1
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Ardenti miei suspiri (after Verdelot) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:23
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2
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Ultimi miei suspiri (after Verdelot) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:44
|
3
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Prenes pitié, for keyboard (after Crecquillon) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:39
|
4
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Queramus. Moton con 2 y 3 parte | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
8:26
|
5
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Tiento II cuarto tono | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:37
|
6
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Tiento XVII sobre Malheur me bat (Oratio) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:36
|
7
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Tiento del Sexto Tono (con primera y segunda parte), for keyboard | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
8:04
|
8
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Composiciones a dos partes | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:40
|
9
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Quatro Kiryes de nuestra Señora - Intermedios | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:46
|
10
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Duo No. 4 (Ave maris stella), for keyboard | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:18
|
11
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Duo No. 5 (Ave maris stella), for keyboard | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:09
|
12
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Dos Ave maris stellas. Lleva el canto llano el triple - Ave maris stella | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:37
|
13
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Ave maris stella con 3 diferencias, for keyboard | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:22
|
14
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Duo No. 3 (Ave maris stella), for keyboard | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:50
|
15
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Diferencias sobre la Pavana Italiana, for keyboard | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:33
|
16
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Diferencias sobre el canto "De quien teme enojo Isabel", for keyboard | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:53
|
17
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Inviolata, integra et casta es, Maria, for keyboard (after Josquin Desprez) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:02
|
18
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Inviolata No. 1, for keyboard (after Josquin Desprez) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:13
|
19
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Inviolata No. 2, for keyboard (after Josquin Desprez) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:47
|
20
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Inviolata No. 3, for keyboard (after Josquin Desprez) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:38
|
21
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Benedicta es coelorum Regina con segunda y tercera parte (after Josquin) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
7:36
|
22
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Benedicta es coelorum Regina con segunda y tercera parte (after Josquin) - [Part 1] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
7:32
|
23
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Benedicta es coelorum Regina con segunda y tercera parte (after Josquin) - [Part 2] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:22
|
24
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Benedicta es coelorum Regina con segunda y tercera parte (after Josquin) - [Part 3] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:32
|
25
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Ave Maria Jusquin (after Josquin) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:08
|
26
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Stabat mater dolorosa, for keyboard (after Josquin Desprez) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:02
|
27
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Stabat mater No. 1, for keyboard (after Josquin Desprez) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:09
|
28
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Stabat mater No. 2, for keyboard (after Josquin Desprez) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:09
|
29
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Benedictus de la missa del home arme.Jusquin | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:23
|