1
| |
The voice of Emile Berliner - Letter to Sara Hahn, from her brother-in-law Emile Berliner (Excerpt) | |
:33
|
1
| |
The voice of Emile Berliner - Letter to Sara Hahn, from her brother-in-law Emile Berliner (Excerpt) | |
:33
|
2
| |
Hail To the Spirit of Liberty, march for band | |
2:06
|
2
| |
Hail To the Spirit of Liberty, march for band | |
2:06
|
3
| |
Ave Maria, for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1) | |
3:12
|
3
| |
Ave Maria, for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1) | |
3:12
|
4
| |
Otello, opera - Esultate | |
1:18
|
4
| |
Otello, opera - Esultate | |
1:18
|
5
| |
Otello, opera - Ora e per sempre addio | |
2:03
|
5
| |
Otello, opera - Ora e per sempre addio | |
2:03
|
6
| |
Ave Maria, for voice & piano | |
3:43
|
6
| |
Ave Maria, for voice & piano | |
3:43
|
7
| |
Auld Lang Syne | |
3:04
|
7
| |
Auld Lang Syne | |
3:04
|
8
| |
La bohème, opera - O soave fanciulla | |
3:25
|
8
| |
La bohème, opera - O soave fanciulla | |
3:25
|
9
| |
La bohème, opera - O Mimì, tu più non torni | |
3:13
|
9
| |
La bohème, opera - O Mimì, tu più non torni | |
3:13
|
10
| |
L' Africaine, grand opera in 5 acts - O paradiso | |
3:44
|
10
| |
L' Africaine, grand opera in 5 acts - O paradiso | |
3:44
|
11
| |
L'elisir d'amore, opera - Una furtiva lagrima [conclusion] | |
3:07
|
11
| |
L'elisir d'amore, opera - Una furtiva lagrima [conclusion] | |
3:07
|
12
| |
Guitarre, for piano, Op. 45/2 | |
3:05
|
12
| |
Guitarre, for piano, Op. 45/2 | |
3:05
|
13
| |
Arrangement for piano of Johann Strauss II's "Frühlingsstimmenwalzer, Op 410" | |
4:03
|
13
| |
Arrangement for piano of Johann Strauss II's "Frühlingsstimmenwalzer, Op 410" | |
4:03
|
14
| |
Liebesfreud (Love's Joy), for violin & piano | |
3:19
|
14
| |
Liebesfreud (Love's Joy), for violin & piano | |
3:19
|
15
| |
Liebesleid (Love's Sorrow), for violin & piano | |
3:38
|
15
| |
Liebesleid (Love's Sorrow), for violin & piano | |
3:38
|
16
| |
Boris Godunov, opera - Proscháy, moy syn [extract] | |
4:48
|
16
| |
Boris Godunov, opera - Proscháy, moy syn [extract] | |
4:48
|
17
| |
Un ballo in maschera, opera - All vita che t'arride | |
3:47
|
17
| |
Un ballo in maschera, opera - All vita che t'arride | |
3:47
|
18
| |
Zueignung ("Ja, du weisst es, teur Seele"), song for voice & piano (or orchestra), Op. 10/1 (TrV 141/1) | |
1:45
|
18
| |
Zueignung ("Ja, du weisst es, teur Seele"), song for voice & piano (or orchestra), Op. 10/1 (TrV 141/1) | |
1:45
|
19
| |
Le carnival romain (Roman Carnival Overture), ouverture catactéristique for orchestra, H.95 (Op. 9) | |
8:53
|
19
| |
Le carnival romain (Roman Carnival Overture), ouverture catactéristique for orchestra, H.95 (Op. 9) | |
8:53
|
20
| |
The Hebrides, overture for orchestra in B minor ("Fingal's Cave"), Op. 26 | |
9:31
|
20
| |
The Hebrides, overture for orchestra in B minor ("Fingal's Cave"), Op. 26 | |
9:31
|
21
| |
Coriolan Overture, Op. 62 | |
7:05
|
21
| |
Coriolan Overture, Op. 62 | |
7:05
|
22
| |
German dance for orchestra in F major, K. 600/2 | |
2:26
|
22
| |
German dance for orchestra in F major, K. 600/2 | |
2:26
|
23
| |
Die Walküre (The Valkyrie), opera, WWV 86b - Walkürienritt | |
4:39
|
23
| |
Die Walküre (The Valkyrie), opera, WWV 86b - Walkürienritt | |
4:39
|
24
| |
