1
| |
Tannhäuser, opera, WWV 70 - Act 1. Dir töne Lob | |
3:41
|
1
| |
Tannhäuser, opera, WWV 70 - Act 1. Dir töne Lob | |
3:41
|
2
| |
Die Walküre (The Valkyrie), opera, WWV 86b - Act 1. Winterstürme | |
2:39
|
2
| |
Die Walküre (The Valkyrie), opera, WWV 86b - Act 1. Winterstürme | |
2:39
|
3
| |
Lohengrin, opera, WWV 75 - Act 3. Mein lieber Schwan | |
4:01
|
3
| |
Lohengrin, opera, WWV 75 - Act 3. Mein lieber Schwan | |
4:01
|
4
| |
Königsballade, ballade, for voice & piano (or orchestra) - Euren König | |
3:55
|
4
| |
Königsballade, ballade, for voice & piano (or orchestra) - Euren König | |
3:55
|
5
| |
Tiefland, opera, Op. 34 - Act 1. Zwei Vaterunser bet' ich vor dem Schlafengeh'n - "Traumerzählung" | |
4:26
|
5
| |
Tiefland, opera, Op. 34 - Act 1. Zwei Vaterunser bet' ich vor dem Schlafengeh'n - "Traumerzählung" | |
4:26
|
6
| |
Die Fledermaus (The Bat), operetta (RV 503) - Act 2. Dieser Anstand | |
3:53
|
6
| |
Die Fledermaus (The Bat), operetta (RV 503) - Act 2. Dieser Anstand | |
3:53
|
7
| |
Der Evangelimann, opera, Op. 45 - Act 2. Selig sind with Children's Chorus | |
4:03
|
7
| |
Der Evangelimann, opera, Op. 45 - Act 2. Selig sind with Children's Chorus | |
4:03
|
8
| |
Der Rosenkavalier, opera, Op. 59 (TrV 227) - Act 1. Di rigori armato | |
2:47
|
8
| |
Der Rosenkavalier, opera, Op. 59 (TrV 227) - Act 1. Di rigori armato | |
2:47
|
9
| |
Die tote Stadt (The Dead City), opera, Op. 12 - Act 1. Glück, das mir verblieb | |
3:15
|
9
| |
Die tote Stadt (The Dead City), opera, Op. 12 - Act 1. Glück, das mir verblieb | |
3:15
|
10
| |
Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384 - Act 1. Konstanze... O wie ängstlich, o wie feurig | |
4:30
|
10
| |
Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384 - Act 1. Konstanze... O wie ängstlich, o wie feurig | |
4:30
|
11
| |
Der Wachtelschlag, song for voice & piano ("Ach, mir schallt's dorten"), WoO 129 | |
3:59
|
11
| |
Der Wachtelschlag, song for voice & piano ("Ach, mir schallt's dorten"), WoO 129 | |
3:59
|
12
| |
Liederkreis, 12 songs for voice & piano, Op. 39 - 5. Mondnacht | |
3:16
|
12
| |
Liederkreis, 12 songs for voice & piano, Op. 39 - 5. Mondnacht | |
3:16
|
13
| |
Hänsel und Gretel, opera - Act 1. Ach, wir armen, armen Leute | |
4:22
|
13
| |
Hänsel und Gretel, opera - Act 1. Ach, wir armen, armen Leute | |
4:22
|
14
| |
Zar und Zimmermann, opera - Act 3. Sonst spielt' ich mit Zepter | |
3:40
|
14
| |
Zar und Zimmermann, opera - Act 3. Sonst spielt' ich mit Zepter | |
3:40
|
15
| |
Verschwiegene Liebe ("Über Wipfel und Saaten"), song for voice & piano (Eichendorff Lieder) | |
2:34
|
15
| |
Verschwiegene Liebe ("Über Wipfel und Saaten"), song for voice & piano (Eichendorff Lieder) | |
2:34
|
16
| |
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957 - 11. Die Stadt | |
2:55
|
16
| |
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957 - 11. Die Stadt | |
2:55
|
17
| |
Das Nachtlager von Granada, opera - Act 1. Ein Schütz bin ich | |
2:25
|
17
| |
Das Nachtlager von Granada, opera - Act 1. Ein Schütz bin ich | |
2:25
|
18
| |
Die tote Stadt (The Dead City), opera, Op. 12 - Act 2. Mein Sehnen | |
3:34
|
18
| |
Die tote Stadt (The Dead City), opera, Op. 12 - Act 2. Mein Sehnen | |
3:34
|
19
| |
Die Meistersinger von Nürnberg, opera, WWV 96 - Act 3. Verachtet mir die Meister nicht | |
4:36
|
19
| |
Die Meistersinger von Nürnberg, opera, WWV 96 - Act 3. Verachtet mir die Meister nicht | |
4:36
|
20
| |
Elijah (Elias), oratorio, Op. 70 - Lord God of Abraham | |
3:47
|
20
| |
Elijah (Elias), oratorio, Op. 70 - Lord God of Abraham | |
3:47
|
21
| |
Das Rheingold (The Rhine Gold), opera, WWV 86a - Abendlich strahlt | |
3:04
|
21
| |
Das Rheingold (The Rhine Gold), opera, WWV 86a - Abendlich strahlt | |
3:04
|
22
| |
Arabella, opera, Op. 79 (TrV 263) - Act 2. So wie sind sie | |
3:19
|
22
| |
Arabella, opera, Op. 79 (TrV 263) - Act 2. So wie sind sie | |
3:19
|
23
| |
Zar und Zimmermann, opera - Act 1. O Sancta Justitia | |
7:17
|
23
| |
Zar und Zimmermann, opera - Act 1. O Sancta Justitia | |
7:17
|
24
| |
Die Lustigen Weiber von Windsor, opera - Act 2. Als Büblein klein | |
3:14
|
24
| |
Die Lustigen Weiber von Windsor, opera - Act 2. Als Büblein klein | |
3:14
|
25
| |
