1
| | Ein welscher tantz Wascha Mesa, for lute (The Lautenbuch, Book I) | |
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2
| | Ein guter welscher Tantz, for lute (The Lautenbuch, Book I) | |
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3
| | Der Koningin Tantz | |
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4
| | Ach Elslein, liebes Elselein | |
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5
| | So trinken wir alle | |
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6
| | Es wolt ein Meydlein grasen gan, song for 4 voices | |
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7
| | Zwischen Berg und tieffem Tal, song for 4 voices | |
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8
| | 'T meisken was jonck, chanson for 4 voices (possibly spurious; probably by Obrecht or Japart) | |
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9
| | Maria Jungfrau, Hochgebor'n, song for 4 voices | |
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10
| | Nach Willen Dein | |
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11
| | Christ ist Erstanden | |
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12
| | Kere Dame | |
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13
| | Quand Je Voy | |
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14
| | Ma Tredol Rossignol | |
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15
| | Trois Branles | |
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16
| | Branle de Bourgogne | |
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17
| | Chanson: D'estre Amoureux | |
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18
| | Basses Danses, for Renaissance ensemble | |
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19
| | Non è tempo d'aspettare, for 4 voices | |
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20
| | A la Fe Si a la Fe Bona | |
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21
| | Padoana alla francese, for lute | |
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22
| | Duo | |
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23
| | Canzone | |
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24
| | Piva (from il Libro del Cortegiano) | |
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25
| | Villancicos: Villancio | |
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26
| | Work(s): Canción | |
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27
| | Romanesca (or Guárdame las vacas), for vihuela | |
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28
| | Recercada No 3 sobre el passamezzo moderno | |
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29
| | Recercada No 8 | |
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30
| | Pastyme with Good Companye for 3 voices | |
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31
| | Consorts: Nos 10-12 | |
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32
| | My Lady Carey's Dompe (Royal, App. 58) | |
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33
| | Fantasia | |
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34
| | The Battle, for keyboard, MB 94: The March Of Footmen | |
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35
| | Amor vittorioso, balletto for 5 voices (from Balletti a cinque voci): Amor Vittorioso | |
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36
| | Balletti (3): Lo Schernito | |
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37
| | Balletti (3): L'innamorato | |
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38
| | The Battle, for keyboard, MB 94: Trumpets | |
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39
| | The Battle, for keyboard, MB 94: Retreat | |
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