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Les Lumières du Baroque: Une Encyclopédie Musicale (Box Set)

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# Werk/Besetzung Dauer
1 Anchor che col partire, madrigal 2:21
2 Allala la pia calia, villanelle for 4 voices, S. x/104 2:12
3 So ben mi ch'a ben tempo, for voice and lute 1:59
4 Amarilli mia bella, for voice & continuo (from "Le Nuove musiche") 3:04
5 Vezzosi augelli in fra le verdi fronde, madrigal for 4 voices (Madrigali...libro primo a 4 voci) 2:33
6 Crudele acerba inesorabil' morte, madrigal for 5 voices (Il nono libro de madrigali a 5 voci) 3:23
7 Mercè grido piangendo, madrigal for 5 voices (Book 5), W. 5/49 4:15
8 Occhi del pianto mio 4:39
9 T'amo mia vita, madrigal for 3 women's voices & continuo 4:27
10 Quella Vermiglia Rosa for voice solo 2:23
11 Luci serene e chiare, voi m'incendete, madrigal for 5 voices (from Book 4), SV 81 3:47
12 T'amo mia vita!, madrigal for 5 voices & continuo (from Book 5), SV 104 3:02
13 O come sei gentile, caro augellino, madrigal for 2 sopranos (from Book 7), SV 120 4:03
14 Combattimento di Tancredi e Clorinda, dramatic cantata (from Book 8), SV 153 18:14
15 Zefiro Torna, madrigal for 2 tenors and continuo (from Book 9 & Scherzi musicali), SV 251 5:17
16 O dolcezze amarissime, madrigal for 2 sopranos, alto, tenor & bass, SWV 2 (Op. 1/2) 2:51
17 Amanti, io vi disfido, cantata for voice & continuo 3:47
18 Il mio core è un mar di pianti, cantata for 2 sopranos & continuo (also attributed to A. Stradella) 5:03
19 L'amfiparnasso, madrigal comedy: Benchè siat'usi, o spettatori illustri 1:37
20 L'amfiparnasso, madrigal comedy: Anchor ch'al parturire 3:24
21 L'amfiparnasso, madrigal comedy: Tich, Tach, Toch 2:37
22 La favola d'Orfeo, opera, SV 318: Toccata 1:42
23 La favola d'Orfeo, opera, SV 318: Dal mio Permesso amato 2:48
24 La favola d'Orfeo, opera, SV 318: Vieni, Imeneo 1:18
25 La favola d'Orfeo, opera, SV 318: Ahi casi acerbo! 3:04
26 La favola d'Orfeo, opera, SV 318: In un fiorito prato 3:52
27 La favola d'Orfeo, opera, SV 318: Possente spirto 5:06
28 La favola d'Orfeo, opera, SV 318: Ritornello 1:09
29 Lamento d'Arianna, for voice & continuo ("Lasciatemi morire"), SV 22 11:31
30 Il ritorno d'Ulisse in patria, opera in 3 acts, SV 325: Sinfonia 2:15
31 Il ritorno d'Ulisse in patria, opera in 3 acts, SV 325: Ecco l'arco d'Ulisse 6:07
32 L'incoronazione di Poppea, opera in 3 acts, SV 308: Amici, è giunta l'ora 5:56
33 L'incoronazione di Poppea, opera in 3 acts, SV 308: Pur ti miro 4:18
34 Orfeo, opera: Lagrime, dove sete 3:39
35 Giasone, opera: Atto I, scena XIV, Stanza degli incanti di Medea (chambre magique de M 6:28
36 La Calisto, opera: Sinfonia 0:46
37 La Calisto, opera: Piante ombroso 2:27
38 La Calisto, opera: Giove trasformato in Diana...Va' pur, va' pur, va' seco 5:09
39 La Calisto, opera: Atto I, Ballet des ours (Ballo de orsi), Chiacona 2:57
40 Oyez! Has Any Found A Lad? for 4 voices (madrigal) 2:00
41 We be soldiers three, madrigal 1:54
42 Come to me, grief, for ever, consort song for voice & 4 viols 6:17
43 The Three Ravens, folk song 3:17
44 Barbara Allen, folk song 3:07
45 Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs) 4:03
46 Go from my window, song arranged for lute, P 64 0:36
47 Sorrow, stay, lend true repentant tears, for 2 voices & lute (Second Book of Songs) 3:56
48 Packington's Pound 1:23
49 They were three ravens, madrigal 4:37
50 She weepeth sore in the night 1:51
51 Venus and Adonis, masque: Overture 3:15
52 Venus and Adonis, masque: Adonis, uncall'd for sighs 5:20
53 Dido and Aeneas, opera, Z. 626: Monologue et Mort de Didon 8:15
54 Hark! how the songsters in the grove (from "Timon of Athens"), duet for 2 sopranos, Z. 632/2 1:57
55 What power art thou ("Prelude while the cold genius rises" from "King Arthur"), bass aria, Z. 628/20 4:07
56 Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38 3:40
57 The Fairy Queen, semi-opera, Z. 629: Act II, Prelude 1:20
58 May the god of wit inspire (from "The Fairy Queen"), trio for alto, tenor & bass, Z. 629/8ab 2:25
59 See my many color'd fields (from "The Fairy Queen"), tenor aria, Z. 629/35 2:43
60 Next winter comes slowly (from "The Fairy Queen"), bass aria, Z. 629/36 3:34
61 If music be the food of love, song, Z. 379 (3 settings) 2:23
62 Music for a While (from "Oedipus"), song, Z. 583/2 4:03
63 Admirons Notre Jeune et Charmante Déesse 2:56
64 Atys, opera, LWV 53: Prélude, "Dormons, dormons tous" 7:32
65 Atys, opera, LWV 53: Air des songes agréables 2:29
66 Armide, opera, LWV 71: Overture 2:31
67 Armide, opera, LWV 71: Ah! Quelle erreur! 1:32
68 Armide, opera, LWV 71: Enfin, il est en ma puissance 5:24
69 Médée, opera, H. 491: Noires filles du Styx 2:05
70 Médée, opera, H. 491: Venez méler à mes poisons 1:15
71 Médée, opera, H. 491: Je vois le don fatal 1:49
72 Médée, opera, H. 491: Dieu du Cocyte et des Royaumes sombres 6:00
73 Idomeneo Rè di Creta, opera: O Neptune, reçoy nos vœux 4:48
74 Idomeneo Rè di Creta, opera: Ah! quel bonheur de vous revoir 3:41
75 Idomeneo Rè di Creta, opera: Quel pouvoir m'a conduit sur ce bord éclarté 3:58
76 Castor et Pollux, tragédie en musique: Que tout gémisse 3:34
77 Castor et Pollux, tragédie en musique: Tristes, apprêts, pâles flambeaux 5:53
78 Castor et Pollux, tragédie en musique: D'où partent ces cris nouveaux?...Que l'enfer applaudisse 4:51
79 Castor et Pollux, tragédie en musique: Premier Air pour les Athlètes 0:56
80 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495: Entrée de ballet 1:12
81 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495: De vos flûtes bocagères 2:30
82 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495: Quand la neige fondue 1:58
83 Les Indes galantes, opéra-ballet: Dans les abîmes 5:53
84 Les Troqueurs, opera bouffon: Overture 1:55
85 Les Troqueurs, opera bouffon: Troquons, troquons....Eh non c'est lui, eh non c'est moi 4:13
86 L' Incoronazione di Dario, opera, RV 719: Overture 4:47
87 L' Incoronazione di Dario, opera, RV 719: L'adorar beltà che piace 4:27
88 L' Incoronazione di Dario, opera, RV 719: Ma chidicea cosi? 2:22
89 L' Incoronazione di Dario, opera, RV 719: Lo spietato, e crudo amor 2:50
90 L' Incoronazione di Dario, opera, RV 719: Lampa eterna 2:31
91 L' Incoronazione di Dario, opera, RV 719: Non mi lusinga 5:04
92 Radamisto, opera, HWV 12: Ombra cara di mia sposa 8:00
93 Ottone, re di Germania, opera, HWV 15: Ben a raggion 1:03
94 Ottone, re di Germania, opera, HWV 15: Vieni, o figlio 6:49
95 Giulio Cesare in Egitto, opera, HWV 17: Overture 3:07
96 Giulio Cesare in Egitto, opera, HWV 17: Alma del gran Pompeo 4:21
97 Giulio Cesare in Egitto, opera, HWV 17: Svegliatevi nel core 4:44
98 Giulio Cesare in Egitto, opera, HWV 17: All lampo dell'armi 3:33
99 Flavio, Rè di Longobardi, opera, HWV 16: Al tuo cenno reale ubbidiente 3:17
100 Flavio, Rè di Longobardi, opera, HWV 16: Fato tiranno e crudo 3:17
101 Ariodante, opera, HWV 33: Sinfonia 0:50
102 Ariodante, opera, HWV 33: Di Dalinda l'amore 1:35
103 Ariodante, opera, HWV 33: Tu preparati a morire 3:57
104 Cesare e Cleopatra, opera: Tra le procelle assorto 7:56
105 Cesare e Cleopatra, opera: All' armi, al cimento 3:02
106 Lamentationes Hieremiae (9), for 5 voices, H. xxii/3: Vendredi Saint, lamentatio tertia 3:04
107 O vos omnes, Holy Saturday responsory for 6 voices, W. 7/80 4:07
108 Mass de Cappella for 6 voices on Gomberti's motet "In Illo Tempore" (from Vespers), SV 205: Sanctus 3:44
109 Vespro della beata vergine, for chorus & instruments, SV 206: Deus in adjutorium 2:22
110 Vespro della beata vergine, for chorus & instruments, SV 206: Duo Seraphim (tribus vocibus) 6:17
111 Vespro della beata vergine, for chorus & instruments, SV 206: Magnificat 0:56
112 Vespro della beata vergine, for chorus & instruments, SV 206: Et exultavit (Magnificat) 1:12
113 Vespro della beata vergine, for chorus & instruments, SV 206: Esurientes (Magnificat) 1:53
114 Vespro della beata vergine, for chorus & instruments, SV 206: Suscepit Israel (Magnificat) 1:26
115 Sacrae Concertationes, for voices & strings: No. 9, Dialogo della cantica 6:33
116 Vespro (6) della Beata Vergine, for 8 voices & continuo: Lauda Jerusalem, a 8 voci concertato con ripieni & istrumenti 9:22
117 Dum Silentium, motet 4:16
118 Jubilate Deo, motet 1:58
119 Bone Jesu, verbum Patris, for 2 sopranos or tenors & continuo, SWV 313 (Op. 9/8) 4:40
120 Bringt her dem Herren, for mezzo-soprano & continuo, SWV 283 (Op. 8/2) 2:57
121 Herr nun lässest du deinen Diener/Selig sind die Toten, for double chorus & continuo ("Canticum B. Simeonis"), SWV 281 (Op. 7/3) 4:57
122 Herr, auf dich traue ich, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 377 (Op. 11/9) 3:09
123 Ich bin eine rufende Stimme, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 383 (Op. 11/15) 4:06
124 Siehe, nach Trost war mir sehr bange, motet for 5 voices & continuo (Israelis Brünlein No. 18) 4:04
125 Die mit Tränen säen, motet for 5 voices & continuo (Israelis Brünlein No. 3) 3:19
126 Vespro della beata Vergine: Magnificat 4:07
127 Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267 6:31
128 Membra Jesu Nostri, cantata in 7 sections for SSATB voices, 2 violins, 5 violas da gamba, violone & continuo, BuxWV 75: Ad genua, cantate 8:55
129 Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z. 49 8:06
130 Laudate Pueri Dominum, psalm, for soprano, chorus & orchestra in D, HWV 237: part 1 3:24
131 Stabat mater, for soprano, alto, strings & organ in F major: Stabat Mater dolorosa 3:31
132 Stabat mater, for soprano, alto, strings & organ in F major: Qui est homo, qui non fleret 2:53
133 Stabat mater, for soprano, alto, strings & organ in F major: Fac, ut ardeat cor meum 2:22
134 Sonata à 4 al Santo Sepolcro, for 2 violins, viola & continuo in E flat major, RV 130: Largo 2:26
135 Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: Eja mater, fons amoris, Largo 2:43
136 Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: Amen, Allegro 1:04
137 Regina coeli, motet for 3 voices & continuo, LWV 77/12 4:05
138 Cantique sur le bonheur des justes, motet, S. 127: Heureux, qui de la sagesse (2 sopranos a capella) 2:06
139 Cantique sur le bonheur des justes, motet, S. 127: De quelle douleur profonde (2 sopranos & continuo) 2:27
140 Cantique sur le bonheur des justes, motet, S. 127: Infortunés que nous sommes (2 sopranos & continuo) 2:14
141 Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483: Overture 1:19
142 Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483: Que nos soupirs 1:34
143 Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483: Le règne du péche 3:17
144 Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons): Incipit lamentatio Jeremiae Prophetae 1:25