Macbeth, opera - Act 2. Studia il passo... Come dal ciel precipita | |
3:37
|
25
| |
Macbeth, opera - Act 2. Studia il passo... Come dal ciel precipita | |
3:37
|
26
| |
Der Wildschütz, opera - Act 2. Fünftausend Thaler | |
4:34
|
26
| |
Der Wildschütz, opera - Act 2. Fünftausend Thaler | |
4:34
|
27
| |
Le prophète, grand opera in 5 acts - Act 5. O prêtres de Baal | |
4:32
|
27
| |
Le prophète, grand opera in 5 acts - Act 5. O prêtres de Baal | |
4:32
|
28
| |
La Gioconda, opera in 4 acts - Act 1. Voce di donna | |
3:34
|
28
| |
La Gioconda, opera in 4 acts - Act 1. Voce di donna | |
3:34
|
29
| |
Samson et Dalila, opera in 3 acts, Op. 47 - Act 2. Mon cœur s'ouvre à ta voix | |
2:54
|
29
| |
Samson et Dalila, opera in 3 acts, Op. 47 - Act 2. Mon cœur s'ouvre à ta voix | |
2:54
|
30
| |
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957 - 5. Aufenthal | |
3:26
|
30
| |
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957 - 5. Aufenthal | |
3:26
|
31
| |
Nicht mehr zu dir zu gehen, song for voice & piano, Op. 32/2 | |
3:12
|
31
| |
Nicht mehr zu dir zu gehen, song for voice & piano, Op. 32/2 | |
3:12
|
32
| |
La Clemenza di Tito, opera, K. 621 - Act 1. Parto, parto | |
4:04
|
32
| |
La Clemenza di Tito, opera, K. 621 - Act 1. Parto, parto | |
4:04
|
33
| |
Die Allmacht ("Gross ist Jehovah"), song for voice & piano, D. 852 (Op. 79/2) | |
4:32
|
33
| |
Die Allmacht ("Gross ist Jehovah"), song for voice & piano, D. 852 (Op. 79/2) | |
4:32
|
34
| |
Feldeinsamkeit ("Ich ruhe still im hohen grünen Gras"), song for voice & piano, Op. 86/2 | |
3:56
|
34
| |
Feldeinsamkeit ("Ich ruhe still im hohen grünen Gras"), song for voice & piano, Op. 86/2 | |
3:56
|
35
| |
German folk songs (49) for voice & piano (Nos. 44-49 w/ chorus ad lib), WoO 33 - 15. Schwesterlein | |
2:58
|
35
| |
German folk songs (49) for voice & piano (Nos. 44-49 w/ chorus ad lib), WoO 33 - 15. Schwesterlein | |
2:58
|
36
| |
Paulus (Saint Paul), oratorio, Op. 36 - Jerusalem | |
4:07
|
36
| |
Paulus (Saint Paul), oratorio, Op. 36 - Jerusalem | |
4:07
|
37
| |
Mit einem gemalten Bande, song for voice & piano (Gedichten von Goethe No. 4), Op. 19a/4 | |
2:18
|
37
| |
Mit einem gemalten Bande, song for voice & piano (Gedichten von Goethe No. 4), Op. 19a/4 | |
2:18
|
38
| |
Die Lotosblume ("Die Lotosblume ängstigt sich..."), song for voice & piano (Myrthen), Op. 25/7 | |
1:52
|
38
| |
Die Lotosblume ("Die Lotosblume ängstigt sich..."), song for voice & piano (Myrthen), Op. 25/7 | |
1:52
|
39
| |
Marienlied, for voice & piano (or orchestra) | |
2:54
|
39
| |
Marienlied, for voice & piano (or orchestra) | |
2:54
|
40
| |
Soirées musicales, song collection for voices & piano - 7. L'invito | |
2:27
|
40
| |
Soirées musicales, song collection for voices & piano - 7. L'invito | |
2:27
|
41
| |
Alessandro Stradella, opera in 3 acts - Act 2. Seid meiner Wonne | |
4:02
|
41
| |
Alessandro Stradella, opera in 3 acts - Act 2. Seid meiner Wonne | |
4:02
|
42
| |
Un ballo in maschera, opera - Act 3. Saper vorreste | |
2:45
|
42
| |
Un ballo in maschera, opera - Act 3. Saper vorreste | |
2:45
|
43
| |
The Tsar's Bride (Tsarskaya nevesta), opera in 4 acts - Act 2. In Novgorod | |
4:02
|
43
| |
The Tsar's Bride (Tsarskaya nevesta), opera in 4 acts - Act 2. In Novgorod | |
4:02
|
44
| |
Weine du nicht, for voice, oboe & harpsichord | |
2:56
|
44
| |
Weine du nicht, for voice, oboe & harpsichord | |
2:56
|
45
| |
Es muss ein Wunderbares sein, song for voice & piano, S. 314 (LW N49) | |
2:51
|
45
| |
Es muss ein Wunderbares sein, song for voice & piano, S. 314 (LW N49) | |
2:51
|
46
| |
Le Postillon de Lonjumeau, opera - Act 2. Je vais donc le revoir | |
5:04
|
46
| |
Le Postillon de Lonjumeau, opera - Act 2. Je vais donc le revoir | |
5:04
|
47
| |
Nachtlied, song for voice & piano (Uhland & Eichendorff No. 13), Op. 20/13 | |
3:21
|
47
| |
Nachtlied, song for voice & piano (Uhland & Eichendorff No. 13), Op. 20/13 | |
3:21
|
48
| |
Turandot, opera - Act 3. Tu che di gel sei cinta | |
3:00
|
48
| |
Turandot, opera - Act 3. Tu che di gel sei cinta | |
3:00
|
49
| |
The Tsar's Bride (Tsarskaya nevesta), opera in 4 acts - Act 3. Ivan Sergeich, come into the garden | |
4:00
|
49
| |
The Tsar's Bride (Tsarskaya nevesta), opera in 4 acts - Act 3. Ivan Sergeich, come into the garden | |
