1
|  |
Carmen, opera - Les Toréadors |  |
2:17
|
2
|  |
Slavonic Dance No. 8 for orchestra in G minor B. 83/8 (Op. 46/8) |  |
4:34
|
3
|  |
L' Arlésienne, incidental music for voices & orchestra for the play by Alphonse Daudet - Farandole |  |
3:37
|
4
|  |
Symphony No. 3 in D minor, WAB 103 - III. Ziemlich schnell |  |
6:15
|
5
|  |
Die Götterdämmerung (Twilight of the Gods), opera, WWV 86d - Siegfried's Death and Funeral Music |  |
6:58
|
6
|  |
Symphony No. 3 in E flat major ("Rhenish"), Op. 97 - I. |  |
8:59
|
7
|  |
Symphony No. 1 in D major ("Titan") - II. Kräftig bewegt |  |
7:15
|
8
|  |
Le prophète, grand opera in 5 acts - Coronation March |  |
3:55
|
9
|  |
Hungarian Rhapsody, for orchestra No. 1 in F minor, S. 359/1 (LW G21/1) - Hungarian Rhapsody No 01 |  |
11:54
|
10
|  |
Work(s) - Toccata in D minor |  |
2:46
|
11
|  |
Symphony No. 5 in C minor ("Fate"), Op. 67 - I. Allegro con brio |  |
7:16
|
12
|  |
The Swan Lake, ballet, Op. 20 - Mazurka |  |
4:11
|
13
|  |
Die Meistersinger von Nürnberg, opera, WWV 96 - Overture |  |
10:51
|
14
|  |
Coppélia, ou La fille aux yeux d'émail, ballet - Czardas |  |
4:15
|
15
|  |
Faust, opera - ballet Music Allegro Vivo |  |
2:42
|
16
|  |
Symphony No. 4 in A major ("Italian"), Op. 90 - I. Allegro vivace |  |
8:19
|
17
|  |
Piano Concerto in A minor, Op. 16 - I. Allegro molto e marcato |  |
10:48
|
18
|  |
Marche de Rákóczy (Rákóczy March), for orchestra (Le damnation de Faust), H. 109 |  |
4:37
|
19
|  |
Das Rheingold (The Rhine Gold), opera, WWV 86a - Entry of the Gods in Walhalla |  |
7:30
|
20
|  |
Die Walküre (The Valkyrie), opera, WWV 86b - Ride of the Valkyries |  |
5:24
|
21
|  |
Hungarian Dances (21) for orchestra, WoO 1 - Hungarian Dance No 05 in G minor |  |
2:25
|
22
|  |
Sylvia, ou La nymphe de Diane, ballet - Cortége de Bacchus |  |
5:57
|
23
|  |
Nutcracker, ballet, Op. 71 - Trepak, Russian dance |  |
1:14
|
24
|  |
Prodaná nevesta (The Bartered Bride), opera, JB 1:100 - Overture |  |
6:37
|
25
|  |
Guillaume Tell (William Tell), opera - Soldier's Dance |  |
5:16
|
26
|  |
Symphony No. 1 in B flat major ("Spring"), Op. 38 - III. Scherzo |  |
5:45
|
27
|  |
Der fliegende Holländer (The Flying Dutchman), opera, WWV 63 - Overture |  |
9:55
|
28
|  |
España, rhapsody for orchestra, also arranged for 2 pianos |  |
6:31
|
29
|  |
Totentanz, for piano & orchestra, S. 126 (LW H8) |  |
15:45
|
30
|  |
Lohengrin, opera, WWV 75 - Act III Prelude |  |
3:10
|
31
|  |
A Midsummer Night's Dream, incidental music, Op. 61 - Wedding March |  |
5:00
|
32
|  |
Slavonic March, for orchestra, Op. 31 |  |
9:49
|
33
|  |
Hungarian Rhapsody, for orchestra No. 2 in C sharp minor, S. 359/2 (LW G21/2) |  |
10:19
|
34
|  |
The Swan Lake, ballet, Op. 20 - Danze hongroise Czardas |  |
2:57
|
35
|  |
The Flight of the Bumble Bee, musical picture for orchestra (from The Tale of Tsar Saltan) |  |
1:36
|
36
|  |
Eugene Onegin, opera, Op. 24 - Polonaise |  |
4:47
|
37
|  |
Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5) - III. Scherzo |  |
8:05
|
38
|  |
Tannhäuser, opera, WWV 70 - Arrival of the Guests |  |
6:37
|
39
|  |
Symphony No. 5 in E minor, Op. 64 - Finale |  |
11:23
|
49
|  |
Symphony No. 5 in E minor, Op. 64 - Finale |  |
11:22
|
40
|  |
Overture: Ruslan and Ludmilla, G. xivov |  |
5:29
|
41
|  |
Prodaná nevesta (The Bartered Bride), opera, JB 1:100 - Polka |  |
4:58
|
42
|  |
Symphony No. 4 in E minor, Op. 98 - III. Allegro giocoso |  |
6:19
|
43
|  |
Coriolan Overture, Op. 62 |  |
8:45
|
44
|  |
Symphony No. 4 in A major ("Italian"), Op. 90 - IV. Saltarello presto |  |
6:03
|
45
|  |
Tone Poems (4) after Arnold Böcklin for orchestra, Op. 128 - Bacchanal |  |
5:03
|
46
|  |
Die Walküre (The Valkyrie), opera, WWV 86b - Magic Fire Music |  |
4:48
|
47
|  |
Piano Concerto No. 1 in E flat major, S. 124 (LW H4) - III. Allegro marziale animato - Presto |  |
4:23
|
48
|  |
Symphony No. 2 in C minor ("Little Russian"), Op. 17 - III. Scherzo, Allegro molto vivace |  |
5:19
|
49
|  |
Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5)
|  |
11:22
|