145 Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons): Aleph 0:41
146 Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons): Quomodo sedet sola civitas 2:35
147 Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons): Jerusalem, convertere 2:29
148 Leçon de Ténèbres 3, for 2 treble voices & continuo: Jod 0:38
149 Leçon de Ténèbres 3, for 2 treble voices & continuo: Manum suam misit hostis 1:55
150 Leçon de Ténèbres 3, for 2 treble voices & continuo: Omnus populus ejus. Lamed 1:55
151 Leçon de Ténèbres 3, for 2 treble voices & continuo: O vos omnes 2:12
152 Leçon de Ténèbres 3, for 2 treble voices & continuo: Mem 1:03
153 Regina coeli, motet for 2 treble voices & continuo (Le Manuscrit du comte de Toulouse) 3:37
154 March for kettledrums 1:23
155 Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Prélude 1:52
156 Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Te Deum laudamus (basse, 2 violons, basse continue) 1:04
157 Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Te aeternum Patrem (soli, choeur et orchestre) 4:04
158 Memorare, grand motet for double choir, strings & continuo 8:41
159 Super Flumina Babylonis, grand motet for double choir, strings & continuo: Première partie 4:13
160 Dies irae, motet for double chorus & orchestra, LWV 64/1 18:45
161 Super flumina Babylonis, grand motet, S. 13: [Symphonie] Super flumina Babilonis 3:58
162 Super flumina Babylonis, grand motet, S. 13: Filia Babilonis misera (soli) 1:20
163 Super flumina Babylonis, grand motet, S. 13: Filia Babilonis misera (chœur) 1:22
164 Miserere mei, Deus, grand motet for solo voice & chorus, S. 27: Miserere mei, Deus, Chœur: El secundum 1:40
165 Miserere mei, Deus, grand motet for solo voice & chorus, S. 27: Tunc acceptabis sacrificium 2:01
166 Miserere mei, Deus, grand motet, S. 15: Miserere mei, Deus (soprano & choir) 4:04
167 Miserere mei, Deus, grand motet, S. 15: Amplius lava me (soprano) 2:31
168 Miserere mei, Deus, grand motet, S. 15: Ecce enim in inquitatibus (trio) 1:23
169 Miserere mei, Deus, grand motet, S. 15: Docebo iniquos (choir) 1:32
170 Motet pour une longue offrande, for 5 voices, chorus, instruments & contiuo, H. 434: Pluet super peccatores 5:24
171 Requiem Mass: Sanctus 3:49
172 In convertendo, grand motet for soloists, chorus, 2 flutes, 2 horns, violin, viola & continuo: In convertendo 2:48
173 In convertendo, grand motet for soloists, chorus, 2 flutes, 2 horns, violin, viola & continuo: Tunc repletum est 3:31
174 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed): Introduzione 0:42
175 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed): Barabra a noi si dia 2:20
176 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed): E di Gesti che fia 1:42
177 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed): Di si rigida sentenza 1:22
178 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed): Troppo i lumi 1:26
179 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed): Se geleta paura il cor t'ingombra 1:24
180 La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo: Introduzion 0:55
181 La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo: O cecita del misero mortale! 1:39
182 La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo: Piangerà 2:53
183 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3): Die Auferstehung unsers Herren Jesu 1:16
184 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3): Da der Sabbath vergangen war... 2:43
185 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3): Wer wälzet uns den Stein von des Grabes Tür? 0:23
186 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3): Maria aber stund vor dem Grabe und weinet draußen 0:58
187 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3): Weib, was weinest du 4:45
188 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435: Die Geburt unsres Herren Jesu Christi 1:59
189 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435: Fürchtet euch nicht 3:19
190 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435: Die Menge der Engel (La Troupe des Anges) 1:54
191 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435: Und sie kamen eilend...Da nun Jesus geboren war 1:18
192 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435: Wo ist der neugeborne König der Juden? 1:48
193 In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416: Première partie. Prélude 1:34
194 In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416: Usque quo avertis faciem...Memorare testamenti 3:23
195 In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416: Deuxième partie, Nuit 1:43
196 In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416: Troisième partie, Réveil des Bergers: Coeli aperti sunt 5:31
197 Maddalena ai piedi di Cristo, oratorio: In lagrime stemprato 4:25
198 Maddalena ai piedi di Cristo, oratorio: La ragione, s'un alma conseglia 2:53
199 Maddalena ai piedi di Cristo, oratorio: Cosi sciolta da' lacci de' sui error 0:37
200 Maddalena ai piedi di Cristo, oratorio: Alle Vittorie 0:36
201 La Giuditta, oratorio: Dalla destra omnipotente 5:06
202 Messiah, oratorio, HWV 56: Behold the lamb of God 2:19
203 Messiah, oratorio, HWV 56: Thus saith the Lord of Hosts 1:40
204 Messiah, oratorio, HWV 56: But who may abide the day of His coming? 4:38
205 Messiah, oratorio, HWV 56: And he shall purify the sons of Levi 2:17
206 Messiah, oratorio, HWV 56: Hallelujah! 3:19
207 Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Magnificat anima mea Dominum 3:00
208 Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Quia respexit humilitatem 2:41
209 Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Omnes generationes 1:22
210 Cantata No. 21, "Ich hatte viel Bekümmernis," BWV 21 (BC A99): Sinfonia 2:54
211 Cantata No. 21, "Ich hatte viel Bekümmernis," BWV 21 (BC A99): Ich hatte viel Bekümmernis 3:58
212 Cantata No. 78, "Jesu, der du meine Seele," BWV 78 (BC A130): Wir eilen 5:17
213 Cantata No. 78, "Jesu, der du meine Seele," BWV 78 (BC A130): Herr, ich glaube 1:08
214 Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146): Mein Wandel auf der Welt 1:52
215 Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146): Endlich, endlich wird mein joch 6:47
216 Trauer-Ode: Cantata No. 198, "Lass, Fürstin, lass noch einen Strahl," BWV 198 (BC A120): Laß, Fürstin, laß noch einen Strahl 6:00
217 Komm, Jesu, komm, motet for chorus & continuo, BWV 229 (BC C3): Komm, Jesu, komm 6:53
218 Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Sinfonia 4:06
219 Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Hier ist die Gruft 0:49
220 Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Sanfte soll mein Todeskummer 7:44
221 Himmelfahrts-Oratorium, "Lobet Gott in seinen Reichen," (Ascension Oratorio), BWV 11 (BC D9): Wenn soll es doch geschehen 4:07
222 St. John Passion (Johannespassion), BWV 245 (BC D2): Die Kriegknechte, aber, da sie Jesum gekreuziget hatten; Lasset uns de 2:02
223 St. John Passion (Johannespassion), BWV 245 (BC D2): Auf daß erfüllet würde die Schrift 1:38
224 St. John Passion (Johannespassion), BWV 245 (BC D2): Er nahm alles wohl in acht 1:03
225 St. John Passion (Johannespassion), BWV 245 (BC D2): Und von Stund an nahm sie der Jünger zu sich 1:20
226 St. John Passion (Johannespassion), BWV 245 (BC D2): Es ist vollbracht! 6:02
227 St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Kommt, ihr Töchter, helft mir klagen 7:04
228 Anchor che col partire, for 2 instruments (after Cipriano de Rore) 4:35
229 Lachrimae, for lute, P 15 5:20
230 Go from my window, song arranged for lute, P 64 3:38
231 Questa dolce sirena for solo recorder after Gastoldi 3:17
232 Toccata Arpeggiata for chitarrone (from Book 1 of D'Intavolatura di Chitarrone) 2:58
233 Capricci ... et arie in partitura, Vol.1 No.3, Capriccio Terza sopra il cucho, for keyboard 5:32
234 Il secondo libro de toccate, canzone...di cimbalo et organo, No.11, Toccata Undecima in G major 5:06
235 Toccata (No.9), for keyboard in C major, FbWV 109 2:12
236 Prélude for harpsichord in A major (Pièces de clavecin, No. 8) 2:25
237 Courante for harpsichord in A major (Pièces de clavecin, No. 112) 1:45
238 Sarabande for harpsichord in A major (Pièces de clavecin, No. 113) 3:09
239 Gigue for harpsichord in A major (Pièces de clavecin, No. 114) 1:58
240 Suite for guitar in D: Courante 1:10
241 Suite for guitar in D: Gavotte 0:42
242 Suite for guitar in D: Gigue 1:24
243 Suite for guitar in D: Gavotte en rondeau et sa contrepartie (pour deux guitares) 1:04
244 Troisième prélude for harpsichord in G minor (L'Art de toucher le clavecin) 0:56
245 Les Baricades mistérieuses, for harpsichord (Pièces de clavecin, II, 6e ordre) 2:37
246 Les Fastes de la grande et ancienne Menestrandise, for harpsichord (Pièces de clavecin, II, 11e ordre): Premier Acte, Les Notables & Jurés Mxnxstxndxurs Sans lentur 1:14
247 Les Fastes de la grande et ancienne Menestrandise, for harpsichord (Pièces de clavecin, II, 11e ordre): Deuxième Acte, Les Viéleux et les Gueux 1:46
248 Les Fastes de la grande et ancienne Menestrandise, for harpsichord (Pièces de clavecin, II, 11e ordre): Troisième Acte, Les Jongleurs, Sauteurs & Saltimbanques, avec les ours 1:17
249 Les Fastes de la grande et ancienne Menestrandise, for harpsichord (Pièces de clavecin, II, 11e ordre): Quatrième Acte, Les Invalides, ou gens estropiés au service de la Gran 4:27
250 Le Tic-Toc-Choc, ou les Maillotins, for harpsichord (Pièces de clavecin, III, 18e ordre) 2:43
251 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Suite de clavecin in E minor: Allemande 4:28
252 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Suite de clavecin in E minor: Courante 2:00
253 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Suite de clavecin in E minor: Gigue en rondeau 1:26
254 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Suite de clavecin in E minor: Le Rappel des oiseaux 2:47
255 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Suite de clavecin in E minor: La Villageoise, Rondeau 2:31
256 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Suite de clavecin in E minor: Musette en rondeau 3:15
257 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Suite de clavecin in E minor: Tambourin 1:13
258 Conzonanze Stravaganti, for keyboard or ensemble 2:00
259 Aria "L'Emenfrodito", Op. 4/9 3:27
260 Sinfonia Sesto Tuono, for chamber instruments & continuo, Op. 22 2:25
261 Trio sonata "Echo", for chamber instruments & continuo Op 8 6:10
262 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184): Allegro 1:53
263 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184): Nachtigal [le rossignol] 2:13
264 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184): Cu Cu [le coucou] 0:40
