1
| |
Offertorium ("Intende voci"), for tenor, chorus & orchestra in B flat major, D. 963 | |
9:26
|
1
| |
Offertorium ("Intende voci"), for tenor, chorus & orchestra in B flat major, D. 963 | |
9:26
|
2
| |
Magnificat for soloists, chorus, orchestra & organ in C major, D. 486 | |
8:34
|
2
| |
Magnificat for soloists, chorus, orchestra & organ in C major, D. 486 | |
8:34
|
3
| |
Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6) | |
5:53
|
3
| |
Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6) | |
5:53
|
4
| |
Tantum Ergo in E flat major, for soloists, chorus & orchestra , D. 962 | |
5:35
|
4
| |
Tantum Ergo in E flat major, for soloists, chorus & orchestra , D. 962 | |
5:35
|
5
| |
Salve Regina, for tenor, organ & orchestra in B flat major, D. 106 | |
4:49
|
5
| |
Salve Regina, for tenor, organ & orchestra in B flat major, D. 106 | |
4:49
|
6
| |
Psalm 23 ("Gott ist mein Hirt"), for female voices & piano, D. 706 (Op. posth. 132) | |
5:07
|
6
| |
Psalm 23 ("Gott ist mein Hirt"), for female voices & piano, D. 706 (Op. posth. 132) | |
5:07
|
7
| |
Stabat Mater for chorus, orchestra & organ in G minor, D. 175 | |
6:57
|
7
| |
Stabat Mater for chorus, orchestra & organ in G minor, D. 175 | |
6:57
|
8
| |
Offertorium ("Totus in corde") in C major, for soprano & orchestra, D. 136 (Op. 46) | |
5:10
|
8
| |
Offertorium ("Totus in corde") in C major, for soprano & orchestra, D. 136 (Op. 46) | |
5:10
|
9
| |
Salve Regina, for chorus in B flat major, D. 386 | |
2:58
|
9
| |
Salve Regina, for chorus in B flat major, D. 386 | |
2:58
|
10
| |
Tantum Ergo in C major for chorus, orchestra & organ, D. 739 (Op. 45) | |
3:53
|
10
| |
Tantum Ergo in C major for chorus, orchestra & organ, D. 739 (Op. 45) | |
3:53
|
11
| |
Deutsche Messe (German Mass), for mixed chorus, wind ensemble & organ, D. 872 - Sanctus: Heilig, heilig | |
3:07
|
11
| |
Deutsche Messe (German Mass), for mixed chorus, wind ensemble & organ, D. 872 - Sanctus: Heilig, heilig | |
3:07
|
12
| |
Chor der Engel ("Christ ist erstanden"), for mixed chorus, D. 440 | |
3:27
|
12
| |
Chor der Engel ("Christ ist erstanden"), for mixed chorus, D. 440 | |
3:27
|
13
| |
Ständchen ("Zögernd, leise"), for alto, chorus & piano ("Notturno"), D. 920 (Op. posth. 135) | |
5:52
|
13
| |
Ständchen ("Zögernd, leise"), for alto, chorus & piano ("Notturno"), D. 920 (Op. posth. 135) | |
5:52
|
14
| |
Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Hirtenchor (Shepherds' Chorus) | |
4:16
|
14
| |
Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Hirtenchor (Shepherds' Chorus) | |
4:16
|
15
| |
Die Geselligkeit ("Wer Lebenslust fühlet"), quartet for mixed voices & piano (Lebenslust), D. 609 | |
3:39
|
15
| |
Die Geselligkeit ("Wer Lebenslust fühlet"), quartet for mixed voices & piano (Lebenslust), D. 609 | |
3:39
|
16
| |
Gesang der Geister über den Wassern IV ("Des Menschen Seele..."), for male voices & strings, D. 714 (Op. posth. 167) | |
9:52
|
16
| |
Gesang der Geister über den Wassern IV ("Des Menschen Seele..."), for male voices & strings, D. 714 (Op. posth. 167) | |
9:52
|
17
| |
An die Sonne ("O Sonne, Königin der Welt"), for mixed voices & piano, D. 439 | |
6:00
|
17
| |
An die Sonne ("O Sonne, Königin der Welt"), for mixed voices & piano, D. 439 | |
6:00
|
18
| |
Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Huntsmen's Chorus | |
2:04
|
18
| |
Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Huntsmen's Chorus | |
2:04
|
19
| |
Sehnsucht ("Nur wer die Sehnsucht kennt"), quintet for male voices, D. 656 | |
4:10
|
19
| |
Sehnsucht ("Nur wer die Sehnsucht kennt"), quintet for male voices, D. 656 | |
4:10
|
20
| |
Der Tanz ("Es redet und träumet"), quartet for mixed voices & piano, D. 826 | |
1:43
|
20
| |
Der Tanz ("Es redet und träumet"), quartet for mixed voices & piano, D. 826 | |
1:43
|
21
| |
Der vierjährige Posten, Singspiel, D. 190 - Heiter strahlt der Morgen | |
