1
| |
Epitaffio, for orchestra & electronic elements | |
10:12
|
2
| |
Listen, for piano | |
10:25
|
3
| |
Evening Land (Aftonland), for soprano or tenor & chamber ensemble - 1st Movement | |
5:46
|
4
| |
Evening Land (Aftonland), for soprano or tenor & chamber ensemble - 2nd movement | |
3:51
|
5
| |
Evening Land (Aftonland), for soprano or tenor & chamber ensemble - 3rd movement | |
4:51
|
6
| |
Canzona per orchestra | |
12:14
|
7
| |
Colorazione, for hammond organ x-66, percussion, delay, ring modulator & filters | |
18:56
|
8
| |
Wirklicher Wald, for soprano, chorus & orchestra | |
26:59
|
9
| |
Clamavi, for solo cello | |
12:02
|
10
| |
Tenebrae, for cello & orchestra | |
25:02
|
11
| |
The Tempest, suite from the ballet - Suite: Calm Sea, Storm and Awakening | |
12:46
|
12
| |
The Tempest, suite from the ballet - Suite: Magic Circle | |
6:27
|
13
| |
The Tempest, suite from the ballet - Suite: Lacrymae | |
8:09
|
14
| |
The Tempest, suite from the ballet - Suite: A Mazed Trod | |
3:04
|
15
| |
The Tempest, suite from the ballet - Suite: Four Legs and Two Voices | |
7:17
|
16
| |
The Tempest, suite from the ballet - Suite: Caliban's Warning | |
12:49
|
17
| |
Tres Lamentationes, for soprano, alto, tenor, bass (voices) & chorus - Quomodo sedit sola | |
3:56
|
18
| |
Tres Lamentationes, for soprano, alto, tenor, bass (voices) & chorus - Clamavit cor eorum ad Dominum | |
2:56
|
19
| |
Tres Lamentationes, for soprano, alto, tenor, bass (voices) & chorus - Converte nos Domine as te | |
4:31
|
20
| |
Aurora, version for 4 singers, chorus, 2 percussion groups & electronics | |
21:16
|
21
| |
Nedstigningen (The Descent), for recitation, mixed chorus, soprano, orchestra & electronic sounds | |
26:08
|
22
| |
Draumkvedet (The Dream Ballad) - I Pilegrimskyrja | |
4:37
|
23
| |
Draumkvedet (The Dream Ballad) - Draumar mange | |
6:48
|
24
| |
Tre Voci, for soprano and chamber ensemble - Francesco Petrarca | |
4:33
|
25
| |
Tre Voci, for soprano and chamber ensemble - Giordano Bruno | |
6:06
|
26
| |
Tre Voci, for soprano and chamber ensemble - Giuseppe Ungaretti | |
6:00
|
27
| |
Music to Two Fragments of Music by Shelley - Silver Key | |
4:58
|
28
| |
Partita per carillon - Quasi Fantasia | |
3:43
|
29
| |
OHM, for lur & tape | |
9:17
|
30
| |
Solitaire, electro acoustic | |
12:00
|
31
| |
Magma, for orchestra | |
22:45
|
32
| |
Pace (Peace), electro acoustic | |
9:34
|
33
| |
Greening, for orchestra | |
23:34
|
34
| |
Eco, for soprano solo, mixed chorus, children's chorus & orchestra - I morti | |
9:17
|
35
| |
Eco, for soprano solo, mixed chorus, children's chorus & orchestra - Alle fronde dei salici | |
9:15
|
36
| |
Solar Plexus, for voice, saxophone, piano/organ, recitation & percussion | |
9:38
|
37
| |
The Return of the Snark, version for trombone & tape | |
14:52
|
38
| |
Partita für Paul, for volin & electronics (inspired by Paul Klee's pictures) - Tanze, du Ungeheuer, zu meinem sanften Lied | |
5:04
|
39
| |
Partita für Paul, for volin & electronics (inspired by Paul Klee's pictures) - Schwankendes Gleichgewicht | |
4:37
|
40
| |
Partita für Paul, for volin & electronics (inspired by Paul Klee's pictures) - Schwebendes (vor dem Anstieg) | |
4:17
|
41
| |
Partita für Paul, for volin & electronics (inspired by Paul Klee's pictures) - Harpia, Harpiana | |
1:39
|
42
| |
Partita für Paul, for volin & electronics (inspired by Paul Klee's pictures) - Individualisierte Höhenmessung der Lagen | |
3:48
|
43
| |
Spur, for accordion & orchestra | |
24:42
|
44
| |
Nachruf for Strings | |
7:27
|