opera in 3 acts - Act 2. Scene. 13. Recitativo con aria. Brill, Brill, Feder und Tinte - Kommt ihr Herren, kommt zu k |  |
1:30
|
437
|  |
Croesus, opera in 3 acts - Act 2. Scene 14. Aria. Niemand kann aus dieser Ketten |  |
2:14
|
438
|  |
Croesus, opera in 3 acts - Act 2. Scene 14. Recitativo. Knie nieder, und wirf dich zur Erden |  |
1:05
|
439
|  |
Croesus, opera in 3 acts - Act 2. Scene 14. Aria. Ihr tapfern Soldaten, frohlocket nun wieder |  |
1:46
|
440
|  |
Croesus, opera in 3 acts - Act 2. Scene 14. Entrée, Passepied der Feuerwerker |  |
:42
|
441
|  |
Croesus, opera in 3 acts - Act 3. Scene 1. Aria. Die Flamme steigt |  |
1:20
|
442
|  |
Croesus, opera in 3 acts - Act 3. Scene 1. Recitativo. Find' ich Orsan so früh...Scene 2. Aria. Weil's dem Himmel so gefällt |  |
1:46
|
443
|  |
Croesus, opera in 3 acts - Act 3. Scene 2. Recitativo. Ermin, wie ist es abgegangen? |  |
:46
|
444
|  |
Croesus, opera in 3 acts - Act 3. Scene 3. Recitativo. Der Himmel sei gepriest...Aria. Fühlst du noch der Liebe Kerzen |  |
3:48
|
445
|  |
Croesus, opera in 3 acts - Act 3. Scene 3. Recitativo. Schönstes Kind, du irrest dich |  |
1:50
|
446
|  |
Croesus, opera in 3 acts - Act 3. Scene 4. Recitativo. Der Abgesandte bringt vom Feinde |  |
:42
|
447
|  |
Croesus, opera in 3 acts - Act 3. Scene 4. Aria. Waffnet, was kann Waffen tragen |  |
1:19
|
448
|  |
Croesus, opera in 3 acts - Act 3. Scene 5. Aria. Elmir! wo bleibest du? |  |
4:06
|
449
|  |
Croesus, opera in 3 acts - Act 3. Scene 5. Recitativo. Prinzessin! |  |
1:01
|
450
|  |
Croesus, opera in 3 acts - Act 3. Scene 5. Aria. Mich vergnüget dieses Höhnen |  |
2:51
|
451
|  |
Croesus, opera in 3 acts - Act 3. Scene 6. Recitativo. Unsinniger, find ich dich hier? |  |
1:10
|
452
|  |
Croesus, opera in 3 acts - Act 3. Scene 6. Recitativo. Mich Unglückseligen...Aria. Wertes Glück, verlaß mich nicht! |  |
3:28
|
453
|  |
Croesus, opera in 3 acts - Act 3. Scene 7. Ritornello con aria. Soll des Goldes Glanz recht glimmen |  |
2:18
|
454
|  |
Croesus, opera in 3 acts - Act 3. Scene 7. Recitativo. Prinzessin! |  |
1:32
|
455
|  |
Croesus, opera in 3 acts - Act 3. Scene 7. Aria. Sollte der mich herzlich lieben |  |
1:57
|
456
|  |
Croesus, opera in 3 acts - Act 3. Scene 8. Arietta. Zarte Jungfern |  |
1:48
|
457
|  |
Croesus, opera in 3 acts - Act 3. Scene 8. Recitativo. Hier, wey je nich dat neye Lied |  |
2:08
|
458
|  |
Croesus, opera in 3 acts - Act 3. Scene 8. Aria. Schmink', ein Kleinod dieser Zeit...Recitativo. Hier hab ich Schnupftobak |  |
1:49
|
459
|  |
Croesus, opera in 3 acts - Act 3. Scene 9. Duetto. Nein, nein, nun will ich nicht mehr lieben |  |
1:55
|
460
|  |
Croesus, opera in 3 acts - Act 3. Scene 10. Recitativo. Prinz, weißt du, daß Ermin mit mir von Liebe spricht? |  |
2:09
|
461
|  |
Croesus, opera in 3 acts - Act 3. Scene 10. Aria. Dieses Schmähen, das ich leide |  |
1:16
|
462
|  |
Croesus, opera in 3 acts - Act 3. Scene 12. Aria. Götter, übt Barmherzigkeit! |  |
4:16
|
463
|  |
Croesus, opera in 3 acts - Act 3. Scene 13. Recitativo. Fort, führt ihn auf den Scheiterhaufen! |  |
1:16
|
464
|  |
Croesus, opera in 3 acts - Act 3. Scene 13. Recitativo. Umsonst, macht neues Feuer |  |
3:21
|
465
|  |
Croesus, opera in 3 acts - Act 3. Scene 13. Aria. Solon, weiser Solon |  |
3:09
|
466
|  |
Croesus, opera in 3 acts - Act 3. Scene 13. Recitativo. Welch eine Gottheit ruft er an? |  |
6:35
|
467
|  |
Croesus, opera in 3 acts - Act 3. Scene 13. Coro. Glückliche Stunden, erfreulicher Tag |  |
1:04
|
468
|  |
Keyboard Trio in G major ("Gypsy Trio") H. 15/25 - Andante |  |
6:44
|
469
|  |
Keyboard Trio in G major ("Gypsy Trio") H. 15/25 - Poco adagio |  |
6:01
|
470
|  |
Keyboard Trio in G major ("Gypsy Trio") H. 15/25 - Presto |  |
3:12
|
471
|  |
German dances (6) for orchestra, K. 509 |  |
7:23
|
472
|  |
Cello Concerto No. 1 in C major, H. 7b/1 - Moderato |  |
10:23
|
473
|  |
Cello Concerto No. 1 in C major, H. 7b/1 - Adagio |  |
8:12
|
474
|  |
Cello Concerto No. 1 in C major, H. 7b/1 - Finale Allegro molto |  |
6:13
|
475
|  |
Symphony No. 38 in D major ("Prague"), K. 504 - 1. Adagio - Allegro |  |
