1
|  |
Offertorium ("Intende voci"), for tenor, chorus & orchestra in B flat major, D. 963 |  |
9:26
|
1
|  |
Offertorium ("Intende voci"), for tenor, chorus & orchestra in B flat major, D. 963 |  |
9:26
|
2
|  |
Magnificat for soloists, chorus, orchestra & organ in C major, D. 486 |  |
8:34
|
2
|  |
Magnificat for soloists, chorus, orchestra & organ in C major, D. 486 |  |
8:34
|
3
|  |
Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6) |  |
5:53
|
3
|  |
Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6) |  |
5:53
|
4
|  |
Tantum Ergo in E flat major, for soloists, chorus & orchestra , D. 962 |  |
5:35
|
4
|  |
Tantum Ergo in E flat major, for soloists, chorus & orchestra , D. 962 |  |
5:35
|
5
|  |
Salve Regina, for tenor, organ & orchestra in B flat major, D. 106 |  |
4:49
|
5
|  |
Salve Regina, for tenor, organ & orchestra in B flat major, D. 106 |  |
4:49
|
6
|  |
Psalm 23 ("Gott ist mein Hirt"), for female voices & piano, D. 706 (Op. posth. 132) |  |
5:07
|
6
|  |
Psalm 23 ("Gott ist mein Hirt"), for female voices & piano, D. 706 (Op. posth. 132) |  |
5:07
|
7
|  |
Stabat Mater for chorus, orchestra & organ in G minor, D. 175 |  |
6:57
|
7
|  |
Stabat Mater for chorus, orchestra & organ in G minor, D. 175 |  |
6:57
|
8
|  |
Offertorium ("Totus in corde") in C major, for soprano & orchestra, D. 136 (Op. 46) |  |
5:10
|
8
|  |
Offertorium ("Totus in corde") in C major, for soprano & orchestra, D. 136 (Op. 46) |  |
5:10
|
9
|  |
Salve Regina, for chorus in B flat major, D. 386 |  |
2:58
|
9
|  |
Salve Regina, for chorus in B flat major, D. 386 |  |
2:58
|
10
|  |
Tantum Ergo in C major for chorus, orchestra & organ, D. 739 (Op. 45) |  |
3:53
|
10
|  |
Tantum Ergo in C major for chorus, orchestra & organ, D. 739 (Op. 45) |  |
3:53
|
11
|  |
Deutsche Messe (German Mass), for mixed chorus, wind ensemble & organ, D. 872 - Sanctus: Heilig, heilig |  |
3:07
|
11
|  |
Deutsche Messe (German Mass), for mixed chorus, wind ensemble & organ, D. 872 - Sanctus: Heilig, heilig |  |
3:07
|
12
|  |
Chor der Engel ("Christ ist erstanden"), for mixed chorus, D. 440 |  |
3:27
|
12
|  |
Chor der Engel ("Christ ist erstanden"), for mixed chorus, D. 440 |  |
3:27
|
13
|  |
Ständchen ("Zögernd, leise"), for alto, chorus & piano ("Notturno"), D. 920 (Op. posth. 135) |  |
5:52
|
13
|  |
Ständchen ("Zögernd, leise"), for alto, chorus & piano ("Notturno"), D. 920 (Op. posth. 135) |  |
5:52
|
14
|  |
Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Hirtenchor (Shepherds' Chorus) |  |
4:16
|
14
|  |
Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Hirtenchor (Shepherds' Chorus) |  |
4:16
|
15
|  |
Die Geselligkeit ("Wer Lebenslust fühlet"), quartet for mixed voices & piano (Lebenslust), D. 609 |  |
3:39
|
15
|  |
Die Geselligkeit ("Wer Lebenslust fühlet"), quartet for mixed voices & piano (Lebenslust), D. 609 |  |
3:39
|
16
|  |
Gesang der Geister über den Wassern IV ("Des Menschen Seele..."), for male voices & strings, D. 714 (Op. posth. 167) |  |
9:52
|
16
|  |
Gesang der Geister über den Wassern IV ("Des Menschen Seele..."), for male voices & strings, D. 714 (Op. posth. 167) |  |
9:52
|
17
|  |
An die Sonne ("O Sonne, Königin der Welt"), for mixed voices & piano, D. 439 |  |
6:00
|
17
|  |
An die Sonne ("O Sonne, Königin der Welt"), for mixed voices & piano, D. 439 |  |
6:00
|
18
|  |
Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Huntsmen's Chorus |  |
2:04
|
18
|  |
Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Huntsmen's Chorus |  |
2:04
|
19
|  |
Sehnsucht ("Nur wer die Sehnsucht kennt"), quintet for male voices, D. 656 |  |
4:10
|
19
|  |
Sehnsucht ("Nur wer die Sehnsucht kennt"), quintet for male voices, D. 656 |  |
4:10
|
20
|  |
Der Tanz ("Es redet und träumet"), quartet for mixed voices & piano, D. 826 |  |
1:43
|
20
|  |
Der Tanz ("Es redet und träumet"), quartet for mixed voices & piano, D. 826 |  |
1:43
|
21
|  |
Der vierjährige Posten, Singspiel, D. 190 - Heiter strahlt der Morgen |  |
