Hans Erich Apostel und das Streichquartett
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Artist | Doelenkwartet |
Bewertung | ![]() |
Epoche | () |
Label | Cybele |
Erschienen |
Klassik-Werke auf diesem Album
# | ![]() | Werk/Besetzung | ![]() | Dauer |
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1 | ![]() | String Quartet, Op 7/1 | ![]() | 24:53 |
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2 | ![]() | String Quartet in One Movement, Op. 26 | ![]() | 17:23 |
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3 | ![]() | Epigrams (6) for string quartet, Op. 33 | ![]() | 7:49 |
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4 | ![]() | A Visit with Prof. Hans Erich Apostel | ![]() | 10:42 |
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5 | ![]() | Tribute by Hans Erich Apostel, given to mark the 50th birthday of his colleague Karl Schiske | ![]() | 3:13 |
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6 | ![]() | Variations (18) on an Original Theme, for string quartet | ![]() | 21:37 |
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7 | ![]() | String Quartet in D minor | ![]() | 23:54 |
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8 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof | ![]() | 89:16 |
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Tracks auf diesem Album
# | ![]() | Titel | ![]() | Dauer |
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1 | ![]() | String Quartet, Op 7/1 - 1. Allegro risoluto | ![]() | 8:04 |
2 | ![]() | String Quartet, Op 7/1 - 2. Largo con variazioni | ![]() | 8:03 |
3 | ![]() | String Quartet, Op 7/1 - 3. Presto ma non troppo | ![]() | 2:56 |
4 | ![]() | String Quartet, Op 7/1 - 4. Largo assai | ![]() | 5:50 |
5 | ![]() | String Quartet in One Movement, Op. 26 - Adagio (Introduktion) | ![]() | :36 |
6 | ![]() | String Quartet in One Movement, Op. 26 - 1. Allegro moderato | ![]() | 4:59 |
7 | ![]() | String Quartet in One Movement, Op. 26 - 2a. Grave (Passacaglia) | ![]() | 2:12 |
8 | ![]() | String Quartet in One Movement, Op. 26 - 3. Allegro vivace (Scherzo) | ![]() | 2:16 |
9 | ![]() | String Quartet in One Movement, Op. 26 - 2b. Grave (Fortsetzung Passacaglia) | ![]() | 2:49 |
10 | ![]() | String Quartet in One Movement, Op. 26 - 4. Allegro vivo (Rondo) | ![]() | 4:31 |
11 | ![]() | Epigrams (6) for string quartet, Op. 33 - 1. Grave - Für vier gleichgeltende Stimmen | ![]() | 1:07 |
12 | ![]() | Epigrams (6) for string quartet, Op. 33 - 2. Adagio - Solist: Violoncello | ![]() | :57 |
13 | ![]() | Epigrams (6) for string quartet, Op. 33 - 3. Moderato - Solist: Viola | ![]() | :49 |
14 | ![]() | Epigrams (6) for string quartet, Op. 33 - 4. Allegretto grazioso - Solist: Violine | ![]() | 1:03 |
15 | ![]() | Epigrams (6) for string quartet, Op. 33 - 5. Allegro molto - Solist: 1. Violine | ![]() | 1:59 |
16 | ![]() | Epigrams (6) for string quartet, Op. 33 - 6. Vivace - Für vier gleichgeltende Stimmen | ![]() | 1:54 |
17 | ![]() | A Visit with Prof. Hans Erich Apostel - Hans Erich Apostel speaks about the string quartet | ![]() | :50 |
18 | ![]() | A Visit with Prof. Hans Erich Apostel - What is Hans Erich Apostel's Compositional Process? | ![]() | 1:33 |
19 | ![]() | A Visit with Prof. Hans Erich Apostel - Hans Erich Apostel, Lyrical Composer | ![]() | :27 |
20 | ![]() | A Visit with Prof. Hans Erich Apostel - The New Listening: The Twelve-Tone Row - Demonstrated by Hans Erich Apostel Himself at the Piano | ![]() | 2:36 |
21 | ![]() | A Visit with Prof. Hans Erich Apostel - Hans Erich Apostel Goes in a New Direction: From Lyricist to Absolute Musician: The Piano Concerto | ![]() | 1:19 |
22 | ![]() | A Visit with Prof. Hans Erich Apostel - Hans Erich Apostel and His Artist Friend, Guitarist Karl Scheit, discuss Apostel's Sechs Musiken fo | ![]() | 2:14 |
23 | ![]() | A Visit with Prof. Hans Erich Apostel - The writer Elias Canetti and the sculptor Fritz Wotruba taking stock of their lives with their frie | ![]() | 1:43 |
24 | ![]() | Tribute by Hans Erich Apostel, given to mark the 50th birthday of his colleague Karl Schiske | ![]() | 3:13 |
25 | ![]() | Variations (18) on an Original Theme, for string quartet - Thema, Im Volkston. Moderato | ![]() | :31 |
26 | ![]() | Variations (18) on an Original Theme, for string quartet - 1. Variation, Langsam | ![]() | :39 |
27 | ![]() | Variations (18) on an Original Theme, for string quartet - 2. Variation, Ruhige punktierte Halbe | ![]() | :19 |
28 | ![]() | Variations (18) on an Original Theme, for string quartet - 3. Variation, Allegro moderato | ![]() | 1:29 |
29 | ![]() | Variations (18) on an Original Theme, for string quartet - 4. Variation, Allegro vivace | ![]() | :18 |
30 | ![]() | Variations (18) on an Original Theme, for string quartet - 5. Variation (Hebräisch), Ganz langsame Viertel | ![]() | :58 |
31 | ![]() | Variations (18) on an Original Theme, for string quartet - 6. Variation, Allegro | ![]() | 1:07 |
