1
|  | Magnificat and Nunc Dimittis (for St. Paul's Cathedral) |  |
-
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
2
|  | Nunc Dimittis for chorus |  |
3:53
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
3
|  | Hymn for St Cecilia, for chorus |  |
3:10
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
4
|  | Salve Regina, for chorus |  |
4:04
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
5
|  | O Salutarius Hostia for chorus |  |
2:41
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
6
|  | My Eyes for Beauty Pine, for chorus & organ |  |
1:58
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
7
|  | Like As the Hart Desireth the Waterbrooks (Psalm 42), anthem for chorus |  |
5:51
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
8
|  | Second Service for chorus & organ, Op 62: Magnificat |  |
6:45
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
9
|  | Second Service for chorus & organ, Op 62: Nunc Dimittis |  |
4:09
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
10
|  | Give Me the Wings of Faith, for soloists, chorus & organ |  |
4:58
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
11
|  | O Sacrum Convivum |  |
3:58
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
12
|  | Solus ad victimam |  |
3:55
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
13
|  | Crucifixus Pro Nobis for tenor, chorus & organ, Op. 38: Christ in the Cradle |  |
4:37
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
14
|  | Crucifixus Pro Nobis for tenor, chorus & organ, Op. 38: Christ in the Garden |  |
3:55
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
15
|  | Crucifixus Pro Nobis for tenor, chorus & organ, Op. 38: Christ in his Passion |  |
8:51
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
16
|  | Crucifixus Pro Nobis for tenor, chorus & organ, Op. 38: Drop Drop Slow Tears, hymn |  |
3:23
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|