4:00
|
50
| |
Daphne, opera, Op. 82 (TrV 272) - O wie gerne blieb'ich bei dir | |
3:45
|
50
| |
Daphne, opera, Op. 82 (TrV 272) - O wie gerne blieb'ich bei dir | |
3:45
|
51
| |
Die Meistersinger von Nürnberg, opera, WWV 96 - Act 3. O Sachs, mein Freund! | |
2:41
|
51
| |
Die Meistersinger von Nürnberg, opera, WWV 96 - Act 3. O Sachs, mein Freund! | |
2:41
|
52
| |
Arabella, opera, Op. 79 (TrV 263) - Act 1. Nach dem Matteo? | |
4:28
|
52
| |
Arabella, opera, Op. 79 (TrV 263) - Act 1. Nach dem Matteo? | |
4:28
|
53
| |
La bohème, opera - Act 1. Sì, mi chiamano Mimì | |
4:13
|
53
| |
La bohème, opera - Act 1. Sì, mi chiamano Mimì | |
4:13
|
54
| |
L' Africaine, grand opera in 5 acts - Act 1. Adieu, mon doux rivage | |
3:12
|
54
| |
L' Africaine, grand opera in 5 acts - Act 1. Adieu, mon doux rivage | |
3:12
|
55
| |
Die Ägyptische Helena (The Egyptian Helen), opera, Op. 75 (TrV 255) - Zweite Brautnacht! | |
3:56
|
55
| |
Die Ägyptische Helena (The Egyptian Helen), opera, Op. 75 (TrV 255) - Zweite Brautnacht! | |
3:56
|
56
| |
Tannhäuser, opera, WWV 70 - Act 1. Geliebte, komm! | |
5:03
|
56
| |
Tannhäuser, opera, WWV 70 - Act 1. Geliebte, komm! | |
5:03
|
57
| |
Der Rosenkavalier, opera, Op. 59 (TrV 227) - Act 1. Oh, sei er gut, Quinquin | |
4:12
|
57
| |
Der Rosenkavalier, opera, Op. 59 (TrV 227) - Act 1. Oh, sei er gut, Quinquin | |
4:12
|
58
| |
Waldeinsamkeit (Solitude in the Woods: "Gestern abend in der stillen Ruh' "), song for voice & piano, Op. 76/3 | |
1:56
|
58
| |
Waldeinsamkeit (Solitude in the Woods: "Gestern abend in der stillen Ruh' "), song for voice & piano, Op. 76/3 | |
1:56
|
59
| |
Zum Schlafen ("Oben in dem Birnenbaum"), song for voice & piano, Op. 76/59 | |
2:11
|
59
| |
Zum Schlafen ("Oben in dem Birnenbaum"), song for voice & piano, Op. 76/59 | |
2:11
|
60
| |
Die Königin von Saba, opera, Op. 27 - Act 1. Der Freund ist dein | |
4:51
|
60
| |
Die Königin von Saba, opera, Op. 27 - Act 1. Der Freund ist dein | |
4:51
|
61
| |
Der fliegende Holländer (The Flying Dutchman), opera, WWV 63 - Act 2. Jo-ho-hoe!... Traft ihr das Schiff | |
5:02
|
61
| |
Der fliegende Holländer (The Flying Dutchman), opera, WWV 63 - Act 2. Jo-ho-hoe!... Traft ihr das Schiff | |
5:02
|
62
| |
Siegfried, opera, WWV 86c - Act 3. Ewig war ich | |
4:05
|
62
| |
Siegfried, opera, WWV 86c - Act 3. Ewig war ich | |
4:05
|
63
| |
Wesendonk Lieder, songs (5) for voice & piano (or orchestra), WWV 91 - 4. Schmerzen | |
2:43
|
63
| |
Wesendonk Lieder, songs (5) for voice & piano (or orchestra), WWV 91 - 4. Schmerzen | |
2:43
|
64
| |
Die Walküre (The Valkyrie), opera, WWV 86b - Act 1. Du bist der Lenz | |
2:09
|
64
| |
Die Walküre (The Valkyrie), opera, WWV 86b - Act 1. Du bist der Lenz | |
2:09
|
65
| |
Zingari in Fiera, opera - Chi vuol la zingarella | |
2:02
|
65
| |
Zingari in Fiera, opera - Chi vuol la zingarella | |
2:02
|
66
| |
Have You Seen But A Whyte Lilie Grow?, folk song | |
1:58
|
66
| |
Have You Seen But A Whyte Lilie Grow?, folk song | |
1:58
|
67
| |
Carmen, opera - Act 3. Voyons, que j'essaie | |
3:31
|
67
| |
Carmen, opera - Act 3. Voyons, que j'essaie | |
3:31
|
68
| |
Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) - Liber scriptus | |
4:41
|
68
| |
Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) - Liber scriptus | |
4:41
|
69
| |
Samson et Dalila, opera in 3 acts, Op. 47 - Act 1. A la nuit tombante | |
3:16
|
69
| |
Samson et Dalila, opera in 3 acts, Op. 47 - Act 1. A la nuit tombante | |
3:16
|
70
| |
La favorita, opera - Act 3. O mon Fernand | |
3:12
|
70
| |
La favorita, opera - Act 3. O mon Fernand | |
3:12
|
71
| |
Mefistofele, opera in prologue, 4 acts & epilogue - Act 3. L'altra notte | |
4:24
|
71
| |
Mefistofele, opera in prologue, 4 acts & epilogue - Act 3. L'altra notte | |
4:24
|
72
| |
I Lombardi alla prima Crociata, opera - Act 1. Te, Vergin santa | |
3:47
|
72
| |
I Lombardi alla prima Crociata, opera - Act 1. Te, Vergin santa | |
3:47
|
73
| |
Loreley, opera (azione romantica) in 3 acts - Act 3. O forze recondite | |
3:44
|
73
| |
Loreley, opera (azione romantica) in 3 acts - Act 3. O forze recondite | |
3:44
|
74
| |
La forza del destino, opera - Act 4. Pace, pace mio Dio | |
4:18
|
74
| |
