1
| |
Epitaph of Seikilos | |
:34
|
2
| |
Choral ode from Orestes/Vienna papyrus G.2315 | |
1:20
|
3
| |
Choral ode from Orestes/Vienna papyrus G.2315 | |
1:12
|
4
| |
Mass for Christmas Day - Introit: Puer natus est nobis [Part 1] | |
:51
|
5
| |
Mass for Christmas Day - Introit: Puer natus est nobis [Part 2] | |
:14
|
6
| |
Mass for Christmas Day - Introit: Puer natus est nobis [Part 3] | |
:27
|
7
| |
Mass for Christmas Day - Introit: Puer natus est nobis [Part 4] | |
:54
|
8
| |
Mass for Christmas Day - Kyrie [Part 1] | |
:40
|
9
| |
Mass for Christmas Day - Kyrie [Part 2] | |
:36
|
10
| |
Mass for Christmas Day - Kyrie [Part 3] | |
:21
|
11
| |
Mass for Christmas Day - Kyrie [Part 4] | |
:20
|
12
| |
Mass for Christmas Day - Gloria | |
2:47
|
13
| |
Mass for Christmas Day - Graduel: Viderunt omnes [Part 1] | |
:53
|
14
| |
Mass for Christmas Day - Graduel: Viderunt omnes [Part 2] | |
1:12
|
15
| |
Mass for Christmas Day - Alleluia: Dies sanctificatus [Part 1] | |
:21
|
16
| |
Mass for Christmas Day - Alleluia: Dies sanctificatus [Part 2] | |
1:04
|
17
| |
Mass for Christmas Day - Alleluia: Dies sanctificatus [Part 3] | |
:19
|
18
| |
Mass for Christmas Day - Credo | |
3:19
|
19
| |
Mass for Christmas Day - Offertory: Tui sunt coeli | |
1:26
|
20
| |
Mass for Christmas Day - Sanctus | |
1:04
|
21
| |
Mass for Christmas Day - Agnus Dei | |
:48
|
22
| |
Mass for Christmas Day - Communion: Viderunt omnes | |
:32
|
23
| |
Mass for Christmas Day - Ite, missa est | |
:31
|
24
| |
Tecum principium, antiphon in mode 1 (Liber Usualis No. 412) (for the Christmas Day Vespers) - [Part 1] | |
:23
|
25
| |
Tecum principium, antiphon in mode 1 (Liber Usualis No. 412) (for the Christmas Day Vespers) - [Part 2] | |
1:25
|
26
| |
Tecum principium, antiphon in mode 1 (Liber Usualis No. 412) (for the Christmas Day Vespers) - [Part 3] | |
:19
|
27
| |
Tecum principium, antiphon in mode 1 (Liber Usualis No. 412) (for the Christmas Day Vespers) - [Part 4] | |
:25
|
28
| |
Christe Redemptor omnium, hymn in mode 1 | |
1:11
|
29
| |
Victimae paschali laudes | |
1:44
|
30
| |
Quam queritis in praespe, introit trope - [Part 1] | |
1:53
|
31
| |
Quam queritis in praespe, introit trope - [Part 2] | |
:58
|
32
| |
Quam queritis in praespe, introit trope - [Part 3] | |
:33
|
33
| |
Ordo Virtutum, liturgical drama - Conclusion. In principio omnes [Part 1] | |
:41
|
34
| |
Ordo Virtutum, liturgical drama - Conclusion. In principio omnes [Part 2] | |
2:22
|
35
| |
Ordo Virtutum, liturgical drama - Conclusion. In principio omnes [Part 3] | |
:55
|
36
| |
Quan (Can) vei la lauzeta mover, motet | |
1:42
|
37
| |
A chantar m'er de so qu'en no volria, song | |
2:03
|
38
| |
Le jeu de Robin et de Marion (The Play of Robin and Marion) - Robins m'aime | |
1:25
|
39
| |
Palästinalied (Kreutzfahrlied) ("Nu alrest lebe ich mir werde"), song | |
4:54
|
40
| |
Non sofre Santa Maria | |
2:54
|
41
| |
La Quarte Estampie Royal - [Part 1] | |
:26
|
42
| |
La Quarte Estampie Royal - [Part 2] | |
:15
|
43
| |
La Quarte Estampie Royal - [Part 3] | |
:18
|
44
| |
La Quarte Estampie Royal - [Part 4] | |
:15
|
45
| |
La Quarte Estampie Royal - [Part 5] | |
:18
|
46
| |
La Quarte Estampie Royal - [Part 6] | |
:18
|
47
| |
La Quarte Estampie Royal - [Part 7] | |
:29
|
48
| |
Tu patris sempiternus, organum (from Musica enchiriadis) | |
:06
|
49
| |
Sit gloria domini, organum (from Musica enchiriadis) | |
:14
|
50
| |
Rex caeli, organum (from Musica enchiriadis) | |
:27
|
51
| |
Alleluia justus ut palma, sequence in free organum - [Part 1] | |
:33
|
52
| |
Alleluia justus ut palma, sequence in free organum - [Part 2] | |
1:32
|
53
| |
Jubilemus, exultemus - [Part 1] | |
:26
|
54
| |
Jubilemus, exultemus - [Part 2] | |
:50
|
55
| |
Jubilemus, exultemus - [Part 3] | |
1:12
|
56
| |
Jubilemus, exultemus - [Part 4] | |
:49
|
57
| |
Viderunt omnes, 2 part organum (attrib. to Leonin) - [Part 1] | |
1:18
|
58
| |
Viderunt omnes, 2 part organum (attrib. to Leonin) - [Part 2] | |
:42
|
59
| |
Viderunt omnes, 2 part organum (attrib. to Leonin) - [Part 3] | |
:40
|
60
| |
Viderunt omnes, 2 part organum (attrib. to Leonin) - [Part 4] | |
:34
|
61
| |
Viderunt omnes, 2 part organum (attrib. to Leonin) - [Part 5] | |
1:34
|
62
| |
Viderunt omnes, 2 part organum (attrib. to Leonin) - [Part 6] | |
1:48
|
63
| |
Viderunt omnes, 2 part organum (attrib. to Leonin) - [Part 7] | |
:26
|
64
| |
Viderunt omnes, 2 part organum (attrib. to Leonin) - [Part 8] | |
:18
|
65
| |
Viderunt omnes, 2 part organum (attrib. to Leonin) - Dominus, clausula No. 26 | |
:55
|
66
| |
Viderunt omnes, 2 part organum (attrib. to Leonin) - Dominus, clausula No. 29 | |