265 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184): Fresch [le crapaud] 1:21
266 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184): Die Henn & der Hann [la poule et le coq] 0:38
267 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184): Die Katz [le chat] 0:59
268 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184): Musqetir Mars [marche des mousquetaires] 1:12
269 Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in B minor, Op. 3/4 7:01
270 Sonate da camera a tre, for 2 violins & violone (or harpsichord) in D major, Op. 4/4 6:20
271 La Sonnerie de Sainte Geneviève du Mont à Paris, for violin, viola da gamba & continuo in D minor 8:16
272 Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731 4:28
273 Trio Sonata for 2 violins & continuo in D minor ("La follia"), Op. 1/12, RV 63 7:53
274 Sonata for violin & continuo in F major, Op. 5/4 8:20
275 Recorder Sonata in B flat major, HWV 377 13:27
276 Solo, for oboe & continuo in B flat major (Essercizi musici No. 5/9), TWV 41:B6: Unspecified excerpt 2:58
277 La favola d'Orfeo, opera, SV 318: Sinfonia d'ouverture de l'Acte III 1:52
278 Vespro (6) della Beata Vergine, for 8 voices & continuo: Musiche sacre: Sonata a 12 4:10
279 La Calisto, opera: Chiacona, finale 3:19
280 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495: Overture 1:49
281 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495: Deuxième Intermède & Airs des tapissiers 3:14
282 Atys, opera, LWV 53: Overture 1:56
283 Atys, opera, LWV 53: Act V, Entrée des Nymphes, Entrées I & II des Corybantes 2:55
284 Le bourgeois gentilhomme, comédie-ballet, LWV 43: Marche pour la cérémonie des Turcs 1:26
285 Le bourgeois gentilhomme, comédie-ballet, LWV 43: Canarie 0:42
286 Troisième suite, for orchestra (Symphonies pour les soupers du Roy): Premier Air 1:19
287 Troisième suite, for orchestra (Symphonies pour les soupers du Roy): Deuxième Air, Légèrment 1:06
288 Troisième suite, for orchestra (Symphonies pour les soupers du Roy): La Loure (musette) 1:31
289 Troisième suite, for orchestra (Symphonies pour les soupers du Roy): Grande pièce en D-la-ré, Passacaille (extr. de l'Amour fléchi par la c 5:47
290 Water Music Suite No.2 for orchestra in D major, HWV 349: Allegro 1:55
291 Water Music Suite No.2 for orchestra in D major, HWV 349: Alla hornpipe 3:45
292 Water Music Suite No.2 for orchestra in D major, HWV 349: Minuet 0:53
293 Water Music Suite No.2 for orchestra in D major, HWV 349: Bourrée 1:23
294 Orchestral Suite No. 4 in D major, BWV 1069: No. 1, Overture 12:29
295 Orchestral Suite No. 3 in D major, BWV 1068: No. 2, Aria 4:20
296 Orchestral Suite No. 2 in B minor, BWV 1067: Polonaise & double 3:40
297 Orchestral Suite No. 2 in B minor, BWV 1067: Badnerie 1:36
298 Les Indes galantes, suites from the opéra-ballet for orchestra: Air Polonois 1:56
299 Les Indes galantes, suites from the opéra-ballet for orchestra: Air pour les Amants qui suivent Bellone et pour les Amantes qui táchent de les retenir 1:20
300 Les Indes galantes, suites from the opéra-ballet for orchestra: Air des Sauvages 2:02
301 Symphony for 2 violins, viola & bass in D major, J-C 14 6:02
302 Symphony in D major, G. 490 6:32
303 Concerto Grosso in G minor ("Christmas Concerto"), Op. 6/8 8:36
304 Concerto Grosso in B flat major, Op. 6/11 7:56
305 Sonata for strings & continuo No. 3 in A major (from Armonico Tributo): 1, Sonata, Grave 0:45
306 Sonata for strings & continuo No. 3 in A major (from Armonico Tributo): Allegro 2:43
307 Sonata for strings & continuo No. 3 in A major (from Armonico Tributo): 3, Adagio 1:25
308 Sonata for strings & continuo No. 3 in A major (from Armonico Tributo): 5, Rondeau 1:01
309 Concerto Grosso in G minor, Op.6/6, HWV 324: Largo e affettuoso 2:52
310 Concerto Grosso in G minor, Op.6/6, HWV 324: A tempo giusto; Allegro ma non troppo 1:35
311 Concerto Grosso in G minor, Op.6/6, HWV 324: Musette; Larghetto 5:35
312 Sinfonia for trumpet, strings & continuo in D major ("Trumpet Concerto"), G. 2: 3, Allegro 1:48
313 Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 10:04
314 Flute Concerto, for flute, strings & continuo in D major ("Il gardellino"), Op. 10/3, RV 428: Allegro 4:06
315 Flute Concerto, for flute, strings & continuo in D major ("Il gardellino"), Op. 10/3, RV 428: Larghetto cantabile 2:47
316 Concerto for recorder & orchestra in F major: 1, Allegro 3:59
317 Concerto for recorder & orchestra in F major: 2, Siciliana 4:20
318 Concerto for recorder, viola da gamba, strings & continuo in A minor, TWV 52:a1: 3, Allegro 3:54
319 Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043: 1, Vivace 3:28
320 Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043: 2, Largo ma non tanto 6:28
321 Violin Concerto in G major, D. 78: 3, Presto 4:36
322 Passacaglia (Mystery Sonata), for violin solo in G minor, C. 105 7:02
323 Engelse fortuin, variations for keyboard ("Von der Fortuna werd ich getrieben") 2:50
324 Variations sur la chanson "Von der Fortuna" 4:16
325 Praeludium for organ in G minor, BuxWV 149 7:51
326 Chorale prelude for organ in G major, BuxWV 197, "In Dulci Jubilo" 2:22
327 Fugue (Gigue) for keyboard in C major, BuxWV 174 2:51
328 Canon and gigue, for 3 violins & continuo in D major, T. 337: Canon for 3 violins & continuo 3:44
329 Sonata for violin & continuo: 2, Allegro-Adagio-Allegro 7:57
330 Partita (No.18), for keyboard in G minor, FbWV 618: Allemande 3:42
331 Frische Clavier Früchte: Sonata No. 2: Movement 1 2:14
332 Frische Clavier Früchte: Sonata No. 2: Movement 2, Molto adagio 0:37
333 Frische Clavier Früchte: Sonata No. 2: Movement 5 1:43
334 Præludium for keyboard 6 (from Pièces de Clavessin) 3:21
335 Prelude and Fugue, for keyboard No. 6 in D minor (WTC I/6), BWV 851 (BC L85) 4:11
336 The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Ricecar à 6 voix 7:46
337 The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon perpetuus de la "Sonata sopr'il Soggetto Reale" 2:39
338 Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5): 1, Allegro 4:58
339 Fantasia and Fugue, for organ in C minor (fugue incomplete), BWV 562 (BC J41, 56): Fantasy 4:41
340 Fantasia, for violin No. 3 in F minor, TWV 40:16 4:18

Tracks auf diesem Album

# Titel Dauer
1 Anchor che col partire, madrigal   -
1 Anchor che col partire, madrigal   -
2 Allala la pia calia, villanelle for 4 voices, S. x/104   -
2 Allala la pia calia, villanelle for 4 voices, S. x/104   -
3 So ben mi ch'a ben tempo, for voice and lute   -
3 So ben mi ch'a ben tempo, for voice and lute   -
4 Amarilli mia bella, for voice & continuo (from "Le Nuove musiche")   -
4 Amarilli mia bella, for voice & continuo (from "Le Nuove musiche")   -
5 Vezzosi augelli in fra le verdi fronde, madrigal for 4 voices (Madrigali...libro primo a 4 voci)   -
5 Vezzosi augelli in fra le verdi fronde, madrigal for 4 voices (Madrigali...libro primo a 4 voci)   -
6 Crudele acerba inesorabil' morte, madrigal for 5 voices (Il nono libro de madrigali a 5 voci)   -
6 Crudele acerba inesorabil' morte, madrigal for 5 voices (Il nono libro de madrigali a 5 voci)   -
7 Mercè grido piangendo, madrigal for 5 voices (Book 5), W. 5/49   -
7 Mercè grido piangendo, madrigal for 5 voices (Book 5), W. 5/49   -
8 Occhi del pianto mio   -
8 Occhi del pianto mio   -
9 T'amo mia vita, madrigal for 3 women's voices & continuo   -
9 T'amo mia vita, madrigal for 3 women's voices & continuo   -
10 Quella Vermiglia Rosa for voice solo   -
10 Quella Vermiglia Rosa for voice solo   -
11 Luci serene e chiare, voi m'incendete, madrigal for 5 voices (from Book 4), SV 81   -
11 Luci serene e chiare, voi m'incendete, madrigal for 5 voices (from Book 4), SV 81   -
12 T'amo mia vita!, madrigal for 5 voices & continuo (from Book 5), SV 104   -
12 T'amo mia vita!, madrigal for 5 voices & continuo (from Book 5), SV 104   -
13 O come sei gentile, caro augellino, madrigal for 2 sopranos (from Book 7), SV 120   -
13 O come sei gentile, caro augellino, madrigal for 2 sopranos (from Book 7), SV 120   -
14 Combattimento di Tancredi e Clorinda, dramatic cantata (from Book 8), SV 153   -
14 Combattimento di Tancredi e Clorinda, dramatic cantata (from Book 8), SV 153   -
15 Zefiro Torna, madrigal for 2 tenors and continuo (from Book 9 & Scherzi musicali), SV 251   -
15 Zefiro Torna, madrigal for 2 tenors and continuo (from Book 9 & Scherzi musicali), SV 251   -
16 O dolcezze amarissime, madrigal for 2 sopranos, alto, tenor & bass, SWV 2 (Op. 1/2)   -
16 O dolcezze amarissime, madrigal for 2 sopranos, alto, tenor & bass, SWV 2 (Op. 1/2)   -
17 Amanti, io vi disfido, cantata for voice & continuo   -
17 Amanti, io vi disfido, cantata for voice & continuo   -
18 Il mio core è un mar di pianti, cantata for 2 sopranos & continuo (also attributed to A. Stradella)   -
18 Il mio core è un mar di pianti, cantata for 2 sopranos & continuo (also attributed to A. Stradella)   -
19 L'amfiparnasso, madrigal comedy - Benchè siat'usi, o spettatori illustri   -
19 L'amfiparnasso, madrigal comedy - Benchè siat'usi, o spettatori illustri   -
20 L'amfiparnasso, madrigal comedy - Anchor ch'al parturire   -
20 L'amfiparnasso, madrigal comedy - Anchor ch'al parturire   -
21 L'amfiparnasso, madrigal comedy - Tich, Tach, Toch   -
21 L'amfiparnasso, madrigal comedy - Tich, Tach, Toch   -
22 La favola d'Orfeo, opera, SV 318 - Toccata   -
22 La favola d'Orfeo, opera, SV 318 - Toccata   -
23 La favola d'Orfeo, opera, SV 318 - Dal mio Permesso amato   -
23 La favola d'Orfeo, opera, SV 318 - Dal mio Permesso amato   -
24 La favola d'Orfeo, opera, SV 318 - Vieni, Imeneo   -
24 La favola d'Orfeo, opera, SV 318 - Vieni, Imeneo   -
25 La favola d'Orfeo, opera, SV 318 - Ahi casi acerbo!   -
25 La favola d'Orfeo, opera, SV 318 - Ahi casi acerbo!   -
26 La favola d'Orfeo, opera, SV 318 - In un fiorito prato   -
26 La favola d'Orfeo, opera, SV 318 - In un fiorito prato   -
27 La favola d'Orfeo, opera, SV 318 - Possente spirto   -
27 La favola d'Orfeo, opera, SV 318 - Possente spirto   -
28 La favola d'Orfeo, opera, SV 318 - Ritornello   -
28 La favola d'Orfeo, opera, SV 318 - Ritornello   -
29 Lamento d'Arianna, for voice & continuo ("Lasciatemi morire"), SV 22   -
29 Lamento d'Arianna, for voice & continuo ("Lasciatemi morire"), SV 22   -
30 Il ritorno d'Ulisse in patria, opera in 3 acts, SV 325 - Sinfonia   -
30 Il ritorno d'Ulisse in patria, opera in 3 acts, SV 325 - Sinfonia   -
31 Il ritorno d'Ulisse in patria, opera in 3 acts, SV 325 - Ecco l'arco d'Ulisse   -
31 Il ritorno d'Ulisse in patria, opera in 3 acts, SV 325 - Ecco l'arco d'Ulisse   -
32 L'incoronazione di Poppea, opera in 3 acts, SV 308 - Amici, è giunta l'ora   -
32 L'incoronazione di Poppea, opera in 3 acts, SV 308 - Amici, è giunta l'ora   -
