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Late in the 20th Century, Vol. 2
Artist |
Various Artists
|
Bewertung | |
Epoche | Contemporary (1950-200X) |
Label |
Nonesuch
|
Erschienen |
1992
|
Klassik-Werke auf diesem Album
# | | Werk/Besetzung | | Dauer |
1
| | Different Trains, for double string quartet & tape: Excerpt | |
8:34
|
|
2
| | Stani, Mi Maytcho | |
4:48
|
|
3
| | Gospel at Colonus, musical: How Shall I see You Through My Tears | |
4:41
|
|
4
| | Prelude and Fugue, for keyboard No. 9 in E major (WTC II/9), BWV 878 (BC L112): Prelude in E major | |
2:33
|
|
5
| | The Thin Blue Line, film score: Interrogation Part One | |
1:50
|
|
6
| | Canção Verdes Anos | |
3:07
|
|
7
| | The Rake's Progress, opera in 3 acts: No Word from Tom | |
7:25
|
|
8
| | Fratres, for string quartet | |
9:33
|
|
9
| | Philip: Philip (excerpt) | |
4:56
|
|
10
| | Electric Counterpoint, for electric guitar, bass guitar & tape: 3rd Movement: Excerpt | |
4:31
|
|
11
| | For the Love of Money | |
4:16
|
|
12
| | Good Old Days | |
2:50
|
|
13
| | Highland | |
4:38
|
|
14
| | Before We Were Born | |
4:19
|
|
15
| | Un Amor | |
3:38
|
|
Tracks auf diesem Album
# | | Titel | | Dauer |
1
| |
Different Trains, for double string quartet & tape - Excerpt | |
8:34
|
2
| |
Stani, Mi Maytcho | |
4:48
|
3
| |
Gospel at Colonus, musical - How Shall I see You Through My Tears | |
4:41
|
4
| |
Prelude and Fugue, for keyboard No. 9 in E major (WTC II/9), BWV 878 (BC L112) - Prelude in E major | |
2:33
|
5
| |
The Thin Blue Line, film score - Interrogation Part One | |
1:50
|
6
| |
Canção Verdes Anos | |
3:07
|
7
| |
The Rake's Progress, opera in 3 acts - No Word from Tom | |
7:25
|
8
| |
Fratres, for string quartet | |
9:33
|
9
| |
Philip - Philip (excerpt) | |
4:56
|
10
| |
Electric Counterpoint, for electric guitar, bass guitar & tape - 3rd Movement: Excerpt | |
4:31
|
11
| |
For the Love of Money | |
4:16
|
12
| |
Good Old Days | |
2:50
|
13
| |
Highland | |
4:38
|
14
| |
Before We Were Born | |
4:19
|
15
| |
Un Amor | |
3:38
|
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