Das Herz, opera, Op. 39 - Liebesmelodie | |
6:33
|
24
| |
Das Herz, opera, Op. 39 - Liebesmelodie | |
6:33
|
25
| |
Der Freischütz, overture to the opera | |
9:45
|
25
| |
Der Freischütz, overture to the opera | |
9:45
|
26
| |
Feste romane (Roman Festivals), symphonic poem, P. 157 - Circenses | |
4:39
|
26
| |
Feste romane (Roman Festivals), symphonic poem, P. 157 - Circenses | |
4:39
|
27
| |
Die Lustigen Weiber von Windsor, opera - Overture | |
7:45
|
27
| |
Die Lustigen Weiber von Windsor, opera - Overture | |
7:45
|
28
| |
Japanische Festmusik (Japanese Festival Music), for orchestra, Op. 84 (TrV 277) | |
14:05
|
28
| |
Japanische Festmusik (Japanese Festival Music), for orchestra, Op. 84 (TrV 277) | |
14:05
|
29
| |
Der Zigeunerbaron (The Gypsy Baron), overture to the operetta | |
8:13
|
29
| |
Der Zigeunerbaron (The Gypsy Baron), overture to the operetta | |
8:13
|
30
| |
Allegro symphonique | |
7:45
|
30
| |
Allegro symphonique | |
7:45
|
31
| |
Brandenburg Concerto No. 5 in D major, BWV 1050 - 1. Allegro | |
11:53
|
31
| |
Brandenburg Concerto No. 5 in D major, BWV 1050 - 1. Allegro | |
11:53
|
32
| |
Violin Concerto in D major - 1. Tocatta | |
5:56
|
32
| |
Violin Concerto in D major - 1. Tocatta | |
5:56
|
33
| |
Violin Concerto in D major - 2. Aria I | |
4:17
|
33
| |
Violin Concerto in D major - 2. Aria I | |
4:17
|
34
| |
Violin Concerto in D major - 3. Aria II | |
4:33
|
34
| |
Violin Concerto in D major - 3. Aria II | |
4:33
|
35
| |
Violin Concerto in D major - 4. Capriccio | |
6:13
|
35
| |
Violin Concerto in D major - 4. Capriccio | |
6:13
|
36
| |
Piano Concerto No. 2 in B flat major, Op. 83 - 3. Andante | |
13:28
|
36
| |
Piano Concerto No. 2 in B flat major, Op. 83 - 3. Andante | |
13:28
|
37
| |
Rondo for piano & orchestra in D major, K. 382 | |
8:16
|
37
| |
Rondo for piano & orchestra in D major, K. 382 | |
8:16
|
38
| |
Cello Concerto in A minor, Op. 129 - 3. Sehr lebhaft | |
8:39
|
38
| |
Cello Concerto in A minor, Op. 129 - 3. Sehr lebhaft | |
8:39
|
39
| |
Violin Concerto in D minor, Op. 47 - 3. Allegro, ma non tanto | |
7:33
|
39
| |
Violin Concerto in D minor, Op. 47 - 3. Allegro, ma non tanto | |
7:33
|
40
| |
Trio for strings No.1, Op. 34 - 1. Toccata | |
4:11
|
40
| |
Trio for strings No.1, Op. 34 - 1. Toccata | |
4:11
|
41
| |
Albumblatt (In das Album Fürstin Metternich), for piano in C major, WWV 94 | |
4:03
|
41
| |
Albumblatt (In das Album Fürstin Metternich), for piano in C major, WWV 94 | |
4:03
|
42
| |
Petite suite (4), for piano, 4 hands (or orchestra), L. 65 - Menuet | |
3:40
|
42
| |
Petite suite (4), for piano, 4 hands (or orchestra), L. 65 - Menuet | |
3:40
|
43
| |
Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) - Wachet auf, ruft uns die Stimme | |
5:11
|
43
| |
Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) - Wachet auf, ruft uns die Stimme | |
5:11
|
44
| |
Introduction and Variations on "Non più mesta" from Rossini's "La cenerentola", for violin & orchestra in E flat major, Op. 12; MS 22 | |
7:41
|
44
| |
Introduction and Variations on "Non più mesta" from Rossini's "La cenerentola", for violin & orchestra in E flat major, Op. 12; MS 22 | |
7:41
|
45
| |
Z domoviny (From the Homeland), pieces (2) for violin & piano, JB 1:118 | |
6:41
|
45
| |