La forza del destino, opera - Act 4. Pace, pace mio Dio | |
4:18
|
75
| |
Siberia, opera - Act 3. Qual vergogna | |
2:42
|
75
| |
Siberia, opera - Act 3. Qual vergogna | |
2:42
|
76
| |
Andrea Chénier, opera - Act 3. La mamma morta | |
3:35
|
76
| |
Andrea Chénier, opera - Act 3. La mamma morta | |
3:35
|
77
| |
La fanciulla del West (The Girl of the Golden West), opera - Act 1. L'amore è un'altra cosa... Laggiù nel Solidad | |
2:40
|
77
| |
La fanciulla del West (The Girl of the Golden West), opera - Act 1. L'amore è un'altra cosa... Laggiù nel Solidad | |
2:40
|
78
| |
Ernani, opera - Act 1. Ernani, involami | |
2:35
|
78
| |
Ernani, opera - Act 1. Ernani, involami | |
2:35
|
79
| |
Madama Butterfly (Madame Butterfly), opera - Act 3. Con onor muore | |
4:34
|
79
| |
Madama Butterfly (Madame Butterfly), opera - Act 3. Con onor muore | |
4:34
|
80
| |
Maristella, opera - Ma zitte, zitte!... Uno strano canto arcano | |
3:06
|
80
| |
Maristella, opera - Ma zitte, zitte!... Uno strano canto arcano | |
3:06
|
81
| |
Colombetta for voice & piano (or orchestra) | |
2:09
|
81
| |
Colombetta for voice & piano (or orchestra) | |
2:09
|
82
| |
Otello, opera - Act 4. Piangea cantando | |
4:34
|
82
| |
Otello, opera - Act 4. Piangea cantando | |
4:34
|
83
| |
Iris, opera (melodramma) in 3 acts - Act 2. Io pingo | |
3:53
|
83
| |
Iris, opera (melodramma) in 3 acts - Act 2. Io pingo | |
3:53
|
84
| |
Turandot, opera - Act 2. Tu che di gel sei cinta | |
2:36
|
84
| |
Turandot, opera - Act 2. Tu che di gel sei cinta | |
2:36
|
85
| |
Lodoletta, opera in 3 acts - Act 3. Ah! che suo nome... Flammen perdonami | |
4:02
|
85
| |
Lodoletta, opera in 3 acts - Act 3. Ah! che suo nome... Flammen perdonami | |
4:02
|
86
| |
Manon Lescaut, opera - Act 2. In quelle trine morbide | |
2:38
|
86
| |
Manon Lescaut, opera - Act 2. In quelle trine morbide | |
2:38
|
87
| |
Turandot, opera - Act 1. Signore, ascolta | |
2:18
|
87
| |
Turandot, opera - Act 1. Signore, ascolta | |
2:18
|
88
| |
Il Guarany, opera - Act 2. Gentile di cuore | |
3:32
|
88
| |
Il Guarany, opera - Act 2. Gentile di cuore | |
3:32
|
89
| |
Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - 2. El majo discreto / 4. El majo timido | |
2:36
|
89
| |
Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - 2. El majo discreto / 4. El majo timido | |
2:36
|
90
| |
Adriana Lecouvreur, opera - Act 4. No, la mia fronte | |
4:41
|
90
| |
Adriana Lecouvreur, opera - Act 4. No, la mia fronte | |
4:41
|
91
| |
Il Re, opera - O Colombello, sposarti | |
3:03
|
91
| |
Il Re, opera - O Colombello, sposarti | |
3:03
|
92
| |
Maori Lullaby for voice & orchestra | |
3:01
|
92
| |
Maori Lullaby for voice & orchestra | |
3:01
|
93
| |
Rigoletto, opera - Act 1. Gualtier Maldé... Caro nome | |
4:56
|
93
| |
Rigoletto, opera - Act 1. Gualtier Maldé... Caro nome | |
4:56
|
94
| |
Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) - Confutatis maledictis | |
3:34
|
94
| |
Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem) - Confutatis maledictis | |
3:34
|
95
| |
La bohème, opera - Act 4. Vecchia zimarra | |
1:52
|
95
| |
La bohème, opera - Act 4. Vecchia zimarra | |
1:52
|
96
| |
Mefistofele, opera in prologue, 4 acts & epilogue - Act 2. Ecco il mondo | |
2:30
|
96
| |
Mefistofele, opera in prologue, 4 acts & epilogue - Act 2. Ecco il mondo | |
2:30
|
97
| |
Crispino e la Comare, opera - Fermola!... Dapprima, figuratevi | |
3:16
|
97
| |
Crispino e la Comare, opera - Fermola!... Dapprima, figuratevi | |
3:16
|
98
| |
Don Pasquale, opera - Act 3. Cheti, cheti, immantinente | |
6:34
|
98
| |
Don Pasquale, opera - Act 3. Cheti, cheti, immantinente | |
6:34
|
99
| |
Falstaff, opera - Act 1. L'onore! Ladri! | |
3:21
|
99
| |
Falstaff, opera - Act 1. L'onore! Ladri! | |
3:21
|
100
| |
Il Figliuol Prodigo, opera - Era dessa!... Raccogli el calma | |
4:45
|
100
| |
Il Figliuol Prodigo, opera - Era dessa!... Raccogli el calma | |
4:45
|
101
| |
Zazà, opera - Act 2. Buona Zazà | |
2:04
|
101
| |
Zazà, opera - Act 2. Buona Zazà | |
2:04
|
102
| |
Andrea Chénier, opera - Act 3. Nemico della patria | |
3:54
|
102
| |
Andrea Chénier, opera - Act 3. Nemico della patria | |
3:54
|
103
| |
Guglielmo Ratcliff, opera (tragedia) in 4 acts - Act 1. E'sempre il vecchio andazzo | |