:35
|
67
| |
Viderunt omnes, organum for 4 voices - [Part 1] | |
2:12
|
68
| |
Viderunt omnes, organum for 4 voices - [Part 2] | |
:10
|
69
| |
Viderunt omnes, organum for 4 voices - [Part 3] | |
1:05
|
70
| |
Viderunt omnes, organum for 4 voices - [Part 4] | |
:47
|
71
| |
Viderunt omnes, organum for 4 voices - [Part 5] | |
1:29
|
72
| |
Viderunt omnes, organum for 4 voices - [Part 6] | |
1:05
|
73
| |
Viderunt omnes, organum for 4 voices - [Part 7] | |
:57
|
74
| |
Viderunt omnes, organum for 4 voices - [Part 8] | |
:16
|
75
| |
Viderunt omnes, organum for 4 voices - [Part 9] | |
:59
|
76
| |
Viderunt omnes, organum for 4 voices - [Part 10] | |
:17
|
77
| |
Viderunt omnes, organum for 4 voices - [Part 11] | |
:23
|
78
| |
Viderunt omnes, organum for 4 voices - [Part 12] | |
:19
|
79
| |
Ave virgo virginum | |
1:58
|
80
| |
Factum est salutare, motet on tenor Dominus | |
1:01
|
81
| |
Fole acostumance, motet on tenor Dominus - [Part 1] | |
1:01
|
82
| |
Fole acostumance, motet on tenor Dominus - [Part 2] | |
1:13
|
83
| |
Super te / Sed fulsit / Dominus, motet in 3 parts | |
1:01
|
84
| |
Super te Jerusalem / Sed fulsit virginitas / Primus tenor / Dominus, motet in 4 pieces | |
1:12
|
85
| |
De ma dame vient, motet for 3 voices - [Part 1] | |
1:04
|
86
| |
De ma dame vient, motet for 3 voices - [Part 2] | |
1:04
|
87
| |
De ma dame vient, motet for 3 voices - [Part 3] | |
1:11
|
88
| |
Sumer is icumen in | |
1:50
|
89
| |
Tuba sacre fidei/In arboris/Virgo sum, motet - [Part 1] | |
:38
|
90
| |
Tuba sacre fidei/In arboris/Virgo sum, motet - [Part 2] | |
:25
|
91
| |
Tuba sacre fidei/In arboris/Virgo sum, motet - [Part 3] | |
:25
|
92
| |
Tuba sacre fidei/In arboris/Virgo sum, motet - [Part 4] | |
:12
|
93
| |
Tuba sacre fidei/In arboris/Virgo sum, motet - [Part 5] | |
:13
|
94
| |
Tuba sacre fidei/In arboris/Virgo sum, motet - [Part 6] | |
:18
|
95
| |
Messe de Nostre Dame, mass for 4 voices - Kyrie [Part 1] | |
:58
|
96
| |
Messe de Nostre Dame, mass for 4 voices - Kyrie [Part 2] | |
1:17
|
97
| |
Messe de Nostre Dame, mass for 4 voices - Kyrie [Part 3] | |
:15
|
98
| |
Messe de Nostre Dame, mass for 4 voices - Kyrie [Part 4] | |
1:05
|
99
| |
Messe de Nostre Dame, mass for 4 voices - Kyrie [Part 5] | |
:39
|
100
| |
Messe de Nostre Dame, mass for 4 voices - Kyrie [Part 6] | |
:15
|
101
| |
Messe de Nostre Dame, mass for 4 voices - Kyrie [Part 7] | |
1:09
|
102
| |
Foy porter, honneur garder, virelai for voice | |
3:19
|
103
| |
Rose, liz, rondeau for 4 voices - [Part 1] | |
:40
|
104
| |
Rose, liz, rondeau for 4 voices - [Part 2] | |
:21
|
105
| |
Rose, liz, rondeau for 4 voices - [Part 3] | |
1:24
|
106
| |
Rose, liz, rondeau for 4 voices - [Part 4] | |
2:12
|
107
| |
En Remirant - [Part 1] | |
:53
|
108
| |
En Remirant - [Part 2] | |
:54
|
109
| |
En Remirant - [Part 3] | |
1:18
|
110
| |
Non al su' amante più Diana piaque, madrigal for 2 voices - [Part 1] | |
2:26
|
111
| |
Non al su' amante più Diana piaque, madrigal for 2 voices - [Part 2] | |
:44
|
112
| |
Tosto che l'alba; caccia - [Part 1] | |
1:34
|
113
| |
Tosto che l'alba; caccia - [Part 2] | |
:29
|
114
| |
Non avrà mai pietà, ballata for 3 voices, S. 144 - [Part 1] | |
:52
|
115
| |
Non avrà mai pietà, ballata for 3 voices, S. 144 - [Part 2] | |
1:30
|
116
| |
Non avrà mai pietà, ballata for 3 voices, S. 144 - [Part 3] | |
1:55
|
117
| |
Alleluia: A new work is come on hand - [Part 1] | |
:17
|
118
| |
Alleluia: A new work is come on hand - [Part 2] | |
:21
|
119
| |
Alleluia: A new work is come on hand - [Part 3] | |
1:15
|
120
| |
Alleluia: A new work is come on hand - [Part 4] | |
1:17
|
121
| |
Quam pulcra es, antiphon for 3 voices, MB 44 - [Part 1] | |
1:05
|
122
| |
Quam pulcra es, antiphon for 3 voices, MB 44 - [Part 2] | |
1:10
|
123
| |
De plus en plus se renouvell, rondeau for 3 voices, R. 12 - [Part 1] | |
:31
|
124
| |
De plus en plus se renouvell, rondeau for 3 voices, R. 12 - [Part 2] | |
3:18
|
125
| |
Resveilliés vous et faites chiere lye, ballade for 3 voices - [Part 1] | |
1:16
|
126
| |
Resveilliés vous et faites chiere lye, ballade for 3 voices - [Part 2] | |
:53
|
127
| |
Resveilliés vous et faites chiere lye, ballade for 3 voices - [Part 3] | |
:51
|
128
| |
Christe, redemptor omnium, ex Patre, hymn for 3 voices - [Part 1] | |
:26
|
129
| |
Christe, redemptor omnium, ex Patre, hymn for 3 voices - [Part 2] | |
:47
|
130
| |
Se la face ay pale, ballade for 3 voices - [Part 1] | |
:43
|
131
| |
Se la face ay pale, ballade for 3 voices - [Part 2] | |
:17
|
132
| |
Missa Se la face ay pale, for 4 voices - Gloria [Part 1] | |
:39
|
133
| |