33 L'incoronazione di Poppea, opera in 3 acts, SV 308 - Pur ti miro   -
33 L'incoronazione di Poppea, opera in 3 acts, SV 308 - Pur ti miro   -
34 Orfeo, opera - Lagrime, dove sete   -
34 Orfeo, opera - Lagrime, dove sete   -
35 Giasone, opera - Atto I, scena XIV, Stanza degli incanti di Medea (chambre magique de M   -
35 Giasone, opera - Atto I, scena XIV, Stanza degli incanti di Medea (chambre magique de M   -
36 La Calisto, opera - Sinfonia   -
36 La Calisto, opera - Sinfonia   -
37 La Calisto, opera - Piante ombroso   -
37 La Calisto, opera - Piante ombroso   -
38 La Calisto, opera - Giove trasformato in Diana...Va' pur, va' pur, va' seco   -
38 La Calisto, opera - Giove trasformato in Diana...Va' pur, va' pur, va' seco   -
39 La Calisto, opera - Atto I, Ballet des ours (Ballo de orsi), Chiacona   -
39 La Calisto, opera - Atto I, Ballet des ours (Ballo de orsi), Chiacona   -
40 Oyez! Has Any Found A Lad? for 4 voices (madrigal)   -
40 Oyez! Has Any Found A Lad? for 4 voices (madrigal)   -
41 We be soldiers three, madrigal   -
41 We be soldiers three, madrigal   -
42 Come to me, grief, for ever, consort song for voice & 4 viols   -
42 Come to me, grief, for ever, consort song for voice & 4 viols   -
43 The Three Ravens, folk song   -
43 The Three Ravens, folk song   -
44 Barbara Allen, folk song   -
44 Barbara Allen, folk song   -
45 Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs)   -
45 Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs)   -
46 Go from my window, song arranged for lute, P 64   -
46 Go from my window, song arranged for lute, P 64   -
47 Sorrow, stay, lend true repentant tears, for 2 voices & lute (Second Book of Songs)   -
47 Sorrow, stay, lend true repentant tears, for 2 voices & lute (Second Book of Songs)   -
48 Packington's Pound   -
48 Packington's Pound   -
49 They were three ravens, madrigal   -
49 They were three ravens, madrigal   -
50 She weepeth sore in the night   -
50 She weepeth sore in the night   -
51 Venus and Adonis, masque - Overture   -
51 Venus and Adonis, masque - Overture   -
52 Venus and Adonis, masque - Adonis, uncall'd for sighs   -
52 Venus and Adonis, masque - Adonis, uncall'd for sighs   -
53 Dido and Aeneas, opera, Z. 626 - Monologue et Mort de Didon   -
53 Dido and Aeneas, opera, Z. 626 - Monologue et Mort de Didon   -
54 Hark! how the songsters in the grove (from "Timon of Athens"), duet for 2 sopranos, Z. 632/2   -
54 Hark! how the songsters in the grove (from "Timon of Athens"), duet for 2 sopranos, Z. 632/2   -
55 What power art thou ("Prelude while the cold genius rises" from "King Arthur"), bass aria, Z. 628/20   -
55 What power art thou ("Prelude while the cold genius rises" from "King Arthur"), bass aria, Z. 628/20   -
56 Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38   -
56 Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38   -
57 The Fairy Queen, semi-opera, Z. 629 - Act II, Prelude   -
57 The Fairy Queen, semi-opera, Z. 629 - Act II, Prelude   -
58 May the god of wit inspire (from "The Fairy Queen"), trio for alto, tenor & bass, Z. 629/8ab   -
58 May the god of wit inspire (from "The Fairy Queen"), trio for alto, tenor & bass, Z. 629/8ab   -
59 See my many color'd fields (from "The Fairy Queen"), tenor aria, Z. 629/35   -
59 See my many color'd fields (from "The Fairy Queen"), tenor aria, Z. 629/35   -
60 Next winter comes slowly (from "The Fairy Queen"), bass aria, Z. 629/36   -
60 Next winter comes slowly (from "The Fairy Queen"), bass aria, Z. 629/36   -
61 If music be the food of love, song, Z. 379 (3 settings)   -
61 If music be the food of love, song, Z. 379 (3 settings)   -
62 Music for a While (from "Oedipus"), song, Z. 583/2   -
62 Music for a While (from "Oedipus"), song, Z. 583/2   -
63 Admirons Notre Jeune et Charmante Déesse   -
63 Admirons Notre Jeune et Charmante Déesse   -
64 Atys, opera, LWV 53 - Prélude, "Dormons, dormons tous"   -
64 Atys, opera, LWV 53 - Prélude, "Dormons, dormons tous"   -
65 Atys, opera, LWV 53 - Air des songes agréables   -
65 Atys, opera, LWV 53 - Air des songes agréables   -
66 Armide, opera, LWV 71 - Overture   -
66 Armide, opera, LWV 71 - Overture   -
67 Armide, opera, LWV 71 - Ah! Quelle erreur!   -
67 Armide, opera, LWV 71 - Ah! Quelle erreur!   -
68 Armide, opera, LWV 71 - Enfin, il est en ma puissance   -
68 Armide, opera, LWV 71 - Enfin, il est en ma puissance   -
69 Médée, opera, H. 491 - Noires filles du Styx   -
69 Médée, opera, H. 491 - Noires filles du Styx   -
70 Médée, opera, H. 491 - Venez méler à mes poisons   -
70 Médée, opera, H. 491 - Venez méler à mes poisons   -
71 Médée, opera, H. 491 - Je vois le don fatal   -
71 Médée, opera, H. 491 - Je vois le don fatal   -
72 Médée, opera, H. 491 - Dieu du Cocyte et des Royaumes sombres   -
72 Médée, opera, H. 491 - Dieu du Cocyte et des Royaumes sombres   -
73 Idomeneo Rè di Creta, opera - O Neptune, reçoy nos vœux   -
73 Idomeneo Rè di Creta, opera - O Neptune, reçoy nos vœux   -
74 Idomeneo Rè di Creta, opera - Ah! quel bonheur de vous revoir   -
74 Idomeneo Rè di Creta, opera - Ah! quel bonheur de vous revoir   -
75 Idomeneo Rè di Creta, opera - Quel pouvoir m'a conduit sur ce bord éclarté   -
75 Idomeneo Rè di Creta, opera - Quel pouvoir m'a conduit sur ce bord éclarté   -
76 Castor et Pollux, tragédie en musique - Que tout gémisse   -
76 Castor et Pollux, tragédie en musique - Que tout gémisse   -
77 Castor et Pollux, tragédie en musique - Tristes, apprêts, pâles flambeaux   -
77 Castor et Pollux, tragédie en musique - Tristes, apprêts, pâles flambeaux   -
78 Castor et Pollux, tragédie en musique - D'où partent ces cris nouveaux?...Que l'enfer applaudisse   -
78 Castor et Pollux, tragédie en musique - D'où partent ces cris nouveaux?...Que l'enfer applaudisse   -
79 Castor et Pollux, tragédie en musique - Premier Air pour les Athlètes   -
79 Castor et Pollux, tragédie en musique - Premier Air pour les Athlètes   -
80 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495 - Entrée de ballet   -
80 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495 - Entrée de ballet   -
81 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495 - De vos flûtes bocagères   -
81 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495 - De vos flûtes bocagères   -
82 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495 - Quand la neige fondue   -
82 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495 - Quand la neige fondue   -
83 Les Indes galantes, opéra-ballet - Dans les abîmes   -
83 Les Indes galantes, opéra-ballet - Dans les abîmes   -
84 Les Troqueurs, opera bouffon - Overture   -
84 Les Troqueurs, opera bouffon - Overture   -
85 Les Troqueurs, opera bouffon - Troquons, troquons....Eh non c'est lui, eh non c'est moi   -
85 Les Troqueurs, opera bouffon - Troquons, troquons....Eh non c'est lui, eh non c'est moi   -
86 L' Incoronazione di Dario, opera, RV 719 - Overture   -
86 L' Incoronazione di Dario, opera, RV 719 - Overture   -
87 L' Incoronazione di Dario, opera, RV 719 - L'adorar beltà che piace   -
87 L' Incoronazione di Dario, opera, RV 719 - L'adorar beltà che piace   -
88 L' Incoronazione di Dario, opera, RV 719 - Ma chidicea cosi?   -
88 L' Incoronazione di Dario, opera, RV 719 - Ma chidicea cosi?   -
89 L' Incoronazione di Dario, opera, RV 719 - Lo spietato, e crudo amor   -
89 L' Incoronazione di Dario, opera, RV 719 - Lo spietato, e crudo amor   -
90 L' Incoronazione di Dario, opera, RV 719 - Lampa eterna   -
90 L' Incoronazione di Dario, opera, RV 719 - Lampa eterna   -
91 L' Incoronazione di Dario, opera, RV 719 - Non mi lusinga   -
91 L' Incoronazione di Dario, opera, RV 719 - Non mi lusinga   -
92 Radamisto, opera, HWV 12 - Ombra cara di mia sposa   -
92 Radamisto, opera, HWV 12 - Ombra cara di mia sposa   -
93 Ottone, re di Germania, opera, HWV 15 - Ben a raggion   -
93 Ottone, re di Germania, opera, HWV 15 - Ben a raggion   -
94 Ottone, re di Germania, opera, HWV 15 - Vieni, o figlio   -
94 Ottone, re di Germania, opera, HWV 15 - Vieni, o figlio   -
95 Giulio Cesare in Egitto, opera, HWV 17 - Overture   -
95 Giulio Cesare in Egitto, opera, HWV 17 - Overture   -
96 Giulio Cesare in Egitto, opera, HWV 17 - Alma del gran Pompeo   -
96 Giulio Cesare in Egitto, opera, HWV 17 - Alma del gran Pompeo   -
97 Giulio Cesare in Egitto, opera, HWV 17 - Svegliatevi nel core   -
97 Giulio Cesare in Egitto, opera, HWV 17 - Svegliatevi nel core   -
98 Giulio Cesare in Egitto, opera, HWV 17 - All lampo dell'armi   -
98 Giulio Cesare in Egitto, opera, HWV 17 - All lampo dell'armi   -
99 Flavio, Rè di Longobardi, opera, HWV 16 - Al tuo cenno reale ubbidiente   -
99 Flavio, Rè di Longobardi, opera, HWV 16 - Al tuo cenno reale ubbidiente   -
100 Flavio, Rè di Longobardi, opera, HWV 16 - Fato tiranno e crudo   -
100 Flavio, Rè di Longobardi, opera, HWV 16 - Fato tiranno e crudo   -
101 Ariodante, opera, HWV 33 - Sinfonia   -
101 Ariodante, opera, HWV 33 - Sinfonia   -
102 Ariodante, opera, HWV 33 - Di Dalinda l'amore   -
102 Ariodante, opera, HWV 33 - Di Dalinda l'amore   -
103 Ariodante, opera, HWV 33 - Tu preparati a morire   -
103 Ariodante, opera, HWV 33 - Tu preparati a morire   -
104 Cesare e Cleopatra, opera - Tra le procelle assorto   -
104 Cesare e Cleopatra, opera - Tra le procelle assorto   -
105 Cesare e Cleopatra, opera - All' armi, al cimento   -
105 Cesare e Cleopatra, opera - All' armi, al cimento   -
106 Lamentationes Hieremiae (9), for 5 voices, H. xxii/3 - Vendredi Saint, lamentatio tertia   -
106 Lamentationes Hieremiae (9), for 5 voices, H. xxii/3 - Vendredi Saint, lamentatio tertia   -
107 O vos omnes, Holy Saturday responsory for 6 voices, W. 7/80   -
107 O vos omnes, Holy Saturday responsory for 6 voices, W. 7/80   -
108 Mass de Cappella for 6 voices on Gomberti's motet "In Illo Tempore" (from Vespers), SV 205 - Sanctus   -
108 Mass de Cappella for 6 voices on Gomberti's motet "In Illo Tempore" (from Vespers), SV 205 - Sanctus   -
109 Vespro della beata vergine, for chorus & instruments, SV 206 - Deus in adjutorium   -
109 Vespro della beata vergine, for chorus & instruments, SV 206 - Deus in adjutorium   -
110 Vespro della beata vergine, for chorus & instruments, SV 206 - Duo Seraphim (tribus vocibus)   -
110 Vespro della beata vergine, for chorus & instruments, SV 206 - Duo Seraphim (tribus vocibus)   -
111 Vespro della beata vergine, for chorus & instruments, SV 206 - Magnificat   -
111 Vespro della beata vergine, for chorus & instruments, SV 206 - Magnificat   -
112 Vespro della beata vergine, for chorus & instruments, SV 206 - Et exultavit (Magnificat)   -
112 Vespro della beata vergine, for chorus & instruments, SV 206 - Et exultavit (Magnificat)   -
