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Fauré: L'Oeuvre pour violoncelle & piano

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TickIt!
Artist Xavier Gagnepain
Bewertung von 5
Epoche Romantische Musik (1820-1869)
Label Zig Zag Territoires
Erschienen 2007



Klassik-Werke auf diesem Album

# Werk/Besetzung Dauer
1 Romance for cello & piano, Op. 69 3:41
2 Vocalise-étude, song for voice & piano in E minor 2:50
3 Élégie for cello & piano or orchestra in C minor, Op. 24 6:33
4 Sonata for cello & piano No. 1 in D minor, Op. 109 19:02
5 Sérénade, for cello & piano in B minor, Op. 98 2:40
6 Papillon, for cello & piano, Op. 77 2:57
7 Sicilienne, for cello & piano, Op. 78 3:33
8 Sonata for cello & piano No. 2 in G minor, Op. 117 17:42
9 Berceuse, for violin & piano (or orchestra) in D major, Op. 16 3:30
10 Morceau de lecture (Allegro Moderato), for 2 cellos 1:00
11 Après un rêve ("Dans un sommeil"), song for voice & piano, Op. 7/1 2:58
12 Romances sans paroles (3) for piano, Op. 17 6:48

Tracks auf diesem Album

# Titel Dauer
1 Romance for cello & piano, Op. 69 3:41
2 Vocalise-étude, song for voice & piano in E minor 2:50
3 Élégie for cello & piano or orchestra in C minor, Op. 24 6:33
4 Sonata for cello & piano No. 1 in D minor, Op. 109 - Allegro 5:25
5 Sonata for cello & piano No. 1 in D minor, Op. 109 - Andante 7:04
6 Sonata for cello & piano No. 1 in D minor, Op. 109 - Allegro commodo 6:33
7 Sérénade, for cello & piano in B minor, Op. 98 2:40
8 Papillon, for cello & piano, Op. 77 2:57
9 Sicilienne, for cello & piano, Op. 78 3:33
10 Sonata for cello & piano No. 2 in G minor, Op. 117 - Allegro 5:58
11 Sonata for cello & piano No. 2 in G minor, Op. 117 - Andante 6:48
12 Sonata for cello & piano No. 2 in G minor, Op. 117 - Allegro vivo 4:56
13 Berceuse, for violin & piano (or orchestra) in D major, Op. 16 3:30
14 Morceau de lecture (Allegro Moderato), for 2 cellos 1:00
15 Après un rêve ("Dans un sommeil"), song for voice & piano, Op. 7/1 2:58
16 Romances sans paroles (3) for piano, Op. 17 - No. 1 1:58
17 Romances sans paroles (3) for piano, Op. 17 - No. 2 2:26
18 Romances sans paroles (3) for piano, Op. 17 - No. 3 2:24

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