15:59
|
476
|  |
Symphony No. 38 in D major ("Prague"), K. 504 - 2. Andante |  |
9:53
|
477
|  |
Symphony No. 38 in D major ("Prague"), K. 504 - 3. Finale. Presto |  |
6:44
|
478
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Kyrie. Kyrie |  |
2:27
|
479
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Kyrie. Christe |  |
1:49
|
480
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Kyrie. Kyrie |  |
2:22
|
481
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Gloria in excelsis Deo |  |
:37
|
482
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Laudamus te |  |
1:46
|
483
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Gratias |  |
4:45
|
484
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Domine Deus |  |
5:37
|
485
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Qui tollis |  |
6:21
|
486
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Quoniam |  |
7:32
|
487
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Gloria. Cum sancto Spiritu |  |
5:33
|
488
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Credo. Credo in unum Deum |  |
4:14
|
489
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Credo. Crucifixus |  |
3:18
|
490
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Credo. Et resurrexit |  |
4:51
|
491
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Credo. Et vitam venturi |  |
4:05
|
492
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Prélude religieux (pendant l'Offertoire) |  |
7:38
|
493
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Ritournelle |  |
:33
|
494
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Sanctus |  |
3:53
|
495
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - O salutaris |  |
5:27
|
496
|  |
Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Agnus Dei |  |
7:25
|
497
|  |
Sonata a quattro (String Symphony) No. 4 in B flat major - Allegro vivace |  |
7:26
|
498
|  |
Sonata a quattro (String Symphony) No. 4 in B flat major - Andante |  |
4:22
|
499
|  |
Sonata a quattro (String Symphony) No. 4 in B flat major - Allegreto |  |
3:09
|
500
|  |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Seit ich ihn geschen |  |
2:13
|
501
|  |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Er, der Herrlichste von allen |  |
3:05
|
502
|  |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Ich kann's nicht fassen |  |
1:47
|
503
|  |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Du Ring an meinem Finger |  |
2:36
|
504
|  |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Helft mir, ihr Schwestern |  |
1:57
|
505
|  |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Süßer Freund |  |
3:56
|
506
|  |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - An meinem Herzen |  |
1:17
|
507
|  |
Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - Nun hast du mir den ersten Schemrz getan |  |
3:31
|
508
|  |
Sonata for clarinet (or viola) & piano No. 1 in F minor, Op. 120/1 - Allegro appasionato |  |
8:26
|
509
|  |
Sonata for clarinet (or viola) & piano No. 1 in F minor, Op. 120/1 - Andante un poco adagio |  |
6:00
|
510
|  |
Sonata for clarinet (or viola) & piano No. 1 in F minor, Op. 120/1 - Allegretto grazioso |  |
4:36
|
511
|  |
Sonata for clarinet (or viola) & piano No. 1 in F minor, Op. 120/1 - Vivace |  |
5:44
|
512
|  |
Mignon ("Kennst du das Land"), song for voice & piano (Goethe Lieder) |  |
6:20
|
513
|  |
Der Rattenfänger ("Ich bin der wohlbekannte Sänger"), song for voice & piano (Goethe Lieder) |  |
2:52
|
514
|  |
Harfenspieler I ("Wer sich der Einsamkeit ergibt"), song for voice & piano (Goethe Lieder) |  |
3:10
|
515
|  |
Harfenspieler II ("An die Türen will ich schleichen"), song for voice & piano (Goethe Lieder) |  |
2:20
|
516
|  |
Harfenspieler III ("Wer nie sein Brot mit Tränen ass"), song for voice & piano (Goethe Lieder) |  |
2:36
|
517
|  |
Anakreons Grab ("Wo die Rose hier blüht"), song for voice & piano (Goethe Lieder) |  |
2:01
|
518
|  |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. Les Tricotets. Rondeau |  |
1:41
|
519