2:31
|
103
| |
Guglielmo Ratcliff, opera (tragedia) in 4 acts - Act 1. E'sempre il vecchio andazzo | |
2:31
|
104
| |
Andrea Chénier, opera - Act 1. Son sessnat' anni | |
2:44
|
104
| |
Andrea Chénier, opera - Act 1. Son sessnat' anni | |
2:44
|
105
| |
Tosca, opera - Act 2. La povera mia cena fu interrotta | |
3:20
|
105
| |
Tosca, opera - Act 2. La povera mia cena fu interrotta | |
3:20
|
106
| |
Mistica, for voice & instrumental ensemble | |
4:03
|
106
| |
Mistica, for voice & instrumental ensemble | |
4:03
|
107
| |
Ideale for voice & piano (or orchestra) | |
3:43
|
107
| |
Ideale for voice & piano (or orchestra) | |
3:43
|
108
| |
La sonnambula, opera - Act 2. D'un pensiero | |
3:34
|
108
| |
La sonnambula, opera - Act 2. D'un pensiero | |
3:34
|
109
| |
Do Not Go, My Love, for voice & piano (or orchestra) | |
2:48
|
109
| |
Do Not Go, My Love, for voice & piano (or orchestra) | |
2:48
|
110
| |
La sonnambula, opera - Act 1. Prendi, l'anel ti dono | |
2:52
|
110
| |
La sonnambula, opera - Act 1. Prendi, l'anel ti dono | |
2:52
|
111
| |
Werther, lyric drama in 4 acts - ACt 3. Traduire... Pourqoui me réveiller? | |
3:46
|
111
| |
Werther, lyric drama in 4 acts - ACt 3. Traduire... Pourqoui me réveiller? | |
3:46
|
112
| |
En Effeuillant la Marguerite for voice & orchestra | |
3:14
|
112
| |
En Effeuillant la Marguerite for voice & orchestra | |
3:14
|
113
| |
Los Gavilanes, zarzuela - Flor Roja | |
4:33
|
113
| |
Los Gavilanes, zarzuela - Flor Roja | |
4:33
|
114
| |
Anima Allegra, opera - È arrivata primavera | |
2:49
|
114
| |
Anima Allegra, opera - È arrivata primavera | |
2:49
|
115
| |
Turandot, opera - Act 3. Nessum dorma | |
3:08
|
115
| |
Turandot, opera - Act 3. Nessum dorma | |
3:08
|
116
| |
Lodoletta, opera in 3 acts - Act 3. Se Franz dicesse il vero | |
4:21
|
116
| |
Lodoletta, opera in 3 acts - Act 3. Se Franz dicesse il vero | |
4:21
|
117
| |
Manon Lescaut, opera - Act 1. Donna non vidi mai | |
2:35
|
117
| |
Manon Lescaut, opera - Act 1. Donna non vidi mai | |
2:35
|
118
| |
Otello, opera - Act 3. Dio, mi potevi scagliar | |
4:05
|
118
| |
Otello, opera - Act 3. Dio, mi potevi scagliar | |
4:05
|
119
| |
Aprile for voice & piano (or orchestra) | |
4:05
|
119
| |
Aprile for voice & piano (or orchestra) | |
4:05
|
120
| |
La belle Hélène, operetta in 3 acts - Act 1. Au Mont Ida | |
3:26
|
120
| |
La belle Hélène, operetta in 3 acts - Act 1. Au Mont Ida | |
3:26
|
121
| |
Andrea Chénier, opera - Act 2. Credo a una possanza | |
3:07
|
121
| |
Andrea Chénier, opera - Act 2. Credo a una possanza | |
3:07
|
122
| |
Manon Lescaut, opera - Act 3. Che avvien?... Ah, non m'avvicinate | |
3:04
|
122
| |
Manon Lescaut, opera - Act 3. Che avvien?... Ah, non m'avvicinate | |
3:04
|
123
| |
Adriana Lecouvreur, opera - Act 1. La dolcissima effigie | |
2:22
|
123
| |
Adriana Lecouvreur, opera - Act 1. La dolcissima effigie | |
2:22
|
124
| |
Parysatis, incidental music - Le Rossignol et la rose | |
2:50
|
124
| |
Parysatis, incidental music - Le Rossignol et la rose | |
2:50
|
125
| |
Hippolyte et Aricie, tragédie lyrique - Rossignols amoureux | |
4:25
|
125
| |
Hippolyte et Aricie, tragédie lyrique - Rossignols amoureux | |
4:25
|
126
| |
Les brigands, operetta in 3 acts - Act 1. Après avoir pris à droite | |
2:19
|
126
| |
Les brigands, operetta in 3 acts - Act 1. Après avoir pris à droite | |
2:19
|
127
| |
Lakmé, opera - Act 3. Tu m'as donné | |
2:15
|
127
| |
Lakmé, opera - Act 3. Tu m'as donné | |
2:15
|
128
| |
Guillaume Tell (William Tell), opera - Act 2. Sombre forêt | |
3:25
|
128
| |
Guillaume Tell (William Tell), opera - Act 2. Sombre forêt | |
3:25
|
129
| |
Les berceaux, song for voice & piano in B flat minor, Op. 23/1 | |
2:49
|
129
| |
Les berceaux, song for voice & piano in B flat minor, Op. 23/1 | |
2:49
|
130
| |
Tu lo sai, aria | |
3:30
|
130
| |
Tu lo sai, aria | |
3:30
|
131
| |
Chansons de Bilitis (3), song cycle for voice & piano, L. 90 - 2. La chevelure | |
2:45
|
131
| |
Chansons de Bilitis (3), song cycle for voice & piano, L. 90 - 2. La chevelure | |
2:45
|
132
| |
Kaddisch, song for voice & piano (Mélodie hébraïque No. 1) | |
3:39
|
132
| |
Kaddisch, song for voice & piano (Mélodie hébraïque No. 1) | |
3:39
|
133
| |
