1
|  |
Blanco, for narrator, baritone & percussion - A steering, a seedling |  |
5:40
|
1
|  |
Blanco, for narrator, baritone & percussion - A steering, a seedling |  |
5:40
|
2
|  |
Blanco, for narrator, baritone & percussion - The rivers of your body |  |
4:49
|
2
|  |
Blanco, for narrator, baritone & percussion - The rivers of your body |  |
4:49
|
3
|  |
Blanco, for narrator, baritone & percussion - Colors are relentless |  |
7:00
|
3
|  |
Blanco, for narrator, baritone & percussion - Colors are relentless |  |
7:00
|
4
|  |
Blanco, for narrator, baritone & percussion - You fall from your body |  |
5:49
|
4
|  |
Blanco, for narrator, baritone & percussion - You fall from your body |  |
5:49
|
5
|  |
Blanco, for narrator, baritone & percussion - Transparency is all that remains |  |
5:11
|
5
|  |
Blanco, for narrator, baritone & percussion - Transparency is all that remains |  |
5:11
|
6
|  |
Tsunami, for voice, bass & percussion |  |
10:27
|
6
|  |
Tsunami, for voice, bass & percussion |  |
10:27
|
7
|  |
Homage - Improvisations by Thomas Buckner and George Marsh |  |
2:35
|
7
|  |
Homage - Improvisations by Thomas Buckner and George Marsh |  |
2:35
|
8
|  |
Homage - Improvisations by Mel Graves and George Marsh |  |
1:24
|
8
|  |
Homage - Improvisations by Mel Graves and George Marsh |  |
1:24
|
9
|  |
Homage - Improvisations by Mel Graves and George Marsh |  |
3:47
|
9
|  |
Homage - Improvisations by Mel Graves and George Marsh |  |
3:47
|
10
|  |
Homage - Improvisations by Thomas Buckner and George Marsh |  |
2:49
|
10
|  |
Homage - Improvisations by Thomas Buckner and George Marsh |  |
2:49
|
11
|  |
Homage - Improvisations by Mel Graves and George Marsh |  |
4:06
|
11
|  |
Homage - Improvisations by Mel Graves and George Marsh |  |
4:06
|
12
|  |
Homage - Improvisations by George Marsh |  |
1:32
|
12
|  |
Homage - Improvisations by George Marsh |  |
1:32
|
13
|  |
Homage - Improvisations by Thomas Buckner, Mel Graves and George Marsh |  |
1:13
|
13
|  |
Homage - Improvisations by Thomas Buckner, Mel Graves and George Marsh |  |
1:13
|