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Sweet Love Doth Now Invite: Love Songs from Three Centuries
Artist |
Various Artists
|
Bewertung |  |
Epoche | Romantische Musik (1820-1869) |
Label |
Victoria
|
Erschienen | |
Klassik-Werke auf diesem Album
# |  | Werk/Besetzung |  | Dauer |
1
|  | Come again, sweet love doth now invite, for 4 voices & lute (First Book of Songs) |  |
-
|
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2
|  | Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs) |  |
-
|
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3
|  | Si dolce è'l tormento, madrigal for solo voice, SV 332 |  |
-
|
|
4
|  | Cesa de atormentarme (Stop tormenting me), seguidilla for voice & guitar |  |
-
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5
|  | De amor en las prisiones |  |
-
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|
6
|  | El que quisiera amando (He who would love), seguidilla for voice & guitar |  |
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7
|  | Work(s): Unspecified Wehmut |  |
-
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8
|  | Heidenröslein ("Sah ein Knab..."), song for voice & piano, D. 257 (Op. 3/3) |  |
-
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9
|  | Meeres Stille ("Tiefe Stille herrscht im Wasser"), song for voice & piano, D. 216 (Op. 3/2) |  |
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Tracks auf diesem Album
# |  | Titel |  | Dauer |
1
|  |
Come again, sweet love doth now invite, for 4 voices & lute (First Book of Songs)
|  |
-
|
2
|  |
Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs)
|  |
-
|
3
|  |
Si dolce è'l tormento, madrigal for solo voice, SV 332
|  |
-
|
4
|  |
Cesa de atormentarme (Stop tormenting me), seguidilla for voice & guitar
|  |
-
|
5
|  |
De amor en las prisiones
|  |
-
|
6
|  |
El que quisiera amando (He who would love), seguidilla for voice & guitar
|  |
-
|
7
|  |
Work(s)
|  |
-
|
8
|  |
Heidenröslein ("Sah ein Knab..."), song for voice & piano, D. 257 (Op. 3/3)
|  |
-
|
9
|  |
Meeres Stille ("Tiefe Stille herrscht im Wasser"), song for voice & piano, D. 216 (Op. 3/2)
|  |
-
|
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