Missa Se la face ay pale, for 4 voices - Gloria [Part 2] | |
3:12
|
134
| |
Missa Se la face ay pale, for 4 voices - Gloria [Part 3] | |
:20
|
135
| |
Missa Se la face ay pale, for 4 voices - Gloria [Part 4] | |
2:05
|
136
| |
Missa Se la face ay pale, for 4 voices - Gloria [Part 5] | |
:10
|
137
| |
Missa Se la face ay pale, for 4 voices - Gloria [Part 6] | |
:49
|
138
| |
Missa Se la face ay pale, for 4 voices - Gloria [Part 7] | |
:23
|
139
| |
Je ne puis vivre ainsi, virelai for 3 voices - [Part 1] | |
1:08
|
140
| |
Je ne puis vivre ainsi, virelai for 3 voices - [Part 2] | |
1:05
|
141
| |
Je ne puis vivre ainsi, virelai for 3 voices - [Part 3] | |
2:14
|
142
| |
Missa prolationum, for 4 voices - Kyrie [Part 1] | |
1:02
|
143
| |
Missa prolationum, for 4 voices - Kyrie [Part 2] | |
1:45
|
144
| |
Missa prolationum, for 4 voices - Kyrie [Part 3] | |
1:13
|
145
| |
Innsbruck, ich muß dich lassen (ii), song for 4 voices | |
2:46
|
146
| |
Ave Maria... virgo serena, motet for 4 parts - [Part 1] | |
:45
|
147
| |
Ave Maria... virgo serena, motet for 4 parts - [Part 2] | |
:36
|
148
| |
Ave Maria... virgo serena, motet for 4 parts - [Part 3] | |
:37
|
149
| |
Ave Maria... virgo serena, motet for 4 parts - [Part 4] | |
:27
|
150
| |
Ave Maria... virgo serena, motet for 4 parts - [Part 5] | |
:36
|
151
| |
Ave Maria... virgo serena, motet for 4 parts - [Part 6] | |
:55
|
152
| |
Ave Maria... virgo serena, motet for 4 parts - [Part 7] | |
:41
|
153
| |
Missa "Pange Lingua", for 4 parts - Kyrie [Part 1] | |
:44
|
154
| |
Missa "Pange Lingua", for 4 parts - Kyrie [Part 2] | |
1:17
|
155
| |
Missa "Pange Lingua", for 4 parts - Kyrie [Part 3] | |
:51
|
156
| |
Missa "Pange Lingua", for 4 parts - Credo [Excerpt] [Part 1] | |
:53
|
157
| |
Missa "Pange Lingua", for 4 parts - Credo [Excerpt] [Part 2] | |
:31
|
158
| |
Missa "Pange Lingua", for 4 parts - Credo [Excerpt] [Part 3] | |
:56
|
159
| |
Mille regretz, song for 4 parts | |
1:52
|
160
| |
Veni redemptor gentium, hymn (for Advent) | |
:23
|
161
| |
Nu komm der Heiden Heiland | |
:48
|
162
| |
A Mighty Fortress Is Our God (Ein feste Burg) | |
1:41
|
163
| |
Ein feste burg ist unser Gott (2 4-part settings) | |
1:08
|
164
| |
Psalm 134: Or sus, serviteurs du Seigneur | |
:30
|
165
| |
All People That on Earth Do Dwell (Old Hundredth) | |
:33
|
166
| |
Sing Joyfully, anthem for 6 voices (SSAATB) - [Part 1] | |
:19
|
167
| |
Sing Joyfully, anthem for 6 voices (SSAATB) - [Part 2] | |
:14
|
168
| |
Sing Joyfully, anthem for 6 voices (SSAATB) - [Part 3] | |
:28
|
169
| |
Sing Joyfully, anthem for 6 voices (SSAATB) - [Part 4] | |
:44
|
170
| |
Sing Joyfully, anthem for 6 voices (SSAATB) - [Part 5] | |
:55
|
171
| |
Missa Papae Marcelli, for 6 voices - Credo [Part 1] | |
:36
|
172
| |
Missa Papae Marcelli, for 6 voices - Credo [Part 2] | |
:59
|
173
| |
Missa Papae Marcelli, for 6 voices - Credo [Part 3] | |
:59
|
174
| |
Missa Papae Marcelli, for 6 voices - Credo [Part 4] | |
1:13
|
175
| |
Missa Papae Marcelli, for 6 voices - Credo [Part 5] | |
1:06
|
176
| |
Missa Papae Marcelli, for 6 voices - Credo [Part 6] | |
1:28
|
177
| |
Missa Papae Marcelli, for 6 voices - Credo [Part 7] | |
2:48
|
178
| |
Missa Papae Marcelli, for 6 voices - Credo [Part 8] | |
:40
|
179
| |
Missa Papae Marcelli, for 6 voices - Agnus Dei 1 | |
3:57
|
180
| |
O Magnum Mysterium, motet for 4 voices - [Part 1] | |
1:28
|
181
| |
O Magnum Mysterium, motet for 4 voices - [Part 2] | |
:43
|
182
| |
O Magnum Mysterium, motet for 4 voices - [Part 3] | |
:50
|
183
| |
O Magnum Mysterium, motet for 4 voices - [Part 4] | |
:46
|
184
| |
Missa O magnum mysterium, for 4 voices - Kyrie [Part 1] | |
:42
|
185
| |
Missa O magnum mysterium, for 4 voices - Kyrie [Part 2] | |
:25
|
186
| |
Missa O magnum mysterium, for 4 voices - Kyrie [Part 3] | |
:43
|
187
| |
Cum essem parvulus, motet for 6 voices, M. xiii (S. xv/72) - [Part 1] | |
:42
|
188
| |
Cum essem parvulus, motet for 6 voices, M. xiii (S. xv/72) - [Part 2] | |
1:24
|
189
| |
Cum essem parvulus, motet for 6 voices, M. xiii (S. xv/72) - [Part 3] | |
2:10
|
190
| |
Hoy comamos y bebamos, for 4 voices | |
1:43
|
191
| |
Io non compro più speranza, song - [Part 1] | |
:15
|
192
| |
Io non compro più speranza, song - [Part 2] | |
:07
|
193
| |
Io non compro più speranza, song - [Part 3] | |
:18
|
194
| |
Io non compro più speranza, song - [Part 4] | |
:15
|
195
| |
Io non compro più speranza, song - [Part 5] | |
:07
|
196
| |
Io non compro più speranza, song - [Part 6] | |
:18
|
197
| |
Io non compro più speranza, song - [Part 7] | |
:46
|
198
| |
Il bianco e dolce cigno, madrigal for 4 voices, S. 2/18 - [Part 1] | |
