1
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Suite No. 2 for guitar - Jahla | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:51
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1
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Suite No. 2 for guitar - Jahla | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:51
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2
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Suite No. 2 for guitar - Waltz for Evelyn Hinrichsen | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:58
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2
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Suite No. 2 for guitar - Waltz for Evelyn Hinrichsen | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:58
|
3
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Suite No. 2 for guitar - Threnody | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:34
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3
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Suite No. 2 for guitar - Threnody | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:34
|
4
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Suite No. 2 for guitar - Sonata in Ishartum | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:41
|
4
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Suite No. 2 for guitar - Sonata in Ishartum | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:41
|
5
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Suite No. 2 for guitar - Beverly's Troubadour Piece | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:32
|
5
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Suite No. 2 for guitar - Beverly's Troubadour Piece | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:32
|
6
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sarabande for any instruments | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:37
|
6
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sarabande for any instruments | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:37
|
7
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Studies (2) on Ancient Greek Scales, for harmonic canon & bass marimba (from "Eleven Intrusions") - Study on Olympos' Pentatonic | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:13
|
7
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Studies (2) on Ancient Greek Scales, for harmonic canon & bass marimba (from "Eleven Intrusions") - Study on Olympos' Pentatonic | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:13
|
8
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Studies (2) on Ancient Greek Scales, for harmonic canon & bass marimba (from "Eleven Intrusions") - Study on Archytas' Enharmonic | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:30
|
8
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Studies (2) on Ancient Greek Scales, for harmonic canon & bass marimba (from "Eleven Intrusions") - Study on Archytas' Enharmonic | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:30
|
9
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 1. Today I am a Man | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:32
|
9
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 1. Today I am a Man | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:32
|
10
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 2. Gentlemen | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:45
|
10
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 2. Gentlemen | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:45
|
11
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 3. Considered Pretty | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:04
|
11
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 3. Considered Pretty | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:04
|
12
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 4. A very Good Idea | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:37
|
12
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 4. A very Good Idea | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:37
|
13
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 5. Possible Rides | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:11
|
13
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 5. Possible Rides | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:11
|
14
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 6. Jesus was God in the Flesh | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:48
|
14
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 6. Jesus was God in the Flesh | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:48
|
15
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 7. You Lucky Women | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:11
|
15
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 7. You Lucky Women | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:11
|
16
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 8. Why in Hell did you Come? | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:50
|
16
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Barstow (from "The Wayward"), for two voices, surrogate kithara, chromelodeon, diamond marimba & boo - 8. Why in Hell did you Come? | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:50
|
17
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Dream, for piano | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:49
|
17
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Dream, for piano | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:49
|
18
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
In a Landscape, for piano or harp | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
8:45
|
18
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
In a Landscape, for piano or harp | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
8:45
|
19
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonatas (6) for Cembalo, for harpsichord - 1. Moderato | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:36
|
19
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonatas (6) for Cembalo, for harpsichord - 1. Moderato | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:36
|
20
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonatas (6) for Cembalo, for harpsichord - 2. Allegro | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:29
|
20
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonatas (6) for Cembalo, for harpsichord - 2. Allegro | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:29
|
21
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonatas (6) for Cembalo, for harpsichord - 3. Moderato | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:22
|
21
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonatas (6) for Cembalo, for harpsichord - 3. Moderato | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:22
|
22
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonatas (6) for Cembalo, for harpsichord - 4. Allegro | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:52
|
22
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonatas (6) for Cembalo, for harpsichord - 4. Allegro | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:52
|
23
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonatas (6) for Cembalo, for harpsichord - 5. Moderato | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:38
|
23
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonatas (6) for Cembalo, for harpsichord - 5. Moderato | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:38
|
24
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonatas (6) for Cembalo, for harpsichord - 6. Allegro | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:38
|
24
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonatas (6) for Cembalo, for harpsichord - 6. Allegro | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:38
|