Z domoviny (From the Homeland), pieces (2) for violin & piano, JB 1:118 | |
6:41
|
46
| |
German Dances (12) for piano (Ländler), D. 790 (Op. posth. 171) | |
7:30
|
46
| |
German Dances (12) for piano (Ländler), D. 790 (Op. posth. 171) | |
7:30
|
47
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Thema Andante | |
1:21
|
47
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Thema Andante | |
1:21
|
48
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 1 | |
:51
|
48
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 1 | |
:51
|
49
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 2 | |
1:42
|
49
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 2 | |
1:42
|
50
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 3 | |
1:17
|
50
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 3 | |
1:17
|
51
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 4 | |
:33
|
51
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 4 | |
:33
|
52
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 5 | |
:42
|
52
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 5 | |
:42
|
53
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 6 | |
:44
|
53
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 6 | |
:44
|
54
| |
Symphonic Etudes in Variation Form (5), for piano (variants & corrections of Op. 13), WoO 6 - Variation 2 posth. | |
3:13
|
54
| |
Symphonic Etudes in Variation Form (5), for piano (variants & corrections of Op. 13), WoO 6 - Variation 2 posth. | |
3:13
|
55
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 7 | |
:42
|
55
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 7 | |
:42
|
56
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 8 | |
1:32
|
56
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 8 | |
1:32
|
57
| |
Symphonic Etudes in Variation Form (5), for piano (variants & corrections of Op. 13), WoO 6 - Variation 5 posth. | |
2:41
|
57
| |
Symphonic Etudes in Variation Form (5), for piano (variants & corrections of Op. 13), WoO 6 - Variation 5 posth. | |
2:41
|
58
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 9 | |
:34
|
58
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 9 | |
:34
|
59
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 10 | |
:31
|
59
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 10 | |
:31
|
60
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 11 | |
1:51
|
60
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Etude 11 | |
1:51
|
61
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Finale: Etude 12 | |
5:15
|
61
| |
Symphonic Etudes ("Etudes in the form of variations") for piano (2 versions), Op. 13 - Finale: Etude 12 | |
5:15
|
62
| |
Toccata and Fugue, for organ in D minor, BWV 565 (BC J37) - Toccata | |
2:44
|
62
| |
Toccata and Fugue, for organ in D minor, BWV 565 (BC J37) - Toccata | |
2:44
|
63
| |
Toccata and Fugue, for organ in D minor, BWV 565 (BC J37) - Fugue | |
6:33
|
63
| |
Toccata and Fugue, for organ in D minor, BWV 565 (BC J37) - Fugue | |
6:33
|
64
| |
Requiem for soloists, chorus, and orchestra, K. 626 - I. Introitus. Requiem (Adagio) | |
4:17
|
64
| |
Requiem for soloists, chorus, and orchestra, K. 626 - I. Introitus. Requiem (Adagio) | |
4:17
|
65
| |
Requiem for soloists, chorus, and orchestra, K. 626 - II. Kyrie. (Allegro - Adagio) | |