1:20
|
199
| |
Il bianco e dolce cigno, madrigal for 4 voices, S. 2/18 - [Part 2] | |
:40
|
200
| |
Da le belle contrade d'oriente, madrigal - [Part 1] | |
1:09
|
201
| |
Da le belle contrade d'oriente, madrigal - [Part 2] | |
:46
|
202
| |
Da le belle contrade d'oriente, madrigal - [Part 3] | |
2:05
|
203
| |
Solo e pensoso i più deserti campi, madrigal for 5 voices (Il nono libro de madrigali a 5 voci) - [Part 1] | |
:58
|
204
| |
Solo e pensoso i più deserti campi, madrigal for 5 voices (Il nono libro de madrigali a 5 voci) - [Part 2] | |
:40
|
205
| |
Solo e pensoso i più deserti campi, madrigal for 5 voices (Il nono libro de madrigali a 5 voci) - [Part 3] | |
:40
|
206
| |
Solo e pensoso i più deserti campi, madrigal for 5 voices (Il nono libro de madrigali a 5 voci) - [Part 4] | |
:55
|
207
| |
Solo e pensoso i più deserti campi, madrigal for 5 voices (Il nono libro de madrigali a 5 voci) - [Part 5] | |
:47
|
208
| |
Solo e pensoso i più deserti campi, madrigal for 5 voices (Il nono libro de madrigali a 5 voci) - [Part 6] | |
1:06
|
209
| |
Io parto, e non più dissi, madrigal for 5 voices (Book 6), W. 6/29 - [Part 1] | |
1:00
|
210
| |
Io parto, e non più dissi, madrigal for 5 voices (Book 6), W. 6/29 - [Part 2] | |
:53
|
211
| |
Io parto, e non più dissi, madrigal for 5 voices (Book 6), W. 6/29 - [Part 3] | |
:59
|
212
| |
Tant que vivrait en eage florissant, chanson for 4 voices - [Part 1] | |
:47
|
213
| |
Tant que vivrait en eage florissant, chanson for 4 voices - [Part 2] | |
:17
|
214
| |
Tant que vivrait en eage florissant, chanson for 4 voices - [Part 3] | |
1:12
|
215
| |
La nuict froide et somber (Du Bellay), chanson for 4 voices, B. xii/119 (S. xii/34) - [Part 1] | |
1:05
|
216
| |
La nuict froide et somber (Du Bellay), chanson for 4 voices, B. xii/119 (S. xii/34) - [Part 2] | |
1:25
|
217
| |
Revecy venir du printans - [Part 1] | |
:13
|
218
| |
Revecy venir du printans - [Part 2] | |
:25
|
219
| |
Revecy venir du printans - [Part 3] | |
:06
|
220
| |
Revecy venir du printans - [Part 4] | |
:22
|
221
| |
Revecy venir du printans - [Part 5] | |
:06
|
222
| |
Revecy venir du printans - [Part 6] | |
:26
|
223
| |
Revecy venir du printans - [Part 7] | |
:06
|
224
| |
Revecy venir du printans - [Part 8] | |
:25
|
225
| |
My bonny lasse she smyleth, madrigal for 5 voices - [Part 1] | |
:37
|
226
| |
My bonny lasse she smyleth, madrigal for 5 voices - [Part 2] | |
:31
|
227
| |
My bonny lasse she smyleth, madrigal for 5 voices - [Part 3] | |
1:12
|
228
| |
As Vesta was, from Latmos hill descending, madrigal for 6 voices - [Part 1] | |
:32
|
229
| |
As Vesta was, from Latmos hill descending, madrigal for 6 voices - [Part 2] | |
:16
|
230
| |
As Vesta was, from Latmos hill descending, madrigal for 6 voices - [Part 3] | |
:23
|
231
| |
As Vesta was, from Latmos hill descending, madrigal for 6 voices - [Part 4] | |
:43
|
232
| |
As Vesta was, from Latmos hill descending, madrigal for 6 voices - [Part 5] | |
1:17
|
233
| |
Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs) - [Part 1] | |
1:21
|
234
| |
Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs) - [Part 2] | |
1:18
|
235
| |
Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs) - [Part 3] | |
1:33
|
236
| |
Danserije (Dansereye) - Basse danse La morisque | |
:55
|
237
| |
Danserije (Dansereye) - Pavane La dona | |
:59
|
238
| |
Danserije (Dansereye) - Galliard La dona | |
:49
|
239
| |
Cancion Mille regres, for vihuela (from Los seys libros del Delphin) | |
2:08
|
240
| |
Diferencias (7) for guitar on "Guárdame las vacas" - Cuatro difrencias sobre "Guárdame las vacas" | |
1:18
|
241
| |
Pavan & Galliard ("Lachrymae"), for keyboard (pavan by Dowland, Galliard by Harding; arr. by Byrd), MB 54-55 - Pavana Lachrymae [Part 1] | |
:53
|
242
| |
Pavan & Galliard ("Lachrymae"), for keyboard (pavan by Dowland, Galliard by Harding; arr. by Byrd), MB 54-55 - Pavana Lachrymae [Part 2] | |
:57
|
243
| |
Pavan & Galliard ("Lachrymae"), for keyboard (pavan by Dowland, Galliard by Harding; arr. by Byrd), MB 54-55 - Pavana Lachrymae [Part 3] | |
:41
|
244
| |
Pavan & Galliard ("Lachrymae"), for keyboard (pavan by Dowland, Galliard by Harding; arr. by Byrd), MB 54-55 - Pavana Lachrymae [Part 4] | |
:47
|
245
| |
Pavan & Galliard ("Lachrymae"), for keyboard (pavan by Dowland, Galliard by Harding; arr. by Byrd), MB 54-55 - Pavana Lachrymae [Part 5] | |
:57
|
246
| |
Pavan & Galliard ("Lachrymae"), for keyboard (pavan by Dowland, Galliard by Harding; arr. by Byrd), MB 54-55 - Pavana Lachrymae [Part 6] | |
1:03
|
247
| |
Sacrae Symphoniae: No. 2: Canzon septimi toni, for 8 parts - [Part 1] | |