3:37
|
21
| |
Der vierjährige Posten, Singspiel, D. 190 - Heiter strahlt der Morgen | |
3:37
|
22
| |
Gott in der Natur ("Gross ist der Herr"), for two sopranos, two altos & piano, D. 757 (Op. 133) | |
5:22
|
22
| |
Gott in der Natur ("Gross ist der Herr"), for two sopranos, two altos & piano, D. 757 (Op. 133) | |
5:22
|
23
| |
Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Spectres' Chorus | |
2:43
|
23
| |
Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Spectres' Chorus | |
2:43
|
24
| |
Die Allmacht ("Gross ist Jehovah"), for mixed chorus & piano, D. 875a | |
6:21
|
24
| |
Die Allmacht ("Gross ist Jehovah"), for mixed chorus & piano, D. 875a | |
6:21
|
25
| |
Das Dörfchen, quartet for male voices (2 versions, 2nd formerly D. 641), D. 598 (Op 11/1) | |
4:28
|
25
| |
Das Dörfchen, quartet for male voices (2 versions, 2nd formerly D. 641), D. 598 (Op 11/1) | |
4:28
|
26
| |
Der Lindenbaum ("Am Brunnen vor dem Tore"), song for voice & piano (Winterreise), D. 911/5 (Op. 89/5) | |
2:43
|
26
| |
Der Lindenbaum ("Am Brunnen vor dem Tore"), song for voice & piano (Winterreise), D. 911/5 (Op. 89/5) | |
2:43
|
27
| |
Nachtgesang im Walde, quartet for male chorus & four horns, D. 913 (Op. posth. 139) | |
5:33
|
27
| |
Nachtgesang im Walde, quartet for male chorus & four horns, D. 913 (Op. posth. 139) | |
5:33
|
28
| |
Gondelfahrer II (Es tanzen Mond und Sterne"), quartet for male voices & piano, D. 809 (Op. 28) | |
2:49
|
28
| |
Gondelfahrer II (Es tanzen Mond und Sterne"), quartet for male voices & piano, D. 809 (Op. 28) | |
2:49
|
29
| |
Liebe ("Liebe rauscht der Silberbach"), quartet for unaccompanied male voices, D. 983a (Op. 17/2) | |
2:12
|
29
| |
Liebe ("Liebe rauscht der Silberbach"), quartet for unaccompanied male voices, D. 983a (Op. 17/2) | |
2:12
|
30
| |
Trinklied ("Brüder! Unser Erdenwallen"), for tenor, chorus & piano, D. 148 (Op. 131/2) | |
2:58
|
30
| |
Trinklied ("Brüder! Unser Erdenwallen"), for tenor, chorus & piano, D. 148 (Op. 131/2) | |
2:58
|
31
| |
Wehmut ("Der Abendglocke"), quartet for male voices, D. 825 (Op. 64/1) | |
5:56
|
31
| |
Wehmut ("Der Abendglocke"), quartet for male voices, D. 825 (Op. 64/1) | |
5:56
|
32
| |
Widerspruch ("Wenn ich durch Busch und Zweig..."), quartet for male voices & piano, D. 865 (Op. 105/1) | |
2:40
|
32
| |
Widerspruch ("Wenn ich durch Busch und Zweig..."), quartet for male voices & piano, D. 865 (Op. 105/1) | |
2:40
|
33
| |
Nachthelle ("Die Nacht ist heiter..."), for tenor, male voices & piano, D. 892 (Op. posth. 134) | |
6:12
|
33
| |
Nachthelle ("Die Nacht ist heiter..."), for tenor, male voices & piano, D. 892 (Op. posth. 134) | |
6:12
|
34
| |
Frühlingsgesang II ("Schmücket die Locken"), quartet for male voices & piano, D. 740 (Op. 16/1) | |
4:02
|
34
| |
Frühlingsgesang II ("Schmücket die Locken"), quartet for male voices & piano, D. 740 (Op. 16/1) | |
4:02
|
35
| |
Ruhe ("Leise, leise lasst uns singen"), quartet for unaccompanied male voices, D. 635 | |
4:50
|
35
| |
Ruhe ("Leise, leise lasst uns singen"), quartet for unaccompanied male voices, D. 635 | |
4:50
|
36
| |
Jagdlied ("Trarah!"), song for voice & piano (Jagdchor), D. 521 | |
1:29
|
36
| |
Jagdlied ("Trarah!"), song for voice & piano (Jagdchor), D. 521 | |
1:29
|
37
| |
Die Nachtigall ("Bescheiden verborgen..."), quartet for male voices & piano, D. 724 (Op. 11/2) | |
4:16
|
37
| |
Die Nachtigall ("Bescheiden verborgen..."), quartet for male voices & piano, D. 724 (Op. 11/2) | |
4:16
|
38
| |
Lied im Freien ("Wie schön ist's im Freien"), for unaccompanied male voices, D. 572 | |
4:01
|
38
| |
Lied im Freien ("Wie schön ist's im Freien"), for unaccompanied male voices, D. 572 | |
4:01
|
39
| |
Die Nacht ("Wie schön bist du"), quartet for unaccompanied male voices, D. 983c (Op. 17/4) | |
3:23
|
39
| |
Die Nacht ("Wie schön bist du"), quartet for unaccompanied male voices, D. 983c (Op. 17/4) | |
3:23
|