113 Vespro della beata vergine, for chorus & instruments, SV 206 - Esurientes (Magnificat)   -
113 Vespro della beata vergine, for chorus & instruments, SV 206 - Esurientes (Magnificat)   -
114 Vespro della beata vergine, for chorus & instruments, SV 206 - Suscepit Israel (Magnificat)   -
114 Vespro della beata vergine, for chorus & instruments, SV 206 - Suscepit Israel (Magnificat)   -
115 Sacrae Concertationes, for voices & strings - No. 9, Dialogo della cantica   -
115 Sacrae Concertationes, for voices & strings - No. 9, Dialogo della cantica   -
116 Vespro (6) della Beata Vergine, for 8 voices & continuo - Lauda Jerusalem, a 8 voci concertato con ripieni & istrumenti   -
116 Vespro (6) della Beata Vergine, for 8 voices & continuo - Lauda Jerusalem, a 8 voci concertato con ripieni & istrumenti   -
117 Dum Silentium, motet   -
117 Dum Silentium, motet   -
118 Jubilate Deo, motet   -
118 Jubilate Deo, motet   -
119 Bone Jesu, verbum Patris, for 2 sopranos or tenors & continuo, SWV 313 (Op. 9/8)   -
119 Bone Jesu, verbum Patris, for 2 sopranos or tenors & continuo, SWV 313 (Op. 9/8)   -
120 Bringt her dem Herren, for mezzo-soprano & continuo, SWV 283 (Op. 8/2)   -
120 Bringt her dem Herren, for mezzo-soprano & continuo, SWV 283 (Op. 8/2)   -
121 Herr nun lässest du deinen Diener/Selig sind die Toten, for double chorus & continuo ("Canticum B. Simeonis"), SWV 281 (Op. 7/3)   -
121 Herr nun lässest du deinen Diener/Selig sind die Toten, for double chorus & continuo ("Canticum B. Simeonis"), SWV 281 (Op. 7/3)   -
122 Herr, auf dich traue ich, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 377 (Op. 11/9)   -
122 Herr, auf dich traue ich, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 377 (Op. 11/9)   -
123 Ich bin eine rufende Stimme, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 383 (Op. 11/15)   -
123 Ich bin eine rufende Stimme, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 383 (Op. 11/15)   -
124 Siehe, nach Trost war mir sehr bange, motet for 5 voices & continuo (Israelis Brünlein No. 18)   -
124 Siehe, nach Trost war mir sehr bange, motet for 5 voices & continuo (Israelis Brünlein No. 18)   -
125 Die mit Tränen säen, motet for 5 voices & continuo (Israelis Brünlein No. 3)   -
125 Die mit Tränen säen, motet for 5 voices & continuo (Israelis Brünlein No. 3)   -
126 Vespro della beata Vergine - Magnificat   -
126 Vespro della beata Vergine - Magnificat   -
127 Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267   -
127 Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267   -
128 Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267   -
128 Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267   -
129 Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267   -
129 Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267   -
130 Membra Jesu Nostri, cantata in 7 sections for SSATB voices, 2 violins, 5 violas da gamba, violone & continuo, BuxWV 75 - Ad genua, cantate   -
130 Membra Jesu Nostri, cantata in 7 sections for SSATB voices, 2 violins, 5 violas da gamba, violone & continuo, BuxWV 75 - Ad genua, cantate   -
131 Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z. 49   -
131 Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z. 49   -
132 Laudate Pueri Dominum, psalm, for soprano, chorus & orchestra in D, HWV 237 - part 1   -
132 Laudate Pueri Dominum, psalm, for soprano, chorus & orchestra in D, HWV 237 - part 1   -
133 Stabat mater, for soprano, alto, strings & organ in F major - Stabat Mater dolorosa   -
133 Stabat mater, for soprano, alto, strings & organ in F major - Stabat Mater dolorosa   -
134 Stabat mater, for soprano, alto, strings & organ in F major - Qui est homo, qui non fleret   -
134 Stabat mater, for soprano, alto, strings & organ in F major - Qui est homo, qui non fleret   -
135 Stabat mater, for soprano, alto, strings & organ in F major - Fac, ut ardeat cor meum   -
135 Stabat mater, for soprano, alto, strings & organ in F major - Fac, ut ardeat cor meum   -
136 Sonata à 4 al Santo Sepolcro, for 2 violins, viola & continuo in E flat major, RV 130 - Largo   -
136 Sonata à 4 al Santo Sepolcro, for 2 violins, viola & continuo in E flat major, RV 130 - Largo   -
137 Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Eja mater, fons amoris, Largo   -
137 Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Eja mater, fons amoris, Largo   -
138 Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Amen, Allegro   -
138 Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 - Amen, Allegro   -
139 Regina coeli, motet for 3 voices & continuo, LWV 77/12   -
139 Regina coeli, motet for 3 voices & continuo, LWV 77/12   -
140 Cantique sur le bonheur des justes, motet, S. 127 - Heureux, qui de la sagesse (2 sopranos a capella)   -
140 Cantique sur le bonheur des justes, motet, S. 127 - Heureux, qui de la sagesse (2 sopranos a capella)   -
141 Cantique sur le bonheur des justes, motet, S. 127 - De quelle douleur profonde (2 sopranos & continuo)   -
141 Cantique sur le bonheur des justes, motet, S. 127 - De quelle douleur profonde (2 sopranos & continuo)   -
142 Cantique sur le bonheur des justes, motet, S. 127 - Infortunés que nous sommes (2 sopranos & continuo)   -
142 Cantique sur le bonheur des justes, motet, S. 127 - Infortunés que nous sommes (2 sopranos & continuo)   -
143 Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483 - Overture   -
143 Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483 - Overture   -
144 Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483 - Que nos soupirs   -
144 Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483 - Que nos soupirs   -
145 Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483 - Le règne du péche   -
145 Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483 - Le règne du péche   -
146 Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons) - Incipit lamentatio Jeremiae Prophetae   -
146 Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons) - Incipit lamentatio Jeremiae Prophetae   -
147 Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons) - Aleph   -
147 Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons) - Aleph   -
148 Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons) - Quomodo sedet sola civitas   -
148 Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons) - Quomodo sedet sola civitas   -
149 Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons) - Jerusalem, convertere   -
149 Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons) - Jerusalem, convertere   -
150 Leçon de Ténèbres 3, for 2 treble voices & continuo - Jod   -
150 Leçon de Ténèbres 3, for 2 treble voices & continuo - Jod   -
151 Leçon de Ténèbres 3, for 2 treble voices & continuo - Manum suam misit hostis   -
151 Leçon de Ténèbres 3, for 2 treble voices & continuo - Manum suam misit hostis   -
152 Leçon de Ténèbres 3, for 2 treble voices & continuo - Omnus populus ejus. Lamed   -
152 Leçon de Ténèbres 3, for 2 treble voices & continuo - Omnus populus ejus. Lamed   -
153 Leçon de Ténèbres 3, for 2 treble voices & continuo - O vos omnes   -
153 Leçon de Ténèbres 3, for 2 treble voices & continuo - O vos omnes   -
154 Leçon de Ténèbres 3, for 2 treble voices & continuo - Mem   -
154 Leçon de Ténèbres 3, for 2 treble voices & continuo - Mem   -
155 Regina coeli, motet for 2 treble voices & continuo (Le Manuscrit du comte de Toulouse)   -
155 Regina coeli, motet for 2 treble voices & continuo (Le Manuscrit du comte de Toulouse)   -
156 March for kettledrums   -
156 March for kettledrums   -
157 Te Deum, motet for 8 voices, chorus & orchestra, H. 146 - Prélude   -
157 Te Deum, motet for 8 voices, chorus & orchestra, H. 146 - Prélude   -
158 Te Deum, motet for 8 voices, chorus & orchestra, H. 146 - Te Deum laudamus (basse, 2 violons, basse continue)   -
158 Te Deum, motet for 8 voices, chorus & orchestra, H. 146 - Te Deum laudamus (basse, 2 violons, basse continue)   -
159 Te Deum, motet for 8 voices, chorus & orchestra, H. 146 - Te aeternum Patrem (soli, choeur et orchestre)   -
159 Te Deum, motet for 8 voices, chorus & orchestra, H. 146 - Te aeternum Patrem (soli, choeur et orchestre)   -
160 Memorare, grand motet for double choir, strings & continuo   -
160 Memorare, grand motet for double choir, strings & continuo   -
161 Super Flumina Babylonis, grand motet for double choir, strings & continuo - Première partie   -
161 Super Flumina Babylonis, grand motet for double choir, strings & continuo - Première partie   -
162 Dies irae, motet for double chorus & orchestra, LWV 64/1   -
162 Dies irae, motet for double chorus & orchestra, LWV 64/1   -
163 Super flumina Babylonis, grand motet, S. 13 - [Symphonie] Super flumina Babilonis   -
163 Super flumina Babylonis, grand motet, S. 13 - [Symphonie] Super flumina Babilonis   -
164 Super flumina Babylonis, grand motet, S. 13 - Filia Babilonis misera (soli)   -
164 Super flumina Babylonis, grand motet, S. 13 - Filia Babilonis misera (soli)   -
165 Super flumina Babylonis, grand motet, S. 13 - Filia Babilonis misera (chœur)   -
165 Super flumina Babylonis, grand motet, S. 13 - Filia Babilonis misera (chœur)   -
166 Miserere mei, Deus, grand motet for solo voice & chorus, S. 27 - Miserere mei, Deus, Chœur: El secundum   -
166 Miserere mei, Deus, grand motet for solo voice & chorus, S. 27 - Miserere mei, Deus, Chœur: El secundum   -
167 Miserere mei, Deus, grand motet for solo voice & chorus, S. 27 - Tunc acceptabis sacrificium   -
167 Miserere mei, Deus, grand motet for solo voice & chorus, S. 27 - Tunc acceptabis sacrificium   -
168 Miserere mei, Deus, grand motet, S. 15 - Miserere mei, Deus (soprano & choir)   -
168 Miserere mei, Deus, grand motet, S. 15 - Miserere mei, Deus (soprano & choir)   -
169 Miserere mei, Deus, grand motet, S. 15 - Amplius lava me (soprano)   -
169 Miserere mei, Deus, grand motet, S. 15 - Amplius lava me (soprano)   -
170 Miserere mei, Deus, grand motet, S. 15 - Ecce enim in inquitatibus (trio)   -
170 Miserere mei, Deus, grand motet, S. 15 - Ecce enim in inquitatibus (trio)   -
171 Miserere mei, Deus, grand motet, S. 15 - Docebo iniquos (choir)   -
171 Miserere mei, Deus, grand motet, S. 15 - Docebo iniquos (choir)   -
172 Motet pour une longue offrande, for 5 voices, chorus, instruments & contiuo, H. 434 - Pluet super peccatores   -
172 Motet pour une longue offrande, for 5 voices, chorus, instruments & contiuo, H. 434 - Pluet super peccatores   -
173 Requiem Mass - Sanctus   -
173 Requiem Mass - Sanctus   -
174 In convertendo, grand motet for soloists, chorus, 2 flutes, 2 horns, violin, viola & continuo - In convertendo   -
174 In convertendo, grand motet for soloists, chorus, 2 flutes, 2 horns, violin, viola & continuo - In convertendo   -
