Sätze in Semele, oratorio, HWV 58
# | ![]() | Satz |
---|---|---|
1 | ![]() | Overture in C minor |
2 | ![]() | Behold! auspicious flashes rise |
3 | ![]() | Lucky omens, bless our rites |
4 | ![]() | Daughter, obey, hear and obey! (Recitative & Arioso) |
5 | ![]() | Ah me! What refuge |
6 | ![]() | Oh Jove! in pity |
7 | ![]() | The morning lark to mine accords his note |
8 | ![]() | See, she blushing turns her eyes |
9 | ![]() | Hymen, haste! Thy torch prepare! |
10 | ![]() | Alas! She yields and has undone me! |
11 | ![]() | Why dost thou thus untimely grieve |
12 | ![]() | Avert these omens, all ye pow'rs |
13 | ![]() | Again auspicious flashes rise |
14 | ![]() | Thy aid, pronubial Juno |
15 | ![]() | Cease your vow's, 'tis impious to proceed |
16 | ![]() | Oh Athamas; what torture has thou borne! |
17 | ![]() | Turn, hopeless lover, turn thy eyes |
18 | ![]() | She weeps! The gentle maid |
19 | ![]() | Your tuneful voice my tale would tell |
20 | ![]() | Too well I see, thou wilt not |
21 | ![]() | You've undone me, look not on me |
22 | ![]() | Ah, wretched prince, doom'd to disastrous love! |
23 | ![]() | Wing'd with our fears, and pious haste |
24 | ![]() | Oh prodigy, to me of dire portent! |
25 | ![]() | See! Jove's Priest and holy Augurs come |
26 | ![]() | Hail Cadmus hail |
27 | ![]() | Endless pleasure, endless love |
28 | ![]() | Endless pleasure, endless love |
29 | ![]() | Sinfonia in B flat major |
30 | ![]() | Iris, impatient of thy stay |
31 | ![]() | There, from mortal cares retiring |
32 | ![]() | No more! I'll hear no more! |
33 | ![]() | Awake, Saturnia, from thy lethargy! |
34 | ![]() | Hence, Iris hence away |
35 | ![]() | Oh sleep, why dost thou leave me? |
36 | ![]() | Let me not another moment |
37 | ![]() | Lay your doubts and fear aside |
38 | ![]() | You are motal and require |
39 | ![]() | With fond desiring, with bliss expiring |
40 | ![]() | How engaging, how endearing |
41 | ![]() | Ah me! Why sighs my Semele? |
42 | ![]() | I must with speed amuse her |
43 | ![]() | Now Love that everlasting boy |
44 | ![]() | By my command now at this instant |
45 | ![]() | Where'er your walk, cool gales shall fan the glade |
46 | ![]() | Dear sister, how was your passage hither? |
47 | ![]() | But hark! the heav'nly sphere turns round |
48 | ![]() | Prepare then, ye |
49 | ![]() | Bless the glad earth with heav'nly lays |
50 | ![]() | Sinfonia in D major |
51 | ![]() | Somnus, awake! |
52 | ![]() | Leave me, loath some light! |
53 | ![]() | Dull God, canst thou attend |
54 | ![]() | More sweet is that name than a soft purling cream |
55 | ![]() | My will obey |
56 | ![]() | Obey my will, thy rod resign |
57 | ![]() | My racking thoughts by no kind slumbers freed |
58 | ![]() | Thus shap'd like Ino |
59 | ![]() | O ecstasy of happiness |
60 | ![]() | Myself I shall adore |
61 | ![]() | Be wise, as you are beautiful |
62 | ![]() | Conjure him by his oath not to approach your bed |
63 | ![]() | Thus let my thanks be pay'd |
64 | ![]() | Rich odours fill the fragant air |
65 | ![]() | Come to my arms, sy lovely fair |
66 | ![]() | Oh Semele! Why art thou thus insensible? |
67 | ![]() | I ever am granting, you always complain |
68 | ![]() | Speak your desire |
69 | ![]() | By that tremendous fllood, I swear |
70 | ![]() | You'll grant what I require? |
71 | ![]() | Then cast off this human shape |
72 | ![]() | Ah! Take heed what you press! |
73 | ![]() | I'll be pleas'd with no less / No, I'll take no less |
74 | ![]() | Ah, wither is she gone! |
75 | ![]() | Above measure is the pleasure |
76 | ![]() | Ah me! Too late I now repent (Arioso) |
77 | ![]() | Of my illboding dream |
78 | ![]() | Oh terror and astonishment |
79 | ![]() | How I was hence remov'd |
80 | ![]() | Despair no more shall wound me |
81 | ![]() | See from above the bellying clouds descend |
82 | ![]() | Sinfonia in F major |
83 | ![]() | Apollo comes, to relieve your care |
84 | ![]() | Happy shall we be, and free from care |
85 | ![]() | Behold! Auspicious flahes rise (Supplemental) |
86 | ![]() | Daughter, obey (Supplemental) |
87 | ![]() | See, she blushing turns her eyes (Supplemental) |
88 | ![]() | Hymen, haste, thy torch prepare (Supplemental) |
89 | ![]() | Turn, hopeless lover (Supplemental) |
90 | ![]() | Come, Zephyrs, come while Cupid sings (Supplemental) |
91 | ![]() | Bless the glad earth with heav'nly lays (Supplemental) |
92 | ![]() | Behold in this mirror (Supplemental) |
93 | ![]() | Then Mortals be merry and scoen the blind Boy (Supplemental) |
Alben mit diesem Werk
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Album | ![]() | Besetzung | |
---|---|---|---|
Handel: Die Grossen Oratorien (Box Set) Various Artists | ![]() |
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Great Operatic Arias Elizabeth Futral
Sätze aus diesem Werk Aria. Oh sleep, why dost thou leave me?
