1
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Dalle più alte sfere, madrigal for soprano & 4 instruments (doubtful) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:45
|
25
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Dalle più alte sfere, madrigal for soprano & 4 instruments (doubtful) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:03
|
2
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Dalle più alte sfere, madrigal for soprano & 4 instruments (doubtful) - Ornamented form as a vocal aria, complete | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:07
|
26
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Dalle più alte sfere, madrigal for soprano & 4 instruments (doubtful) - Ornamented form as a vocal aria, complete | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:06
|
3
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Anchor che col partire, madrigal | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:32
|
27
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Anchor che col partire, madrigal | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:19
|
4
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Anchor che col partire, madrigal - Vocal line ornamented by an early Baroque singer | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:17
|
28
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Anchor che col partire, madrigal - Vocal line ornamented by an early Baroque singer | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:17
|
5
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
La Zambeccara | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:08
|
29
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
La Zambeccara | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:12
|
6
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
La Zambeccara - Composer's ornamented version for keyboard | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:51
|
30
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
La Zambeccara - Composer's ornamented version for keyboard | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:34
|
7
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Ay me sospiri - Frottola in original form | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:05
|
31
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Ay me sospiri - Frottola in original form | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:59
|
8
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Ay me sospiri - Ornamented form as in later Renaissance publication | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:12
|
32
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Ay me sospiri - Ornamented form as in later Renaissance publication | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:10
|
9
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Lassare il velo (instrumental) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:40
|
33
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Lassare il velo (instrumental) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:32
|
10
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Lassare il velo (instrumental) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:15
|
34
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Lassare il velo (instrumental) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:01
|
11
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Nach Willen dein for organ (from Hans Kotter's Tablature Book) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:41
|
35
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Nach Willen dein for organ (from Hans Kotter's Tablature Book) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:48
|
12
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Nach Willen dein for organ (from Hans Kotter's Tablature Book) - Elaboration of the period for organ | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:06
|
36
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Nach Willen dein for organ (from Hans Kotter's Tablature Book) - Elaboration of the period for organ | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:11
|
13
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Doulce mémoire (from "Le Parangon") | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:35
|
37
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Doulce mémoire (from "Le Parangon") | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:48
|
14
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Doulce mémoire (from "Le Parangon") - Somewhat later Renaissance ornamented version for instruments | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:37
|
38
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Doulce mémoire (from "Le Parangon") - Somewhat later Renaissance ornamented version for instruments | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:52
|
15
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Pandolpho | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:06
|
39
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Pandolpho | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:58
|
16
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Pandolpho - Ornamented setting for voice with lute | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:50
|
40
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Pandolpho - Ornamented setting for voice with lute | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:59
|
17
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Combattimento di Tancredi e Clorinda, dramatic cantata (from Book 8), SV 153 - Il combattimento (Plain and Moderately ornamented Versions) [Plain Ver | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:06
|
41
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Combattimento di Tancredi e Clorinda, dramatic cantata (from Book 8), SV 153 - Il combattimento (Plain and Moderately ornamented Versions) [Plain Ver | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:00
|
18
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Combattimento di Tancredi e Clorinda, dramatic cantata (from Book 8), SV 153 - Il combattimento (Plainer and highly ornamented Versions) [Plain Versi | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:27
|
42
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Combattimento di Tancredi e Clorinda, dramatic cantata (from Book 8), SV 153 - Il combattimento (Plainer and highly ornamented Versions) [Plain Versi | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:02
|
19
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
N'espTrez plus, mes yeux | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:52
|
43
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
N'espTrez plus, mes yeux | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:37
|
20
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
N'espTrez plus, mes yeux - With contemporaneous ornamentation of vocal line | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:59
|
44
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
N'espTrez plus, mes yeux - With contemporaneous ornamentation of vocal line | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:14
|
21
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
O That Mine Eyes | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:22
|
45
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
O That Mine Eyes | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
:36
|
22
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
O That Mine Eyes - As ornamented by another musician of the period | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:26
|
46
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
O That Mine Eyes - As ornamented by another musician of the period | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:18
|
23
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonata for violin & continuo in C major, Op. 5/3 - Sonata No 3 in C: Adagio [Violin solo as in score] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:24
|
47
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonata for violin & continuo in C major, Op. 5/3 - Sonata No 3 in C: Adagio [Violin solo as in score] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:15
|
24
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonata for violin & continuo in C major, Op. 5/3 - Sonata No 3 in C: Adagio [With ornaments added by unknown hand] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:35
|
48
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonata for violin & continuo in C major, Op. 5/3 - Sonata No 3 in C: Adagio [With ornaments added by unknown hand] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:01
|
49
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Work(s) for harpsichord | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:44
|
50
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Work(s) for harpsichord | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:23
|
51
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concerto for oboe, strings & continuo in D minor, SF. 935 (often transposed to C minor) - Adagio [Concerto movement] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:57
|
28
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concerto for oboe, strings & continuo in D minor, SF. 935 (often transposed to C minor)
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:10
|
29
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Violin Concerto, for violin, strings & continuo in D major ("L'estro armonico" No. 9), Op. 3/9, RV 230
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:09
|
30
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Violin Concerto, for violin, strings & continuo in D major ("L'estro armonico" No. 9), Op. 3/9, RV 230
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:28
|
31
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Double Trumpet Concerto for 2 trumpets, strings & continuo in C major, RV 537
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
0:58
|
32
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Double Trumpet Concerto for 2 trumpets, strings & continuo in C major, RV 537
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:05
|
33
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Rodelinda, regina de' Langobardi, opera, HWV 19
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:33
|
34
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Rodelinda, regina de' Langobardi, opera, HWV 19
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:55
|
35
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Work(s)
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
0:46
|
36
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Work(s)
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:08
|
37
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonata for violin and harpsichord
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
0:48
|
38
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonata for violin and harpsichord
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:45
|
39
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concerto for flute, oboe d'amore, viola d'amore, strings & continuo in E major, TWV 53:E1
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:55
|
40
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concerto for flute, oboe d'amore, viola d'amore, strings & continuo in E major, TWV 53:E1
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:53
|
41
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Adagio for Flute and harpsichord (Plain Version)
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:58
|
42
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Adagio for Flute and harpsichord (Ornamented version in composer's own treatise)
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:56
|
43
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Castor et Pollux, tragédie en musique
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:37
|
44
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Castor et Pollux, tragédie en musique
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:08
|
45
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Work(s)
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
0:36
|
46
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Work(s)
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:15
|
47
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonata for flute, violin & continuo in G major (Sonates en Trio No. 5), TWV 42:G12
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:15
|
48
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Sonata for flute, violin & continuo in G major (Sonates en Trio No. 5), TWV 42:G12
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:49
|
49
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:44
|
50
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:23
|
51
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
1:19
|