175 In convertendo, grand motet for soloists, chorus, 2 flutes, 2 horns, violin, viola & continuo - Tunc repletum est   -
175 In convertendo, grand motet for soloists, chorus, 2 flutes, 2 horns, violin, viola & continuo - Tunc repletum est   -
176 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) - Introduzione   -
176 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) - Introduzione   -
177 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) - Barabra a noi si dia   -
177 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) - Barabra a noi si dia   -
178 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) - E di Gesti che fia   -
178 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) - E di Gesti che fia   -
179 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) - Di si rigida sentenza   -
179 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) - Di si rigida sentenza   -
180 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) - Troppo i lumi   -
180 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) - Troppo i lumi   -
181 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) - Se geleta paura il cor t'ingombra   -
181 Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed) - Se geleta paura il cor t'ingombra   -
182 La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo - Introduzion   -
182 La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo - Introduzion   -
183 La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo - O cecita del misero mortale!   -
183 La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo - O cecita del misero mortale!   -
184 La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo - Piangerà   -
184 La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo - Piangerà   -
185 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Die Auferstehung unsers Herren Jesu   -
185 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Die Auferstehung unsers Herren Jesu   -
186 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Da der Sabbath vergangen war...   -
186 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Da der Sabbath vergangen war...   -
187 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Wer wälzet uns den Stein von des Grabes Tür?   -
187 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Wer wälzet uns den Stein von des Grabes Tür?   -
188 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Maria aber stund vor dem Grabe und weinet draußen   -
188 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Maria aber stund vor dem Grabe und weinet draußen   -
189 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Weib, was weinest du   -
189 Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) - Weib, was weinest du   -
190 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Die Geburt unsres Herren Jesu Christi   -
190 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Die Geburt unsres Herren Jesu Christi   -
191 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Fürchtet euch nicht   -
191 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Fürchtet euch nicht   -
192 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Die Menge der Engel (La Troupe des Anges)   -
192 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Die Menge der Engel (La Troupe des Anges)   -
193 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Und sie kamen eilend...Da nun Jesus geboren war   -
193 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Und sie kamen eilend...Da nun Jesus geboren war   -
194 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Wo ist der neugeborne König der Juden?   -
194 Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435 - Wo ist der neugeborne König der Juden?   -
195 In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 - Première partie. Prélude   -
195 In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 - Première partie. Prélude   -
196 In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 - Usque quo avertis faciem...Memorare testamenti   -
196 In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 - Usque quo avertis faciem...Memorare testamenti   -
197 In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 - Deuxième partie, Nuit   -
197 In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 - Deuxième partie, Nuit   -
198 In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 - Troisième partie, Réveil des Bergers: Coeli aperti sunt   -
198 In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 - Troisième partie, Réveil des Bergers: Coeli aperti sunt   -
199 Maddalena ai piedi di Cristo, oratorio - In lagrime stemprato   -
199 Maddalena ai piedi di Cristo, oratorio - In lagrime stemprato   -
200 Maddalena ai piedi di Cristo, oratorio - La ragione, s'un alma conseglia   -
200 Maddalena ai piedi di Cristo, oratorio - La ragione, s'un alma conseglia   -
201 Maddalena ai piedi di Cristo, oratorio - Cosi sciolta da' lacci de' sui error   -
201 Maddalena ai piedi di Cristo, oratorio - Cosi sciolta da' lacci de' sui error   -
202 Maddalena ai piedi di Cristo, oratorio - Alle Vittorie   -
202 Maddalena ai piedi di Cristo, oratorio - Alle Vittorie   -
203 La Giuditta, oratorio - Dalla destra omnipotente   -
203 La Giuditta, oratorio - Dalla destra omnipotente   -
204 Messiah, oratorio, HWV 56 - Behold the lamb of God   -
204 Messiah, oratorio, HWV 56 - Behold the lamb of God   -
205 Messiah, oratorio, HWV 56 - Thus saith the Lord of Hosts   -
205 Messiah, oratorio, HWV 56 - Thus saith the Lord of Hosts   -
206 Messiah, oratorio, HWV 56 - But who may abide the day of His coming?   -
206 Messiah, oratorio, HWV 56 - But who may abide the day of His coming?   -
207 Messiah, oratorio, HWV 56 - And he shall purify the sons of Levi   -
207 Messiah, oratorio, HWV 56 - And he shall purify the sons of Levi   -
208 Messiah, oratorio, HWV 56 - Hallelujah!   -
208 Messiah, oratorio, HWV 56 - Hallelujah!   -
209 Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Magnificat anima mea Dominum   -
209 Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Magnificat anima mea Dominum   -
210 Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Quia respexit humilitatem   -
210 Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Quia respexit humilitatem   -
211 Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Omnes generationes   -
211 Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Omnes generationes   -
212 Cantata No. 21, "Ich hatte viel Bekümmernis," BWV 21 (BC A99) - Sinfonia   -
212 Cantata No. 21, "Ich hatte viel Bekümmernis," BWV 21 (BC A99) - Sinfonia   -
213 Cantata No. 21, "Ich hatte viel Bekümmernis," BWV 21 (BC A99) - Ich hatte viel Bekümmernis   -
213 Cantata No. 21, "Ich hatte viel Bekümmernis," BWV 21 (BC A99) - Ich hatte viel Bekümmernis   -
214 Cantata No. 78, "Jesu, der du meine Seele," BWV 78 (BC A130) - Wir eilen   -
214 Cantata No. 78, "Jesu, der du meine Seele," BWV 78 (BC A130) - Wir eilen   -
215 Cantata No. 78, "Jesu, der du meine Seele," BWV 78 (BC A130) - Herr, ich glaube   -
215 Cantata No. 78, "Jesu, der du meine Seele," BWV 78 (BC A130) - Herr, ich glaube   -
216 Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146) - Mein Wandel auf der Welt   -
216 Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146) - Mein Wandel auf der Welt   -
217 Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146) - Endlich, endlich wird mein joch   -
217 Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146) - Endlich, endlich wird mein joch   -
218 Trauer-Ode: Cantata No. 198, "Lass, Fürstin, lass noch einen Strahl," BWV 198 (BC A120) - Laß, Fürstin, laß noch einen Strahl   -
218 Trauer-Ode: Cantata No. 198, "Lass, Fürstin, lass noch einen Strahl," BWV 198 (BC A120) - Laß, Fürstin, laß noch einen Strahl   -
219 Komm, Jesu, komm, motet for chorus & continuo, BWV 229 (BC C3) - Komm, Jesu, komm   -
219 Komm, Jesu, komm, motet for chorus & continuo, BWV 229 (BC C3) - Komm, Jesu, komm   -
220 Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7) - Sinfonia   -
220 Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7) - Sinfonia   -
221 Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7) - Hier ist die Gruft   -
221 Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7) - Hier ist die Gruft   -
222 Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7) - Sanfte soll mein Todeskummer   -
222 Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7) - Sanfte soll mein Todeskummer   -
223 Himmelfahrts-Oratorium, "Lobet Gott in seinen Reichen," (Ascension Oratorio), BWV 11 (BC D9) - Wenn soll es doch geschehen   -
223 Himmelfahrts-Oratorium, "Lobet Gott in seinen Reichen," (Ascension Oratorio), BWV 11 (BC D9) - Wenn soll es doch geschehen   -
224 St. John Passion (Johannespassion), BWV 245 (BC D2) - Die Kriegknechte, aber, da sie Jesum gekreuziget hatten; Lasset uns de   -
224 St. John Passion (Johannespassion), BWV 245 (BC D2) - Die Kriegknechte, aber, da sie Jesum gekreuziget hatten; Lasset uns de   -
225 St. John Passion (Johannespassion), BWV 245 (BC D2) - Auf daß erfüllet würde die Schrift   -
225 St. John Passion (Johannespassion), BWV 245 (BC D2) - Auf daß erfüllet würde die Schrift   -
226 St. John Passion (Johannespassion), BWV 245 (BC D2) - Er nahm alles wohl in acht   -
226 St. John Passion (Johannespassion), BWV 245 (BC D2) - Er nahm alles wohl in acht   -
227 St. John Passion (Johannespassion), BWV 245 (BC D2) - Und von Stund an nahm sie der Jünger zu sich   -
227 St. John Passion (Johannespassion), BWV 245 (BC D2) - Und von Stund an nahm sie der Jünger zu sich   -
228 St. John Passion (Johannespassion), BWV 245 (BC D2) - Es ist vollbracht!   -
228 St. John Passion (Johannespassion), BWV 245 (BC D2) - Es ist vollbracht!   -
229 St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Kommt, ihr Töchter, helft mir klagen   -
229 St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Kommt, ihr Töchter, helft mir klagen   -
230 Anchor che col partire, for 2 instruments (after Cipriano de Rore)   -
230 Anchor che col partire, for 2 instruments (after Cipriano de Rore)   -
231 Lachrimae, for lute, P 15   -
231 Lachrimae, for lute, P 15   -
232 Go from my window, song arranged for lute, P 64   -
232 Go from my window, song arranged for lute, P 64   -
233 Questa dolce sirena for solo recorder after Gastoldi   -
233 Questa dolce sirena for solo recorder after Gastoldi   -
234 Toccata Arpeggiata for chitarrone (from Book 1 of D'Intavolatura di Chitarrone)   -
234 Toccata Arpeggiata for chitarrone (from Book 1 of D'Intavolatura di Chitarrone)   -
235 Capricci ... et arie in partitura, Vol.1 No.3, Capriccio Terza sopra il cucho, for keyboard   -
