1
| |
The 'Real' Great Composers: The Real Saint-Saëns (Discussion) | |
30:35
|
2
| |
Le retour à (de) Londres, rondo brillant for piano & orchestra in F major, Op. 127 - Grand Rondeau brillant | |
2:23
|
3
| |
Tamerlano, opera, HWV 18 - A dispetto | |
2:48
|
4
| |
Impressione brasiliane (Brazilian Impressions), for orchestra, P. 153 - Tropical Night | |
2:13
|
5
| |
Requiem (Missa pro Defunctis), for 3-4 voices (introit, Kyrie, gradual, offertory only) - Kyrie | |
2:05
|
6
| |
Sonata for keyboard in A major (Prussian Sonata No. 6), H. 29, Wq. 48/6 - 1. Moderato | |
3:24
|
7
| |
Glorious Hill, for 4 voices | |
1:55
|
8
| |
Concerto for 2 violins, cello, strings & continuo in G minor ("L'estro armonico" No. 2), Op. 3/2, RV 578 - [Excerpt] | |
2:21
|
9
| |
Le Charme, for voice & piano, Op. 2/2 | |
1:31
|
10
| |
Concerto for violin, cello & orchestra in A minor ("Double"), Op. 102 - 1. Allegro | |
5:42
|
11
| |
I heard a voice from heaven | |
1:49
|
12
| |
Madama Butterfly (Madame Butterfly), opera - Vogliatemi bene, un bene piccolino | |
4:18
|
13
| |
La bohème, opera - Sono andati? | |
3:02
|
14
| |
Tosca, opera - Mia gelosa! | |
4:05
|
15
| |
Piano Sonata No. 3 in F minor, Op. 5 - 4. Rückblick | |
4:07
|
16
| |
Gramophone Magazine Contest Samples - Identify the works from which these excerpts are taken and state what links them | |
7:10
|