1
|  | Ein welscher tantz Wascha Mesa, for lute (The Lautenbuch, Book I) |  |
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2
|  | Ein guter welscher Tantz, for lute (The Lautenbuch, Book I) |  |
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3
|  | Der Koningin Tantz |  |
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4
|  | Ach Elslein, liebes Elselein |  |
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5
|  | So trinken wir alle |  |
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6
|  | Es wolt ein Meydlein grasen gan, song for 4 voices |  |
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7
|  | Zwischen Berg und tieffem Tal, song for 4 voices |  |
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8
|  | 'T meisken was jonck, chanson for 4 voices (possibly spurious; probably by Obrecht or Japart) |  |
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9
|  | Maria Jungfrau, Hochgebor'n, song for 4 voices |  |
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10
|  | Nach Willen Dein |  |
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11
|  | Christ ist Erstanden |  |
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12
|  | Kere Dame |  |
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13
|  | Quand Je Voy |  |
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14
|  | Ma Tredol Rossignol |  |
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15
|  | Trois Branles |  |
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16
|  | Branle de Bourgogne |  |
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17
|  | Chanson: D'estre Amoureux |  |
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18
|  | Basses Danses, for Renaissance ensemble |  |
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19
|  | Non è tempo d'aspettare, for 4 voices |  |
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20
|  | A la Fe Si a la Fe Bona |  |
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21
|  | Padoana alla francese, for lute |  |
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22
|  | Duo |  |
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23
|  | Canzone |  |
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24
|  | Piva (from il Libro del Cortegiano) |  |
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25
|  | Villancicos: Villancio |  |
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26
|  | Work(s): Canción |  |
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27
|  | Romanesca (or Guárdame las vacas), for vihuela |  |
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28
|  | Recercada No 3 sobre el passamezzo moderno |  |
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29
|  | Recercada No 8 |  |
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30
|  | Pastyme with Good Companye for 3 voices |  |
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31
|  | Consorts: Nos 10-12 |  |
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32
|  | My Lady Carey's Dompe (Royal, App. 58) |  |
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33
|  | Fantasia |  |
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34
|  | The Battle, for keyboard, MB 94: The March Of Footmen |  |
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35
|  | Amor vittorioso, balletto for 5 voices (from Balletti a cinque voci): Amor Vittorioso |  |
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36
|  | Balletti (3): Lo Schernito |  |
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37
|  | Balletti (3): L'innamorato |  |
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38
|  | The Battle, for keyboard, MB 94: Trumpets |  |
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39
|  | The Battle, for keyboard, MB 94: Retreat |  |
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