2:33
|
65
| |
Requiem for soloists, chorus, and orchestra, K. 626 - II. Kyrie. (Allegro - Adagio) | |
2:33
|
66
| |
Requiem for soloists, chorus, and orchestra, K. 626 - III. Sequenz. 1. Dies irae. (Allegro assai) | |
1:55
|
66
| |
Requiem for soloists, chorus, and orchestra, K. 626 - III. Sequenz. 1. Dies irae. (Allegro assai) | |
1:55
|
67
| |
Requiem for soloists, chorus, and orchestra, K. 626 - III. Sequenz. 2. Tuba mirum. (Andante) | |
4:01
|
67
| |
Requiem for soloists, chorus, and orchestra, K. 626 - III. Sequenz. 2. Tuba mirum. (Andante) | |
4:01
|
68
| |
Requiem for soloists, chorus, and orchestra, K. 626 - III. Sequenz. 3. Rex tremendae | |
2:50
|
68
| |
Requiem for soloists, chorus, and orchestra, K. 626 - III. Sequenz. 3. Rex tremendae | |
2:50
|
69
| |
Requiem for soloists, chorus, and orchestra, K. 626 - III. Sequenz. 4. Recordare | |
6:35
|
69
| |
Requiem for soloists, chorus, and orchestra, K. 626 - III. Sequenz. 4. Recordare | |
6:35
|
70
| |
Requiem for soloists, chorus, and orchestra, K. 626 - III. Sequenz. 5. Confutatis. (Andante) | |
3:50
|
70
| |
Requiem for soloists, chorus, and orchestra, K. 626 - III. Sequenz. 5. Confutatis. (Andante) | |
3:50
|
71
| |
Requiem for soloists, chorus, and orchestra, K. 626 - III. Sequenz. 6. Lacrimosa | |
3:12
|
71
| |
Requiem for soloists, chorus, and orchestra, K. 626 - III. Sequenz. 6. Lacrimosa | |
3:12
|
72
| |
Requiem for soloists, chorus, and orchestra, K. 626 - IV. Offertorium. 1. Domine Jesu. (Andante con moto) | |
4:51
|
72
| |
Requiem for soloists, chorus, and orchestra, K. 626 - IV. Offertorium. 1. Domine Jesu. (Andante con moto) | |
4:51
|
73
| |
Requiem for soloists, chorus, and orchestra, K. 626 - IV. Offertorium. 2. Hostias. (Andante - Andante con moto) | |
5:17
|
73
| |
Requiem for soloists, chorus, and orchestra, K. 626 - IV. Offertorium. 2. Hostias. (Andante - Andante con moto) | |
5:17
|
74
| |
Requiem for soloists, chorus, and orchestra, K. 626 - V. Sanctus. (Adagio - Allegro) | |
1:39
|
74
| |
Requiem for soloists, chorus, and orchestra, K. 626 - V. Sanctus. (Adagio - Allegro) | |
1:39
|
75
| |
Requiem for soloists, chorus, and orchestra, K. 626 - VI. Benedictus. (Andante - Allegro) | |
5:22
|
75
| |
Requiem for soloists, chorus, and orchestra, K. 626 - VI. Benedictus. (Andante - Allegro) | |
5:22
|
76
| |
Requiem for soloists, chorus, and orchestra, K. 626 - VII. Agnus Dei | |
3:08
|
76
| |
Requiem for soloists, chorus, and orchestra, K. 626 - VII. Agnus Dei | |
3:08
|
77
| |
Requiem for soloists, chorus, and orchestra, K. 626 - VIII. Communio. Lux aeterna | |
5:26
|
77
| |
Requiem for soloists, chorus, and orchestra, K. 626 - VIII. Communio. Lux aeterna | |
5:26
|
78
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Chorus. Wir setzen uns mit Tränen nieder | |
7:41
|
78
| |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Chorus. Wir setzen uns mit Tränen nieder | |
7:41
|
79
| |
In Stiller Nacht, zur ersten Wacht, folk song for chorus (& piano ad lib), WoO 34/8 | |
3:19
|
79
| |
In Stiller Nacht, zur ersten Wacht, folk song for chorus (& piano ad lib), WoO 34/8 | |
3:19
|
80
| |
Christkindleins Wiegenlied (O Jesulein zart), for chorus | |
2:45
|
80
| |
Christkindleins Wiegenlied (O Jesulein zart), for chorus | |
2:45
|