1
| |
Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 - Allegro | |
4:25
|
2
| |
Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni) | |
5:50
|
3
| |
Boléro, ballet for orchestra - Extract | |
5:17
|
4
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Bagatelle for piano in A minor ("Für Elise"), WoO 59 | |
2:58
|
5
| |
Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525 - Allegro | |
5:49
|
6
| |
Canon and gigue, for 3 violins & continuo in D major, T. 337 - Canon | |
4:56
|
7
| |
Orchestral Suite No. 3 in D major, BWV 1068 - Air | |
3:30
|
8
| |
Suite for Jazz Orchestra No. 2 - Valse 2 | |
3:43
|
9
| |
Peer Gynt, incidental music, Op. 23 - Morning | |
4:16
|
10
| |
Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2 - Adagio sostenuto | |
3:55
|
11
| |
Gymnopedie for piano No. 1 | |
2:50
|
12
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Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3 | |
4:55
|
13
| |
Vltava (The Moldau), symphonic poem (Má Vlast No. 2), JB 1:112/2 - Extract | |
4:59
|
14
| |
Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c) - Andantino | |
3:59
|
15
| |
Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6) | |
6:41
|
16
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Titanic, film score - My Heart Will Go On | |
4:19
|
17
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Liebesträume, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 (LW A103/3) | |
4:27
|
18
| |
Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 | |
6:21
|
19
| |
Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) - Jesu, Joy of Man's Desiring | |
3:30
|
20
| |
An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314) - Excerpt | |
3:46
|
21
| |
Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467 - Andante | |
5:19
|
22
| |
Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 | |
5:16
|
23
| |
Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5) - Largo (opening) | |
4:45
|
24
| |
Suite for solo cello No. 1 in G major, BWV 1007 - Prelude | |
2:26
|
25
| |
Ave Maria, for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1) | |
3:11
|
26
| |
Suite for keyboard (Suite de piece), Vol.2, No.4 in D minor, HWV 437 - Sarabande (opening) | |
3:00
|
27
| |
Concierto de Aranjuez, for guitar & orchestra - Adagio (opening) | |
4:43
|
28
| |
Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 | |
5:06
|
29
| |
The Swan (from "Carnival of the Animals"), original (for 2 pianos & ensemble) and arrangements | |
2:49
|
30
| |
Clarinet Concerto in A major, K. 622 - Adagio | |
4:27
|
31
| |
Prince Igor, opera (completed by Rimsky-Korsakov & Glazunov) - Polovstian Dances (beginning) | |
3:51
|
32
| |
Kinderszenen (Scenes from Childhood) for piano, Op. 15 - Träumerei | |
2:38
|
33
| |
Schindler's List, film score - Theme | |
5:04
|
34
| |
Requiem for soloists, chorus, and orchestra, K. 626 - Lacrimosa | |
2:56
|
35
| |
Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") | |
4:39
|
36
| |
Time to Say Goodbye (Con te partirò), song | |
3:57
|