1
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3) - Sheep may safely graze | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:38
|
1
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3) - Sheep may safely graze | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:38
|
2
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Clarinet Concerto in A major, K. 622 - II. Adagio | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:39
|
2
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Clarinet Concerto in A major, K. 622 - II. Adagio | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:39
|
3
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Double Mandolin Concerto, for 2 mandolins, strings & continuo in G major, RV 532 - II. Andante | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:50
|
3
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Double Mandolin Concerto, for 2 mandolins, strings & continuo in G major, RV 532 - II. Andante | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:50
|
4
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Fantasia on a Theme by Thomas Tallis, for 2 string orchestras - Opening | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:12
|
4
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Fantasia on a Theme by Thomas Tallis, for 2 string orchestras - Opening | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:12
|
5
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Concerto No. 2 in C minor, Op. 18 - II. Adagio sostenuto (opening) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:31
|
5
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Concerto No. 2 in C minor, Op. 18 - II. Adagio sostenuto (opening) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:31
|
6
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Recuerdos de la Alhambra, for guitar | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:58
|
6
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Recuerdos de la Alhambra, for guitar | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:58
|
7
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cello Concerto in E minor, Op. 85 - III. Adagio | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:20
|
7
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cello Concerto in E minor, Op. 85 - III. Adagio | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:20
|
8
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Lord of the Rings: Fellowship of the Ring, film score - The Fellowship | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:56
|
8
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Lord of the Rings: Fellowship of the Ring, film score - The Fellowship | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:56
|
9
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
The Lark Ascending, romance for violin & orchestra - Opening | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:26
|
9
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
The Lark Ascending, romance for violin & orchestra - Opening | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:26
|
10
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
The Armed Man: A Mass for Peace, for soloists, chorus & orchestra - Agnus Dei | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:40
|
10
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
The Armed Man: A Mass for Peace, for soloists, chorus & orchestra - Agnus Dei | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:40
|
11
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73 - II. Adagio | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
7:03
|
11
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73 - II. Adagio | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
7:03
|
12
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Violin Concerto No. 1 in G minor, Op. 26 - II. Adagio (opening) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:26
|
12
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Violin Concerto No. 1 in G minor, Op. 26 - II. Adagio (opening) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:26
|
13
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Voca Me | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:51
|
13
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Voca Me | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:51
|
14
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Enigma Variations, for orchestra, Op. 36 - Nimrod | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:59
|
14
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Enigma Variations, for orchestra, Op. 36 - Nimrod | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:59
|
15
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Symphony No. 6 in F major ("Pastoral"), Op. 68 - V. Allegretto (Shepherd's Hymn after the Storm) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:43
|
15
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Symphony No. 6 in F major ("Pastoral"), Op. 68 - V. Allegretto (Shepherd's Hymn after the Storm) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:43
|
16
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Gabriel's Oboe, theme from the film "The Mission" | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:16
|
16
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Gabriel's Oboe, theme from the film "The Mission" | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:16
|
17
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Orchestral Suite No. 3 in D major, BWV 1068 - Air on the G string | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:35
|
17
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Orchestral Suite No. 3 in D major, BWV 1068 - Air on the G string | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:35
|
18
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Peer Gynt, incidental music, Op. 23 - Morning | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:20
|
18
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Peer Gynt, incidental music, Op. 23 - Morning | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:20
|
19
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
William Shakespeare's Romeo + Juliet, film score - Balcony Scene | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:20
|
19
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
William Shakespeare's Romeo + Juliet, film score - Balcony Scene | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:20
|
20
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Canon and gigue, for 3 violins & continuo in D major, T. 337 - Canon | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:03
|
20
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Canon and gigue, for 3 violins & continuo in D major, T. 337 - Canon | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:03
|
21
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Gymnopedie for piano No. 1 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:35
|
21
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Gymnopedie for piano No. 1 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:35
|
22
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:14
|
22
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:14
|
23
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Schindler's List, film score - Schindler's List Theme | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:06
|
23
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Schindler's List, film score - Schindler's List Theme | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:06
|
24
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, Op. 43 - Variation 18 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:02
|
24
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, Op. 43 - Variation 18 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:02
|
25
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:26
|
25
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:26
|
26
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2 - I. Adagio sostenuto (extract) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:59
|
26
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2 - I. Adagio sostenuto (extract) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:59
|
27
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5) - II. Largo (opening) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:47
|
27
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5) - II. Largo (opening) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:47
|
28
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
The Gadfly, film score, Op. 97 - Romance | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:16
|
28
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
The Gadfly, film score, Op. 97 - Romance | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:16
|
29
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Concerto in A minor, Op. 16 - II. Adagio | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:34
|
29
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Concerto in A minor, Op. 16 - II. Adagio | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:34
|
30
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cavatina (from "The Deer Hunter") | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:18
|
30
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cavatina (from "The Deer Hunter") | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:18
|
31
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Gianni Schicchi, opera - O mio babbino caro | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:08
|
31
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Gianni Schicchi, opera - O mio babbino caro | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:08
|
32
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
The Planets, suite for orchestra & female chorus, Op. 32, H. 125 - Venus (conclusion) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:14
|
32
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
The Planets, suite for orchestra & female chorus, Op. 32, H. 125 - Venus (conclusion) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:14
|
33
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Violin Concerto, for violin, strings & continuo in F minor ("L'inverno," The Four Seasons; "Il cimento" No. 4), Op. 8/4, RV 297 - II. Largo | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:12
|
33
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Violin Concerto, for violin, strings & continuo in F minor ("L'inverno," The Four Seasons; "Il cimento" No. 4), Op. 8/4, RV 297 - II. Largo | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:12
|
34