Marie-Magdeleine, sacred drama in 3 acts - O mes sœurs... C'est ici-même | |
5:08
|
133
| |
Marie-Magdeleine, sacred drama in 3 acts - O mes sœurs... C'est ici-même | |
5:08
|
134
| |
Sapho, opera - Act 4. Ces gens que je connais... Viens, m'ami | |
4:13
|
134
| |
Sapho, opera - Act 4. Ces gens que je connais... Viens, m'ami | |
4:13
|
135
| |
Ariane et Barbe-Bleue, opera - Act 1. Oh! mes clairs diamants | |
4:00
|
135
| |
Ariane et Barbe-Bleue, opera - Act 1. Oh! mes clairs diamants | |
4:00
|
136
| |
Lohengrin, opera, WWV 75 - Act 1. Einsam in trüben Tagen | |
4:11
|
136
| |
Lohengrin, opera, WWV 75 - Act 1. Einsam in trüben Tagen | |
4:11
|
137
| |
Sapho, opera - Act 1. Petite, voice ta lampe | |
2:46
|
137
| |
Sapho, opera - Act 1. Petite, voice ta lampe | |
2:46
|
138
| |
Jeune Fille Parle for voice & piano | |
2:59
|
138
| |
Jeune Fille Parle for voice & piano | |
2:59
|
139
| |
Orphée et Eurydice (French version), opera in 3 acts, Wq. 41 - Act 2. Quel nouveau ciel | |
4:29
|
139
| |
Orphée et Eurydice (French version), opera in 3 acts, Wq. 41 - Act 2. Quel nouveau ciel | |
4:29
|
140
| |
Sigurd, opera - Act 2. Le bruit de chants... Esprits, gardiens de ces lieux vénérés | |
4:32
|
140
| |
Sigurd, opera - Act 2. Le bruit de chants... Esprits, gardiens de ces lieux vénérés | |
4:32
|
141
| |
Hérodiade, opera in 4 acts - Act 4. Ne pouvant réprimer... Adieu donc, vains objets | |
4:02
|
141
| |
Hérodiade, opera in 4 acts - Act 4. Ne pouvant réprimer... Adieu donc, vains objets | |
4:02
|
142
| |
Polyeucte, opera - Act 4. Source délicieuse | |
4:45
|
142
| |
Polyeucte, opera - Act 4. Source délicieuse | |
4:45
|
143
| |
Sigurd, opera - Act 4. Un souvenir poignant | |
2:44
|
143
| |
Sigurd, opera - Act 4. Un souvenir poignant | |
2:44
|
144
| |
La Juive, opera - Act 2. Dieu, que ma voix tremblante | |
3:00
|
144
| |
La Juive, opera - Act 2. Dieu, que ma voix tremblante | |
3:00
|
145
| |
Mireille, opera - Act 3. Mon cœur est plein... Ange du Paradis | |
2:55
|
145
| |
Mireille, opera - Act 3. Mon cœur est plein... Ange du Paradis | |
2:55
|
146
| |
L'Illustre Fregona, opera - Mélancolique tombe le soir | |
2:54
|
146
| |
L'Illustre Fregona, opera - Mélancolique tombe le soir | |
2:54
|
147
| |
Maître Pathelin, opera - Je pense à vous (Romance de Charlot) | |
3:01
|
147
| |
Maître Pathelin, opera - Je pense à vous (Romance de Charlot) | |
3:01
|
148
| |
Luisa Miller, opera - Act 2. Quando le sere al placido | |
3:32
|
148
| |
Luisa Miller, opera - Act 2. Quando le sere al placido | |
3:32
|
149
| |
Le Roi d'Ys, opera in 3 acts - Act 3. Puisqu'on ne peut fléchir... Vainement, ma bien aimée | |
3:55
|
149
| |
Le Roi d'Ys, opera in 3 acts - Act 3. Puisqu'on ne peut fléchir... Vainement, ma bien aimée | |
3:55
|
150
| |
L' Enfance du Christ, oratorio for soprano, 2 tenors, baritone, 3 basses, chorus & orchetsra ("trilogie sacrée") H. 130 (Op. 25) - Les Pélerins étant venus | |
4:19
|
150
| |
L' Enfance du Christ, oratorio for soprano, 2 tenors, baritone, 3 basses, chorus & orchetsra ("trilogie sacrée") H. 130 (Op. 25) - Les Pélerins étant venus | |
4:19
|
151
| |
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ("légende dramatique") H. 111 (Op. 24) - Scene 2. Esprits des flammes! | |
2:27
|
151
| |
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ("légende dramatique") H. 111 (Op. 24) - Scene 2. Esprits des flammes! | |
2:27
|
152
| |
D'une prison, for voice and piano (from "Melodies, Book I") | |
3:03
|
152
| |
D'une prison, for voice and piano (from "Melodies, Book I") | |
3:03
|
153
| |
Songs (2) for voice & piano, Op. 1 | |
1:53
|
153
| |
Songs (2) for voice & piano, Op. 1 | |
1:53
|
154
| |
Don Quichotte à Dulcinée, song cycle for voice & orchestra (or piano) - Chanson épique | |
3:07
|
154
| |
Don Quichotte à Dulcinée, song cycle for voice & orchestra (or piano) - Chanson épique | |
3:07
|
155
| |
Lydia, song for voice & piano in F major, Op. 4/2 | |
3:04
|
155
| |
Lydia, song for voice & piano in F major, Op. 4/2 | |
3:04
|
156
| |
Guercoeur, opera, Op. 12 - Act 2. Si cruelle... Le calme rentre dans mon cœur | |
4:24
|
156
| |
Guercoeur, opera, Op. 12 - Act 2. Si cruelle... Le calme rentre dans mon cœur | |
4:24
|
157
| |
Patrie, opera - C'est ici le berceau de notre liberté | |