:31
|
248
| |
Sacrae Symphoniae: No. 2: Canzon septimi toni, for 8 parts - [Part 2] | |
:20
|
249
| |
Sacrae Symphoniae: No. 2: Canzon septimi toni, for 8 parts - [Part 3] | |
:23
|
250
| |
Sacrae Symphoniae: No. 2: Canzon septimi toni, for 8 parts - [Part 4] | |
:41
|
251
| |
Sacrae Symphoniae: No. 2: Canzon septimi toni, for 8 parts - [Part 5] | |
:24
|
252
| |
Sacrae Symphoniae: No. 2: Canzon septimi toni, for 8 parts - [Part 6] | |
:43
|
253
| |
Sacrae Symphoniae: No. 2: Canzon septimi toni, for 8 parts - [Part 7] | |
:24
|
254
| |
Sacrae Symphoniae: No. 2: Canzon septimi toni, for 8 parts - [Part 8] | |
:39
|
255
| |
Cruda Amarilli, madrigal for 5 voices (from Book 5), SV 94 - [Part 1] | |
:21
|
256
| |
Cruda Amarilli, madrigal for 5 voices (from Book 5), SV 94 - [Part 2] | |
:54
|
257
| |
Cruda Amarilli, madrigal for 5 voices (from Book 5), SV 94 - [Part 3] | |
1:21
|
258
| |
Vedro'l mio sol - [Part 1] | |
1:13
|
259
| |
Vedro'l mio sol - [Part 2] | |
2:46
|
260
| |
Euridice, opera - Aria: Nel pur ardor | |
1:33
|
261
| |
Euridice, opera - Dialogue in recitative: Per quel vago boschetto [Part 1] | |
1:16
|
262
| |
Euridice, opera - Dialogue in recitative: Per quel vago boschetto [Part 2] | |
3:09
|
263
| |
Euridice, opera - Dialogue in recitative: Per quel vago boschetto [Part 3] | |
:35
|
264
| |
Euridice, opera - Dialogue in recitative: Per quel vago boschetto [Part 4] | |
1:37
|
265
| |
La favola d'Orfeo, opera, SV 318 - Act 2. Aria/canzonetta: Vi ricorda o boschi ombrosi | |
2:10
|
266
| |
La favola d'Orfeo, opera, SV 318 - Act 2. Song: Mira, deh mira Orfeo | |
:26
|
267
| |
La favola d'Orfeo, opera, SV 318 - Act 2. Dialogue in recitative: Ahi, caso acerbo [Part 1] | |
1:45
|
268
| |
La favola d'Orfeo, opera, SV 318 - Act 2. Dialogue in recitative: Ahi, caso acerbo [Part 2] | |
1:01
|
269
| |
La favola d'Orfeo, opera, SV 318 - Act 2. Dialogue in recitative: Ahi, caso acerbo [Part 3] | |
2:29
|
270
| |
La favola d'Orfeo, opera, SV 318 - Act 2. Dialogue in recitative: Ahi, caso acerbo [Part 4] | |
:53
|
271
| |
La favola d'Orfeo, opera, SV 318 - Act 2. Recitative: Tu se' morta | |
2:04
|
272
| |
La favola d'Orfeo, opera, SV 318 - Act 2. Choral madrigal: Ahi, caso acerbo | |
:58
|
273
| |
L'incoronazione di Poppea, opera in 3 acts, SV 308 - Act 1. Scene 3 [Part 1] | |
1:48
|
274
| |
L'incoronazione di Poppea, opera in 3 acts, SV 308 - Act 1. Scene 3 [Part 2] | |
:44
|
275
| |
L'incoronazione di Poppea, opera in 3 acts, SV 308 - Act 1. Scene 3 [Part 3] | |
1:03
|
276
| |
L'incoronazione di Poppea, opera in 3 acts, SV 308 - Act 1. Scene 3 [Part 4] | |
1:07
|
277
| |
L'incoronazione di Poppea, opera in 3 acts, SV 308 - Act 1. Scene 3 [Part 5] | |
1:27
|
278
| |
L'incoronazione di Poppea, opera in 3 acts, SV 308 - Act 1. Scene 3 [Part 6] | |
2:19
|
279
| |
Orontea, opera in a prologue & 3 acts - Act 2. Scene 16. Recitative: E che si fa? | |
:35
|
280
| |
Orontea, opera in a prologue & 3 acts - Act 2. Scene 17. Opening aria: Intorno all' idol mio [Part 1] | |
1:39
|
281
| |
Orontea, opera in a prologue & 3 acts - Act 2. Scene 17. Opening aria: Intorno all' idol mio [Part 2] | |
1:30
|
282
| |
Lamento, cantata ("Lagrime mie, a che vi trattenete"), Op. 7 - [Part 1] | |
1:38
|
283
| |
Lamento, cantata ("Lagrime mie, a che vi trattenete"), Op. 7 - [Part 2] | |
1:33
|
284
| |
Lamento, cantata ("Lagrime mie, a che vi trattenete"), Op. 7 - [Part 3] | |
1:14
|
285
| |
Lamento, cantata ("Lagrime mie, a che vi trattenete"), Op. 7 - [Part 4] | |
2:22
|
286
| |
Lamento, cantata ("Lagrime mie, a che vi trattenete"), Op. 7 - [Part 5] | |
3:34
|
287
| |
Ma bergère non légère - [Part 1] | |
:27
|
288
| |
Ma bergère non légère - [Part 2] | |
1:54
|
289
| |
In Ecclesiis, motet for 14 voices - [Part 1] | |
:30
|
290
| |
In Ecclesiis, motet for 14 voices - [Part 2] | |
:49
|
291
| |
In Ecclesiis, motet for 14 voices - [Part 3] | |
:28
|
292
| |
In Ecclesiis, motet for 14 voices - [Part 4] | |
1:36
|
293
| |
In Ecclesiis, motet for 14 voices - [Part 5] | |
1:28
|
294
| |
In Ecclesiis, motet for 14 voices - [Part 6] | |
2:04
|
295
| |
O quam tu pulchra es, motet for 3 voices - [Part 1] | |
1:03
|
296
| |
O quam tu pulchra es, motet for 3 voices - [Part 2] | |
:49
|
297
| |
O quam tu pulchra es, motet for 3 voices - [Part 3] | |
1:18
|
298
| |
O lieber Herre Gott, wecke uns auf, for 2 sopranos & continuo (2 versions), SWV 287 (Op. 8/6) - [Part 1] | |
:59
|
299
| |
O lieber Herre Gott, wecke uns auf, for 2 sopranos & continuo (2 versions), SWV 287 (Op. 8/6) - [Part 2] | |
:57
|
300
| |
O lieber Herre Gott, wecke uns auf, for 2 sopranos & continuo (2 versions), SWV 287 (Op. 8/6) - [Part 3] | |
