1
| |
Kontakte, for piano, percussion & electronic sounds - Teil 1 | |
16:20
|
2
| |
Kontakte, for piano, percussion & electronic sounds - Teil 2 | |
18:44
|
3
| |
Roaratorio: An Irish Circus on Finnegan's Wake, for voice, tape & Irish musicians | |
60:19
|
4
| |
Writing for the Second Time Through Finnegans Wake, for speaker (from Roaratorio) | |
14:14
|
5
| |
Trio for horn, violin & piano ("Hommage à Brahms") - Andantino con tenerezza | |
6:22
|
6
| |
Trio for horn, violin & piano ("Hommage à Brahms") - Vivacissimo molto ritmico | |
5:23
|
7
| |
Trio for horn, violin & piano ("Hommage à Brahms") - Alla Marcia | |
3:07
|
8
| |
Trio for horn, violin & piano ("Hommage à Brahms") - Lamento. Adagio | |
7:12
|
9
| |
Passacaglia Ungherese, for harpsichord | |
4:52
|
10
| |
Hungarian Rock (Chaconne), for harpsichord | |
5:12
|
11
| |
Continuum, for harpsichord | |
4:06
|
12
| |
Pieces (3) for 2 pianos: Monument, Selbstporträt & Bewegung - Monument | |
4:38
|
13
| |
Pieces (3) for 2 pianos: Monument, Selbstporträt & Bewegung - Selbstportrait mit Reich und Riley (und Chopin ist auch dabei) | |
7:18
|
14
| |
Pieces (3) for 2 pianos: Monument, Selbstporträt & Bewegung - In zart fließender Bewegung | |
4:38
|
15
| |
Kolchis, for harp, piano, percussion, cello & double bass | |
4:38
|
16
| |
Antlitz, sketch for violin & piano | |
12:19
|
17
| |
Klavierstück No. 6 | |
15:38
|
18
| |
Von weit, "Antlitz" version for cello & piano | |
13:03
|
19
| |
Dritte Musik, for violin & orchestra | |
17:42
|