1
|  |
Kontakte, for piano, percussion & electronic sounds - Teil 1 |  |
16:20
|
2
|  |
Kontakte, for piano, percussion & electronic sounds - Teil 2 |  |
18:44
|
3
|  |
Roaratorio: An Irish Circus on Finnegan's Wake, for voice, tape & Irish musicians |  |
60:19
|
4
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Writing for the Second Time Through Finnegans Wake, for speaker (from Roaratorio) |  |
14:14
|
5
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Trio for horn, violin & piano ("Hommage à Brahms") - Andantino con tenerezza |  |
6:22
|
6
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Trio for horn, violin & piano ("Hommage à Brahms") - Vivacissimo molto ritmico |  |
5:23
|
7
|  |
Trio for horn, violin & piano ("Hommage à Brahms") - Alla Marcia |  |
3:07
|
8
|  |
Trio for horn, violin & piano ("Hommage à Brahms") - Lamento. Adagio |  |
7:12
|
9
|  |
Passacaglia Ungherese, for harpsichord |  |
4:52
|
10
|  |
Hungarian Rock (Chaconne), for harpsichord |  |
5:12
|
11
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Continuum, for harpsichord |  |
4:06
|
12
|  |
Pieces (3) for 2 pianos: Monument, Selbstporträt & Bewegung - Monument |  |
4:38
|
13
|  |
Pieces (3) for 2 pianos: Monument, Selbstporträt & Bewegung - Selbstportrait mit Reich und Riley (und Chopin ist auch dabei) |  |
7:18
|
14
|  |
Pieces (3) for 2 pianos: Monument, Selbstporträt & Bewegung - In zart fließender Bewegung |  |
4:38
|
15
|  |
Kolchis, for harp, piano, percussion, cello & double bass |  |
4:38
|
16
|  |
Antlitz, sketch for violin & piano |  |
12:19
|
17
|  |
Klavierstück No. 6 |  |
15:38
|
18
|  |
Von weit, "Antlitz" version for cello & piano |  |
13:03
|
19
|  |
Dritte Musik, for violin & orchestra |  |
17:42
|