1:05
|
301
| |
Jephte, oratorio for 6 voices & continuo - Recitative: Plorate colles [Part 1] | |
1:00
|
302
| |
Jephte, oratorio for 6 voices & continuo - Recitative: Plorate colles [Part 2] | |
1:00
|
303
| |
Jephte, oratorio for 6 voices & continuo - Recitative: Plorate colles [Part 3] | |
1:14
|
304
| |
Jephte, oratorio for 6 voices & continuo - Recitative: Plorate colles [Part 4] | |
1:28
|
305
| |
Jephte, oratorio for 6 voices & continuo - Chorus: Plorate filii Israel [Part 1] | |
1:18
|
306
| |
Jephte, oratorio for 6 voices & continuo - Chorus: Plorate filii Israel [Part 2] | |
3:15
|
307
| |
Saul, Saul, was verfolgst du mich, motet for 2 sopranos, alto, tenor, 2 basses, 2 violins & continuo, SWV 415 (Op. 12/18) - [Part 1] | |
:51
|
308
| |
Saul, Saul, was verfolgst du mich, motet for 2 sopranos, alto, tenor, 2 basses, 2 violins & continuo, SWV 415 (Op. 12/18) - [Part 2] | |
:31
|
309
| |
Saul, Saul, was verfolgst du mich, motet for 2 sopranos, alto, tenor, 2 basses, 2 violins & continuo, SWV 415 (Op. 12/18) - [Part 3] | |
:55
|
310
| |
Saul, Saul, was verfolgst du mich, motet for 2 sopranos, alto, tenor, 2 basses, 2 violins & continuo, SWV 415 (Op. 12/18) - [Part 4] | |
:41
|
311
| |
Toccata [Terza] for keyboard (Chigi MS Q IV 25; CEKM 30/1, No. 8) - [Part 1] | |
1:14
|
312
| |
Toccata [Terza] for keyboard (Chigi MS Q IV 25; CEKM 30/1, No. 8) - [Part 2] | |
1:38
|
313
| |
Fiori Musicali, No.29, Ricercar Cromaticho post il Credo, for keyboard - [Part 1] | |
1:38
|
314
| |
Fiori Musicali, No.29, Ricercar Cromaticho post il Credo, for keyboard - [Part 2] | |
1:40
|
315
| |
Sonata for violin solo ("Per sonar con due corde"), Op. 8/16 - [Part 1] | |
1:22
|
316
| |
Sonata for violin solo ("Per sonar con due corde"), Op. 8/16 - [Part 2] | |
:36
|
317
| |
Sonata for violin solo ("Per sonar con due corde"), Op. 8/16 - [Part 3] | |
1:08
|
318
| |
Sonata for violin solo ("Per sonar con due corde"), Op. 8/16 - [Part 4] | |
:38
|
319
| |
Sonata for violin solo ("Per sonar con due corde"), Op. 8/16 - [Part 5] | |
:09
|
320
| |
Sonata for violin solo ("Per sonar con due corde"), Op. 8/16 - [Part 6] | |
:56
|
321
| |
Sonata for violin solo ("Per sonar con due corde"), Op. 8/16 - [Part 7] | |
:22
|
322
| |
Sonata for violin solo ("Per sonar con due corde"), Op. 8/16 - [Part 8] | |
2:17
|
323
| |
Armide, opera, LWV 71 - Overture [Part 1] | |
:43
|
324
| |
Armide, opera, LWV 71 - Overture [Part 2] | |
:26
|
325
| |
Armide, opera, LWV 71 - Overture [Part 3] | |
1:19
|
326
| |
Armide, opera, LWV 71 - Act 2. Scene 5. Enfin il est en ma puissance [Part 1] | |
:45
|
327
| |
Armide, opera, LWV 71 - Act 2. Scene 5. Enfin il est en ma puissance [Part 2] | |
:40
|
328
| |
Armide, opera, LWV 71 - Act 2. Scene 5. Enfin il est en ma puissance [Part 3] | |
1:46
|
329
| |
Armide, opera, LWV 71 - Act 2. Scene 5. Enfin il est en ma puissance [Part 4] | |
:30
|
330
| |
Armide, opera, LWV 71 - Act 2. Scene 5. Enfin il est en ma puissance [Part 5] | |
1:39
|
331
| |
Te Deum, motet for double chorus & orchestra, LWV 55 - Conclusion [Part 1] | |
:38
|
332
| |
Te Deum, motet for double chorus & orchestra, LWV 55 - Conclusion [Part 2] | |
1:10
|
333
| |
La Coquette virtuose, for lute | |
1:51
|
334
| |
Suite in A minor (from Pièces de Clavecin, 1687) - Prelude | |
2:05
|
335
| |
Suite in A minor (from Pièces de Clavecin, 1687) - Allemande | |
2:22
|
336
| |
Suite in A minor (from Pièces de Clavecin, 1687) - Courante 1 | |
1:29
|
337
| |
Suite in A minor (from Pièces de Clavecin, 1687) - Sarabande | |
2:26
|
338
| |
Suite in A minor (from Pièces de Clavecin, 1687) - Gigue | |
1:30
|
339
| |
Suite in A minor (from Pièces de Clavecin, 1687) - Chaconne | |
2:20
|
340
| |
Suite in A minor (from Pièces de Clavecin, 1687) - Gavotte | |
1:12
|
341
| |
Suite in A minor (from Pièces de Clavecin, 1687) - Menuet | |
:58
|
342
| |
Dido and Aeneas, opera, Z. 626 - Conclusion. Recitative. Thy hand, Belinda | |
:57
|
343
| |
Dido and Aeneas, opera, Z. 626 - Conclusion. Lament: When I am laid in earth [Part 1] | |
1:19
|
344
| |
Dido and Aeneas, opera, Z. 626 - Conclusion. Lament: When I am laid in earth [Part 2] | |
1:44
|
345
| |
Dido and Aeneas, opera, Z. 626 - Conclusion. Chorus: With drooping wings | |
4:27
|
346
| |
La Purpura de Rosa, opera - (Excerpt) [Part 1] | |
1:50
|
347
| |
La Purpura de Rosa, opera - (Excerpt) [Part 2] | |
1:25
|
348
| |
La Purpura de Rosa, opera - (Excerpt) [Part 3] | |
:35
|
349
| |
La Purpura de Rosa, opera - (Excerpt) [Part 4] | |
:51
|
350
| |
Los coflades de la estrella (The brotherhood of the star), for chorus - [Part 1] | |
:35
|
351