3:37
|
21
|  |
Der vierjährige Posten, Singspiel, D. 190 - Heiter strahlt der Morgen |  |
3:37
|
22
|  |
Gott in der Natur ("Gross ist der Herr"), for two sopranos, two altos & piano, D. 757 (Op. 133) |  |
5:22
|
22
|  |
Gott in der Natur ("Gross ist der Herr"), for two sopranos, two altos & piano, D. 757 (Op. 133) |  |
5:22
|
23
|  |
Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Spectres' Chorus |  |
2:43
|
23
|  |
Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Spectres' Chorus |  |
2:43
|
24
|  |
Die Allmacht ("Gross ist Jehovah"), for mixed chorus & piano, D. 875a |  |
6:21
|
24
|  |
Die Allmacht ("Gross ist Jehovah"), for mixed chorus & piano, D. 875a |  |
6:21
|
25
|  |
Das Dörfchen, quartet for male voices (2 versions, 2nd formerly D. 641), D. 598 (Op 11/1) |  |
4:28
|
25
|  |
Das Dörfchen, quartet for male voices (2 versions, 2nd formerly D. 641), D. 598 (Op 11/1) |  |
4:28
|
26
|  |
Der Lindenbaum ("Am Brunnen vor dem Tore"), song for voice & piano (Winterreise), D. 911/5 (Op. 89/5) |  |
2:43
|
26
|  |
Der Lindenbaum ("Am Brunnen vor dem Tore"), song for voice & piano (Winterreise), D. 911/5 (Op. 89/5) |  |
2:43
|
27
|  |
Nachtgesang im Walde, quartet for male chorus & four horns, D. 913 (Op. posth. 139) |  |
5:33
|
27
|  |
Nachtgesang im Walde, quartet for male chorus & four horns, D. 913 (Op. posth. 139) |  |
5:33
|
28
|  |
Gondelfahrer II (Es tanzen Mond und Sterne"), quartet for male voices & piano, D. 809 (Op. 28) |  |
2:49
|
28
|  |
Gondelfahrer II (Es tanzen Mond und Sterne"), quartet for male voices & piano, D. 809 (Op. 28) |  |
2:49
|
29
|  |
Liebe ("Liebe rauscht der Silberbach"), quartet for unaccompanied male voices, D. 983a (Op. 17/2) |  |
2:12
|
29
|  |
Liebe ("Liebe rauscht der Silberbach"), quartet for unaccompanied male voices, D. 983a (Op. 17/2) |  |
2:12
|
30
|  |
Trinklied ("Brüder! Unser Erdenwallen"), for tenor, chorus & piano, D. 148 (Op. 131/2) |  |
2:58
|
30
|  |
Trinklied ("Brüder! Unser Erdenwallen"), for tenor, chorus & piano, D. 148 (Op. 131/2) |  |
2:58
|
31
|  |
Wehmut ("Der Abendglocke"), quartet for male voices, D. 825 (Op. 64/1) |  |
5:56
|
31
|  |
Wehmut ("Der Abendglocke"), quartet for male voices, D. 825 (Op. 64/1) |  |
5:56
|
32
|  |
Widerspruch ("Wenn ich durch Busch und Zweig..."), quartet for male voices & piano, D. 865 (Op. 105/1) |  |
2:40
|
32
|  |
Widerspruch ("Wenn ich durch Busch und Zweig..."), quartet for male voices & piano, D. 865 (Op. 105/1) |  |
2:40
|
33
|  |
Nachthelle ("Die Nacht ist heiter..."), for tenor, male voices & piano, D. 892 (Op. posth. 134) |  |
6:12
|
33
|  |
Nachthelle ("Die Nacht ist heiter..."), for tenor, male voices & piano, D. 892 (Op. posth. 134) |  |
6:12
|
34
|  |
Frühlingsgesang II ("Schmücket die Locken"), quartet for male voices & piano, D. 740 (Op. 16/1) |  |
4:02
|
34
|  |
Frühlingsgesang II ("Schmücket die Locken"), quartet for male voices & piano, D. 740 (Op. 16/1) |  |
4:02
|
35
|  |
Ruhe ("Leise, leise lasst uns singen"), quartet for unaccompanied male voices, D. 635 |  |
4:50
|
35
|  |
Ruhe ("Leise, leise lasst uns singen"), quartet for unaccompanied male voices, D. 635 |  |
4:50
|
36
|  |
Jagdlied ("Trarah!"), song for voice & piano (Jagdchor), D. 521 |  |
1:29
|
36
|  |
Jagdlied ("Trarah!"), song for voice & piano (Jagdchor), D. 521 |  |
1:29
|
37
|  |
Die Nachtigall ("Bescheiden verborgen..."), quartet for male voices & piano, D. 724 (Op. 11/2) |  |
4:16
|
37
|  |
Die Nachtigall ("Bescheiden verborgen..."), quartet for male voices & piano, D. 724 (Op. 11/2) |  |
4:16
|
38
|  |
Lied im Freien ("Wie schön ist's im Freien"), for unaccompanied male voices, D. 572 |  |
4:01
|
38
|  |
Lied im Freien ("Wie schön ist's im Freien"), for unaccompanied male voices, D. 572 |  |
4:01
|
39
|  |
Die Nacht ("Wie schön bist du"), quartet for unaccompanied male voices, D. 983c (Op. 17/4) |  |
3:23
|
39
|  |
Die Nacht ("Wie schön bist du"), quartet for unaccompanied male voices, D. 983c (Op. 17/4) |  |
3:23
|