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525 - II. Romanza (Andante) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:47
|
34
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525 - II. Romanza (Andante) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:47
|
35
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 - II. Largo ma non tanto (opening) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:37
|
35
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 - II. Largo ma non tanto (opening) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:37
|
36
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Miserere mei Deus (Psalm 51), motet for chorus - Extract | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:35
|
36
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Miserere mei Deus (Psalm 51), motet for chorus - Extract | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:35
|
37
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Violin Concerto in E minor, Op. 64 - II. Andante (extract) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:31
|
37
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Violin Concerto in E minor, Op. 64 - II. Andante (extract) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:31
|
38
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) - Jesu, Joy of Man's Desiring | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:33
|
38
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) - Jesu, Joy of Man's Desiring | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:33
|
39
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:51
|
39
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:51
|
40
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Lakmé, opera - Flower Duet (Dôme épais) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:31
|
40
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Lakmé, opera - Flower Duet (Dôme épais) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:31
|
41
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c) - II. Andantino (extract) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:01
|
41
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c) - II. Andantino (extract) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:01
|
42
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Rinaldo, opera, HWV 7 - Lascia ch'io pianga | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:37
|
42
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Rinaldo, opera, HWV 7 - Lascia ch'io pianga | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:37
|
43
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93 - II. Largo | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:09
|
43
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93 - II. Largo | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:09
|
44
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467 - II. Andante (extract) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:22
|
44
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467 - II. Andante (extract) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:22
|
45
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Requiem for chorus & orchestra - Pie Jesu | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:35
|
45
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Requiem for chorus & orchestra - Pie Jesu | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:35
|
46
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Carmen, opera - Entr'acte to Act III | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:37
|
46
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Carmen, opera - Entr'acte to Act III | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:37
|
47
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Concerto No. 1 in E minor, Op. 11, CT. 47 - II. Romance. Larghetto (opening) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:54
|
47
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Concerto No. 1 in E minor, Op. 11, CT. 47 - II. Romance. Larghetto (opening) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:54
|
48
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48 - In Paradisum | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:48
|
48
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48 - In Paradisum | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:48
|
49
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Sonata No. 8 in C minor ("Pathétique"), Op. 13 - II. Adagio cantabile | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:30
|
49
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Sonata No. 8 in C minor ("Pathétique"), Op. 13 - II. Adagio cantabile | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:30
|
50
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cavalleria rusticana, opera (melodramma) in 1 act - Intermezzo | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:41
|
50
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cavalleria rusticana, opera (melodramma) in 1 act - Intermezzo | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:41
|
51
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) - Zion hört die Wächter singen | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:30
|
51
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) - Zion hört die Wächter singen | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:30
|
52
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni) - Extract | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:52
|
52
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni) - Extract | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:52
|
53
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056 - II. Largo | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:28
|
53
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056 - II. Largo | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:28
|
54
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Requiem, for chorus & orchestra - Confutatis | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:57
|
54
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Requiem, for chorus & orchestra - Confutatis | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:57
|
55
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:17
|
55
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:17
|
56
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Water Music Suite No.1 for orchestra in F major, HWV 348 - Air | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:45
|
56
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Water Music Suite No.1 for orchestra in F major, HWV 348 - Air | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:45
|
57
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:41
|
57
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:41
|
58
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Gnossienne for piano No. 1 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:26
|
58
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Gnossienne for piano No. 1 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:26
|
59
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - The Swan | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:18
|
59
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - The Swan | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:18
|
60
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Ashokan Farewell | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:10
|
60
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Ashokan Farewell | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:10
|
61
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cantique de Jean Racine, for 4-part chorus & organ (or orchestra), Op. 11 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:14
|
61
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Cantique de Jean Racine, for 4-part chorus & organ (or orchestra), Op. 11 | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:14
|
62
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Nocturne for piano No. 20 in C sharp minor, KK IVa/16, CT. 127 (B. 49) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:26
|
62
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Nocturne for piano No. 20 in C sharp minor, KK IVa/16, CT. 127 (B. 49) | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:26
|
63
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Serse (Xerxes), opera, HWV 40 - Ombra mai fu | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:42
|
63
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Serse (Xerxes), opera, HWV 40 - Ombra mai fu | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:42
|
64
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concierto de Aranjuez, for guitar & orchestra - II. Adagio | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:48
|
64
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Concierto de Aranjuez, for guitar & orchestra - II. Adagio | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:48
|
65
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Requiem for soloists, chorus & orchestra - Pie Jesu | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:52
|
65
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Requiem for soloists, chorus & orchestra - Pie Jesu | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
2:52
|
66
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Thaïs, opera in 3 acts - Méditation | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:06
|
66
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Thaïs, opera in 3 acts - Méditation | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
5:06
|
67
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Concerto No. 2 in F major, Op. 102 - II. Andante | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:11
|
67
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Piano Concerto No. 2 in F major, Op. 102 - II. Andante | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
6:11
|
68
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Adagietto, for orchestra (from the Symphony No. 5) - [excerpt] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:09
|
68
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
Adagietto, for orchestra (from the Symphony No. 5) - [excerpt] | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
3:09
|
69
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
My Heart Will Go On (from the film "Titanic") | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:21
|
69
| ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
My Heart Will Go On (from the film "Titanic") | ![](/images/space.gif.pagespeed.ce.N2XgFXHQ3r.gif) |
4:21
|