235 Capricci ... et arie in partitura, Vol.1 No.3, Capriccio Terza sopra il cucho, for keyboard   -
236 Il secondo libro de toccate, canzone...di cimbalo et organo, No.11, Toccata Undecima in G major   -
236 Il secondo libro de toccate, canzone...di cimbalo et organo, No.11, Toccata Undecima in G major   -
237 Toccata (No.9), for keyboard in C major, FbWV 109   -
237 Toccata (No.9), for keyboard in C major, FbWV 109   -
238 Prélude for harpsichord in A major (Pièces de clavecin, No. 8)   -
238 Prélude for harpsichord in A major (Pièces de clavecin, No. 8)   -
239 Courante for harpsichord in A major (Pièces de clavecin, No. 112)   -
239 Courante for harpsichord in A major (Pièces de clavecin, No. 112)   -
240 Sarabande for harpsichord in A major (Pièces de clavecin, No. 113)   -
240 Sarabande for harpsichord in A major (Pièces de clavecin, No. 113)   -
241 Gigue for harpsichord in A major (Pièces de clavecin, No. 114)   -
241 Gigue for harpsichord in A major (Pièces de clavecin, No. 114)   -
242 Suite for guitar in D - Courante   -
242 Suite for guitar in D - Courante   -
243 Suite for guitar in D - Gavotte   -
243 Suite for guitar in D - Gavotte   -
244 Suite for guitar in D - Gigue   -
244 Suite for guitar in D - Gigue   -
245 Suite for guitar in D - Gavotte en rondeau et sa contrepartie (pour deux guitares)   -
245 Suite for guitar in D - Gavotte en rondeau et sa contrepartie (pour deux guitares)   -
246 Troisième prélude for harpsichord in G minor (L'Art de toucher le clavecin)   -
246 Troisième prélude for harpsichord in G minor (L'Art de toucher le clavecin)   -
247 Les Baricades mistérieuses, for harpsichord (Pièces de clavecin, II, 6e ordre)   -
247 Les Baricades mistérieuses, for harpsichord (Pièces de clavecin, II, 6e ordre)   -
248 Les Fastes de la grande et ancienne Menestrandise, for harpsichord (Pièces de clavecin, II, 11e ordre) - Premier Acte, Les Notables & Jurés Mxnxstxndxurs Sans lentur   -
248 Les Fastes de la grande et ancienne Menestrandise, for harpsichord (Pièces de clavecin, II, 11e ordre) - Premier Acte, Les Notables & Jurés Mxnxstxndxurs Sans lentur   -
249 Les Fastes de la grande et ancienne Menestrandise, for harpsichord (Pièces de clavecin, II, 11e ordre) - Deuxième Acte, Les Viéleux et les Gueux   -
249 Les Fastes de la grande et ancienne Menestrandise, for harpsichord (Pièces de clavecin, II, 11e ordre) - Deuxième Acte, Les Viéleux et les Gueux   -
250 Les Fastes de la grande et ancienne Menestrandise, for harpsichord (Pièces de clavecin, II, 11e ordre) - Troisième Acte, Les Jongleurs, Sauteurs & Saltimbanques, avec les ours   -
250 Les Fastes de la grande et ancienne Menestrandise, for harpsichord (Pièces de clavecin, II, 11e ordre) - Troisième Acte, Les Jongleurs, Sauteurs & Saltimbanques, avec les ours   -
251 Les Fastes de la grande et ancienne Menestrandise, for harpsichord (Pièces de clavecin, II, 11e ordre) - Quatrième Acte, Les Invalides, ou gens estropiés au service de la Gran   -
251 Les Fastes de la grande et ancienne Menestrandise, for harpsichord (Pièces de clavecin, II, 11e ordre) - Quatrième Acte, Les Invalides, ou gens estropiés au service de la Gran   -
252 Le Tic-Toc-Choc, ou les Maillotins, for harpsichord (Pièces de clavecin, III, 18e ordre)   -
252 Le Tic-Toc-Choc, ou les Maillotins, for harpsichord (Pièces de clavecin, III, 18e ordre)   -
253 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: Allemande   -
253 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: Allemande   -
254 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: Courante   -
254 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: Courante   -
255 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: Gigue en rondeau   -
255 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: Gigue en rondeau   -
256 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: Le Rappel des oiseaux   -
256 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: Le Rappel des oiseaux   -
257 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: La Villageoise, Rondeau   -
257 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: La Villageoise, Rondeau   -
258 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: Musette en rondeau   -
258 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: Musette en rondeau   -
259 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: Tambourin   -
259 Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord - Suite de clavecin in E minor: Tambourin   -
260 Conzonanze Stravaganti, for keyboard or ensemble   -
260 Conzonanze Stravaganti, for keyboard or ensemble   -
261 Aria "L'Emenfrodito", Op. 4/9   -
261 Aria "L'Emenfrodito", Op. 4/9   -
262 Sinfonia Sesto Tuono, for chamber instruments & continuo, Op. 22   -
262 Sinfonia Sesto Tuono, for chamber instruments & continuo, Op. 22   -
263 Trio sonata "Echo", for chamber instruments & continuo Op 8   -
263 Trio sonata "Echo", for chamber instruments & continuo Op 8   -
264 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Allegro   -
264 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Allegro   -
265 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Nachtigal [le rossignol]   -
265 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Nachtigal [le rossignol]   -
266 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Cu Cu [le coucou]   -
266 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Cu Cu [le coucou]   -
267 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Fresch [le crapaud]   -
267 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Fresch [le crapaud]   -
268 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Die Henn & der Hann [la poule et le coq]   -
268 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Die Henn & der Hann [la poule et le coq]   -
269 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Die Katz [le chat]   -
269 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Die Katz [le chat]   -
270 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Musqetir Mars [marche des mousquetaires]   -
270 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Musqetir Mars [marche des mousquetaires]   -
271 Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in B minor, Op. 3/4   -
271 Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in B minor, Op. 3/4   -
272 Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in B minor, Op. 3/4   -
272 Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in B minor, Op. 3/4   -
273 Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in B minor, Op. 3/4   -
273 Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in B minor, Op. 3/4   -
274 Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in B minor, Op. 3/4   -
274 Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in B minor, Op. 3/4   -
275 Sonate da camera a tre, for 2 violins & violone (or harpsichord) in D major, Op. 4/4 - Movement 1   -
275 Sonate da camera a tre, for 2 violins & violone (or harpsichord) in D major, Op. 4/4 - Movement 1   -
276 Sonate da camera a tre, for 2 violins & violone (or harpsichord) in D major, Op. 4/4 - Movement 2   -
276 Sonate da camera a tre, for 2 violins & violone (or harpsichord) in D major, Op. 4/4 - Movement 2   -
277 Sonate da camera a tre, for 2 violins & violone (or harpsichord) in D major, Op. 4/4 - Movement 3   -
277 Sonate da camera a tre, for 2 violins & violone (or harpsichord) in D major, Op. 4/4 - Movement 3   -
278 Sonate da camera a tre, for 2 violins & violone (or harpsichord) in D major, Op. 4/4 - Movement 4   -
278 Sonate da camera a tre, for 2 violins & violone (or harpsichord) in D major, Op. 4/4 - Movement 4   -
279 La Sonnerie de Sainte Geneviève du Mont à Paris, for violin, viola da gamba & continuo in D minor   -
279 La Sonnerie de Sainte Geneviève du Mont à Paris, for violin, viola da gamba & continuo in D minor   -
280 Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731   -
280 Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731   -
281 Trio Sonata for 2 violins & continuo in D minor ("La follia"), Op. 1/12, RV 63   -
281 Trio Sonata for 2 violins & continuo in D minor ("La follia"), Op. 1/12, RV 63   -
282 Sonata for violin & continuo in F major, Op. 5/4   -
282 Sonata for violin & continuo in F major, Op. 5/4   -
283 Sonata for violin & continuo in F major, Op. 5/4   -
283 Sonata for violin & continuo in F major, Op. 5/4   -
284 Sonata for violin & continuo in F major, Op. 5/4   -
284 Sonata for violin & continuo in F major, Op. 5/4   -
285 Sonata for violin & continuo in F major, Op. 5/4   -
285 Sonata for violin & continuo in F major, Op. 5/4   -
286 Recorder Sonata in B flat major, HWV 377 - Courante   -
286 Recorder Sonata in B flat major, HWV 377 - Courante   -
287 Recorder Sonata in B flat major, HWV 377 - Adagio   -
287 Recorder Sonata in B flat major, HWV 377 - Adagio   -
288 Recorder Sonata in B flat major, HWV 377 - Allegro   -
288 Recorder Sonata in B flat major, HWV 377 - Allegro   -
289 Solo, for oboe & continuo in B flat major (Essercizi musici No. 5/9), TWV 41:B6 - Unspecified excerpt   -
289 Solo, for oboe & continuo in B flat major (Essercizi musici No. 5/9), TWV 41:B6 - Unspecified excerpt   -
290 La favola d'Orfeo, opera, SV 318 - Sinfonia d'ouverture de l'Acte III   -
290 La favola d'Orfeo, opera, SV 318 - Sinfonia d'ouverture de l'Acte III   -
291 Vespro (6) della Beata Vergine, for 8 voices & continuo - Musiche sacre: Sonata a 12   -
291 Vespro (6) della Beata Vergine, for 8 voices & continuo - Musiche sacre: Sonata a 12   -
292 La Calisto, opera - Chiacona, finale   -
292 La Calisto, opera - Chiacona, finale   -
293 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495 - Overture   -
293 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495 - Overture   -
294 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495 - Deuxième Intermède & Airs des tapissiers   -
294 Le Malade imaginaire, incidental music for soloists, chorus, instruments & continuo, H. 495 - Deuxième Intermède & Airs des tapissiers   -
295 Atys, opera, LWV 53 - Overture   -
295 Atys, opera, LWV 53 - Overture   -
296 Atys, opera, LWV 53 - Act V, Entrée des Nymphes, Entrées I & II des Corybantes   -
296 Atys, opera, LWV 53 - Act V, Entrée des Nymphes, Entrées I & II des Corybantes   -
297 Le bourgeois gentilhomme, comédie-ballet, LWV 43 - Marche pour la cérémonie des Turcs   -
297 Le bourgeois gentilhomme, comédie-ballet, LWV 43 - Marche pour la cérémonie des Turcs   -
298 Le bourgeois gentilhomme, comédie-ballet, LWV 43 - Canarie   -
298 Le bourgeois gentilhomme, comédie-ballet, LWV 43 - Canarie   -
299 Troisième suite, for orchestra (Symphonies pour les soupers du Roy) - Premier Air   -
