1
|  |
Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 - Largo, ma non tanto |  |
6:33
|
1
|  |
Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 - Largo, ma non tanto |  |
6:33
|
2
|  |
Lakmé, opera - Viens, Mallika... Dôme épais le jasmin (Flower Duet) |  |
5:09
|
2
|  |
Lakmé, opera - Viens, Mallika... Dôme épais le jasmin (Flower Duet) |  |
5:09
|
3
|  |
String Quartet No. 2 in D major - Notturno |  |
8:17
|
3
|  |
String Quartet No. 2 in D major - Notturno |  |
8:17
|
4
|  |
Gymnopedie for piano No. 3 |  |
2:36
|
4
|  |
Gymnopedie for piano No. 3 |  |
2:36
|
5
|  |
Gnossienne for piano No. 3 |  |
3:14
|
5
|  |
Gnossienne for piano No. 3 |  |
3:14
|
6
|  |
Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467 - Andante |  |
7:48
|
6
|  |
Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467 - Andante |  |
7:48
|
7
|  |
Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") |  |
4:21
|
7
|  |
Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") |  |
4:21
|
8
|  |
Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163) - Adagio [Excerpt] |  |
5:42
|
8
|  |
Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163) - Adagio [Excerpt] |  |
5:42
|
9
|  |
Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2 - Adagio sostenuto |  |
7:09
|
9
|  |
Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2 - Adagio sostenuto |  |
7:09
|
10
|  |
Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3) - Sheep may safely graze |  |
4:34
|
10
|  |
Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3) - Sheep may safely graze |  |
4:34
|
11
|  |
Te lucis ante terminum (after Casal's Song of the Birds) |  |
2:26
|
11
|  |
Te lucis ante terminum (after Casal's Song of the Birds) |  |
2:26
|
12
|  |
Berceuse, for piano, 4 hands or orchestra (Dolly, suite), Op. 56/1 |  |
3:01
|
12
|  |
Berceuse, for piano, 4 hands or orchestra (Dolly, suite), Op. 56/1 |  |
3:01
|
13
|  |
Aritz Adarean, for harp solo |  |
2:14
|
13
|  |
Aritz Adarean, for harp solo |  |
2:14
|
14
|  |
Minuet in A major, arrangement (after String Quintet in E major, Op.11/5 [aka Op. 13/5], G. 275) |  |
3:47
|
14
|  |
Minuet in A major, arrangement (after String Quintet in E major, Op.11/5 [aka Op. 13/5], G. 275) |  |
3:47
|
15
|  |
Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5) - Largo [Excerpt] |  |
5:39
|
15
|  |
Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5) - Largo [Excerpt] |  |
5:39
|
16
|  |
Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard) - Intermezzo |  |
2:37
|
16
|  |
Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard) - Intermezzo |  |
2:37
|
17
|  |
Violin Concerto, for violin, strings & continuo in F minor ("L'inverno," The Four Seasons; "Il cimento" No. 4), Op. 8/4, RV 297 - Largo |  |
2:15
|
17
|  |
Violin Concerto, for violin, strings & continuo in F minor ("L'inverno," The Four Seasons; "Il cimento" No. 4), Op. 8/4, RV 297 - Largo |  |
2:15
|
18
|  |
Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") |  |
6:43
|
18
|  |
Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") |  |
6:43
|
19
|  |
Crux fidelis (after Handel's Ombra mai fu) |  |
2:32
|
19
|  |
Crux fidelis (after Handel's Ombra mai fu) |  |
2:32
|
20
|  |
String Quartet in F major ("Serenade"), Op. 3/5, H. 3/17 (spurious, possibly by Hoffstetter) - [Excerpt] |  |
4:01
|
20
|  |
String Quartet in F major ("Serenade"), Op. 3/5, H. 3/17 (spurious, possibly by Hoffstetter) - [Excerpt] |  |
4:01
|
21
|  |
Ancient Airs and Dances, Set 3, arrangements (4) for strings, P. 172 - Italiana |  |
2:58
|
21
|  |
Ancient Airs and Dances, Set 3, arrangements (4) for strings, P. 172 - Italiana |  |
2:58
|
22
|  |
Clarinet Concerto in A major, K. 622 - Adagio |  |
7:33
|
22
|  |
Clarinet Concerto in A major, K. 622 - Adagio |  |
7:33
|
23
|  |
Les contes d'Hoffmann, opera in 4 acts - Belle nuit, ô nuit d'amour (Barcarolle) |  |
4:05
|
23
|  |
Les contes d'Hoffmann, opera in 4 acts - Belle nuit, ô nuit d'amour (Barcarolle) |  |
4:05
|
24
|  |
Madama Butterfly (Madame Butterfly), opera - Humming chorus |  |
3:01
|
24
|  |
Madama Butterfly (Madame Butterfly), opera - Humming chorus |  |
3:01
|
25
|  |
Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73 - Adagio un poco mosso |  |
7:48
|
25
|  |
Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73 - Adagio un poco mosso |  |
7:48
|
26
|  |
Fantasía para un gentilhombre, for guitar & orchestra - Españoleta [Excerpt] |  |
4:47
|
26
|  |
Fantasía para un gentilhombre, for guitar & orchestra - Españoleta [Excerpt] |  |
4:47
|
27
|  |
The Swan (from "Carnival of the Animals"), original (for 2 pianos & ensemble) and arrangements |  |
3:23
|
27
|  |
The Swan (from "Carnival of the Animals"), original (for 2 pianos & ensemble) and arrangements |  |
3:23
|
28
|  |
Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46 - Prelude: Morning Mood |  |
4:24
|
28
|  |
Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46 - Prelude: Morning Mood |  |
4:24
|
29
|  |
Orchestral Suite No. 3 in D major, BWV 1068 - Air |  |
3:53
|
29
|  |
Orchestral Suite No. 3 in D major, BWV 1068 - Air |  |
3:53
|
30
|  |
Cello Concerto in D major, G. 479 - Andante cantabile |  |
6:18
|
30
|  |
Cello Concerto in D major, G. 479 - Andante cantabile |  |
6:18
|
31
|  |
Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 |  |
5:20
|
31
|  |
Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 |  |
5:20
|
32
|  |
Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48 - Sanctus |  |
3:07
|
32
|  |
Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48 - Sanctus |  |
3:07
|
33
|  |
Symphony No. 2 in E minor, Op. 27 - Adagio [Excerpt] |  |
6:52
|
33
|  |
Symphony No. 2 in E minor, Op. 27 - Adagio [Excerpt] |  |
6:52
|