1
| | Magnificat and Nunc Dimittis (for St. Paul's Cathedral) | |
-
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
2
| | Nunc Dimittis for chorus | |
3:53
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
3
| | Hymn for St Cecilia, for chorus | |
3:10
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
4
| | Salve Regina, for chorus | |
4:04
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
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5
| | O Salutarius Hostia for chorus | |
2:41
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
6
| | My Eyes for Beauty Pine, for chorus & organ | |
1:58
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
7
| | Like As the Hart Desireth the Waterbrooks (Psalm 42), anthem for chorus | |
5:51
|
- Komponist: Herbert Howells
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
8
| | Second Service for chorus & organ, Op 62: Magnificat | |
6:45
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
9
| | Second Service for chorus & organ, Op 62: Nunc Dimittis | |
4:09
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
10
| | Give Me the Wings of Faith, for soloists, chorus & organ | |
4:58
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
11
| | O Sacrum Convivum | |
3:58
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
12
| | Solus ad victimam | |
3:55
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
13
| | Crucifixus Pro Nobis for tenor, chorus & organ, Op. 38: Christ in the Cradle | |
4:37
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
14
| | Crucifixus Pro Nobis for tenor, chorus & organ, Op. 38: Christ in the Garden | |
3:55
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
15
| | Crucifixus Pro Nobis for tenor, chorus & organ, Op. 38: Christ in his Passion | |
8:51
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|
16
| | Crucifixus Pro Nobis for tenor, chorus & organ, Op. 38: Drop Drop Slow Tears, hymn | |
3:23
|
- Komponist: Kenneth Leighton
- Baß: John Attwater
- Sopranist: Sarah Benn
- Tenor, Tenorstimme: Ben Campbell
- Tenor, Tenorstimme: Daniel Carroll
- Tenor, Tenorstimme: William Carroll
- Chor: Choir of Queen's College, Oxford
- Altstimme, Kontratenor: Ruth Coates
- Sopranist: Nalini Ghuman
- Altstimme, Kontratenor: Angus Gilchrist
- Tenor, Tenorstimme: Neil Graham
- Altstimme, Kontratenor: Rachel Hewitt
- Baß: Anthony Howe
- Baß: Nigel Howells
- Sopranist: Philippa Hyde
- Sopranist: Olwen Lintern
- Baß: Cameron Marshall
- Sopranist: Janet McIntosh
- Tenor, Tenorstimme: Tim Nightingale
- Regisseur: Matthew Owens
- Baß: Thurstan Robinson
- Altstimme, Kontratenor: Gary Scott
- Altstimme, Kontratenor: Caroline Soothill
- Sopranist: Katey Tansey
- Baß: Richard Washington
- Orgel: David Went
|