32 | ![]() | Variations (18) on an Original Theme, for string quartet - 7. Variation, Tempo di Marche funèbre | ![]() | 1:11 |
33 | ![]() | Variations (18) on an Original Theme, for string quartet - 8. Variation, Allegro vivace | ![]() | :50 |
34 | ![]() | Variations (18) on an Original Theme, for string quartet - 9. Variation, Rasche Achtel | ![]() | :45 |
35 | ![]() | Variations (18) on an Original Theme, for string quartet - 10. Variation, Moderato | ![]() | :21 |
36 | ![]() | Variations (18) on an Original Theme, for string quartet - 11. Variation, Rasche Achtel | ![]() | :53 |
37 | ![]() | Variations (18) on an Original Theme, for string quartet - 12. Variation, Sehr langsame Achtel | ![]() | 1:04 |
38 | ![]() | Variations (18) on an Original Theme, for string quartet - 13. Variation, Allegro | ![]() | :42 |
39 | ![]() | Variations (18) on an Original Theme, for string quartet - 14. Variation (Pastorale), Allegro moderato | ![]() | 1:33 |
40 | ![]() | Variations (18) on an Original Theme, for string quartet - 15. Variation (Intermezzo), Allegro | ![]() | :25 |
41 | ![]() | Variations (18) on an Original Theme, for string quartet - 16. Variation, Langsame Viertel | ![]() | :55 |
42 | ![]() | Variations (18) on an Original Theme, for string quartet - 17. Variation, Andante | ![]() | :34 |
43 | ![]() | Variations (18) on an Original Theme, for string quartet - 18. Variation, Langsame, getragene Achtel | ![]() | 7:03 |
44 | ![]() | String Quartet in D minor - 1. Moderato | ![]() | 9:15 |
45 | ![]() | String Quartet in D minor - 2. Allegro vivace | ![]() | 4:27 |
46 | ![]() | String Quartet in D minor - 3. Moderato | ![]() | 10:12 |
47 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - My Beloved Teacher: Our First Meeting | ![]() | 7:08 |
48 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - First Lesson: "I am a craftsman before I am a genius." | ![]() | 2:37 |
49 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Contradiction: Between Schoenberg and Berg | ![]() | 3:31 |
50 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - An Introverted, Solitary Man | ![]() | 2:20 |
51 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - His Friendships with Artists | ![]() | 1:18 |
52 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Skull and Edelweiss | ![]() | 3:17 |
53 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - The Most Talented Lyrical Composer among Schoenberg's Pupils | ![]() | 3:20 |
54 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Music as a Space to Live - Nature as a Model | ![]() | 5:14 |
55 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Is the Life of an Artist the Property of the Public? | ![]() | 3:08 |
56 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - The Schoenberg Circle and the Inner Programme | ![]() | 3:10 |
57 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - The Retreat into His Own Armory | ![]() | 1:00 |
58 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Belief, Discipline and Craftsmanship | ![]() | 3:19 |
59 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - During the Nazi Era, Only Germ Cells for New Works | ![]() | 3:33 |
60 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Shock Leading to Humanism | ![]() | 1:21 |
61 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Isolation during the War and Thereafter | ![]() | :27 |
62 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Creative Hiatuses: "I am unable right now." | ![]() | :44 |
63 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - His First Marriage: Hans Erich and Erna Apostel | ![]() | 2:56 |
64 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - "Monsieur Apostel" - His Marriage to Madeleine | ![]() | 2:19 |
65 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Herta and Erna Apostel - On the Sidelines | ![]() | 3:19 |
66 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - His Parents - Negative Relationship with His Father | ![]() | :45 |
67 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - What Makes a Good Teacher? | ![]() | 9:29 |
68 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Artwork as a Living Organism | ![]() | 3:18 |
69 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Total Men Instead of Demigods | ![]() | 3:19 |
70 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Apostel and Death | ![]() | 3:49 |
71 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - What Remains with Me: Enduring Love | ![]() | 4:24 |
72 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Art Originates in Love Alone | ![]() | 2:36 |
73 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - The Durability of Music | ![]() | 4:04 |
74 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - Apostel on How to Live Life | ![]() | 1:56 |
75 | ![]() | Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof - No Farewell | ![]() | 1:35 |
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