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Kiev International Piano Competition: In Memory of Vladimir Horowitz
Artist |
Various Artists
|
Bewertung |  |
Epoche | Romantische Musik (1820-1869) |
Label |
Cambria
|
Erschienen |
1998
|
Klassik-Werke auf diesem Album
# |  | Werk/Besetzung |  | Dauer |
1
|  | Hungarian Rhapsody, for piano No. 12 in C sharp minor (aka "No. 2"), S. 244/12 (LW A132/12) |  |
8:25
|
|
2
|  | Études de virtuosité (15), for piano ("Per Aspera ad Astra"), Op. 72: No.11, "Sparks" |  |
2:26
|
|
3
|  | Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 |  |
4:23
|
|
4
|  | Preludes (24) for piano: No.8 |  |
1:17
|
|
5
|  | Song Without Words for piano No. 34 in C major ("Spinnerlied"), Op. 67/4 |  |
1:43
|
|
6
|  | Burlesque, for piano |  |
5:12
|
|
7
|  | Aprés une lecture du Dante II, fantasia quasi sonata, for piano (Années II/7) S. 161/7 (LW 159/7) |  |
16:12
|
|
8
|  | Prelude for piano No.1 in C sharp minor ("The Bells of Moscow"), Op. 3/2 |  |
4:55
|
|
9
|  | Work(s): Unspecified Sonata for keyboard in D Major |  |
2:19
|
|
10
|  | Serenade, for piano |  |
2:36
|
|
11
|  | Harmonies du soir, for piano (Transcendental Etude No. 11), S. 139/11 (LW A172/11) |  |
8:24
|
|
Tracks auf diesem Album
# |  | Titel |  | Dauer |
1
|  |
Hungarian Rhapsody, for piano No. 12 in C sharp minor (aka "No. 2"), S. 244/12 (LW A132/12) |  |
8:25
|
2
|  |
Études de virtuosité (15), for piano ("Per Aspera ad Astra"), Op. 72 - No.11, "Sparks" |  |
2:26
|
3
|  |
Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 |  |
4:23
|
4
|  |
Preludes (24) for piano - No.8 |  |
1:17
|
5
|  |
Song Without Words for piano No. 34 in C major ("Spinnerlied"), Op. 67/4 |  |
1:43
|
6
|  |
Burlesque, for piano |  |
5:12
|
7
|  |
Aprés une lecture du Dante II, fantasia quasi sonata, for piano (Années II/7) S. 161/7 (LW 159/7) |  |
16:12
|
8
|  |
Prelude for piano No.1 in C sharp minor ("The Bells of Moscow"), Op. 3/2 |  |
4:55
|
9
|  |
Work(s) - Unspecified Sonata for keyboard in D Major |  |
2:19
|
10
|  |
Serenade, for piano |  |
2:36
|
11
|  |
Harmonies du soir, for piano (Transcendental Etude No. 11), S. 139/11 (LW A172/11) |  |
8:24
|
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