1
|  |
They Bore Him Barefaced on the Bier, for soprano, tenor & piano (from Oxford Songs) |  |
5:47
|
2
|  |
Too Too Solid Flesh, for tenor & piano (from Oxford Songs) |  |
6:26
|
3
|  |
With Mirth in Funeral, for baritone & piano (from Oxford Songs) |  |
7:38
|
4
|  |
To Be Or Not To Be, for tenor & piano (from Oxford Songs) |  |
7:36
|
5
|  |
Leda and the Swan, for mezzo-soprano & piano |  |
4:19
|
6
|  |
Full Fathom Five, for mezzo-soprano, tenor & piano (from Oxford Songs) |  |
8:39
|
7
|  |
Gallop Apace, for soprano, french horn & piano (from Oxford Songs) |  |
10:59
|
8
|  |
Sonnet 132 [Thine eyes I love], for voice & piano (from Oxford Songs) |  |
2:30
|
9
|  |
Sonnet 60 [Like as the waves make towards the pebbled shore], for voice & piano (from Oxford Songs) |  |
5:21
|
10
|  |
Sonnet 8, for soprano, mezzo-soprano & piano (from Oxford Songs) |  |
6:50
|
11
|  |
The Quality of Mercy, for mezzo-soprano & piano (from Oxford Songs) (The Merchant of Venice, IV/i) |  |
5:07
|
12
|  |
What a Piece of Work Is Man, for tenor, French horn & piano (from Oxford Songs) |  |
5:25
|