1
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Solomon, oratorio, HWV 67 - The Arrival of the Queen of Sheba | |
3:06
|
1
| |
Solomon, oratorio, HWV 67 - The Arrival of the Queen of Sheba | |
3:06
|
2
| |
Orchestral Suite No. 3 in D major, BWV 1068 - Air sur la corde de sol | |
4:49
|
2
| |
Orchestral Suite No. 3 in D major, BWV 1068 - Air sur la corde de sol | |
4:49
|
3
| |
Orchestral Suite No. 3 in D major, BWV 1068 - Gavotte I & II | |
3:28
|
3
| |
Orchestral Suite No. 3 in D major, BWV 1068 - Gavotte I & II | |
3:28
|
4
| |
Goldberg Variations, for keyboard (Clavier-Übung IV), BWV 988 (BC L9) - Aria | |
4:06
|
4
| |
Goldberg Variations, for keyboard (Clavier-Übung IV), BWV 988 (BC L9) - Aria | |
4:06
|
5
| |
Suite for solo cello No. 1 in G major, BWV 1007 - Prealudium | |
2:28
|
5
| |
Suite for solo cello No. 1 in G major, BWV 1007 - Prealudium | |
2:28
|
6
| |
Dido and Aeneas, opera, Z. 626 - When I am laid in Earth | |
3:23
|
6
| |
Dido and Aeneas, opera, Z. 626 - When I am laid in Earth | |
3:23
|
7
| |
Le reniement de Saint Pierre, histoire sacrée for 5 voices, chorus & continuo, H. 424 - Historicus | |
:47
|
7
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Le reniement de Saint Pierre, histoire sacrée for 5 voices, chorus & continuo, H. 424 - Historicus | |
:47
|
8
| |
Le reniement de Saint Pierre, histoire sacrée for 5 voices, chorus & continuo, H. 424 - Historicus | |
:59
|
8
| |
Le reniement de Saint Pierre, histoire sacrée for 5 voices, chorus & continuo, H. 424 - Historicus | |
:59
|
9
| |
Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Rondo | |
1:31
|
9
| |
Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Rondo | |
1:31
|
10
| |
Sonata en Canon, duo for 2 recorders (or violins or viola da gamba) No. 5 in A major, TWV 40:122 (Op. 5/5) - Scherzando | |
2:27
|
10
| |
Sonata en Canon, duo for 2 recorders (or violins or viola da gamba) No. 5 in A major, TWV 40:122 (Op. 5/5) - Scherzando | |
2:27
|
11
| |
Fantasia, for violin No. 7 in E flat major, TWV 40:20 - Dolce | |
2:00
|
11
| |
Fantasia, for violin No. 7 in E flat major, TWV 40:20 - Dolce | |
2:00
|
12
| |
Cain overo Il primo omicidio, oratorio, for soloists, strings & continuo - Perchè mormora il ruscello | |
4:37
|
12
| |
Cain overo Il primo omicidio, oratorio, for soloists, strings & continuo - Perchè mormora il ruscello | |
4:37
|
13
| |
Adoramus te, Christe, motet for 6 voices & continuo, SV 289 | |
3:34
|
13
| |
Adoramus te, Christe, motet for 6 voices & continuo, SV 289 | |
3:34
|
14
| |
Partita for solo violin No. 1 in B minor, BWV 1002 - Double | |
3:09
|
14
| |
Partita for solo violin No. 1 in B minor, BWV 1002 - Double | |
3:09
|
15
| |
Les Baricades mistérieuses, for harpsichord (Pièces de clavecin, II, 6e ordre) | |
2:23
|
15
| |
Les Baricades mistérieuses, for harpsichord (Pièces de clavecin, II, 6e ordre) | |
2:23
|
16
| |
Trio Sonata for 2 violins & continuo in D minor ("La follia"), Op. 1/12, RV 63 | |
10:44
|
16
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Trio Sonata for 2 violins & continuo in D minor ("La follia"), Op. 1/12, RV 63 | |
10:44
|
17
| |
Sum in medio tempestatum, solo motet for voice, strings & continuo in F major, RV 632 - Aria (allegro non molto) | |
7:51
|
17
| |
Sum in medio tempestatum, solo motet for voice, strings & continuo in F major, RV 632 - Aria (allegro non molto) | |
7:51
|