Aufnahmeort und Datum Blackheath Halls, London, England [2002] | ![]() |
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In Opera: Prima Voce John McCormack
Sätze aus diesem Werk O sleep, why dost thou leave me? | ![]() |
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George Frideric Handel: Semele Various Artists
Aufnahmeort und Datum Abbey Road Studio, London, England [1990] | ![]() |
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The Canadian Brass Go for Baroque! Canadian Brass
Sätze aus diesem Werk Where'er You Walk
Aufnahmeort und Datum St. Ann's Cathedral, Toronto, Ontario, Canada [1985] | ![]() |
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The Art of Roland Hayes Roland Hayes
Sätze aus diesem Werk Act 2: Where'er You Walk | ![]() |
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The Age of Bel Canto Richard Bonynge
Sätze aus diesem Werk Iris, hence away
Aufnahmeort und Datum Decca Studio No. 3, West Hampstead, England [1963] | ![]() |
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The Art of Serge Koussevitzky Sergey Koussevitzky
Sätze aus diesem Werk O Sleep, why dost thou leave me?
Aufnahmeort und Datum Symphony Hall, Boston, MA [1939] | ![]() |
| |
The Handel Collection John Rutter
Sätze aus diesem Werk Where'er You Walk
Aufnahmeort und Datum Great Hall Of University College School, London/Fenton House, London, England [1989] | ![]() |
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Emilio de Gogorza sings Opera, Oratorio, Operetta, Artsong & Encores Emilio de Gogorza
Sätze aus diesem Werk Where'er You Walk | ![]() |
| |
Leontyne Price (The Prima Donna Collection) Leontyne Price
Sätze aus diesem Werk Act II: Where'er you walk | ![]() |
| |
Recital Kathleen Ferrier
Sätze aus diesem Werk Where 'er you walk | ![]() |
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If Music Be the Food of Love: Love Songs of the Renaissance & Baroque Various Artists
Sätze aus diesem Werk Where'er You Walk | ![]() |
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Arias By Purcell, Handel, Mozart Xenia Meijer
Sätze aus diesem Werk Hence, Iris, hence away
Aufnahmeort und Datum Jesus-Christus-Kirche, Berlin-Dahlem [1996] | ![]() |
| |
Bejun Bejun Mehta
Sätze aus diesem Werk Where'er You Walk
Aufnahmeort und Datum Shatto Chapel, First Congregational Church, Los Angeles, CA [1982] | ![]() |
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Dorothy Maynor - Spriituals, Arias, Songs (1940-1943) Dorothy Maynor
Sätze aus diesem Werk O Sleep why does't thou leave me | ![]() |
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George Frideric Handel: Semele John Eliot Gardiner
Aufnahmeort und Datum Rosslyn Hill Chapel, London, England [1981] | ![]() |
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Anne Sofie von Otter with the Drottningholm Baroque Ensemble Anne Sofie von Otter
Sätze aus diesem Werk Act II, Scene 3: Where'er you walk
Aufnahmeort und Datum Gertrud Church, Stockholm, Sweden [1983] | ![]() |
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Tito Schipa In Recital 1955-1964 Tito Schipa
Sätze aus diesem Werk Where'er you walk | ![]() |
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Baroque For Brides To Be: A Musical Bouquet for Your Wedding Day Various Artists
Sätze aus diesem Werk Where'er You Walk | ![]() |
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Handel: Greatest Arias Rudolph Palmer
Sätze aus diesem Werk Where'er You Walk | ![]() |
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Great Operatic Arias [English] Bruce Ford
Sätze aus diesem Werk Jupiter: Where'er you walk...
Aufnahmeort und Datum Blackheath Concert Hall, London, England [1997] | ![]() |
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Alma Gluck Alma Gluck
Sätze aus diesem Werk O Sleep! Why Dost Thou Leave Me? | ![]() |
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Handel: Semele Johannes Somary
Aufnahmeort und Datum Conway Hall, London, England [1973] | ![]() |
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John McCormack-Aris, Recitals And Songs John McCormack
Sätze aus diesem Werk Act II: O sleep, why dost thou leave me?
Aufnahmeort und Datum England [1920] | ![]() |
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