|  |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. L'Indifférente |  |
1:42
|
520
|  |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. Menuet - Deuxième menuet |  |
2:56
|
521
|  |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. La Poule |  |
5:48
|
522
|  |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. Les Triolets |  |
3:29
|
523
|  |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. Les Sauvages |  |
1:46
|
524
|  |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. L'Enharmonique |  |
6:33
|
525
|  |
Nouvelles suites de pièces de clavecin, for harpsichord - Suite en Sol. L'Égyptienne |  |
2:51
|
526
|  |
Symphonies de Beethoven No. 3, transcription for piano in E flat major, S. 464/3 (LW A37a,c) - Allegro con brio |  |
15:18
|
527
|  |
Symphonies de Beethoven No. 3, transcription for piano in E flat major, S. 464/3 (LW A37a,c) - Marcia funebre (Adagio assai) |  |
16:36
|
528
|  |
Symphonies de Beethoven No. 3, transcription for piano in E flat major, S. 464/3 (LW A37a,c) - Scherzo (Allegro vivace). Trio |  |
6:15
|
529
|  |
Symphonies de Beethoven No. 3, transcription for piano in E flat major, S. 464/3 (LW A37a,c) - Finale (Allegro molto. Poco andante. Presto) |  |
13:10
|
530
|  |
Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7) - Villanelle. Quand viendra la saison nouvelle |  |
2:17
|
531
|  |
Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7) - Le spectre de la rose. Soulève la paupière close |  |
6:32
|
532
|  |
Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7) - Sur les lagunes (lamento). Ma belle amie est morte |  |
6:26
|
533
|  |
Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7) - Absence. Reviens, reviens, ma bien-aimée! |  |
5:06
|
534
|  |
Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7) - Au cimetière (clair de lune). Connaissez-vous la blanche tombe |  |
5:52
|
535
|  |
Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7) - L’île inconnue. Dites, la jeune belle! |  |
4:02
|
536
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Introduccion y escena |  |
3:16
|
537
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Cancíon del amor dolido |  |
1:25
|
538
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Sortilegio |  |
:48
|
539
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Danza del fin del dia |  |
4:05
|
540
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Escena |  |
1:13
|
541
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Romance del pescador |  |
2:14
|
542
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Primer. Intermezzo |  |
:58
|
543
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Introduccion |  |
4:05
|
544
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Escena |  |
2:28
|
545
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Danza del fuego fatuo |  |
1:55
|
546
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Interludio |  |
1:50
|
547
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Cancíon del fuego fatuo |  |
2:27
|
548
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Conjuro para reconquistar el amor perdido |  |
3:16
|
549
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Escena |  |
1:22
|
550
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Danza y cancíon de la bruja fingida |  |
4:01
|
551
|  |
El Amor brujo, ballet for mezzo-soprano & small orchestra in 1 act, G. 44 - Quadre Segon. Final |  |
1:27
|
552
|  |
Fantasia for violin & piano in C major ("Sei mir gegrüsst!"), D. 934 (Op. posth. 159) - Andante molto |  |
3:18
|
553
|  |
Fantasia for violin & piano in C major ("Sei mir gegrüsst!"), D. 934 (Op. posth. 159) - Allegretto |  |
5:11
|
554
|  |
Fantasia for violin & piano in C major ("Sei mir gegrüsst!"), D. 934 (Op. posth. 159) - Andantino |  |
10:17
|
555
|  |
Fantasia for violin & piano in C major ("Sei mir gegrüsst!"), D. 934 (Op. posth. 159) - Allegro vivace |  |
4:05
|
556
|  |
Piano Sonata No. 21 in B flat major, D. 960 - Molto moderato |  |
15:24
|
557
|  |
Piano Sonata No. 21 in B flat major, D. 960 - Andante sostneuto |  |
9:14
|
558
|  |