299 Troisième suite, for orchestra (Symphonies pour les soupers du Roy) - Premier Air   -
300 Troisième suite, for orchestra (Symphonies pour les soupers du Roy) - Deuxième Air, Légèrment   -
300 Troisième suite, for orchestra (Symphonies pour les soupers du Roy) - Deuxième Air, Légèrment   -
301 Troisième suite, for orchestra (Symphonies pour les soupers du Roy) - La Loure (musette)   -
301 Troisième suite, for orchestra (Symphonies pour les soupers du Roy) - La Loure (musette)   -
302 Troisième suite, for orchestra (Symphonies pour les soupers du Roy) - Grande pièce en D-la-ré, Passacaille (extr. de l'Amour fléchi par la c   -
302 Troisième suite, for orchestra (Symphonies pour les soupers du Roy) - Grande pièce en D-la-ré, Passacaille (extr. de l'Amour fléchi par la c   -
303 Water Music Suite No.2 for orchestra in D major, HWV 349 - Allegro   -
303 Water Music Suite No.2 for orchestra in D major, HWV 349 - Allegro   -
304 Water Music Suite No.2 for orchestra in D major, HWV 349 - Alla hornpipe   -
304 Water Music Suite No.2 for orchestra in D major, HWV 349 - Alla hornpipe   -
305 Water Music Suite No.2 for orchestra in D major, HWV 349 - Minuet   -
305 Water Music Suite No.2 for orchestra in D major, HWV 349 - Minuet   -
306 Water Music Suite No.2 for orchestra in D major, HWV 349 - Bourrée   -
306 Water Music Suite No.2 for orchestra in D major, HWV 349 - Bourrée   -
307 Orchestral Suite No. 4 in D major, BWV 1069 - No. 1, Overture   -
307 Orchestral Suite No. 4 in D major, BWV 1069 - No. 1, Overture   -
308 Orchestral Suite No. 3 in D major, BWV 1068 - No. 2, Aria   -
308 Orchestral Suite No. 3 in D major, BWV 1068 - No. 2, Aria   -
309 Orchestral Suite No. 2 in B minor, BWV 1067 - Polonaise & double   -
309 Orchestral Suite No. 2 in B minor, BWV 1067 - Polonaise & double   -
310 Orchestral Suite No. 2 in B minor, BWV 1067 - Badnerie   -
310 Orchestral Suite No. 2 in B minor, BWV 1067 - Badnerie   -
311 Les Indes galantes, suites from the opéra-ballet for orchestra - Air Polonois   -
311 Les Indes galantes, suites from the opéra-ballet for orchestra - Air Polonois   -
312 Les Indes galantes, suites from the opéra-ballet for orchestra - Air pour les Amants qui suivent Bellone et pour les Amantes qui táchent de les retenir   -
312 Les Indes galantes, suites from the opéra-ballet for orchestra - Air pour les Amants qui suivent Bellone et pour les Amantes qui táchent de les retenir   -
313 Les Indes galantes, suites from the opéra-ballet for orchestra - Air des Sauvages   -
313 Les Indes galantes, suites from the opéra-ballet for orchestra - Air des Sauvages   -
314 Symphony for 2 violins, viola & bass in D major, J-C 14 - Movement 1   -
314 Symphony for 2 violins, viola & bass in D major, J-C 14 - Movement 1   -
315 Symphony for 2 violins, viola & bass in D major, J-C 14 - Movement 2   -
315 Symphony for 2 violins, viola & bass in D major, J-C 14 - Movement 2   -
316 Symphony for 2 violins, viola & bass in D major, J-C 14 - Movement 3   -
316 Symphony for 2 violins, viola & bass in D major, J-C 14 - Movement 3   -
317 Symphony in D major, G. 490 - No. 1, Allegro   -
317 Symphony in D major, G. 490 - No. 1, Allegro   -
318 Symphony in D major, G. 490 - No. 2, Andante   -
318 Symphony in D major, G. 490 - No. 2, Andante   -
319 Symphony in D major, G. 490 - No. 3, Allegro assai   -
319 Symphony in D major, G. 490 - No. 3, Allegro assai   -
320 Concerto Grosso in G minor ("Christmas Concerto"), Op. 6/8   -
320 Concerto Grosso in G minor ("Christmas Concerto"), Op. 6/8   -
321 Concerto Grosso in G minor ("Christmas Concerto"), Op. 6/8   -
321 Concerto Grosso in G minor ("Christmas Concerto"), Op. 6/8   -
322 Concerto Grosso in G minor ("Christmas Concerto"), Op. 6/8   -
322 Concerto Grosso in G minor ("Christmas Concerto"), Op. 6/8   -
323 Concerto Grosso in B flat major, Op. 6/11 - Preludio   -
323 Concerto Grosso in B flat major, Op. 6/11 - Preludio   -
324 Concerto Grosso in B flat major, Op. 6/11 - Allemande   -
324 Concerto Grosso in B flat major, Op. 6/11 - Allemande   -
325 Concerto Grosso in B flat major, Op. 6/11 - Sarabande   -
325 Concerto Grosso in B flat major, Op. 6/11 - Sarabande   -
326 Concerto Grosso in B flat major, Op. 6/11 - Giga   -
326 Concerto Grosso in B flat major, Op. 6/11 - Giga   -
327 Sonata for strings & continuo No. 3 in A major (from Armonico Tributo) - 1, Sonata, Grave   -
327 Sonata for strings & continuo No. 3 in A major (from Armonico Tributo) - 1, Sonata, Grave   -
328 Sonata for strings & continuo No. 3 in A major (from Armonico Tributo) - Allegro   -
328 Sonata for strings & continuo No. 3 in A major (from Armonico Tributo) - Allegro   -
329 Sonata for strings & continuo No. 3 in A major (from Armonico Tributo) - 3, Adagio   -
329 Sonata for strings & continuo No. 3 in A major (from Armonico Tributo) - 3, Adagio   -
330 Sonata for strings & continuo No. 3 in A major (from Armonico Tributo) - 5, Rondeau   -
330 Sonata for strings & continuo No. 3 in A major (from Armonico Tributo) - 5, Rondeau   -
331 Concerto Grosso in G minor, Op.6/6, HWV 324 - Largo e affettuoso   -
331 Concerto Grosso in G minor, Op.6/6, HWV 324 - Largo e affettuoso   -
332 Concerto Grosso in G minor, Op.6/6, HWV 324 - A tempo giusto; Allegro ma non troppo   -
332 Concerto Grosso in G minor, Op.6/6, HWV 324 - A tempo giusto; Allegro ma non troppo   -
333 Concerto Grosso in G minor, Op.6/6, HWV 324 - Musette; Larghetto   -
333 Concerto Grosso in G minor, Op.6/6, HWV 324 - Musette; Larghetto   -
334 Sinfonia for trumpet, strings & continuo in D major ("Trumpet Concerto"), G. 2 - 3, Allegro   -
334 Sinfonia for trumpet, strings & continuo in D major ("Trumpet Concerto"), G. 2 - 3, Allegro   -
335 Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 - 1. Allegro   -
335 Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 - 1. Allegro   -
336 Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 - 2. Largo e pianissimo sempre   -
336 Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 - 2. Largo e pianissimo sempre   -
337 Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 - 3. Danza pastorale. Allegro   -
337 Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 - 3. Danza pastorale. Allegro   -
338 Flute Concerto, for flute, strings & continuo in D major ("Il gardellino"), Op. 10/3, RV 428 - Allegro   -
338 Flute Concerto, for flute, strings & continuo in D major ("Il gardellino"), Op. 10/3, RV 428 - Allegro   -
339 Flute Concerto, for flute, strings & continuo in D major ("Il gardellino"), Op. 10/3, RV 428 - Larghetto cantabile   -
339 Flute Concerto, for flute, strings & continuo in D major ("Il gardellino"), Op. 10/3, RV 428 - Larghetto cantabile   -
340 Concerto for recorder & orchestra in F major - 1, Allegro   -
340 Concerto for recorder & orchestra in F major - 1, Allegro   -
341 Concerto for recorder & orchestra in F major - 2, Siciliana   -
341 Concerto for recorder & orchestra in F major - 2, Siciliana   -
342 Concerto for recorder, viola da gamba, strings & continuo in A minor, TWV 52:a1 - 3, Allegro   -
342 Concerto for recorder, viola da gamba, strings & continuo in A minor, TWV 52:a1 - 3, Allegro   -
343 Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 - 1, Vivace   -
343 Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 - 1, Vivace   -
344 Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 - 2, Largo ma non tanto   -
344 Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 - 2, Largo ma non tanto   -
345 Violin Concerto in G major, D. 78 - 3, Presto   -
345 Violin Concerto in G major, D. 78 - 3, Presto   -
346 Passacaglia (Mystery Sonata), for violin solo in G minor, C. 105   -
346 Passacaglia (Mystery Sonata), for violin solo in G minor, C. 105   -
347 Engelse fortuin, variations for keyboard ("Von der Fortuna werd ich getrieben")   -
347 Engelse fortuin, variations for keyboard ("Von der Fortuna werd ich getrieben")   -
348 Variations sur la chanson "Von der Fortuna"   -
348 Variations sur la chanson "Von der Fortuna"   -
349 Praeludium for organ in G minor, BuxWV 149   -
349 Praeludium for organ in G minor, BuxWV 149   -
350 Chorale prelude for organ in G major, BuxWV 197, "In Dulci Jubilo"   -
350 Chorale prelude for organ in G major, BuxWV 197, "In Dulci Jubilo"   -
351 Fugue (Gigue) for keyboard in C major, BuxWV 174   -
351 Fugue (Gigue) for keyboard in C major, BuxWV 174   -
352 Canon and gigue, for 3 violins & continuo in D major, T. 337 - Canon for 3 violins & continuo   -
352 Canon and gigue, for 3 violins & continuo in D major, T. 337 - Canon for 3 violins & continuo   -
353 Sonata for violin & continuo - 2, Allegro-Adagio-Allegro   -
353 Sonata for violin & continuo - 2, Allegro-Adagio-Allegro   -
354 Partita (No.18), for keyboard in G minor, FbWV 618 - Allemande   -
354 Partita (No.18), for keyboard in G minor, FbWV 618 - Allemande   -
355 Frische Clavier Früchte: Sonata No. 2 - Movement 1   -
355 Frische Clavier Früchte: Sonata No. 2 - Movement 1   -
356 Frische Clavier Früchte: Sonata No. 2 - Movement 2, Molto adagio   -
356 Frische Clavier Früchte: Sonata No. 2 - Movement 2, Molto adagio   -
357 Frische Clavier Früchte: Sonata No. 2 - Movement 5   -
357 Frische Clavier Früchte: Sonata No. 2 - Movement 5   -
358 Præludium for keyboard 6 (from Pièces de Clavessin)   -
358 Præludium for keyboard 6 (from Pièces de Clavessin)   -
359 Prelude and Fugue, for keyboard No. 6 in D minor (WTC I/6), BWV 851 (BC L85) - Prelude   -
359 Prelude and Fugue, for keyboard No. 6 in D minor (WTC I/6), BWV 851 (BC L85) - Prelude   -
360 Prelude and Fugue, for keyboard No. 6 in D minor (WTC I/6), BWV 851 (BC L85) - Fugue   -
360 Prelude and Fugue, for keyboard No. 6 in D minor (WTC I/6), BWV 851 (BC L85) - Fugue   -
361 The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Ricecar à 6 voix   -
361 The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Ricecar à 6 voix   -
362 The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Canon perpetuus de la "Sonata sopr'il Soggetto Reale"   -
362 The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079 - Canon perpetuus de la "Sonata sopr'il Soggetto Reale"   -
363 Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5) - 1, Allegro   -
363 Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5) - 1, Allegro   -
364 Fantasia and Fugue, for organ in C minor (fugue incomplete), BWV 562 (BC J41, 56) - Fantasy   -
364 Fantasia and Fugue, for organ in C minor (fugue incomplete), BWV 562 (BC J41, 56) - Fantasy   -
365 Fantasia, for violin No. 3 in F minor, TWV 40:16   -
365 Fantasia, for violin No. 3 in F minor, TWV 40:16   -

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