Music for a Country Church
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Artist | Victoria Singers |
Bewertung | ![]() |
Epoche | Romantische Musik (1820-1869) |
Label | Gift Of Music |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
---|---|---|---|---|
1 | ![]() | Abide with me (Tune: Eventide) | ![]() | 3:10 |
1 | ![]() | Abide with me (Tune: Eventide) | ![]() | 3:10 |
2 | ![]() | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) - Jesu joy of man's desiring | ![]() | 3:24 |
2 | ![]() | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) - Jesu joy of man's desiring | ![]() | 3:24 |
3 | ![]() | The Old Rugged Cross, hymn | ![]() | 3:55 |
3 | ![]() | The Old Rugged Cross, hymn | ![]() | 3:55 |
4 | ![]() | All in the April evening, partsong | ![]() | 2:40 |
4 | ![]() | All in the April evening, partsong | ![]() | 2:40 |
5 | ![]() | Serse (Xerxes), opera, HWV 40 - Largo | ![]() | 3:36 |
5 | ![]() | Serse (Xerxes), opera, HWV 40 - Largo | ![]() | 3:36 |
6 | ![]() | Lux Aeterna, for chorus (after Nimrod from Enigma Variations, various arr.) | ![]() | 3:48 |
6 | ![]() | Lux Aeterna, for chorus (after Nimrod from Enigma Variations, various arr.) | ![]() | 3:48 |
7 | ![]() | Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3) - Sheep may safely graze | ![]() | 5:10 |
7 | ![]() | Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3) - Sheep may safely graze | ![]() | 5:10 |
8 | ![]() | The Rosary, for voice & piano | ![]() | 1:58 |
8 | ![]() | The Rosary, for voice & piano | ![]() | 1:58 |
9 | ![]() | The Lost Chord, song for voice & piano | ![]() | 4:22 |
9 | ![]() | The Lost Chord, song for voice & piano | ![]() | 4:22 |
10 | ![]() | Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") | ![]() | 3:22 |
10 | ![]() | Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") | ![]() | 3:22 |
11 | ![]() | Nearer My God to Thee, for voice & piano (or orchestra) | ![]() | 2:44 |
11 | ![]() | Nearer My God to Thee, for voice & piano (or orchestra) | ![]() | 2:44 |
12 | ![]() | Agnus Dei, for chorus (arr. from 2nd mvt. of String Quartet), Op. 11 | ![]() | 9:58 |
12 | ![]() | Agnus Dei, for chorus (arr. from 2nd mvt. of String Quartet), Op. 11 | ![]() | 9:58 |
13 | ![]() | In the Gloaming for voice & piano (or orchestra) | ![]() | 2:54 |
13 | ![]() | In the Gloaming for voice & piano (or orchestra) | ![]() | 2:54 |
14 | ![]() | Liebesträume, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 (LW A103/3) | ![]() | 4:28 |
14 | ![]() | Liebesträume, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 (LW A103/3) | ![]() | 4:28 |
15 | ![]() | A Perfect Day, for voice & piano (or orchestra) | ![]() | 1:58 |
15 | ![]() | A Perfect Day, for voice & piano (or orchestra) | ![]() | 1:58 |
16 | ![]() | To a Wild Rose, for piano, Op. 51/1 (Woodland Sketches) | ![]() | 2:16 |
16 | ![]() | To a Wild Rose, for piano, Op. 51/1 (Woodland Sketches) | ![]() | 2:16 |
17 | ![]() | Now The Day Is Over | ![]() | 1:57 |
17 | ![]() | Now The Day Is Over | ![]() | 1:57 |
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