1
| |
No more, the dear, lovely nymph's no more | |
3:34
|
1
| |
No more, the dear, lovely nymph's no more | |
3:34
|
2
| |
Prelude for keyboard in G major | |
1:05
|
2
| |
Prelude for keyboard in G major | |
1:05
|
3
| |
The self-banish'd (A Minuet) | |
1:41
|
3
| |
The self-banish'd (A Minuet) | |
1:41
|
4
| |
Lovely Salina, innocent and free | |
2:22
|
4
| |
Lovely Salina, innocent and free | |
2:22
|
5
| |
Morlake Ground, for keyboard | |
3:21
|
5
| |
Morlake Ground, for keyboard | |
3:21
|
6
| |
O turn not those fine eyes away | |
4:17
|
6
| |
O turn not those fine eyes away | |
4:17
|
7
| |
Sett (Suite) for keyboard No. 1 in D minor (Almand - [Tune] - Tune [Gavott] - Jigg) | |
7:02
|
7
| |
Sett (Suite) for keyboard No. 1 in D minor (Almand - [Tune] - Tune [Gavott] - Jigg) | |
7:02
|
8
| |
Fairest work of happy nature | |
3:15
|
8
| |
Fairest work of happy nature | |
3:15
|
9
| |
Flavia Grown Old | |
2:17
|
9
| |
Flavia Grown Old | |
2:17
|
10
| |
Ground for 2 violins & continuo in G minor | |
4:39
|
10
| |
Ground for 2 violins & continuo in G minor | |
4:39
|
11
| |
Oh! that mine eyes would melt into a flood | |
5:16
|
11
| |
Oh! that mine eyes would melt into a flood | |
5:16
|
12
| |
Verse (Voluntary) in G minor, for organ (attrib.) | |
1:45
|
12
| |
Verse (Voluntary) in G minor, for organ (attrib.) | |
1:45
|
13
| |
O mighty God, who sit'st on high | |
5:31
|
13
| |
O mighty God, who sit'st on high | |
5:31
|
14
| |
Sett (Suite) for keyboard No. 3 in A minor (Almand - Corant - Saraband - Jigg) | |
7:06
|
14
| |
Sett (Suite) for keyboard No. 3 in A minor (Almand - Corant - Saraband - Jigg) | |
7:06
|
15
| |
Sabina Has a Thousand Charms | |
2:47
|
15
| |
Sabina Has a Thousand Charms | |
2:47
|
16
| |
Of all the torments, all the cares | |
4:22
|
16
| |
Of all the torments, all the cares | |
4:22
|
17
| |
Ground for keyboard in C major | |
5:20
|
17
| |
Ground for keyboard in C major | |
5:20
|
18
| |
No, Lesbia, No, You Ask in Vain for voice & continuo | |
7:05
|
18
| |
No, Lesbia, No, You Ask in Vain for voice & continuo | |
7:05
|