4:03
|
157
| |
Patrie, opera - C'est ici le berceau de notre liberté | |
4:03
|
158
| |
Robert Macaire, opera - À la belle étoile | |
3:16
|
158
| |
Robert Macaire, opera - À la belle étoile | |
3:16
|
159
| |
Les contes d'Hoffmann, opera in 4 acts - Act 2. C'est moi, Coppélius... Je me nomme Coppélius | |
2:53
|
159
| |
Les contes d'Hoffmann, opera in 4 acts - Act 2. C'est moi, Coppélius... Je me nomme Coppélius | |
2:53
|
160
| |
L'Ombre, opera - Act 2. Quand je monte Cocotte | |
2:48
|
160
| |
L'Ombre, opera - Act 2. Quand je monte Cocotte | |
2:48
|
161
| |
Plaisir d'amour, for voice & piano (or orchestra) | |
4:38
|
161
| |
Plaisir d'amour, for voice & piano (or orchestra) | |
4:38
|
162
| |
La Grande-Duchesse de Gérolstein, operetta in 3 acts - Act 2. Dites-lui qu'on l'a remarque | |
2:49
|
162
| |
La Grande-Duchesse de Gérolstein, operetta in 3 acts - Act 2. Dites-lui qu'on l'a remarque | |
2:49
|
163
| |
La boulangère a des écus, operetta in 3 acts - Les Charbonniers et fariniers / Que voulez-vous faire? | |
2:39
|
163
| |
La boulangère a des écus, operetta in 3 acts - Les Charbonniers et fariniers / Que voulez-vous faire? | |
2:39
|
164
| |
Falstaff, opera - Act 2. E' sogno, o realtà? | |
4:23
|
164
| |
Falstaff, opera - Act 2. E' sogno, o realtà? | |
4:23
|
165
| |
Hamlet, incidental music - Act 2. O vin, dissipe la tristesse | |
3:18
|
165
| |
Hamlet, incidental music - Act 2. O vin, dissipe la tristesse | |
3:18
|
166
| |
Il barbiere di Siviglia (The Barber of Seville), opera - Act 1. Largo al factorum | |
4:00
|
166
| |
Il barbiere di Siviglia (The Barber of Seville), opera - Act 1. Largo al factorum | |
4:00
|
167
| |
Hamlet, incidental music - Act 5. Comme une pâle fleur | |
2:55
|
167
| |
Hamlet, incidental music - Act 5. Comme une pâle fleur | |
2:55
|
168
| |
Onaway, Awake Beloved for voice & piano | |
2:25
|
168
| |
Onaway, Awake Beloved for voice & piano | |
2:25
|
169
| |
Messiah, oratorio, HWV 56 - Why do the nations? | |
4:46
|
169
| |
Messiah, oratorio, HWV 56 - Why do the nations? | |
4:46
|
170
| |
The Bitterness of Love, for voice & piano | |
2:19
|
170
| |
The Bitterness of Love, for voice & piano | |
2:19
|
171
| |
Scherzi musicali a tre voci, arias & madrigals for 3 voices, SV 230-244 - Maledetto sia l'aspetto | |
1:33
|
171
| |
Scherzi musicali a tre voci, arias & madrigals for 3 voices, SV 230-244 - Maledetto sia l'aspetto | |
1:33
|
172
| |
Les contes d'Hoffmann, opera in 4 acts - Act 3. O Dieu! de quelle ivresse | |
2:44
|
172
| |
Les contes d'Hoffmann, opera in 4 acts - Act 3. O Dieu! de quelle ivresse | |
2:44
|
173
| |
La Jolie Fille de Perth, opera in 4 acts - Act 2. À la voix (Sérénade) | |
4:29
|
173
| |
La Jolie Fille de Perth, opera in 4 acts - Act 2. À la voix (Sérénade) | |
4:29
|
174
| |
Esmeralda, opera - And she says true... O vision entrancing | |
3:42
|
174
| |
Esmeralda, opera - And she says true... O vision entrancing | |
3:42
|
175
| |
Tosca, opera - Act 1. Recondita armonia | |
2:55
|
175
| |
Tosca, opera - Act 1. Recondita armonia | |
2:55
|
176
| |
Acis and Galatea, oratorio, HWV 49 - Love in her eyes sits playing | |
4:55
|
176
| |
Acis and Galatea, oratorio, HWV 49 - Love in her eyes sits playing | |
4:55
|
177
| |
The Tempest, or, The Enchanted Island, semi-opera, Z. 631 - Act 2. Arise, ye subterranean winds | |
3:42
|
177
| |
The Tempest, or, The Enchanted Island, semi-opera, Z. 631 - Act 2. Arise, ye subterranean winds | |
3:42
|
178
| |
Carmen, opera - Act 1. Près des remparts de Séville | |
2:08
|
178
| |
Carmen, opera - Act 1. Près des remparts de Séville | |
2:08
|
179
| |
Minuet | |
3:13
|
179
| |
Minuet | |
3:13
|
180
| |
Paulus (Saint Paul), oratorio, Op. 36 - And he journeyed... But the Lord is mindful | |
3:16
|
180
| |
Paulus (Saint Paul), oratorio, Op. 36 - And he journeyed... But the Lord is mindful | |
3:16
|
181
| |
The Lost Chord, song for voice & piano | |
4:15
|
181
| |
The Lost Chord, song for voice & piano | |
4:15
|
182
| |
Der Tod und das Mädchen ("Vorüber, ach vorüber"), song for voice & piano, D. 531 (Op. 7/3) | |
3:00
|
182
| |
Der Tod und das Mädchen ("Vorüber, ach vorüber"), song for voice & piano, D. 531 (Op. 7/3) | |
3:00
|
183
| |