| |
Los coflades de la estrella (The brotherhood of the star), for chorus - [Part 2] | |
:15
|
352
| |
Los coflades de la estrella (The brotherhood of the star), for chorus - [Part 3] | |
:16
|
353
| |
Los coflades de la estrella (The brotherhood of the star), for chorus - [Part 4] | |
:19
|
354
| |
Los coflades de la estrella (The brotherhood of the star), for chorus - [Part 5] | |
:19
|
355
| |
Los coflades de la estrella (The brotherhood of the star), for chorus - [Part 6] | |
:15
|
356
| |
Los coflades de la estrella (The brotherhood of the star), for chorus - [Part 7] | |
:19
|
357
| |
Los coflades de la estrella (The brotherhood of the star), for chorus - [Part 8] | |
:19
|
358
| |
Los coflades de la estrella (The brotherhood of the star), for chorus - [Part 9] | |
2:43
|
359
| |
Clori vezzosa e bella, chamber cantata for alto & continuo - Conclusion. Recitative: Vivo penando | |
:56
|
360
| |
Clori vezzosa e bella, chamber cantata for alto & continuo - Conclusion. Aria: Sì, sì ven mio [Part 1] | |
:24
|
361
| |
Clori vezzosa e bella, chamber cantata for alto & continuo - Conclusion. Aria: Sì, sì ven mio [Part 2] | |
:36
|
362
| |
Clori vezzosa e bella, chamber cantata for alto & continuo - Conclusion. Aria: Sì, sì ven mio [Part 3] | |
:40
|
363
| |
Clori vezzosa e bella, chamber cantata for alto & continuo - Conclusion. Aria: Sì, sì ven mio [Part 4] | |
1:11
|
364
| |
La Griselda, opera - Act 1. Scene 2. (Excerpt) [Part 1] | |
:30
|
365
| |
La Griselda, opera - Act 1. Scene 2. (Excerpt) [Part 2] | |
:29
|
366
| |
La Griselda, opera - Act 1. Scene 2. (Excerpt) [Part 3] | |
:54
|
367
| |
La Griselda, opera - Act 1. Scene 2. (Excerpt) [Part 4] | |
1:12
|
368
| |
Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in D major, Op. 3/2 - Grave | |
1:53
|
369
| |
Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in D major, Op. 3/2 - Allegro | |
1:04
|
370
| |
Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in D major, Op. 3/2 - Adagio | |
2:03
|
371
| |
Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in D major, Op. 3/2 - Allegro [Part 1] | |
:50
|
372
| |
Sonate da chiesa a tre, for 2 violins, cello (or archlute) & organ in D major, Op. 3/2 - Allegro [Part 2] | |
1:10
|
373
| |
Praeludium for organ in E major, BuxWV 141 - [Part 1] | |
:52
|
374
| |
Praeludium for organ in E major, BuxWV 141 - [Part 2] | |
1:40
|
375
| |
Praeludium for organ in E major, BuxWV 141 - [Part 3] | |
1:08
|
376
| |
Praeludium for organ in E major, BuxWV 141 - [Part 4] | |
:56
|
377
| |
Praeludium for organ in E major, BuxWV 141 - [Part 5] | |
:42
|
378
| |
Praeludium for organ in E major, BuxWV 141 - [Part 6] | |
:16
|
379
| |
Praeludium for organ in E major, BuxWV 141 - [Part 7] | |
1:16
|
380
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Allegro [Part 1] | |
:26
|
381
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Allegro [Part 2] | |
:19
|
382
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Allegro [Part 3] | |
:05
|
383
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Allegro [Part 4] | |
:24
|
384
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Allegro [Part 5] | |
:20
|
385
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Allegro [Part 6] | |
:28
|
386
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Allegro [Part 7] | |
:22
|
387
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Allegro [Part 8] | |
:32
|
388
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Largo | |
1:54
|
389
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Presto [Part 1] | |
:27
|
390
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Presto [Part 2] | |
:18
|
391
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Presto [Part 3] | |
:04
|
392
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Presto [Part 4] | |
:06
|
393
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Presto [Part 5] | |
:08
|
394
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Presto [Part 6] | |
:18
|
395
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Presto [Part 7] | |
:16
|
396
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Presto [Part 8] | |
:05
|
397
| |
Violin Concerto, for violin, strings & continuo in A minor ("L'estro armonico" No. 6), Op. 3/6, RV 356 - Presto [Part 9] | |
:36
|
398
| |
La Visionnaire, for harpsichord (Pièces de clavecin, IV, 25e ordre) - [Part 1] | |
:52
|
399
| |
La Visionnaire, for harpsichord (Pièces de clavecin, IV, 25e ordre) - [Part 2] | |
1:00
|
400
| |
La Muse Victorieuse, for harpsichord (Pièces de clavecin, IV, 25e ordre) - [Part 1] | |
:34
|
401
| |
La Muse Victorieuse, for harpsichord (Pièces de clavecin, IV, 25e ordre) - [Part 2] | |