Piano Sonata No. 21 in B flat major, D. 960 - Scherzo. Allegro vivace con delicatezza - Trio |  |
3:44
|
559
|  |
Piano Sonata No. 21 in B flat major, D. 960 - Allegro, ma non troppo |  |
8:09
|
560
|  |
Ballade for piano No. 1 in G minor, Op. 23, CT. 2 |  |
9:38
|
561
|  |
Ballade for piano No. 2 in F major, Op. 38, CT. 3 |  |
7:02
|
562
|  |
Ballade for piano No. 3 in A flat major, Op. 47, CT. 4 |  |
7:09
|
563
|  |
Ballade for piano No. 4 in F minor, Op. 52, CT. 5 |  |
11:44
|
564
|  |
La Lugubre gondola (Die Trauer-Gondel), for cello & piano, S. 134 (LW D19/2) |  |
9:36
|
565
|  |
String Quartet No. 8 in C minor, Op. 110 - 1. Largo |  |
5:14
|
566
|  |
String Quartet No. 8 in C minor, Op. 110 - 2. Allegro |  |
2:41
|
567
|  |
String Quartet No. 8 in C minor, Op. 110 - 3. Allegretto |  |
4:48
|
568
|  |
String Quartet No. 8 in C minor, Op. 110 - 4. Largo |  |
5:25
|
569
|  |
String Quartet No. 8 in C minor, Op. 110 - 5. Largo |  |
3:56
|
570
|  |
Quartet for piano & strings in A major, Op. 30 - 1er mouvement |  |
11:49
|
571
|  |
Quartet for piano & strings in A major, Op. 30 - 2e mouvement "très calme" |  |
9:59
|
572
|  |
Quartet for piano & strings in A major, Op. 30 - 3e mouvement "simple et sans hâte" |  |
3:42
|
573
|  |
Quartet for piano & strings in A major, Op. 30 - 4e mouvement "animé" |  |
12:03
|
574
|  |
Vitebsk, study on a Jewish Theme, for piano trio |  |
13:18
|
575
|  |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 1. Nos soirées (Our evenings) Moderato |  |
3:54
|
576
|  |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 2. Une feuille emportée (A blown away leaf) Andante |  |
3:25
|
577
|  |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 3. Venez avec nous! (Come with us!) Andante |  |
1:26
|
578
|  |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 4. La Vierge de Frýdek (The Madonna of Frýdek) Grave |  |
3:30
|
579
|  |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 5. Elles bavardaient en hirondelles (They chattered like swallows) Con moto |  |
2:13
|
580
|  |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 6. La parole manque! (Words fail!) Andante |  |
2:15
|
581
|  |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 7. Bonne nuit! (Good night!) Andante |  |
3:11
|
582
|  |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 8. Anxiété indicible (Unutterable anguish) Andante |  |
3:58
|
583
|  |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 9. En pleurs (In tears) Larghetto |  |
2:46
|
584
|  |
On the Overgrown Path (Po zarostlém chodnícku), for piano, JW 8/17 - 10. La chevêche ne s'est pas envolée! (The little owl has not flown away!) Andante |  |
3:53
|
585
|  |
String Quartet No. 2 ("Listy duverné," "Intimate Letters"), JW 7/13 - Andante. Con moto. Allegro |  |
6:22
|
586
|  |
String Quartet No. 2 ("Listy duverné," "Intimate Letters"), JW 7/13 - Adagio. Vivace |  |
6:08
|
587
|  |
String Quartet No. 2 ("Listy duverné," "Intimate Letters"), JW 7/13 - Moderato. Andante. Adagio |  |
5:36
|
588
|  |
String Quartet No. 2 ("Listy duverné," "Intimate Letters"), JW 7/13 - Allegro. Andante. Adagio |  |
7:40
|
589
|  |
Contrasts, pieces (3) for clarinet, violin & piano, Sz. 111, BB 116 - No. 1 Verbunkos |  |
5:28
|
590
|  |
Contrasts, pieces (3) for clarinet, violin & piano, Sz. 111, BB 116 - No. 2 Pihenö |  |
4:49
|
591
|  |
Contrasts, pieces (3) for clarinet, violin & piano, Sz. 111, BB 116 - No. 3 Sebes |  |
7:00
|
592
|  |
Berliner Messe, for SATB chorus or soloists & organ - Kyrie |  |
3:07
|
593
|  |
Berliner Messe, for SATB chorus or soloists & organ - Gloria |  |
3:26
|
594
|  |
Berliner Messe, for SATB chorus or soloists & organ - First Alleluia Verse |  |
1:02
|
595
|  |
Berliner Messe, for SATB chorus or soloists & organ - Second Alleluia Verse |  |
1:23
|
596
|  |
Berliner Messe, for SATB chorus or soloists & organ - Veni Sancte Spiritus |  |
4:04
|
597
|  |
Berliner Messe, for SATB chorus or soloists & organ - Credo |  |
4:01
|
598
|  |
Berliner Messe, for SATB chorus or soloists & organ - Sanctus |  |
3:55
|
599
|  |
Berliner Messe, for SATB chorus or soloists & organ - Agnus Dei |  |
2:23
|