Le secret ("Je veux que le matin l'ignore le nom"), song for voice & piano in D flat major, Op. 23/3 | |
2:13
|
183
| |
Le secret ("Je veux que le matin l'ignore le nom"), song for voice & piano in D flat major, Op. 23/3 | |
2:13
|
184
| |
La bohème, opera - Act 1. Sì, mi chiamano Mimì | |
4:37
|
184
| |
La bohème, opera - Act 1. Sì, mi chiamano Mimì | |
4:37
|
185
| |
Baylèro | |
4:22
|
185
| |
Baylèro | |
4:22
|
186
| |
La bohème, opera - Act 1. Sì, mi chiamano Mimì | |
4:17
|
186
| |
La bohème, opera - Act 1. Sì, mi chiamano Mimì | |
4:17
|
187
| |
Psyché for voice & piano | |
2:49
|
187
| |
Psyché for voice & piano | |
2:49
|
188
| |
Theodora, oratorio, HWV 68 - Angels ever bright and fair | |
4:28
|
188
| |
Theodora, oratorio, HWV 68 - Angels ever bright and fair | |
4:28
|
189
| |
Irmelin, opera, RT i/2 | |
3:54
|
189
| |
Irmelin, opera, RT i/2 | |
3:54
|
190
| |
Madama Butterfly (Madame Butterfly), opera - Act 2. Un bel dì vedremo | |
4:00
|
190
| |
Madama Butterfly (Madame Butterfly), opera - Act 2. Un bel dì vedremo | |
4:00
|
191
| |
A Pastoral Song ("My mother bids me bind my hair"), song for voice & keyboard (English Canzonettas I), H. 26a/27 | |
3:29
|
191
| |
A Pastoral Song ("My mother bids me bind my hair"), song for voice & keyboard (English Canzonettas I), H. 26a/27 | |
3:29
|
192
| |
La Vestale, opera - Act 2. O nume tutelar | |
3:28
|
192
| |
La Vestale, opera - Act 2. O nume tutelar | |
3:28
|
193
| |
Sigurd, opera - Act 4. O palais radieux! | |
3:48
|
193
| |
Sigurd, opera - Act 4. O palais radieux! | |
3:48
|
194
| |
Turandot, opera - Act 2. In questa reggia | |
5:46
|
194
| |
Turandot, opera - Act 2. In questa reggia | |
5:46
|
195
| |
Stabat mater for 2 sopranos, tenor, bass, chorus & orchestra - Inflammatus | |
4:28
|
195
| |
Stabat mater for 2 sopranos, tenor, bass, chorus & orchestra - Inflammatus | |
4:28
|
196
| |
Rusalka, opera, B. 203 (Op. 114) - Act 3. My hair is golden | |
3:11
|
196
| |
Rusalka, opera, B. 203 (Op. 114) - Act 3. My hair is golden | |
3:11
|
197
| |
The Tsar's Bride (Tsarskaya nevesta), opera in 4 acts - Act 3. Ivan Sergeich, come into the garden | |
3:20
|
197
| |
The Tsar's Bride (Tsarskaya nevesta), opera in 4 acts - Act 3. Ivan Sergeich, come into the garden | |
3:20
|
198
| |
Rusalka, opera, B. 203 (Op. 114) - Act 1. O lovely moon | |
4:12
|
198
| |
Rusalka, opera, B. 203 (Op. 114) - Act 1. O lovely moon | |
4:12
|
199
| |
Work(s) - The wounded birch, Op. 1, No. 2 / Snowflakes, Op. 47, No. 1 | |
3:43
|
199
| |
Work(s) - The wounded birch, Op. 1, No. 2 / Snowflakes, Op. 47, No. 1 | |
3:43
|
200
| |
Eastern Song: The nightingale enslaved by the rose (Vostochnïy romans), song for voice and piano, Op. 2/2 | |
3:07
|
200
| |
Eastern Song: The nightingale enslaved by the rose (Vostochnïy romans), song for voice and piano, Op. 2/2 | |
3:07
|
201
| |
Pamietam Ciche, Jasne, Zlote Dnie for voice & piano ("I Remember Golden Days") | |
2:01
|
201
| |
Pamietam Ciche, Jasne, Zlote Dnie for voice & piano ("I Remember Golden Days") | |
2:01
|
202
| |
Kolybel'naia (Lullaby), for voice & piano, Op. 1/5 | |
2:29
|
202
| |
Kolybel'naia (Lullaby), for voice & piano, Op. 1/5 | |
2:29
|
203
| |
Leave me alone (Lasst mich allein), song for voice & piano, B. 157/1 (Op. 82/1) | |
4:05
|
203
| |
Leave me alone (Lasst mich allein), song for voice & piano, B. 157/1 (Op. 82/1) | |
4:05
|
204
| |
Fekete fód / Asszonyok, for voice & piano - 1. Fekete fód / 2. Asszonyok | |
2:40
|
204
| |
Fekete fód / Asszonyok, for voice & piano - 1. Fekete fód / 2. Asszonyok | |
2:40
|
205
| |
Salvator Rosa, opera - Act 3. Di sposo, di padre | |
2:59
|
205
| |
Salvator Rosa, opera - Act 3. Di sposo, di padre | |
2:59
|
206
| |
The Sierra Nevada Was Covered with Mist, for voice & piano | |
2:20
|
206
| |
The Sierra Nevada Was Covered with Mist, for voice & piano | |
2:20
|
207
| |
Háry János, opera, Op. 15 - 9. Tiszán innen, Dunán tûl | |
4:09
|
207
| |
Háry János, opera, Op. 15 - 9. Tiszán innen, Dunán tûl | |
4:09
|
208
| |
Poems by Nekrasov (21) for voice & piano, Op. 62 - No. 17, Hunger | |
3:05
|
208
| |
Poems by Nekrasov (21) for voice & piano, Op. 62 - No. 17, Hunger | |
3:05
|
209
| |
Tranquility for voice & piano | |
3:11
|
209
| |
Tranquility for voice & piano | |
3:11
|