:57
|
402
| |
Hippolyte et Aricie, tragédie lyrique - Act 4. Conclusion [Part 1] | |
:36
|
403
| |
Hippolyte et Aricie, tragédie lyrique - Act 4. Conclusion [Part 2] | |
1:22
|
404
| |
Hippolyte et Aricie, tragédie lyrique - Act 4. Conclusion [Part 3] | |
1:08
|
405
| |
Hippolyte et Aricie, tragédie lyrique - Act 4. Conclusion [Part 4] | |
:43
|
406
| |
Hippolyte et Aricie, tragédie lyrique - Act 4. Conclusion [Part 5] | |
2:14
|
407
| |
Prelude and Fugue, for organ in A minor "The Great," BWV 543 (BC J42) - [Part 1] | |
3:42
|
408
| |
Prelude and Fugue, for organ in A minor "The Great," BWV 543 (BC J42) - [Part 2] | |
1:56
|
409
| |
Prelude and Fugue, for organ in A minor "The Great," BWV 543 (BC J42) - [Part 3] | |
:20
|
410
| |
Prelude and Fugue, for organ in A minor "The Great," BWV 543 (BC J42) - [Part 4] | |
:25
|
411
| |
Prelude and Fugue, for organ in A minor "The Great," BWV 543 (BC J42) - [Part 5] | |
:25
|
412
| |
Prelude and Fugue, for organ in A minor "The Great," BWV 543 (BC J42) - [Part 6] | |
:20
|
413
| |
Prelude and Fugue, for organ in A minor "The Great," BWV 543 (BC J42) - [Part 7] | |
:46
|
414
| |
Prelude and Fugue, for organ in A minor "The Great," BWV 543 (BC J42) - [Part 8] | |
:43
|
415
| |
Prelude and Fugue, for organ in A minor "The Great," BWV 543 (BC J42) - [Part 9] | |
:48
|
416
| |
Prelude and Fugue, for organ in A minor "The Great," BWV 543 (BC J42) - [Part 10] | |
:21
|
417
| |
Prelude and Fugue, for organ in A minor "The Great," BWV 543 (BC J42) - [Part 11] | |
:52
|
418
| |
Durch Adams Fall ist ganz verderbt (I), chorale prelude for organ (Orgel-Büchlein No. 39), BWV 637 (BC K66) | |
2:31
|
419
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Chorsu: Nun komm, der Heiden Heiland [Part 1] | |
:53
|
420
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Chorsu: Nun komm, der Heiden Heiland [Part 2] | |
:27
|
421
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Chorsu: Nun komm, der Heiden Heiland [Part 3] | |
:26
|
422
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Chorsu: Nun komm, der Heiden Heiland [Part 4] | |
:10
|
423
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Chorsu: Nun komm, der Heiden Heiland [Part 5] | |
:23
|
424
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Chorsu: Nun komm, der Heiden Heiland [Part 6] | |
:10
|
425
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Chorsu: Nun komm, der Heiden Heiland [Part 7] | |
:33
|
426
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Chorsu: Nun komm, der Heiden Heiland [Part 8] | |
1:37
|
427
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Aria: Bewundert, o Menschen [Part 1] | |
2:53
|
428
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Aria: Bewundert, o Menschen [Part 2] | |
3:58
|
429
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Recitative: So geht aus Gottes Herrlichkeit und Thron | |
:50
|
430
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Aria: Streite, siege, starker Held! [Part 1] | |
1:53
|
431
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Aria: Streite, siege, starker Held! [Part 2] | |
2:55
|
432
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Accompanied recitative: Wir ehren diese Herrlichkeit | |
:54
|
433
| |
Cantata No. 62, "Nun komm, der Heiden Heiland," BWV 62 (BC A2) - Chorale: Lob sei Gott, dem Vater, ton | |
:34
|
434
| |
Giulio Cesare in Egitto, opera, HWV 17 - Act 2. Scenes 1-2. Eseguisti [Part 1] | |
2:11
|
435
| |
Giulio Cesare in Egitto, opera, HWV 17 - Act 2. Scenes 1-2. Eseguisti [Part 2] | |
:48
|
436
| |
Giulio Cesare in Egitto, opera, HWV 17 - Act 2. Scenes 1-2. Eseguisti [Part 3] | |
:12
|
437
| |
Giulio Cesare in Egitto, opera, HWV 17 - Act 2. Scenes 1-2. V'adoro, pupille [Part 1] | |
1:57
|
438
| |
Giulio Cesare in Egitto, opera, HWV 17 - Act 2. Scenes 1-2. V'adoro, pupille [Part 2] | |
:41
|
439
| |
Giulio Cesare in Egitto, opera, HWV 17 - Act 2. Scenes 1-2. V'adoro, pupille [Part 3] | |
2:30
|
440
| |
Saul, oratorio, HWV 53 - Act 2. Scene 10. Accompanied recitative: The Time at length is come | |
:39
|
441
| |
Saul, oratorio, HWV 53 - Act 2. Scene 10. Recitative: Where is the Son of Jesse? | |
1:14
|
442
| |
Saul, oratorio, HWV 53 - Act 2. Scene 10. Chorus: O fatal Consequence of Rage [Part 1] | |
:34
|
443
| |
Saul, oratorio, HWV 53 - Act 2. Scene 10. Chorus: O fatal Consequence of Rage [Part 2] | |
1:18
|
444
| |
Saul, oratorio, HWV 53 - Act 2. Scene 10. Chorus: O fatal Consequence of Rage [Part 3] | |
:45
|
445
| |
Saul, oratorio, HWV 53 - Act 2. Scene 10. Chorus: O fatal Consequence of Rage [Part 4] | |
1:42
|