1
|  |
Imperiale Seconda, trumpet fanfare & drums (from Fantini's Modo per imprare a sonare di tromba, 1638) |  |
1:23
|
2
|  |
Work(s) - Gloria a 16 |  |
4:50
|
3
|  |
Intonatione del settimo tono, for organ |  |
1:11
|
4
|  |
Sanctus-Benedictus, for 12 voices (1615) |  |
3:54
|
5
|  |
Canzon primi toni a 10 (Sacrae Symphoniae) |  |
3:59
|
6
|  |
Lieto godea, madrigal for 8 voices |  |
4:37
|
7
|  |
Altri canti d'amor, dramatic madrigal for 6 voices, 2 violins & 4 violas (from Book 8), SV 146 |  |
8:23
|
8
|  |
Second Vespers for the Feast of Santa Barbara (as reconstructed by Graham Dixon) - Laetatus sum in his |  |
7:15
|
9
|  |
Nigra sum sed formosa, antiphon for tenor (from Vespers), SV 206/3 |  |
4:15
|
10
|  |
Nisi Dominus aedificaverit domum, for 10 voices (from Vespers), SV 206/8 |  |
4:47
|
11
|  |
Sonata for treble instrument & continuo (i) (attrib.) |  |
1:14
|
12
|  |
Crucifixus |  |
3:46
|
13
|  |
Domine ad adjuvandum me festina (Psalm 69), for soprano, double chorus, 2 oboes, double strings & continuo in G major, RV 593 - I. Domine ad adiuvandum |  |
2:26
|
14
|  |
Domine ad adjuvandum me festina (Psalm 69), for soprano, double chorus, 2 oboes, double strings & continuo in G major, RV 593 - II. Gloria Patri, et Filio |  |
2:46
|
15
|  |
Domine ad adjuvandum me festina (Psalm 69), for soprano, double chorus, 2 oboes, double strings & continuo in G major, RV 593 - III. Sicut erat in principio |  |
2:00
|
16
|  |
Juditha triumphans devicta Holofernes barbarie, oratorio in 2 parts, RV 644 - Overture: Allegro |  |
3:55
|
17
|  |
Juditha triumphans devicta Holofernes barbarie, oratorio in 2 parts, RV 644 - Veni, veni, me sequere fida |  |
7:09
|