1
| |
Les Troyens, opera, H. 133a - Chasse royale et orage | |
9:25
|
2
| |
Aquarelles (2), for strings (arr. by Fenby from 2 songs "to be sung on a summer night") - Lento, ma non troppo | |
2:12
|
3
| |
Aquarelles (2), for strings (arr. by Fenby from 2 songs "to be sung on a summer night") - Gaily, but not quick | |
1:59
|
4
| |
Adagietto, for orchestra (from the Symphony No. 5) | |
9:09
|
5
| |
Nocturnes, for female chorus & orchestra, L. 91 - Nuages | |
7:28
|
6
| |
Nocturnes, for female chorus & orchestra, L. 91 - Fêtes | |
6:57
|
7
| |
Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86 | |
10:32
|
8
| |
La Mer, symphonic sketches (3) for orchestra, L. 109 - Dialogue du vent et de la mer | |
9:56
|
9
| |
Womankind, folk song for 3 voices & piano trio, WoO 156/8 | |
1:39
|
10
| |
To the Aeolian Harp, folk song for voice & piano trio, WoO 155/9 | |
3:25
|
11
| |
Wife, Children and Friends, folk song for voice & piano trio, WoO 152/19 | |
2:22
|
12
| |
Romance oubliée (I), for piano, S. 527 (LW A299) | |
3:48
|
13
| |
En rêve, nocturne for piano, S. 207 (LW A336) | |
2:15
|
14
| |
Apparition ("La lune s'attristait"), song for voice & piano, L. 53 | |
3:38
|
15
| |
Ariettes oubliées (6), song cycle for voice & piano, L. 60 - C'est l'extase | |
2:52
|
16
| |
Ariettes oubliées (6), song cycle for voice & piano, L. 60 - L'ombre des arbres | |
2:21
|
17
| |
Ariettes oubliées (6), song cycle for voice & piano, L. 60 - Aquarelles: Green | |
2:21
|
18
| |
Jeux d'eau, for piano | |
6:40
|
19
| |
Gaspard de la nuit, for piano - Ondine (d'après un poème d'Aloysius Bertrand) | |
8:09
|
20
| |
Poissons d'or, for piano, L. 111/3 | |
3:38
|
21
| |
Reflets dans l'eau, for piano, L. 110/1 | |
5:04
|
22
| |
Jardins sous la pluie, for piano, L. 100/3 | |
3:31
|
23
| |
À Clymène, song for voice & piano (Mélodies de Venise), Op. 58/4 | |
2:32
|
24
| |
Sainte, song for voice & piano (or orchestra) | |
2:01
|
25
| |
Chanson triste ("Dans ton coeur..."), song for voice & piano (or orchestra), Op. 2/4 | |
3:19
|