1
| |
Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 - I. Allegro | |
3:39
|
2
| |
Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni) | |
5:48
|
3
| |
Boléro, ballet for orchestra - (Excerpt) | |
5:14
|
4
| |
Bagatelle for piano in A minor ("Für Elise"), WoO 59 | |
2:57
|
5
| |
Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525 - Allegro | |
5:54
|
6
| |
Canon and gigue, for 3 violins & continuo in D major, T. 337 - Canon in D | |
4:59
|
7
| |
Orchestral Suite No. 3 in D major, BWV 1068 - Air | |
5:27
|
8
| |
Suite for Jazz Orchestra No. 2 - Waltz No. 2 | |
3:49
|
9
| |
Peer Gynt, incidental music, Op. 23 - Morning | |
4:14
|
10
| |
Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2 - 1. Adagio sostenuto | |
3:54
|
11
| |
Gymnopedie for piano No. 1 | |
2:48
|
12
| |
Suite bergamasque, for piano, L. 75 - Clair de Lune | |
4:54
|
13
| |
Vltava (The Moldau), symphonic poem (Má Vlast No. 2), JB 1:112/2 - [Excerpt] | |
4:58
|
14
| |
Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c) - Andantino (Excerpt) | |
3:57
|
15
| |
Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6) | |
6:40
|
16
| |
My Heart Will Go On (from the film "Titanic") | |
4:19
|
17
| |
Liebesträume, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 (LW A103/3) | |
4:28
|
18
| |
Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 | |
6:20
|
19
| |
Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) - Jesu, Joy of Man's Desiring | |
3:28
|
20
| |
An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314) - [Excerpts] | |
3:43
|
21
| |
Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467 - Andante | |
5:21
|
22
| |
Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 | |
5:16
|
23
| |
Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5) - 2nd Movement (Largo) | |
4:42
|
24
| |
Suite for solo cello No. 1 in G major, BWV 1007 - Prelude | |
2:25
|
25
| |
Ave Maria, for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1) | |
3:11
|
26
| |
Suite for keyboard (Suite de piece), Vol.2, No.4 in D minor, HWV 437 - Sarabande (beginning) | |
2:57
|
27
| |
Concierto de Aranjuez, for guitar & orchestra - 2nd Movement - Adagio | |
4:44
|
28
| |
Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 | |
5:05
|
29
| |
Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - The Swan | |
2:48
|
30
| |
Clarinet Concerto in A major, K. 622 - Adagio (Opening) | |
4:24
|
31
| |
Prince Igor, opera (completed by Rimsky-Korsakov & Glazunov) - Polovsian Dances - Beginning | |
3:34
|
32
| |
Kinderszenen No. 7 ("Träumerei"), for piano, Op. 15/7 | |
2:29
|
33
| |
Schindler's List, film score - The Theme | |
5:03
|
34
| |
Requiem for soloists, chorus, and orchestra, K. 626 - Lacrimosa | |
2:58
|
35
| |
Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") | |
4:37
|
36
| |
Time to Say Goodbye (Con te partirò), song | |
3:57
|