Spoken Word
Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof
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Sätze in Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof
# | ![]() | Satz |
---|---|---|
1 | ![]() | My Beloved Teacher: Our First Meeting |
2 | ![]() | First Lesson: "I am a craftsman before I am a genius." |
3 | ![]() | Contradiction: Between Schoenberg and Berg |
4 | ![]() | An Introverted, Solitary Man |
5 | ![]() | His Friendships with Artists |
6 | ![]() | Skull and Edelweiss |
7 | ![]() | The Most Talented Lyrical Composer among Schoenberg's Pupils |
8 | ![]() | Music as a Space to Live - Nature as a Model |
9 | ![]() | Is the Life of an Artist the Property of the Public? |
10 | ![]() | The Schoenberg Circle and the Inner Programme |
11 | ![]() | The Retreat into His Own Armory |
12 | ![]() | Belief, Discipline and Craftsmanship |
13 | ![]() | During the Nazi Era, Only Germ Cells for New Works |
14 | ![]() | Shock Leading to Humanism |
15 | ![]() | Isolation during the War and Thereafter |
16 | ![]() | Creative Hiatuses: "I am unable right now." |
17 | ![]() | His First Marriage: Hans Erich and Erna Apostel |
18 | ![]() | "Monsieur Apostel" - His Marriage to Madeleine |
19 | ![]() | Herta and Erna Apostel - On the Sidelines |
20 | ![]() | His Parents - Negative Relationship with His Father |
21 | ![]() | What Makes a Good Teacher? |
22 | ![]() | Artwork as a Living Organism |
23 | ![]() | Total Men Instead of Demigods |
24 | ![]() | Apostel and Death |
25 | ![]() | What Remains with Me: Enduring Love |
26 | ![]() | Art Originates in Love Alone |
27 | ![]() | The Durability of Music |
28 | ![]() | Apostel on How to Live Life |
29 | ![]() | No Farewell |
Alben mit diesem Werk
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Album | ![]() | Besetzung | |
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Hans Erich Apostel und das Streichquartett Doelenkwartet
Aufnahmeort und Datum Cybele AV Studio Duesseldorf [2010] | ![]() |
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